By Benjamin Britten (1913-1976). Edited by Julian Bream. For Guitar. Book; Class...(+)
By Benjamin Britten
(1913-1976). Edited by
Julian Bream. For Guitar.
Book; Classical Guitar
Solo; Masterworks. Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
24 Preludios para guitarra Guitare [Partition + Accès audio] - Intermédiaire Music Distribution Services
Guitar - intermediate to advanced SKU: M7.GHE-702-96 Composed by Manuel P...(+)
Guitar - intermediate to
advanced
SKU:
M7.GHE-702-96
Composed by Manuel Ponce.
Edited by Stefano
Grondona. This edition:
Saddle-wire stitching.
Sheet music with Online
material. Critical
Edition. MDS (Music
Distribution Services)
#GHE 702-96. Published by
MDS (Music Distribution
Services)
(M7.GHE-702-96).
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
By Emma Martinez. For Guitar (Classical). reference. Flamenco. Level: Beginning...(+)
By Emma Martinez. For
Guitar (Classical).
reference. Flamenco.
Level: Beginning. Book.
Size 8.75x11.75. 128
pages. Published by Mel
Bay Publications, Inc.
For Guitar. 'Includes an authoritative, newly engraved music score printed on hi...(+)
For Guitar. 'Includes an
authoritative, newly
engraved music score
printed on high-quality
ivory paper, containing
the solo guitar part; a
digital stereo compact
disc featuring a complete
performance of the
concerto with orchestra
and soloist, and a second
performance minus you,
the soloist; and a second
compact disc containing a
full-speed version of the
complete version as well
as a special -20%
slow-tempo version of the
accompaniment for
practice purposes. The
concerto is voluminously
indexed for your practice
and performance
convenience. Published by
Music Minus One.
Book with Online Audio & Video Guitar SKU: HL.346730 The Best Step-by-...(+)
Book with Online Audio &
Video Guitar
SKU:
HL.346730
The Best
Step-by-Step Guide to
Start Playing. Do It
Yourself. Method.
Softcover Media Online.
136 pages. Published by
Hal Leonard (HL.346730).
ISBN 9781540094797.
UPC: 840126925111.
9.0x12.0x0.329
inches.
Do-It-Yours
elf Guitar is a fun way
to get started playing on
your own. Using over 90
well-known pop and rock
tunes, you will be given
step-by-step instructions
on what you need to know
to get started and
sounding like a pro in no
time. Includes over 150
audio tracks for
demonstration and
play-along, plus video
instruction that covers
all concepts within!
Covers: Guitar
fundamentals; reading
guitar tablature;
fret-hand and pick-hand
techniques; chords &
chord progressions;
scales; techniques for
acoustic and electric
guitar; lead guitar;
fingerstyle guitar;
playing styles of famous
guitarists; demonstraton
and play-along audio
tracks; video instruction
and demonstration; and
more! The price of this
book includes access to
audio and video online,
for download or
streaming, using the
unique code found inside.
Includes PLAYBACK+, a
multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or
right–available
exclusively from Hal
Leonard.
26 Pieces for Guitar. Composed by Ferdinando Carulli (1770-1841). Edited by d...(+)
26 Pieces for Guitar.
Composed by Ferdinando
Carulli (1770-1841).
Edited
by dé, Fré, and ric
Zigante.
Max Eschig. Softcover.
Editions Max Eschig
#DF16666.
Published by Editions Max
Eschig
By John Dowland (1563-1626). Edited by Johannes Monno, Thomas Muller-Pering, Ola...(+)
By John Dowland
(1563-1626). Edited by
Johannes Monno, Thomas
Muller-Pering, Olaf Van
Gonnissen. For Guitar.
New Karl Scheit Guitar
Edition. Solo part. 16
pages. Published by
Universal Edition
A Workbook for Examinations. Composed by Paul Harris. Guitar Method or Supplem...(+)
A Workbook for
Examinations.
Composed by Paul Harris.
Guitar Method or
Supplement;
Method/Instruction;
Technique Musicianship.
Faber Edition: Improve
Your
Sight-Reading. Book.
Faber
Music #12-0571541321.
Published by Faber Music
Music of Memory Guitare Guitare classique Faber Music Limited
By Nicholas Maw (1935-). For Guitar. Classical Guitar Solo; Masterworks; Sheet; ...(+)
By Nicholas Maw (1935-).
For Guitar. Classical
Guitar Solo; Masterworks;
Sheet; Solo. Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music
16
Guitar Solos without Opus
Numbers. Composed by
Fernando Sor. Edited by
Erik Stenstadvold. This
edition: Saddle-wire
stitching. Sheet music.
New Critical Edition. 48
pages. MDS (Music
Distribution Services)
#GHE 810. Published by
MDS (Music Distribution
Services) (M7.GHE-810).
ISBN 9783890448107.
English.
This new
critical edition by
leading guitar researcher
Erik Stenstadvold
contains thematic
indexes, comprehensive
critical commentaries
based on sound and
transparent editorial
practice, copious
historical notes,
publishing history, and
some previously
unpublished repertoire.
It has been thoroughly
researched and is
produced to the highest
standards.
A Complete Course for the Beginner Guitarist!. Performed by Keith Wyatt. Dvd. DV...(+)
A Complete Course for the
Beginner Guitarist!.
Performed by Keith Wyatt.
Dvd. DVD (Digital Video
Disc). Size 5.25x7.5
inches. Published by
Hudson Music And Hal
Leonard.
(Selected by Frédéric Zigante). Composed by Various. Edited by Frédéric Zi...(+)
(Selected by Frédéric
Zigante). Composed by
Various.
Edited by Frédéric
Zigante.
For Guitar (Guitar). Max
Eschig. Softcover. 117
pages.
Max Eschig #DF15965.
Published
by Max Eschig
Guitar (jazz and contemporary) - Beginning; Intermediate; Advanced SKU: MB.94...(+)
Guitar (jazz and
contemporary) -
Beginning; Intermediate;
Advanced
SKU:
MB.94199
Composed by
Tommy Tedesco. Perfect
binding. Technique,
Theory, Reference and
Rhythm. Book. 180 pages.
Mel Bay Publications, Inc
#94199. Published by Mel
Bay Publications, Inc
(MB.94199).
ISBN
9781562223526. 8.75 x
11.75
inches.
This book was
written by one of
Americaâ??s greatest
studio guitarists, the
late Tommy Tedesco.Â
It details his approach
to mastering the guitar
and his reflections on
his remarkable career
playing for motion
picture and television
soundtracks. He
includes solos, magazine
articles he authored, his
reflections on technical
aspects of the guitar
such as sight reading,
and even several guitar
scores from motion
pictures. A wealth of
knowledge and experience
in the music industry is
contained in this
book. It is a
valuable addition to the
library of any
guitarist.Â
Music transcribed and adapted for modern guitar. By Frank Koonce. By Frank Koonc...(+)
Music transcribed and
adapted for modern
guitar. By Frank Koonce.
By Frank Koonce. For
Guitar (Classical).
Solos. Frank Koonce
Series. Early
Music/Renaissance. Level:
Intermediate. Book. 188
pages. Published by Mel
Bay Publications, Inc.
Guitar SKU: AP.12-057154133X A Workbook for Examinations. Composed...(+)
Guitar
SKU:
AP.12-057154133X
A
Workbook for
Examinations.
Composed by Paul Harris.
Guitar Method or
Supplement;
Method/Instruction;
Technique Musicianship.
Faber Edition: Improve
Your Sight-Reading. Book.
Faber Music
#12-057154133X. Published
by Faber Music
(AP.12-057154133X).
ISBN 9780571541331.
English.
Improve
Your Sight-Reading!
Guitar, Levels 4--5 is
designed to help
classical guitarists
overcome sight-reading
problems, especially in
the context of graded
exams. Step by step,
musicians build a
complete picture of each
piece, first through
rhythmic and melodic
exercises related to
specific technical
issues, then by studying
prepared pieces with
associated questions, and
finally with a series of
meticulously graded
sight-reading pieces.
Written to support the
ABRSM's sight-reading
requirements.
Guitar Poems Guitare [Partition + CD] - Facile Ricordi
Guitar - early intermediate SKU: BT.SY-2909 20 Stücke für Gitarr...(+)
Guitar - early
intermediate
SKU:
BT.SY-2909
20
Stücke für Gitarre
solo - 20 Pieces for
Guitar Solo. Composed
by Giuseppe Di Girolamo.
Book, CD and Audio
Online. Composed 2019. 28
pages. Ricordi #SY 2909.
Published by Ricordi
(BT.SY-2909).
German-English.
With appealing melodies
that would be right at
home in catchy pop songs,
Giuseppe Di Girolamoâ??s
Guitar Poems
indulges in the
overwhelming beauty of
the sound of the acoustic
guitar. This publication
contains all twelve
pieces from Letters
for You, supplemented
by eight newly-composed
titles that complete the
collection. The pieces
are presented
progressively and contain
comprehensive fingerings
to make them as
technically accessible as
possible. Guitar
Poems also includes
first-rate demo
recordings of all the
pieces, performed
especially for this
edition by the young
concert guitarist and
international
prize-winner Julia
Trintschuk.
Man
schwelgt in der ganzen
Klangschönheit der
akustischen Gitarre und
in eingängigen
Melodien, die aus guten
Pop-Songs stammen
könnten: Das ist
Guitar Poems von
Giuseppe Di Girolamo. Die
Ausgabe enthält
sämtliche zwölf
Stücke aus Letters
for You, ergänzt
um acht neu komponierte
Titel, welche die
Sammlung ideal abrunden.
Alle Stücke wurden
progressiv angeordnet und
mit Fingersätzen
versehen, um sie
technisch noch leichter
zugänglich zu machen.
Ein zusätzliches
Bonbon von Guitar
Poems sind die
erstklassigen
Demo-Aufnahmen aller
Stücke, die von der
jungen Konzertgitarristin
und mehrfachen
internationalen
Preisträgerin Julia
Trintschuk eigens für
diese Ausgabe eingespielt
wurden.