130 Easy Concert Pieces from 6 Centuries for Guitar. Composed by Various. Ed...(+)
130 Easy Concert Pieces
from
6 Centuries for Guitar.
Composed by Various.
Edited
by Martin Hegel. Guitar.
Softcover. 124 pages.
Schott
Music #ED22626. Published
by
Schott Music
Guitar - very easy to easy SKU: HL.49044752 Mein erstes Konzart: 44 le...(+)
Guitar - very easy to
easy
SKU:
HL.49044752
Mein
erstes Konzart: 44
leichte Gitarrenstucke
aus 5 Jahrhunderten.
Edited by Bruno
Szordikowski and Peter
Ansorge. This edition:
Saddle stitching. Sheet
music. Guitar. Die
Auswahl der uberwiegend
originalen Werke ist nach
Epochen gegliedert und
bietet so auch ein
kleines Panorama der
Geschichte der Gitarren-
und Lautenmusik von John
Dowland uber Gaspar Sanz
bis zu Leo Brouwer.
Children, Classical,
German Edition.
Softcover. 32 pages.
Schott Music #ED 22050.
Published by Schott Music
(HL.49044752).
ISBN
9783795749576. UPC:
841886023826.
9.0x12.0x0.14
inches.
Giving your
first concert is a
special occasion for any
young musician,
motivating players to
keep working at their
instrument and music
making. Making this a
positive experience
involves choosing pieces
that are technically and
musically manageable, so
we have chosen 44 easy
and well-known solo
pieces, all tried and
tested in lessons and
youth music competitions.
This selection of works
mainly written for the
guitar is arranged in
periods of composition,
providing a little window
on the history of guitar
and lute music. TEXT IN
GERMAN AND ENGLISH.
44 Easy Guitar Pieces from 5 Centuries. Edited by Peter Ansorge and Bruno Szordi...(+)
44 Easy Guitar Pieces
from 5 Centuries. Edited
by Peter Ansorge and
Bruno Szordikowski. This
edition: Saddle
stitching. Sheet music
with CD. Guitar. Die
Auswahl der uberwiegend
originalen Werke ist nach
Epochen gegliedert und
bietet so auch ein
kleines Panorama der
Geschichte der Gitarren-
und Lautenmusik von John
Dowland uber Gaspar Sanz
bis zu Leo Brouwer.
Edition with CD. 32
pages. Schott Music #ED
20601. Published by
Schott Music
With online audio and video. Composed by Stanley Yates. Spiral-bound. Mod...(+)
With online audio and
video. Composed by
Stanley Yates.
Spiral-bound. Modern
Guitar Method. Book and
online audio/video.
Published by Mel Bay
Publications, Inc
(MB.21548M).
Composed by Paolo Ugoletti Andrea Vezzoli. Edited by Piero Bonaguri and Raffae...(+)
Composed by Paolo
Ugoletti
Andrea Vezzoli. Edited by
Piero Bonaguri and
Raffaello
Ravasio. Saddle
stitching.
Piero Bonaguri
Collection.
Classical. Ut Orpheus #CH
254.
Published by Ut Orpheus
(With a CD of Performance and Backing Tracks Book/CD (54 pieces)). By Various. E...(+)
(With a CD of Performance
and Backing Tracks
Book/CD (54 pieces)). By
Various. Edited by Bruno
Szordikowski, Martin
Hegel, and Peter Ansorge.
For Guitar (Guitar).
Guitar. Softcover with
CD. 32 pages. Schott
Music #ED21636. Published
by Schott Music (HL.49
Guitar - intermediate SKU: BT.SY-2953 Revidierte Neuausgabe von Michae...(+)
Guitar - intermediate
SKU: BT.SY-2953
Revidierte Neuausgabe
von Michael Koch.
Method. Book, CD and
Audio Online. Composed
2018. 132 pages. Ricordi
#SY 2953. Published by
Ricordi (BT.SY-2953).
German.
DIE NEUE
GITARRENSCHULE by Heinz
Teuchert is one of the
most successful methods
for classical guitar in
German. Since it was
first published in 1983,
the guitar technique has
evolved in many respects
so that the need of a
revised edition has
become more and more
evident. Prof. Michael
Koch has taken up this
mission and now presents
the revised method in two
volumes: the texts, parts
of the playing material,
and the appearance of the
books have been
modernized while
preserving
Teuchertââ¬â¢s
methodical approach and
the underlying structure
of the method. One of its
strengths is the
diversity in terms of
playing techniques and
musical styles not only
solo playing but also
fingerpicking styles,
flamenco techniques, and
song accompaniment are
taught. The BOOK CD AUDIO
ONLINE packs also feature
demonstration and
play-along recordings of
many pieces included in
the books.
DIE
NEUE GITARRENSCHULE von
Heinz Teuchert gilt als
Standardwerk unter den
deutschsprachigen
Lehrbüchern
für klassische
Gitarre. Seit ihrer
Erstveröffentlichu
ng im Jahr 1983 hat sich
die Gitarren-Spieltechnik
beträchtlich
weiterentwickelt, sodass
die Notwendigkeit einer
ÃÅberarbeitung des
Schulwerks immer
deutlicher zutage trat.
Prof. Michael Koch hat
sich dieser Aufgabe
angenommen und die
revidierte Neuausgabe in
zwei Bänden
vorgelegt: Die Texte,
Teile des Spielmaterials
sowie das
Erscheinungsbild wurden
modernisiert,
während Teucherts
methodischer Ansatz und
die grundlegende Struktur
des Schulwerks
beibehalten wurden.
DIE NEUE GITARRENSCHULE
zeichnet sich
insbesondere durch ihre
Vielseitigkeit aus, was
die behandelten
Spieltechniken und
musikalischen
Stilrichtungen angeht:
Neben dem Solospiel
werden auch das
Fingerpicking, der
Flamenco und die
Liedbegleitung mit
Akkorden vermittelt.
Demo- und
Mitspielaufnahmen vieler
der enthaltenen
Stücke stehen
sowohl auf der
beigefügten CD als
auch online im MP3-Format
zur Verfügung.
26 Pieces for Guitar. Composed by Ferdinando Carulli (1770-1841). Edited by d...(+)
26 Pieces for Guitar.
Composed by Ferdinando
Carulli (1770-1841).
Edited
by dé, Fré, and ric
Zigante.
Max Eschig. Softcover.
Editions Max Eschig
#DF16666.
Published by Editions Max
Eschig
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Guitar - advanced to difficult SKU: HL.49045125 For Solo Guitar. C...(+)
Guitar - advanced to
difficult
SKU:
HL.49045125
For
Solo Guitar. Composed
by Thomas Fellow. This
edition: Saddle
stitching. Sheet music.
Guitar. Der 1. Band der
neuen Reihe Fellow Guitar
Music Collection, in der
von Thomas Fellow
Ausgaben mit moderner
Gitarrenmusik
herausgegeben werden.
Classical. Softcover. 16
pages. Schott Music
#ED22595. Published by
Schott Music
(HL.49045125).
ISBN
9790001161350. UPC:
841886028371.
9.0x12.0x0.093
inches.
The
exceptional guitarist
Thomas Fellow (European
Guitar Quartet, Friend 'n
Fellow, Hands On Strings)
has dedicated a musical
tribute to the
fascinating figure of
MEDUSA from Greek
mythology.The result is a
wild concert piece with
folk sounds and
surprising changes of
time, describing
intensively the
intricate, literally
drop-dead impressive
character of
Medusa.'Medusa' is the
first volume of the new
series 'Fellow Guitar
Music Collection' in
which Thomas Fellow
publishes modern guitar
music editions.
Beethoven,
Saddle-stitched.
Classics. Book. 116
pages. Mel Bay
Publications, Inc #30829.
Published by Mel Bay
Publications, Inc
(MB.30829).
ISBN
9781513465753. 8.75x11.75
inches.
This
publication presents a
lightly modernized, fully
corrected, reliable
edition of Francisco
T?rrega?s more idiomatic
transcriptions and
arrangements for the
classic guitar. T?rrega,
who was also an able
pianist, chose works by
diverse composers such as
Ludwig van Beethoven,
Fr?d?ric Chopin, and
Robert Schumann to
arrange for his own
guitar performances,
greatly expanding the
concert guitar repertoire
of his time.This
publication provides
today?s players with a
dependable edition of
these works that can be
seamlessly incorporated
into any modern concert
program. Written in
standard notation only
for the intermediate to
advanced guitarist, this
collection features
pieces that were less
commonly heard on the
guitar and sound
remarkably fresh to this
day.
Composed by Fernando Sor (1778-1839). Edited by Frederic Zigante. Editions ...(+)
Composed by Fernando Sor
(1778-1839). Edited by
Frederic Zigante.
Editions
Durand. Classical.
Softcover.
52 pages. Editions Durand
#DF16285. Published by
Editions Durand
Guitar SKU: UT.CH-387 Composed by Ferdinando Carulli. Edited by Romolo Ca...(+)
Guitar
SKU:
UT.CH-387
Composed by
Ferdinando Carulli.
Edited by Romolo
Calandruccio. Classical.
Score. Ut Orpheus #CH
387. Published by Ut
Orpheus (UT.CH-387).
ISBN 9790215328235. 9
x 12 inches.
Opus
114 is certainly one of
Carulliâ??s most
important didactic works,
so much so that the
author himself made a
point of writing in the
second edition of his
famous Method op. 27
(1819): The student, when
moving on to the second
part, must continue to
practise on the easy
pieces which are to be
found in opus nos. 50,
15, 35, 36, 93, 7 and
above all in opus 114. He
maintained this
indication also in later
editions of the Method
itself, unlike what he
did with other
collections of studies
which were no longer
recommended. The
purpose of op. 114, in
particular of the
preludes, is clearly
explained by the author
himself in the preface of
op. 265: I have already
offered preludes in my
opus nos. 71 and 114 to
people, but they serve to
study and learn to play
all sorts of difficult
passages, to practise
modulating, and learn to
improvise on the guitar.
Carulli seems to want to
provide his students with
a large handbook of
formulas typical of his
musical writing and he
does so by making use of
the keys which, in his
opinion, are most
congenial to the guitar.
In his Method he points
out: Each instrument has
its favourite keys: the
guitar can be played in
all keys, but the best
ones are: A major and
minor, D major and minor,
E major and minor, C, G,
F. The others are
difficult; [â?¦].
However, some of the
difficult ones are
included but only in the
fourth part. Of course,
the easiness of a key
essentially depends on
the possibility of
extensive use of the open
strings, especially in
the low notes, ensuring
the accompaniment on the
main degrees. This
edition has some unique
features. First of all,
it is the first complete
modern edition of
Carulliâ??s op. 114; it
presents an important
critical apparatus in
which the Carullian
technique is presented
and analysed; finally,
Carulli's original
fingering is indicated in
the score (including that
of the thumb of the left
hand) and the missing one
was obtained from the
comparison of his other
fingerings present in
other works. All this
allows an easy and
complete reading both for
those who perform the
pieces following the
nineteenth-century
performance practice with
a historical instrument,
and for those who play a
modern instrument.
Book/Online Audio Guitar SKU: HL.1447614 Composed by Various. Arranged by...(+)
Book/Online Audio Guitar
SKU: HL.1447614
Composed by Various.
Arranged by David V.
Montoya. Guitar.
Classical. Softcover
Audio Online. 128 pages.
Duration 165 seconds.
Published by Centerstream
Publications
(HL.1447614).
ISBN
9781574244212. UPC:
196288207351.
8.5x11.0x0.341
inches.
Get ready
to develop your
performance skills and
musicianship, and take
your playing to the next
level with Solos and
Duets for Classical
Guitar! This book has a
little something for
every guitarist, but
mainly, it is an
opportunity for creative
musicians to take their
guitar skills to the next
level. If you are new to
classical guitar, you
will find manageable,
memorable classics as
well as new arrangements
of modern masters. If you
are an experienced
guitarist, you will find
many works to challenge
your technical
performance and reading
abilities. If you need
additional help of
tablature and/or audio
recordings, these are
available to you for
every piece. On these
pages, you will find
music by master educators
and musicians, including
J.S. Bach, Béla Bartok,
Domenico Cimarosa, Hamza
El Din, George
Heussenstamm, William
Allaudin Mathieu, Nelson
Montalvo, W.A. Mozart,
Alessandro Scarlatti, and
Robert Schumann. Many of
the included selections
are transcriptions from
works for toher new
instruments and some are
original guitar works
that now appear in print
for the very first time!
You will find many
beautiful solos and
duets, and even some
guitar quartet exercises
to lead you into ensemble
playing.
Guitar Solo SKU: IS.G6761EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6761EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6761EM.
Published by Metropolis
Music Publishers
(IS.G6761EM).
Guitar SKU: SU.33000600 For Guitar. Composed by Leonardo Balada. G...(+)
Guitar
SKU:
SU.33000600
For
Guitar. Composed by
Leonardo Balada. Guitar.
Score. Subito Music
Corporation #33000600.
Published by Subito Music
Corporation
(SU.33000600).
This piece for
guitar is freely based on
some of the ideas from
Joaquin Rodrigo's
Concierto de
AranjuezThere ferences to
Rodrigo are not all the
time obvious and the work
presents a simbiosis of
modernistic or atonal
materials in combination
with the ideas of the
composition on which the
work is based. Guitar
Duration: 8' Composed:
2017 Published by: Beteca
Music.
by Anthony Glise. For classic guitar. Anthony Glise Urtext. Classic. Level: Mult...(+)
by Anthony Glise. For
classic guitar. Anthony
Glise Urtext. Classic.
Level: Multiple Levels.
Book. Reference. Size
8.75x11.75. 282 pages.
Published by Mel Bay
Pub., Inc.
10 Contemporary Classical
Guitar Solos.
Saddle-stitched,
World. Classical Guitar.
Book
and online audio. Mel Bay
Publications, Inc
#30979M.
Published by Mel Bay
Publications, Inc
Solo guitar SKU: PE.EP68585 5 Pieces. Composed by John Cage. Arran...(+)
Solo guitar
SKU:
PE.EP68585
5
Pieces. Composed by
John Cage. Arranged by
Aaron Larget-Caplan.
Guitar/Plucked
Instruments (solo).
Edition Peters. 20th
Century. Score. 24 pages.
Edition Peters
#98-EP68585. Published by
Edition Peters
(PE.EP68585).
ISBN
9790300759852. 232 x
303mm
inches.
Pian
o Music Arranged for
Guitar features five
early and mid-career
compositions by John
Cage, dating from 1933
through 1948, all
arranged for solo guitar
by Aaron Larget-Caplan.
The compositions required
little adjustment from
the originals, mainly in
the form of register
modifications, and fit
very well on the guitar.
All phrase and dynamic
markings follow the
published originals. Very
few left and right hand
fingerings are included
in the publication to
allow the performers
their own realizations.
All of the works retain
their original keys and
are presented in
chronological
order:
Three Easy Pieces
(Round, Duo, Infinite
Cannon)
A
Room
Chess
Pieces
Dream
In A
Landscape
Cage’s
exploration of
contrapuntal music and
simple forms are found
early on in works for two
voices and the use of
unusual phrases lengths.
The later works explore
modes, resonance, and
begin to show influences
of Far East aesthetics in
their spaciousness and
dealings with
time.
The
collection is only the
second work in the Cage
Oeuvre to be published
featuring the guitar, the
first being
Larget-Caplan’s
arrangement of ‘Six
Melodies’ for
violin & guitar
issued in
2015.
A recording dedicated to
John Cage on guitar will
be released in 2018 on
Stone Records Limited
(UK).
Guitar SKU: HL.49047072 18 Crossover Pieces Advanced Players For Solo ...(+)
Guitar
SKU:
HL.49047072
18
Crossover Pieces Advanced
Players For Solo
Guitar. Composed by
Thomas Fellow. Guitar.
Brazilian, Classical,
Jazz, Pop. Softcover. 76
pages. Schott Music
#ED23481. Published by
Schott Music
(HL.49047072).
UPC:
196288115038.
Thoma
s Fellow, author of the
successful standard work
Fellow Guitar Book and
guitarist who gives
concerts worldwide
(European GuitarQuartet,
Friend `n Fellow, Hands
on Strings), expands his
Guitar Music Collection
with this and the
following volume by an
extensive number of
compositions in his own
modern, stylistically
open tonal language. This
booklet with 18
DELIGHTFUL CROSSOVER
PIECES is aimed at
interested students,
concert guitarists as
well as ambitious
amateurs. The pieces are
demanding (level of
difficulty 4 - difficult)
and, thanks to the
additional notation in
TABS, are a perfect
addition to the
repertoire of modern
guitar literature, even
for players who are not
familiar with music.
FINGERFOOD XXL Vol. 1
includes shorter
compositions (STARTER)
and a whole series of
ballads (SWEET). All
pieces are concertante,
buteach in its own way.
And so fingerstyle
influences can be
recognized as well as
Brazilian sounds,
sometimes Fellow
approaches jazz,
sometimes pop music and
always conveys joy of
playing and listening
pleasure.
Guitar SKU: GI.G-8312G Composed by Chris De Silva. This edition: Guitar e...(+)
Guitar
SKU:
GI.G-8312G
Composed
by Chris De Silva. This
edition: Guitar edition.
Holy Thursday. Tune Name:
Ubi Caritas. Sacred.
Guitar part. With guitar
chord names. 4 pages. GIA
Publications #8312G.
Published by GIA
Publications
(GI.G-8312G).
English,
Latin. Text source: Latin
chant, 9th c.
This
piece beautifully
incorporates Chris de
Silva's own adaptation of
the English translation
of Ubi Caritas with the
Latin text along with a
combination of his own
modern lyric setting
against the plainsong
chant. This is the guitar
edition.