Orchestra SKU: PR.416415720 For Orchestra. Composed by Narong Pran...(+)
Orchestra
SKU:
PR.416415720
For
Orchestra. Composed
by Narong Prangcharoen.
Full score. 24 pages.
Duration 5:30. Theodore
Presser Company
#416-41572. Published by
Theodore Presser Company
(PR.416415720).
UPC:
680160636150.
Illum
inating Journey is
composed to celebrate
Maestro Carl St. Clair's
25th Anniversary season
with Pacific Symphony.
Maestro St. Clair is one
of the few conductors who
has dedicated his time to
new music and support for
living composers. I first
encountered Maestro St.
Clair in 2004 when I was
one of the finalists for
the Young Composers
Competition. After I won
that competition, I had
an opportunity to work
with Maestro St. Clair on
the piece that he
commissioned for the
Pacific Symphony in 2005.
That's the beginning of
the journey of our
friendship. Illuminating
Journey is inspired by
Maestro St. Clair's
personality and the music
he loved. The piece is
mainly based on the pitch
material from Maestro St.
Clair's name CARL which
can be translated as C =
C, A = A, R = Re, and L =
La. That pitch material
already has the character
of Illuminating sound for
the open 5th and octave.
The piece also
incorporates some musical
references that have some
meaning for Maestro St.
Clair, such as the
hopefulness of the
melodic intervals from
West Side Story, There's
a Place for Us, composed
by Leonard Bernstein, who
was also Maestro St.
Clair's mentor.
Illuminating Journey
starts with the rhythmic
motion of the pitch C and
moves on to create a set
of pitches. The note C
functions as a center for
the endless energy of
this piece and creates a
triumphant ending. I
would personally like to
thank Maestro St. Clair
for his dedication on my
music and his friendship
throughout the past 10
years. The work with
Maestro St. Clair and the
Pacific Symphony was an
early step in my career
as a composer. I often
mentioned that I may not
be able to come this far
without that part of my
life. Thank you very
much, Maestro St. Clair
and the Pacific Symphony.
Let's celebrate our
Illuminating Journey
together.
Orchestra SKU: PR.41641572L For Orchestra. Composed by Narong Pran...(+)
Orchestra
SKU:
PR.41641572L
For
Orchestra. Composed
by Narong Prangcharoen.
Large Score. 24 pages.
Duration 5:30. Theodore
Presser Company
#416-41572L. Published by
Theodore Presser Company
(PR.41641572L).
UPC:
680160636167.
Illum
inating Journey is
composed to celebrate
Maestro Carl St. Clair's
25th Anniversary season
with Pacific Symphony.
Maestro St. Clair is one
of the few conductors who
has dedicated his time to
new music and support for
living composers. I first
encountered Maestro St.
Clair in 2004 when I was
one of the finalists for
the Young Composers
Competition. After I won
that competition, I had
an opportunity to work
with Maestro St. Clair on
the piece that he
commissioned for the
Pacific Symphony in 2005.
That's the beginning of
the journey of our
friendship. Illuminating
Journey is inspired by
Maestro St. Clair's
personality and the music
he loved. The piece is
mainly based on the pitch
material from Maestro St.
Clair's name CARL which
can be translated as C =
C, A = A, R = Re, and L =
La. That pitch material
already has the character
of Illuminating sound for
the open 5th and octave.
The piece also
incorporates some musical
references that have some
meaning for Maestro St.
Clair, such as the
hopefulness of the
melodic intervals from
West Side Story, There's
a Place for Us, composed
by Leonard Bernstein, who
was also Maestro St.
Clair's mentor.
Illuminating Journey
starts with the rhythmic
motion of the pitch C and
moves on to create a set
of pitches. The note C
functions as a center for
the endless energy of
this piece and creates a
triumphant ending. I
would personally like to
thank Maestro St. Clair
for his dedication on my
music and his friendship
throughout the past 10
years. The work with
Maestro St. Clair and the
Pacific Symphony was an
early step in my career
as a composer. I often
mentioned that I may not
be able to come this far
without that part of my
life. Thank you very
much, Maestro St. Clair
and the Pacific Symphony.
Let's celebrate our
Illuminating Journey
together.
Orchestra SKU: HL.50495863 An Illumination For Orchestra - Partitura(+)
Orchestra
SKU:
HL.50495863
An
Illumination For
Orchestra -
Partitura. Composed
by Isidora Äebeljan.
MGB. Contemporary Music.
Score Only. Composed
2006. Ricordi #NR139322.
Published by Ricordi
(HL.50495863).
Orchestra (Orchestra) SKU: HL.48184896 Composed by Olivier Messiaen. Ledu...(+)
Orchestra (Orchestra)
SKU: HL.48184896
Composed by Olivier
Messiaen. Leduc.
Classical. Softcover. 162
pages. Alphonse Leduc
#AL28226. Published by
Alphonse Leduc
(HL.48184896).
UPC:
888680859565.
9.5x12.5x0.471
inches.
Olivier
Messiaen (1908-1992) is
known for his unique
composition style.
Incorporating complex
rhythms, harmony,
melodies and his passion
for ornithology, his
Illuminations of the
Beyond for Orchestra is
no exception to the
composer's popular,
distinctive style.
Composed between
1987-1991, Illuminations
of the Beyond was one of
the composer's last
works, with the premiere
occuring six months after
his death. The work
includes Messiaen's
popular compositional
techniques, such as his
modes of limited
transposition, and the
use of birdsong.
Messiaen's piece for
orchestra is divided in
to eleven movements and a
typical performance lasts
about one hour.
Illuminations of the
Beyond is essential to
all advanced orchestras
seeking to expand and
vary their
repertoire..
Orchestra (Orchestra) SKU: HL.48185342 Composed by Olivier Messiaen. Ledu...(+)
Orchestra (Orchestra)
SKU: HL.48185342
Composed by Olivier
Messiaen. Leduc.
Classical. Softcover. 184
pages. Alphonse Leduc
#AL28842. Published by
Alphonse Leduc
(HL.48185342).
UPC:
888680837099.
10.5x13.5x0.51
inches.
Illuminatio
ns on the Afterlife -
Part 2, VII to XI is the
second part of this
religious orchestral
piece by Olivier Messiaen
composed between 1987 and
1991. This conductor
edition features the
movements VII to XI of
the orchestra. VII. Et
Dieu essuiera toute larme
de leurs yeux? (And God
will dry the tears from
their eyes) VIII. Les
etoiles et la Gloire
(Stars and Glory) IX.
Plusieurs oiseaux des
arbres de vie (Birds from
trees of life) X. Le
chemin de l?Invisible
(Path to the Invisible)
XI. Le Christ, lumiere du
Paradis (Christ, light of
the Paradise) The full
orchestra lasts
approximately one hour
and was commissioned by
the New York Symphonic
Orchestra. It
incorporates some
birdsong from Oceania and
some modes of limited
transposition. Olivier
Messiaen (1908-1992) was
a French organist and
composer passionate about
Ornithology and one of
the most important
composers of his century.
Inspired by Japanese
music, he had a very
special way of composing
and his work can be
identified by its
complexity, its diatonic
aspect, its harmony with
limited transposition,
its colour and its
additive rhythms. He
composed many works
related to ornithology
and birdsong, including
the 'Bird Catalogue' in 7
volumes and the 'Treatise
on rhythm, colour and
ornithology' in 7
volumes..
The Masterworks Library. By Benjamin Britten. (Full Score). Boosey and Hawkes S...(+)
The Masterworks Library.
By Benjamin Britten.
(Full Score). Boosey and
Hawkes Scores and Books.
Size 9x12 inches. 182
pages. Published by
Boosey and Hawkes.
Orchestra (Score) SKU: HL.49045561 Richard Strauss Werke Complete Edit...(+)
Orchestra (Score)
SKU:
HL.49045561
Richard Strauss Werke
Complete Edition Score
Band 4. Composed by
Richard Strauss. Edited
by Stefan Schenk and
Walter Werbeck. This
edition: Hardback/Hard
Cover. Sheet music.
Edition Schott.
Classical. Hardcover.
Composed 1888-1891. Op.
23. 236 pages. Duration
18'. Schott Music
#RSW304. Published by
Schott Music
(HL.49045561).
ISBN
9783901974045.
Stra
uss's first tone poem
distinguishes itself from
all other subsequent
orchestral compositions
in its existence in three
different versions. Even
among the operas and
other compositions in his
hand there is no other
work with a comparable
history of origin and
publication. What is
more, the final version
of Macbeth is the only
valid form of the work
and the only variant with
further sources (cf.
Critical Report) in
addition to the autograph
score. In contrast, the
second version has only
been preserved in an
autograph score and
autograph piano reduction
(the orchestral parts
which must have existed
have obviously not
survived). This was never
printed and was replaced
by the published third
version. The two
surviving versions should
therefore not be
considered to be of equal
status. Unlike the case
of Ariadne auf Naxos in
which the earlier version
was for a time the sole
valid alternative and was
yet never completely
displaced by the soon
dominating later version
of the opera, only the
final third version of
Macbeth is considered as
valid. Right from the
outset, it was a matter
of course for the editors
of the present volume to
include the second
version as a first
publication (in addition
to the above-mentioned
surviving pages of the
first version), albeit in
different forms. The
surviving pages of the
first version are
reproduced in facsimile
and the second version,
as a subordinate form of
the work, appears
alongside Strauss's piano
reduction in a modified
source edition, i.e.
without intervention on
the part of the editors.
The ultimate third
version is published as a
full edition (please
refer to the Critical
Report for further
details). In order to
facilitate a comparative
study of the second and
third versions, the
relevant page numbers of
the score are placed
opposite one another (the
autograph piano reduction
of the second version is
included at the end of
the music section of the
volume). The editors hope
that this synoptic
representation will
prompt interest in
further studies on
Strauss's art of
orchestration: a field of
research which has still
remained insufficiently
examined. A study of
Macbeth namely
illuminates as clearly as
could be wished how much
significance Strauss
allotted to sound
alongside form. The
subjects were not merely
intended to generate an
individual figure, but
also specific tonal
colours, and the
instrumentation was
simultaneously designed
to provide an optimal
communication of
thematic-motivic texture
to the audience. The 'new
path' threw up
consequences which caused
Strauss a considerable
amount of difficulty. He
was however a fast
learner and had already
swum free with Don Juan
and all the more with Tod
und Verklarung.
Orchestra SKU: LO.30-3220L Composed by Thomas Fettke. Arranged by Thomas ...(+)
Orchestra
SKU:
LO.30-3220L
Composed
by Thomas Fettke.
Arranged by Thomas
Grassi. Choral, cantatas.
Christmas. Score and
parts, plus CD with
printable parts. Lorenz
Publishing Company
#30/3220L. Published by
Lorenz Publishing Company
(LO.30-3220L).
UPC:
000308142389.
Brimm
ing with ancient Celtic
flavor, Stars of Glory
radiates the promise of
the light of God’s
salvation, fulfilled in
the birth of Jesus
Christ. Tom Fettke and
Thomas Grassi have
arranged a brilliant mix
of eleven traditional
carols for SATB choir,
duet, optional solo,
child’s solo, and
women’s trio. Variously
tender, introspective,
joyous, and infectious,
the selections in this
work are connected by the
common thread of their
Celtic highlights, while
Ken Bible’s readings
beautifully illuminate
the central theme—Jesus
Christ, the Bright and
Morning Star.
Orchestration by Michael
Lawrence for 2 Fl, Ob, 2
Cl, Bsn (sub Bass Cl), 2
Hn (sub 2 A Sax), 3 Tpt,
2 Tbn (sub 2 T Sax),
Tuba, Perc, Timp, Harp,
Pno, 2 Vln, Vla, Cello,
Bass, Digital
Strings.
Orchestra SKU: LO.30-3218L Composed by Thomas Fettke. Arranged by Thomas ...(+)
Orchestra
SKU:
LO.30-3218L
Composed
by Thomas Fettke.
Arranged by Thomas
Grassi. Choral, cantatas.
Christmas. Instrumental
parts. Lorenz Publishing
Company #30/3218L.
Published by Lorenz
Publishing Company
(LO.30-3218L).
UPC:
000308142365.
Brimm
ing with ancient Celtic
flavor, Stars of Glory
radiates the promise of
the light of God’s
salvation, fulfilled in
the birth of Jesus
Christ. Tom Fettke and
Thomas Grassi have
arranged a brilliant mix
of eleven traditional
carols for SATB choir,
duet, optional solo,
child’s solo, and
women’s trio. Variously
tender, introspective,
joyous, and infectious,
the selections in this
work are connected by the
common thread of their
Celtic highlights, while
Ken Bible’s readings
beautifully illuminate
the central theme—Jesus
Christ, the Bright and
Morning Star.
Orchestration by Michael
Lawrence for 2 Fl, Ob, 2
Cl, Bsn (sub Bass Cl), 2
Hn (sub 2 A Sax), 3 Tpt,
2 Tbn (sub 2 T Sax),
Tuba, Perc, Timp, Harp,
Pno, 2 Vln, Vla, Cello,
Bass, Digital
Strings.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
The
study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Symphony; Classical. Full
score. 96 pages. Duration
35'. Breitkopf and
Haertel #PB 14610.
Published by Breitkopf
and Haertel
(BR.PB-14610).
ISBN
9790004211144. 10 x 12.5
inches.
Beethoven
did not work continuously
on this symphony and
interrupted his work a
couple of times. As the
sketches show, he
presumably wrote down
first ideas in the autumn
of 1800.No other
autograph material has
survived. As Ferdinand
Ries, a pupil of
Beethoven, bitterly
reports, Beethoven gave
him the autograph, but it
was unfortunately stolen
by a friend, out of pure
friendship. In April
1803, the composition was
premiered publicly,
together with the first
symphony and the third
piano concerto with
Beethoven himself as
soloist. Although
Beethoven's first two
symphonies are still
influenced by Haydn and
Mozart, novelties can
already be discovered.
The second symphony
starts breaking away from
traditional forms and
lets us surmise the
monumentality of
Beethoven's innovation.
The editor, Armin Raab,
critically illuminates
the transmission of the
work and its sources. He
also clears up a wide
spread belief in older
literature, that this
cheerful work might have
been composed parallel to
the Heiligenstadter
Testament. The practical
performance material by
Breitkopf & Hartel is
based on the music text
of the New Beethoven
Complete Edition and
constitutes the
authoritative reading of
Beethoven research.
Orchestra (Orchestra) SKU: BA.BA04558-01 Composed by Wolfgang Amadeus Moz...(+)
Orchestra (Orchestra)
SKU: BA.BA04558-01
Composed by Wolfgang
Amadeus Mozart. Edited by
Christoph Hellmut Mahling
and Friedrich Schnapp.
This edition: complete
edition, urtext edition.
Linen. New Mozart Edition
(Neue Mozart Ausgabe -
NMA) Series IV, Volume
11, No. 6. Klassik
(Classical). Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA04558_01.
Published by Baerenreiter
Verlag (BA.BA04558-01).
ISBN 9790006450619. 33
x 26 cm inches.
The
New Mozart Edition offers
researchers a
musicologically
unimpeachable text based
on all the available
sources (first and
foremost Mozart's
autograph manuscripts).
At the same time, it also
serves as an aid to
authentic
performances.
The
principal Series I to IX,
containing Mozart's
actual oeuvre, appeared
between 1956 and 1991.
They are regarded as a
supreme achievement of
Mozart scholarship in our
time; modern performances
of Mozart's music are
unthinkable without them.
The important
supplementary volumes
shed fresh and
illuminating light on
neglected aspects of
Mozart's creative work,
such as his activities as
a teacher or as an
arranger of other
composer's works.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Full orchestra SKU: BA.BVK01601 Facsimile of the autograph score held ...(+)
Full orchestra
SKU:
BA.BVK01601
Facsimile of the
autograph score held in
the Bibliotheque
nationale de France.
Composed by Hector
Berlioz. Edited by Hugh
MacDonald. This edition:
facsimile. Half-leather
binding. Documenta
musicologica II/53 /
Barenreiter Facsimile.
Facsimile of the
autograph score held in
the Bibliothèque
nationale de France.
Facsimile. Opus 14.
292/12 pages.
Baerenreiter Verlag
#BVK01601_00. Published
by Baerenreiter Verlag
(BA.BVK01601).
ISBN
9783761816011. 48.8 x 32
cm inches. Text Language:
English, German,
French.
The two
string quartets by
Camille Saint-Saens
appear here in one volume
for the first time. The
String Quartet No. 1 in E
Minor op. 112 (1899)
numbers among the
composer's most
successful pieces and is
emblematic of the genre
in the French repertoire.
Here Saint-Saens displays
his fully developed
mastery and presents the
wealth of his inspiration
and musical prowess. Only
three years before his
death, he surprisingly
composed the String
Quartet No. 2 in G major
op. 153 (1918) which,
with its classicistic
stance, represents a
homage to the masters of
the late eighteenth
century Viennese
School.
In
addition to the first
critical edition of the
two string quartets, this
second volume of
theOeuvres instrumentales
completesde Camille
Saint-Saens includes the
first version of the
final movementInterlude
et Finalfrom the second
string quartet, the
fragmentary beginning of
an early work for string
quartet as well as the
previously unknown and
unpublished Adagio from
Symphony No. 2 in A Minor
op. 55 for string
quintet. An extensive
Introduction (Fr/Eng/Ger)
illuminates the genesis,
historical performance
and reception histories
of all these pieces; the
Critical Report (Fr)
provides information
about all the sources and
their variants.
