Guitar; Christmas Music SKU: UT.CH-160 18 Easy Arrangements for Guitar...(+)
Guitar; Christmas Music
SKU: UT.CH-160
18 Easy Arrangements
for Guitar Solo.
Edited by Fabio Rizza.
Arranged by Fabio Rizza.
Saddle stitching.
Classical. 24 pages. Ut
Orpheus #CH 160.
Published by Ut Orpheus
(UT.CH-160).
ISBN
9790215320406. 9 x 12
inches.
Coventry
Carol; Down in Yon
Forest; Veni, veni
Emmanuel; El cant dels
ocells; The First Nowell;
What Child is This?
(Greensleeves); Entre le
boeuf et l'ane gris; El
noi de la mare; Away in a
Manger (The Cradle Song);
Lulajze Jezuniu; O
Tannenbaum; Les anges
dans nos campagnes;
Stille Nacht, heilige
Nacht; God Rest Ye Merry,
Gentlemen; The Wexford
Carol; Il est ne, le
divin enfant; Quanno
nascette ninno; Hark! The
Herald Angels Sing
(Mendelssohn)
Guitar SKU: HL.368607 By John Fahey. Guitar Recorded Version. Christmas. ...(+)
Guitar
SKU:
HL.368607
By John
Fahey. Guitar Recorded
Version. Christmas.
Softcover. 64 pages.
Published by Hal Leonard
(HL.368607).
ISBN
9781705141632. UPC:
840126968866.
9.0x12.0x0.19
inches.
Matching
guitar transcriptions to
Fahey's iconic 1968 album
featuring 14 guitar solo
arrangements of Christmas
classics: Auld Lang Syne
• Bells of St.
Mary's • Go I Will
Send Thee • God
Rest Ye Merry Gentlemen
Fantasy • Joy to
the World • Lo, How
a Rose E're Blooming
• Silent Night,
Holy Night • and
more.
About Hal
Leonard Guitar Recorded
Versions
G
uitar Recorded Versions
are note-for-note
transcriptions of guitar
music taken directly off
recordings. This series,
one of the most popular
in print today, features
some of the greatest
guitar players and groups
from blues, rock, and
heavy metal. Guitar
Recorded Versions are
transcribed by the best
transcribers in the
business. Every book
contains notes and
tablature.
Guitar SKU: HL.49010850 For Three Guitars. Composed by Various. Ar...(+)
Guitar
SKU:
HL.49010850
For
Three Guitars.
Composed by Various.
Arranged by Ekard Lind.
This edition: Saddle
stitching. Sheet music.
Gitarren-Archiv (Guitar
Archive). Classical.
Playing score. 18 pages.
Schott Music #GA 436.
Published by Schott Music
(HL.49010850).
ISBN
9790001096867. UPC:
073999286540.
9.0x12.0x0.075
inches.
Contents:
Ain niederlandisch runden
Dantz (Judenkunig) * In
Quadragesima (Dufay) *
Ballett (Losynthal) * Ain
schone kunstliche
underweisung: Das erste
Priamell (Judenkunig) *
Minuetto (Scarlatti) *
Bourree (de Richee) *
Allegro aus einer Canzona
(Kerll) * Fantasia
(Krieger) * Presto from
Lautensuite No. 1
(Bach).
Guitar SKU: HL.14044698 Composed by Maxime Leforestier. CARISCH - MUSIC S...(+)
Guitar
SKU:
HL.14044698
Composed
by Maxime Leforestier.
CARISCH - MUSIC SALES.
Pop and Rock. General
Merchandise. Bookmakers
International #MF2280.
Published by Bookmakers
International
(HL.14044698).
By John Levan. For Guitar (Electric). Reference. All. Level: Multiple Levels. DV...(+)
By John Levan. For Guitar
(Electric). Reference.
All. Level: Multiple
Levels. DVD. Size
5.25x7.5. Duration 22
minutes. Published by
Guitar Services Workshop.
(The Most Popular Series for Learning How to Play). By Ron Manus, L. C. Harnsber...(+)
(The Most Popular Series
for Learning How to
Play). By Ron Manus, L.
C. Harnsberger, and
Nathaniel Gunod. For
Guitar. Book; CD; Guitar
Method or Supplement;
Method/Instruction.
Alfred's Basic Guitar
Library. Rock. 64 pages.
Published by Alfred Music
(AP.4
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
By William Bay and Mike Christiansen. For Guitar (All). Methods. Mastering Guita...(+)
By William Bay and Mike
Christiansen. For Guitar
(All). Methods. Mastering
Guitar. All Styles.
Level: Beginning. Book.
Size 9x11.75. 144 pages.
Published by Mel Bay
Publications, Inc.
By Aaron Stang. For Guitar. Guitar Method or Supplement. Warner Bros. Publicatio...(+)
By Aaron Stang. For
Guitar. Guitar Method or
Supplement. Warner Bros.
Publications 21st Century
Guitar Course. Level:
Level 1. Book. 48 pages.
Published by Alfred
Publishing.
By Ron Manus, Link Harnsberger, and Nathaniel Gunod. For Guitar. Book; CD; Guita...(+)
By Ron Manus, Link
Harnsberger, and
Nathaniel Gunod. For
Guitar. Book; CD; Guitar
Method or Supplement;
Method/Instruction.
Children. 96 pages.
Published by Alfred Music
Publishing
26 Pieces for Guitar. Composed by Ferdinando Carulli (1770-1841). Edited by d...(+)
26 Pieces for Guitar.
Composed by Ferdinando
Carulli (1770-1841).
Edited
by dé, Fré, and ric
Zigante.
Max Eschig. Softcover.
Editions Max Eschig
#DF16666.
Published by Editions Max
Eschig
By William Bay; performed by Ben Bolt. For Guitar (Classical). method. You Can T...(+)
By William Bay; performed
by Ben Bolt. For Guitar
(Classical). method. You
Can Teach Yourself.
Classic. Level:
Beginning. Book CD DVD.
Size 8.75x11.75. 112
pages. Published by Mel
Bay Publications, Inc.
By Stanley Yates. For Guitar (Classical). solos. Stanley Yates Gtr. Classic. Lev...(+)
By Stanley Yates. For
Guitar (Classical).
solos. Stanley Yates Gtr.
Classic. Level:
Beginning-Intermediate.
Book. Size 8.75x11.75. 88
pages. Published by Mel
Bay Publications, Inc.