The Airships Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
By George Sweet. For Violin I, Violin II, Violin III, Viola, Cello, Bass, Piano....(+)
By George Sweet. For
Violin I, Violin II,
Violin III, Viola, Cello,
Bass, Piano. Carl Fischer
Young String Orchestra
Series. Grade 2-2.5.
Score and parts. 148
pages. Duration 2
minutes, 19 seconds.
Published by Carl Fischer
Arranged by Anthony Maiello. Arr. Anthony Maiello. For String Orchestra. String ...(+)
Arranged by Anthony
Maiello. Arr. Anthony
Maiello. For String
Orchestra. String
Orchestra. Belwin
Beginning String
Orchestra. Level: 1
(grade 1). Conductor
Score & Parts. 84 pages.
Duration 3:19. Published
by Alfred Publishing.
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
String orchestra - intermediate SKU: HL.49013796 Composed by Harald Genzm...(+)
String orchestra -
intermediate
SKU:
HL.49013796
Composed
by Harald Genzmer. This
edition: Saddle
stitching. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Set of Parts. Composed
1995. 144 pages. Duration
12'. Schott Music
#CON246-70. Published by
Schott Music
(HL.49013796).
ISBN
9790001111621. UPC:
841886031968.
9.0x12.0x0.445
inches.
Summer Dance Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS19 Composed by Alan L...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS19
Composed by Alan Lee
Silva. Carl Fischer Young
String Orchestra Series.
Classical. Score and
Parts. With Standard
notation. 12 pages. Carl
Fischer Music #YAS19.
Published by Carl Fischer
Music (CF.YAS19).
ISBN
9780825854859. UPC:
798408054854. 8.5 X 11
inches. Key: D
major.
Summer
Dance is a melodic,
up-tempo piece with
plenty of musical and
technical challenges for
every player. Musicians
should strive to play it
with an energetic yet
legato feel. A
spirited introduction
features an opening
melody in the violins and
active repeated-note
pedal patters in the
violas and low strings.
An AABA form begins at
m.5 and the orchestration
is immediately pared down
to feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out. In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerful
divisi voicing
on beat 3 of m. 63, right
before the final
chord. Summer
Dance is a melodic,
up-tempo piece with
plenty of musical and
technical challenges for
every player. Musicians
should strive to play it
with an energetic yetA
legato feel. A
spirited introduction
features an opening
melody in the violins and
active repeated-note
pedal patters in the
violas and low strings.
An AABA form begins at
m.5 and the orchestration
is immediately pared down
to feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out. In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerfulA
divisi voicing
on beat 3 of m. 63, right
before the final
chord. Summer Dance is
a melodic, up-tempo piece
with plenty of musical
and technical challenges
for every player.
Musicians should strive
to play it with an
energetic yet legato
feel. A spirited
introduction features an
opening melody in the
violins and active
repeated-note pedal
patters in the violas and
low strings. An AABA form
begins at m.5 and the
orchestration is
immediately pared down to
feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out. In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerful
divisi voicing on beat 3
of m. 63, right before
the final
chord. Summer Dance is
a melodic, up-tempo piece
with plenty of musical
and technical challenges
for every player.
Musicians should strive
to play it with an
energetic yet legato
feel.A spirited
introduction features an
opening melody in the
violins and active
repeated-note pedal
patters in the violas and
low strings. An AABA form
begins at m.5 and the
orchestration is
immediately pared down to
feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out.In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a
powerful divisi
voicing on beat 3 of m.
63, right before the
final chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
(Inspiried by Gymnopedie No.1). By Erik Satie (1866-1925). Arranged by Larry Cla...(+)
(Inspiried by Gymnopedie
No.1). By Erik Satie
(1866-1925). Arranged by
Larry Clark. String
ensemble. For String
Orchestra. Carl Fischer
Young String Orchestra
Series. Classical. Grade
2-2.5. Score and Parts.
Standard notation. 6
pages. Published by Carl
F Score and Parts
classical
Can-Can Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Jacques Offenbach (1819-1880). Arranged by Richard Meyer. Orchestra. Masterwo...(+)
By Jacques Offenbach
(1819-1880). Arranged by
Richard Meyer. Orchestra.
Masterworks; String
Orchestra. Strictly
Strings Series.
Masterwork Arrangement;
Romantic. Grade 1.
Conductor Score and
Parts. 72 pages.
Published by Alfred Music
Publishing
Composed by Gustav Holst.
Arranged by Deborah Baker
Monday. String Orchestra.
Highland/Etling String
Orchestra. 20th Century;
Masterwork Arrangement;
Romantic. Score. 16
pages. Highland/Etling
#00-31596S. Published by
Highland/Etling
(AP.31596S).
UPC:
038081343129.
English.
This
lively march comes to us
from one of Holst's most
popular works, the First
Suite in E flat for
Military Band written in
1909. Two contrasting
themes-a crisp, marcato
in D and a lyrical,
legato theme in G-thrill
listeners. The powerful
finale of the march, back
in D, uses both melodies
layered on top of one
another. The lyrical
section features the
cellos and violas and all
parts are
interesting.
Rikudim Orchestre à Cordes [Conducteur et Parties séparées] - Avancé De Haske Publications
String Orchestra - advanced SKU: BT.DHP-0930506-070 Composed by Jan Van d...(+)
String Orchestra -
advanced
SKU:
BT.DHP-0930506-070
Composed by Jan Van der
Roost. Arranged by
Florent van den Vondel.
Educational Tool. Set
(Score & Parts). Composed
1993. 20 pages. De Haske
Publications #DHP
0930506-070. Published by
De Haske Publications
(BT.DHP-0930506-070).
ISBN 9789043153843.
International.
Riku
dim (Hebrew for
“Dancesâ€) is
a four-part dance suite
based on Jewish music. By
using eastern intervals
and irregular time
changes, the composer
succeeds in creating a
slightly melancholy but
specifically Jewish
flavoured piece.
Rikudim,
das hebräische Wort
für tanzen“, ist
der Titel dieser
vierteiligen Suite für
Streichorchester von Jan
Van der Roost. Durch den
Gebrauch von
unregelmäßigen
Taktarten ist es dem
Komponisten gelungen, in
dieser Musik einerseits
einen Hauch Melancholie,
andererseits spezifisch
jüdische Elemente
miteinander zu
verschmelzen.
By Edvard Grieg (1843-1907). Arranged by Carrie Lane Gruselle. Orchestra. Master...(+)
By Edvard Grieg
(1843-1907). Arranged by
Carrie Lane Gruselle.
Orchestra. Masterworks;
String Orchestra.
Highland String
Orchestra. Form: March.
Graduation; Masterwork
Arrangement; Romantic.
Grade 3. Conductor Score
and Parts. 124 pages.
Published by Alfred Music
Publishing
Trios Gymnopedies Orchestre à Cordes [Set de Parties séparées] Doblinger
By Erik Satie (1866-1925). Edited by Benjamin-Gunnar Cohrs. String Orchestra. Fo...(+)
By Erik Satie
(1866-1925). Edited by
Benjamin-Gunnar Cohrs.
String Orchestra. For
string orchestra. Set of
parts. 52 pages.
Published by Doblinger
Music Publishers
String orchestra - advanced SKU: HL.49001688 From Musikalisches Opfer<...(+)
String orchestra -
advanced
SKU:
HL.49001688
From
Musikalisches Opfer.
Composed by Johann
Sebastian Bach. Edited by
Helmut W. May. Sheet
music. Concertino
(Chamber Orchestra).
Classical. Set of Parts.
42 pages. Duration 7'.
Schott Music #CON 11-70.
Published by Schott Music
(HL.49001688).
ISBN
9790001021135.
8.25x11.75x0.192
inches.
The present
arrangement is of
practical use for small
string ensembles in
particular to study the
polyphony of Bach.
By Ralph Vaughan Williams (1872-1958). Arranged by Douglas E. Wagner. Orchestra....(+)
By Ralph Vaughan Williams
(1872-1958). Arranged by
Douglas E. Wagner.
Orchestra. String
Orchestra. Belwin
Intermediate String
Orchestra. 20th Century.
Grade 3. Conductor Score
and Parts. 144 pages
By Antonin Dvorak (1841-1904). Edited by Jarmil Burghauser / Antonin Cubr. For s...(+)
By Antonin Dvorak
(1841-1904). Edited by
Jarmil Burghauser /
Antonin Cubr. For string
sextet (2 violins, 2
violas, 2 cellos). In a
folder. Replaces H 2116.
Set of parts.
12/12/12/12/12/12 pages.
Published by Baerenreiter
Verlag
Slavonic Dance Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Op. 46, No. 3. Composed by Antonin Dvorak (1841-1904). Arranged by Jim Palmer....(+)
Op. 46, No. 3. Composed
by
Antonin Dvorak
(1841-1904).
Arranged by Jim Palmer.
Performance Music
Ensemble;
Single Titles; String
Orchestra.
Highland/Etling
String Orchestra. Score
and
Parts. 124 pages. Alfred
Music #00-47476.
Published by
Alfred Music
Jean Sibelius : Finlandia Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Jean Sibelius (1865-1957). Arranged by Jack Bullock. Orchestra. Masterworks; ...(+)
By Jean Sibelius
(1865-1957). Arranged by
Jack Bullock. Orchestra.
Masterworks; String
Orchestra. Belwin Very
Beginning String
Orchestra. 20th Century;
Masterwork; Romantic.
Grade 1. Conductor Score
and Parts. 64 pages
Summer Dance Orchestre à Cordes [Conducteur] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS19F Composed by Alan ...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS19F
Composed by Alan Lee
Silva. Carl Fischer Young
String Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS19F. Published
by Carl Fischer Music
(CF.YAS19F).
ISBN
9780825854866. UPC:
798408054861. 8.5 X 11
inches. Key: D
major.
Summer Dance
is a melodic, up-tempo
piece with plenty of
musical and technical
challenges for every
player. Musicians should
strive to play it with an
energetic yet legato
feel.A spirited
introduction features an
opening melody in the
violins and active
repeated-note pedal
patterns in the violas
and low strings. An AABA
form begins at m. 5 and
the orchestration is
immediately pared down to
feature violin I and
cello. It then builds
again in density to the
13 section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out.In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerful
divisi voicing on beat 3
of m. 63, right before
the final chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
By George Gershwin (1898-1937). Arranged by Tim McCarrick. Orchestra. Masterwork...(+)
By George Gershwin
(1898-1937). Arranged by
Tim McCarrick. Orchestra.
Masterworks; SmartMusic;
String Orchestra. Pop
Concert String Orchestra.
20th Century; Masterwork
Arrangement. Grade 4.
Conductor Score and
Parts. 114 pages.
Published by Alfred Music
Publishing
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS22 Composed by...(+)
Orchestra String
Orchestra - Medium
Easy/Medium
SKU:
CF.CAS22
Composed by
Larry Clark. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12 pages. Carl Fischer
Music #CAS22. Published
by Carl Fischer Music
(CF.CAS22).
ISBN
9780825858208. UPC:
798408058203. 8.5 X 11
inches. Key: G
major.
The fast
paced rondo has a Dorian
flavored melody with
hints of quartel (based
on an interval of a
fourth) harmony to give
it a contemporary sound
The players are presented
with solo opportunities
as well as harmonic turns
and twists that will keep
them. Rondo in the
Nick of Time was
originally the third
movement for a woodwind
quintet piece that I
wrote in 1990. I have
always been fond of this
little piece and felt
that it would adapt well
to larger ensembles. I
have also scored this
piece for band as part of
a suite called Upon a
New Horizon.The main
theme is based on the
Dorian Mode. The use of
quartal harmony makes up
most of the harmonic
material. Each statement
of the theme is followed
by an episode that
increases in length each
time. There is a sudden
change of style and tempo
in the middle of the
piece, where fragments of
the theme are developed.
The title is a
play-on-words, since the
work contains hemiola
effects that alter the
feel of the time.As with
all of my pieces for
strings, the bowings are
given only as a
reference. Feel free to
alter them to fit the
needs of your students. I
have indicated a rather
fast tempo for the piece.
I really like the piece
to fly, but it will work
and sound fine at a
slower tempo as well.
Just endeavor to keep
their energy moving
forward.It has been my
pleasure to have the
opportunity to write this
piece. I hope that you
and your students enjoy
it and find it useful in
your program.-Larry
ClarkLakeland, FL.
2005.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
String orchestra - intermediate SKU: HL.49013812 Composed by Philipp Mohl...(+)
String orchestra -
intermediate
SKU:
HL.49013812
Composed
by Philipp Mohler. Sheet
music. Concertino
(Chamber Orchestra).
Classical. Set of Parts.
Op. 27. 58 pages.
Duration 10'. Schott
Music #CON 96-70.
Published by Schott Music
(HL.49013812).
ISBN
9790001022880.
Jose
ph Haas was the teacher,
Paul Hindemith the model
of the director of many
years' standing of the
Frankfurter
Musikhochschule. The
Heitere Suite was created
in 1945. After a slow
introduction (quasi
rezitativo) with a viola
solo full of suspense,
the first violins start
playing a succinct,
rhythmically accentuated
theme dominat-ing the
whole movement and
appearing in many
different forms. Lively
intensifications and, not
least, the occasional
soloistic use of the
instruments are giving
colour to this work. A
valu-able addition to our
concert programmes of
moderate modern style.
(Das
Liebhaberorchester).
Highbridge Way Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS19 Full Score and ...(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS19
Full Score and
Parts. Composed by
Carl Strommen. Edited by
Amy Rosen. Carl Fischer
First Plus String
Orchestra Series. Score
and Parts. With Standard
notation. 8+8+8+5+5+5+2
pages. Carl Fischer Music
#FAS19. Published by Carl
Fischer Music (CF.FAS19).
ISBN 9780825851933.
UPC: 798408051938. 8.5 X
11 inches. Key: G
major.
In the grand
style of the British
March, Highbridge Way
should be played in
a crisp and liquid manner
paying close attention to
the articulation and
dynamic markings. The
mezzo piano in
m. 5 introduces the theme
and slowly builds until
m. 37, where the dynamic
indication is forte. At
m. 45, the dynamic is
mezzo piano, and
we are brought back to
the theme at m. 53, which
begins as piano and
builds to m. 65 and to
the finale. In the
grand style of the
British March,A
Highbridge WayA
should be played in
a crisp and liquid manner
paying close attention to
the articulation and
dynamic markings. TheA
mezzo piano in
m. 5 introduces the theme
and slowly builds until
m. 37, where the dynamic
indication is forte. At
m. 45, the dynamic isA
mezzo piano, and
we are brought back to
the theme at m. 53, which
begins as piano and
builds to m. 65 and to
the finale. In the
grand style of the
British March, Highbridge
Way should be played in a
crisp and liquid manner
paying close attention to
the articulation and
dynamic markings. The
mezzo piano in m. 5
introduces the theme and
slowly builds until m.
37, where the dynamic
indication is forte. At
m. 45, the dynamic is
mezzo piano, and we are
brought back to the theme
at m. 53, which begins as
piano and builds to m. 65
and to the finale. In
the grand style of the
British
March, Highbridge
Way should be played
in a crisp and liquid
manner paying close
attention to the
articulation and dynamic
markings. The mezzo
piano in m. 5 introduces
the theme and slowly
builds until m. 37, where
the dynamic indication is
forte. At m. 45, the
dynamic is mezzo
piano, and we are brought
back to the theme at m.
53, which begins as piano
and builds to m. 65 and
to the finale.
Moonlight Shadows Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS1 Composed by Sean O'...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS1
Composed by Sean
O'Loughlin. Carl Fischer
Young String Orchestra
Series. Classical. Score
and Parts. With Standard
notation. 8+8+5+2+5+5+2+8
pages. Carl Fischer Music
#YAS1. Published by Carl
Fischer Music (CF.YAS1).
ISBN 9780825840630.
UPC: 798408040635. 8.5 X
11 inches. Key: G
major.
Moonlight
Shadows is a passionate
and colorful piece for
strings that explores the
expressive power of the
string orchestra. Sean
O'Loughlin uses a lush
harmonic palette and
variety of texture
(including a short
pizzicato section), to
create an important and
soulful addition to the
repertoire for younger
string ensembles.
Duration:
2'30. Moonlight
Shadows is a work for
string orchestra that
reflects my great love
for the music of Samuel
Barber. His compositions
from the 1930s and 1940s
were characterized by
plush harmonies, flowing
melodies and engaging
suspensions. These
elements are what I
focused on in the
composition
of Moonlight
Shadows.The material
represents my mood and
feelings when I look at a
big, bright moon. The
shadows it casts create
an eerie feeling, while
at the same time
providing a deep, rich
tapestry for the earth at
night.The harmony
features many major
seventh-chords with
half-step suspensions.
These suspensions
function as common tones
to the next chord and
create the tension of the
piece. They also move, in
order to provide
resolution to the piece
which allows the listener
to rest. With this in
mind, these suspensions
should be brought out
during
performance.Moonlight
Shadows is an emotional
piece that allows the
young musician the
opportunity to play with
much expression.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Full Score.
Composed by Sean
O'Loughlin. Edited by Amy
Rosen. Carl Fischer
Beginning String
Orchestra Series. Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #BAS19F.
Published by Carl Fischer
Music (CF.BAS19F).
ISBN 9780825851803.
UPC: 798408051808. 8.5 X
11 inches. Key: D
major.
Here's an
easy original that is
enjoyable for both the
players and the audience.
Using notes the students
already know, the tune
moves from D major to B
minor, uses pizzicato,
and other techniques to
keep the music lively and
appealing.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Quadritium Orchestre à Cordes [Conducteur] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS39F Composed by Mike Forb...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS39F
Composed by Mike Forbes.
Carl Fischer Beginning
String Orchestra Series.
Full score. With Standard
notation. 8 pages. Carl
Fischer Music #BAS39F.
Published by Carl Fischer
Music (CF.BAS39F).
ISBN 9780825867194.
UPC: 798408067199. 8.5 X
11 inches.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Polka.Com Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS63 Composed by Mike F...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS63
Composed by Mike Forbes.
Carl Fischer Young String
Orchestra Series. Score
and Parts. With Standard
notation.
16+16+10+4+10+10+3+8
pages. Carl Fischer Music
#YAS63. Published by Carl
Fischer Music (CF.YAS63).
ISBN 9780825867019.
UPC: 798408067014. 8.5 X
11 inches. Key: A
major.
This one is
pure fun! Fast, furious,
tuneful and
dance-inducing! A great,
lighthearted way to bring
variety to a concert
program. Polka dots
are silly and fun; and in
the opinion of the
composer, so are polkas.
In this new millennium,
where kids’ lives
are consumed by computers
and the internet, it
seemed appropriate to try
and merge these ideas
together. The fun,
dance-like material and
the use of extra
techniques (such as col
legno, pizzicato,
strumming) lead the
players and listeners
into an enjoyable polka
fit for the twenty-first
century.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels