(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String
Method) Written by Brenda
Mitchell, Joanne Erwin,
Kathleen Horvath, Robert
D McCashin. Instructional
book and accompaniment CD
for double bass. Series:
New Directions for
Strings. 56 pages.
Published by The FJH
Music Company Inc.
Double Bass Starter Contre Basse [Partition + CD] - Facile De Haske Publications
Double Bass - easy SKU: BT.DHP-1115113-400 22 Pieces in various styles...(+)
Double Bass - easy
SKU:
BT.DHP-1115113-400
22 Pieces in various
styles. Composed by
Ruud van der Meulen. Book
with CD. Composed 2011.
32 pages. De Haske
Publications #DHP
1115113-400. Published by
De Haske Publications
(BT.DHP-1115113-400).
ISBN 9789043139205.
9x12 inches.
English-German-French-Dut
ch.
In Double
Bass Starter you will
find a variety of tunes
for beginner double bass
players - young as well
as old. It is a fantastic
album, with a solid
methodical structure. A
range of styles is
featured, from classical
to jazz and pop. The
tunes can be picked or
bowed. The CD features
demo tracks together with
play-along tracks for
each piece.
In
Double Bass
Starter zijn
verschillende stukken
voor beginners op de
contrabas verzameld. Het
is zowel een geweldig
speelboek als een goed
doordachte aanvulling op
het gebruikelijke
lesmateriaal. Allerlei
stijlen passerende revue
- van klassiek tot pop.
Alle stukken kunnen zowel
pizzicato als con arco
worden
gespeeld.
In
Double Bass
Starter sind
vielfältige Stu?cke
fu?r Anfänger auf dem
Kontrabass versammelt. Es
ist zugleich ein
fantastisches Spielbuch
und sehr lehrreiches
Zusatzmaterial fu?r den
Unterricht mit einem
durchdachten methodischen
Aufbau. Allerlei Stile
kommen darin an die Reihe
- von Klassik u?ber Jazz
bis hin zu Pop. Alle
Stu?cke können sowohl
gezupft als auch
gestrichen werden.Die CD
bietet sowohl Demo- als
auch Play-Along Tracks
an.
In
Double Bass
Starter troverete una
variet di pezzi per
avviare i principianti
allo studio del
contrabbasso. Oltre al
materiale pedagogico
utile a supportare
l'insegnamento, vengono
anche trattati tutti i
generi musicali dalla
classica al jazz al
pop.
Double bass SKU: BA.BA10401-85 Composed by Antonin Dvorak. Edited by Robe...(+)
Double bass
SKU:
BA.BA10401-85
Composed by Antonin
Dvorak. Edited by Robert
Simon. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 45/1. 7
pages. Baerenreiter
Verlag #BA10401_85.
Published by Baerenreiter
Verlag (BA.BA10401-85).
ISBN 9790260108226.
32.5 x 25.5 cm inches.
Key: D major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA06999-85 Composed by Edouard Lalo. Edited by Hugh M...(+)
Double bass
SKU:
BA.BA06999-85
Composed by Edouard Lalo.
Edited by Hugh MacDonald.
This edition: Urtext
edition. Stapled.
Barenreiter Urtext.
Orchestral part. 8 pages.
Duration 26 minutes.
Baerenreiter Verlag
#BA06999_85. Published by
Baerenreiter Verlag
(BA.BA06999-85).
ISBN
9790006531899. 32.5 x
25.5 cm inches. Key: D
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
The Instrumental Series. Composed by Richard F. Grunow / Edwin E. Gordon ...(+)
The Instrumental
Series. Composed by
Richard F. Grunow / Edwin
E. Gordon / Christopher
D. Azzara. Method Book.
Jump Right In. Music
Education. Book and CD.
48 pages. GIA
Publications #J329.
Published by GIA
Publications (GI.G-J329).
The Instrumental Series. Composed by Richard F. Grunow / Edwin E. Gordon ...(+)
The Instrumental
Series. Composed by
Richard F. Grunow / Edwin
E. Gordon / Christopher
D. Azzara. Method Book.
Jump Right In. Music
Education. Book and CD.
48 pages. GIA
Publications #J338.
Published by GIA
Publications (GI.G-J338).
Double Bass Concerto. (Double Bass and Piano). By Jean Francaix (1912-1997) and ...(+)
Double Bass Concerto.
(Double Bass and Piano).
By Jean Francaix
(1912-1997) and Jean
Fran. For Double Bass,
Piano.
Kontrabass-Bibliothek
(Double Bass Library).
Piano Reduction with Solo
Part. 40 pages. Schott
Music #KBB3. Published by
Schott Music
Pression Contre Basse [Conducteur] Breitkopf & Härtel
Double bass solo SKU: BR.EB-9268 Revised Version 2010. Composed by...(+)
Double bass solo
SKU:
BR.EB-9268
Revised
Version 2010.
Composed by Helmut
Lachenmann. Arranged by
Caleb Salgado. Solo
instruments; Folder.
Edition Breitkopf. Music
post-1945; New music
(post-2000). Score.
Composed 1969/2010. 26
pages. Duration 9'.
Breitkopf and Haertel #EB
9268. Published by
Breitkopf and Haertel
(BR.EB-9268).
ISBN
9790004185681. 12 x 9
inches.
This piece
originated as an
introduction to
instrumental
musique-concrete. In this
sort of piece it is
common for sound
phenomena to be so
refined and organised
that they are not so much
the results of musical
experiences as of their
own acoustic attributes.
Timbres, dynamics and so
on arise not of their own
volition but as
components of a concrete
situation characterised
by texture, consistency,
energy, resistance.This
does not come from within
but from a liberated
compositional technique.
At the same time it
implies that our
customary sharply-honed
auditory habit is
thwarted. The result is
aesthetic provocation:
beauty denying
habit.(Helmut
Lachenmann),,Cette
nouvelle edition est une
invitation faite aux
violoncellistes qui
souhaiteraient
redecouvrir leur
instrument et la maniere
de la faire sonner en
realisant dessus un
nouveau genre de
polyphonie: une
polyphonie d'actions.
(Francois-Xavier Feron,
Circuit, Heft 25, Juni
2015)CDs/LPs:Michael Bach
CD cpo 999 102-2 Lucas
Fels CD Montaigne Auvidis
MO 782075 Walter Grimmer
CD col legno WWE 31863
Taco Kooistra CD Attacca
Babel 9369-1 Pierre
Strauch CD Accord 202082
Michael Bach LP ABE ERZ
1003 Werner Taube LP ABE
ERZ 1003ensemble
phorminxCD WER 6682
2Michael M. KasperCD
Michael M. Kasper rounds
per minute, Ensemble
Modern Medien,
EMCD-006Michael Svoboda
(trombone)CD Wittener
Tage fur neue Kammermusik
2011Bibliography:Deltz,
Eberhard: begegnung im
grenzbereich. Zwei Werke
von Helmut Lachenmann und
Hideaki Yamanobe im
Spiegel eines Haiku von
Matsuo Basho, in: Neue
Zeitschrift fur Musik 167
(2006), Heft 1, pp.
36-41.Feron,
Francois-Xavier: Enjeux
et evolution du systeme
de notation dans
,,Pression pour un(e)
violoncelliste de Helmut
Lachenmann, in: Circuit,
Heft 25, 2015, pp.
55-65.GoGwilt, Keir:
Templates for Technique
in Mantel and Lachenmann.
Between Transcendence and
Immanence, in: The Dark
Precursor: Deleuze and
Artistic Research. Band
I: The Dark Precursor in
Sound and Writing, hrsg.
von Paulo de Assis und
Paolo Giudici, Leuven:
Leuven University Press
2017, pp.
105-113.Griffiths, Paul:
ModernMusic and After,
3rd edition, Oxford
University Press 2010,
pp. 216-219.Handschick,
Matthias: Musik als
,,Medium der sich selbst
erfahrenden Wahrnehmung.
Moglichkeiten der
Vermittlung Neuer Musik
unter dem Aspekt der
Auflosung und Reflexion
von Gestalthaftigkeit (=
Schriften der Hochschule
fur Musik Freiburg 3),
Hildesheim u. a.: Olms
2015, dort pp.
161-167.Hiekel, Jorn
Peter: Helmut Lachenmann
und seine Zeit, Laaber:
Laaber 2023, S. 169-172,
231-232.Jahn, Hans-Peter:
simultan eine Erinnerung,
in: Neue Zeitschrift fur
Musik 167 (2006), Heft 1,
pp. 12-15.Lessing,
Wolfgang: Musizieren als
Prozess. Zur didaktischen
Dimension von Helmut
Lachenmanns Pression, in:
Musik inszeniert.
Prasentation und
Vermittlung
zeitgenossischer Musik
heute, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 46),
Mainz u. a.: Schott 2006,
pp. 73-83.ders.:
Verweigerung von
Gewohnheit.
Instrumentaldidaktische
Annaherungen an Pression
von Helmut Lachenmann,
in: Darstellen und
Mitteilen. Ein Handbuch
der musikalischen
Interpretation, hrsg. von
Ursula Brandstatter,
Martin Losert, Christoph
Richter und Andrea Welte,
Mainz: Schott 2010, pp.
111-122.ders.:
Interpretation, Verstehen
und Vermittlung, in: Ans
Licht gebracht. Zur
Interpretation Neuer
Musik, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 53),
Mainz u. a.: Schott 2013,
pp. 24-39.Mosch, Ulrich:
Das Unberuhrte beruhren
Anmerkungen zur
Interpretation von Helmut
Lachenmanns Werken
Pression und Allegro
sostenuto, in: Musik
inszeniert. Prasentation
und Vermittlung
zeitgenossischer Musik
heute, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 46),
Mainz u. a.: Schott 2006,
pp. 25-46.Musik als
Bildkritik Gesprach
zwischen Gottfried Boehm,
Helmut Lachenmann und
Matteo Nanni, in: Helmut
Lachenmann: Musik mit
Bildern? Hrsg. von Matteo
Nanni und Matthias
Schmidt (= eikones, hrsg.
von Nationalen
Forschungsschwerpunkt
Bildkritik an der
Universitat Basel),
Munchen: Wilhelm Fink
2012, pp.
237-269.Neuwirth, Markus:
Strukturell vermittelte
Magie.
Kognitionswissenschaftlic
he Annaherungen an Helmut
Lachenmanns Pression und
Allegro sostenuto, in:
Musik als
Wahrnehmungskunst.
Untersuchungen zu
Kompositionsmethodik und
Horasthetik bei Helmut
Lachenmann, hrsg. von
Christian Utz und Clemens
Gadenstatter (=
musik.theorien der
gegenwart 2),
Saarbrucken: Pfau 2008,
pp. 73-100.Orning, Tanja:
The Polyphonic Performer.
A Study of Performance
Practice in Music for
Cello Solo by Morton
Feldman, Helmut
Lachenmann, Klaus K.
Hubler and Simon
Steen-Andersen, Diss.
Oslo 2014, Oslo:
NMH-publikasjoner (mit
DVD).Sparrer,
Walter-Wolfgang: Wider
den geolten Gleichlauf.
Von der Notwendigkeit
strukturierender
Verfahrensweisen bei der
Interpretation von Musik.
Modell I: Kompositionen
fur Violoncello solo von
J. S. Bach, Isang Yun und
Helmut Lachenmann, in:
Musikalische Produktion
und Interpretation, hrsg.
von Otto Kolleritsch,
Wien/Graz 2003 (= Studien
zur Wertungsforschung,
Band 43), pp. 75-100.Utz,
Christian: Erinnerte
Gestalt und gebannter
Augenblick. Zur Analyse
und Interpretation
post-tonaler Musik als
Wahrnehmungspraxis
Klangorganisation und
Zeiterfahrung bei Morton
Feldman, Helmut
Lachenmann und Brian
Ferneyhough, in: Ans
Licht gebracht. Zur
Interpretation Neuer
Musik, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 53),
Mainz u. a.: Schott 2013,
pp. 40-67.
World
premiere: Como (Autunno
musicale), September 30,
1970.
Double bass SKU: GI.G-J328 The Instrumental Series. Composed by Ch...(+)
Double bass
SKU:
GI.G-J328
The
Instrumental Series.
Composed by Christopher
D. Azzara, Edwin E.
Gordon, and Richard F.
Grunow. Method Book. Jump
Right In. Music
Education. CD only. GIA
Publications #J328.
Published by GIA
Publications (GI.G-J328).
English.
The
newly revised Jump Right
In: The Instrumental
Series for Strings
incorporates hundreds of
improvements designed to
make the series
practical, engaging, and,
most of all, musical.
Like its counterparts for
winds and recorder, the
string series includes
high-quality CD
recordings of folk songs
and melodies and
performances by some of
the world’s
greatest musicians. And,
of course, this series
incorporates the latest
research and is sequenced
according to Edwin E.
Gordon’s Music
Learning Theory. The
522-page Teacher’s
Guide incorporates all of
Book 1 and 2 and includes
complete lesson plans, an
introduction to Music
Learning Theory,
connections to the
National Standards, and
information on testing,
recruiting, scheduling,
and many other critical
issues.
Double bass SKU: BA.BA08841-85 Composed by Claude Debussy. Edited by Doug...(+)
Double bass
SKU:
BA.BA08841-85
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 3 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_85. Published by
Baerenreiter Verlag
(BA.BA08841-85).
ISBN
9790006541256. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass solo SKU: GI.G-J221 The Instrumental Series. Composed ...(+)
Double bass solo
SKU:
GI.G-J221
The
Instrumental Series.
Composed by Christopher
D. Azzara, Edwin E.
Gordon, and Richard F.
Grunow. Method Book. Jump
Right In. Music
Education. Book. 32
pages. GIA Publications
#J221. Published by GIA
Publications (GI.G-J221).
English.
The
newly revised Jump Right
In: The Instrumental
Series for Strings
incorporates hundreds of
improvements designed to
make the series
practical, engaging, and,
most of all, musical.
Like its counterparts for
winds and recorder, the
string series includes
high-quality CD
recordings of folk songs
and melodies and
performances by some of
the worldâ??s greatest
musicians. And, of
course, this series
incorporates the latest
research and is sequenced
according to Edwin E.
Gordonâ??s Music
Learning Theory. The
522-page Teacherâ??s
Guide incorporates all of
Book 1 and 2 and includes
complete lesson plans, an
introduction to Music
Learning Theory,
connections to the
National Standards, and
information on testing,
recruiting, scheduling,
and many other critical
issues.
Double bass SKU: GI.G-J337 The Instrumental Series. Composed by Ch...(+)
Double bass
SKU:
GI.G-J337
The
Instrumental Series.
Composed by Christopher
D. Azzara, Edwin E.
Gordon, and Richard F.
Grunow. Method Book. Jump
Right In. Music
Education. Book. 48
pages. GIA Publications
#J337. Published by GIA
Publications (GI.G-J337).
ISBN 9781579994636.
English.
The newly
revised Jump Right In:
The Instrumental Series
for Strings incorporates
hundreds of improvements
designed to make the
series practical,
engaging, and, most of
all, musical. Like its
counterparts for winds
and recorder, the string
series includes
high-quality CD
recordings of folk songs
and melodies and
performances by some of
the world’s
greatest musicians. And,
of course, this series
incorporates the latest
research and is sequenced
according to Edwin E.
Gordon’s Music
Learning Theory. The
522-page Teacher’s
Guide incorporates all of
Book 1 and 2 and includes
complete lesson plans, an
introduction to Music
Learning Theory,
connections to the
National Standards, and
information on testing,
recruiting, scheduling,
and many other critical
issues.
Double bass SKU: GI.G-J166 The Instrumental Series. Composed by Ch...(+)
Double bass
SKU:
GI.G-J166
The
Instrumental Series.
Composed by Christopher
D. Azzara, Edwin E.
Gordon, and Richard F.
Grunow. Method Book. Jump
Right In. Music
Education. Book. 32
pages. GIA Publications
#J166. Published by GIA
Publications (GI.G-J166).
English.
The
newly revised Jump Right
In: The Instrumental
Series for Strings
incorporates hundreds of
improvements designed to
make the series
practical, engaging, and,
most of all, musical.
Like its counterparts for
winds and recorder, the
string series includes
high-quality CD
recordings of folk songs
and melodies and
performances by some of
the world’s
greatest musicians. And,
of course, this series
incorporates the latest
research and is sequenced
according to Edwin E.
Gordon’s Music
Learning Theory. The
522-page Teacher’s
Guide incorporates all of
Book 1 and 2 and includes
complete lesson plans, an
introduction to Music
Learning Theory,
connections to the
National Standards, and
information on testing,
recruiting, scheduling,
and many other critical
issues.
Double Bass SKU: BT.ARMEMAN177 40 studi per contrabbasso sui colpi d'a...(+)
Double Bass
SKU:
BT.ARMEMAN177
40
studi per contrabbasso
sui colpi d'arco con
l'uso della voce.
Composed by Franco
Benati. Score Only.
Armelin Musica s.a.s.
#ARMEMAN177. Published by
Armelin Musica s.a.s.
(BT.ARMEMAN177).
Capriccios, Solos, and Reflexes. By Miloslav Gajdos. Text: Gregory Sarchet; Milo...(+)
Capriccios, Solos, and
Reflexes. By Miloslav
Gajdos. Text: Gregory
Sarchet; Miloslav Gajdos.
For Double Bass. Solo
part. 23 pages. Published
by Theodore Presser
Company.
Double Bass Solo 2 by Keith Hartley. For Double bass solo. Double Bass. Double B...(+)
Double Bass Solo 2 by
Keith Hartley. For Double
bass solo. Double Bass.
Double Bass Solo. Double
bass solos. 40 pages.
Published by Oxford
University Press