(From Partita No. 3 for Solo Violin). By Johann Sebastian Bach (1685-1750). Arranged by Jerry Brubaker. Concert Band. Concert Band; Masterworks; Part(s); Score. Belwin Concert Band. Form: Transcription. Baroque; Masterwork Arrangement. Grade 3. 118 pages. Published by Belwin Publishing

Composed by Richard L. Saucedo. MusicWorks Grade 3. Contest, Festival. Softcover. Published by Hal Leonard

Composed by Rob Romeyn. Young band. Command Series. Score and parts. Duration 0:3:11. Published by C.L. Barnhouse (CL.011-4460-00).

Concert band - Grade 3

SKU: CL.011-4591-00

Composed by Huckeby. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR392). Score and set of parts. Composed 2017. Duration 3 minutes, 15 seconds. C.L. Barnhouse #011-4591-00. Published by C.L. Barnhouse (CL.011-4591-00).

Cyberlink 3 is a musical journey into the world of science fiction, fantasy and space travel! Using special musical effects and easily executed rhythmic elements, this unique selection allows students and audiences the opportunity to exercise their imagination. While the musical concepts are within the grasp of developing bands, the end result provides significant latitude for individual interpretation. Is there a villain?...or a cyborg?...or are we just imagining? You can really have fun with this one as a concert or contest selection!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Orchestra Concert Band

SKU: PR.44641083L

Composed by Henri Lazarof. Large Score. With Standard notation. Duration 18 minutes. Theodore Presser Company #446-41083L. Published by Theodore Presser Company (PR.44641083L).

UPC: 680160609697. 11 x 14 inches.

(Based on Brian Boru's March ). Arranged by Scott Watson. Concert Band. Concert Band; Part(s); Score. Young Symphonic. Folk. Grade 3. 264 pages. Published by Alfred Music Publishing

By Alfred Reed. Composers Edition. Concert Band. Grades 4 - 5. Score and full set of parts. Size 11.5x17.5 inches. Published by Hal Leonard.

From Civilization IV . Composed by Christopher Tin. Arranged by Henk Ummels. Full set. Duration 3 minutes, 30 seconds. Molenaar Edition #013465060. Published by Molenaar Edition (ML.013465060).

By Jay Dawson. Score and Parts. Arrangers' Publ Concert Band. Grade 3. Arrangers' Publishing Company #C105. Published by Arrangers' Publishing Company

Hallelujah Chorus (Score and Parts). By George Frideric Handel (1685-1759). Arranged by Philip Sparke. Anglo Music Concert Band. Grade 3. 48 pages. Anglo Music Press #AMP183. Published by Anglo Music Press

Arranged by Erik Morales. For symphonic band. Band. FJH Concert Band. Grade 3. Score and set of parts. Duration 3 minutes. Published by The FJH Music Company Inc

By Ralph Ford. By Ralph Ford. For Concert Band. Concert Band. Belwin Concert Band. Level: 3 (Medium Easy) (grade 3). Conductor Score and Parts. 334 pages. Duration 3:03. Published by Alfred Publishing.

By John Kinyon. Concert Band. Concert Band. Growing Band Series. Grade 3. Conductor Score. 20 pages. Published by Alfred Music Publishing

371 Four-Part Chorales. (F Part 3). By Johann Sebastian Bach (1685-1750). For part 3 - F instrument. De Haske Concert Band. Individual part. 76 pages. Hal Leonard #1001948. Published by Hal Leonard

Part 3 Eb Alto Clarinet HOrn. By Hans Algra. By Johann Sebastian Bach (1685-1750). Edited by Hans Algra. De Haske Ensemble. Classical. Individual part. Composed 2000. 76 pages. De Haske Publications #1001947-711. Published by De Haske Publications

(As performed by Plain White T's). By Tom Higgenson [Plain White T's]. Concert Band. Concert Band. Hot Pop Band. Pop. Grade 2. Conductor Score. 20 pages. Published by Alfred Music Publishing

Concert Band/Harmonie - Grade 3

SKU: HL.44010442

Arranged by Roland Kernen. De Haske Concert Band. Pop & Rock. Score Only. Composed 2004. De Haske Publications #1043587. Published by De Haske Publications (HL.44010442).

UPC: 884088452667. 8.25x11.75x0.84 inches.

Legend has it that Edith Piaf, one of the greatest stars of the French music scene, was born under a lamp post in the streets of Paris and spent much of her lonely childhood roaming the streets, singing here and there in front of a fascinated audience. Out of the poor streets developed a singer who was to become the darling of French cabaret. A Tribute to Edith Piaf is a wonderful arrangement for concert band of four of the most well known songs of this romantic, spontaneous, desperate and everlasting legend.

Naar verluidt werd een van de grootste sterren uit de Franse muziekwereld onder een lantaarnpaal in de Parijse rue de Belleville geboren. Na een eenzame jeugd, waarin ze veel over straat zwierf en voor mensen zong, werd Edith Gassionontdekt door Louis Leplee. Van hem kreeg ze haar bijnaam, La mome Piaf (de kleine mus). A Tribute to Edith Piaf is een prachtig arrangement voor harmonieorkest van Roland Kernen. Het omvat vier van de bekendste chansonsvan deze tegelijkertijd romantische, spontane, wanhopige en onsterfelijke legende: Milord, Hymne a l'Amour, Mon Manege a Moi en La Vie en Rose.

Die Legende um Edith Piaf, den Spatz von Paris besagt, dass sie aus armsten Verhaltnissen kam und ihre Karriere auf der Strasse begann. Aus der armen Strassensangerin wurde die wohl beruhmteste Chansonsangerin aller Zeiten. A Tribute to Edith Piaf ist ein wundervolles Medley fur Blasorchester von Roland Kernen aus vier der bekanntesten Lieder dieser unsterblichen Legende.

Le 19 decembre 1915, Paris a vu naitre sous un lampadaire de la rue de Belleville (si l'on en croit la legende), une etoile de la chanson francaise. Enfant delaissee, Edith Gassion sillonne seule les quartiers de Paris, en chantant ici et la devant un public fascine, avant d'etre remarquee par Louis Leplee qui l'accueille de son cabaret et qui pose sur cette voix unique un nom voue a l'immortalite, la mome Piaf (FAM. moineau), symbole de la fragilite physique du personnage. Mais du haut de ses 1,47 m, elle seduit le Tout-Paris de l'entre-deux guerres puis cristallise autour d'elle le public international. La mome Piaf devient alors definitivement Edith Piaf, lacoqueluche des intellectuels, l'amie des grands chansonniers tels que Maurice Chevalier, Mistinguett, Lucienne Delisle et Andre Claveau. Artiste celebree dans le monde entier, femme tourmentee et dechiree, Edith Piaf cessera de chanter le 11 octobre 1963.Avec A Tribute to Edith Piaf (Hommage a Edith Piaf), Roland Kernen signe un superbe arrangement pour Orchestre d'Harmonie de quatre des plus celebres chansons de cette legende immortelle, romantique, spontanee et desesperee : Milord, Hymne a l'Amour, Mon Manege a Moi et La Vie en Rose.

Concert Band Bass, Bass Clarinet, Bassoon, Bell, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Cornet 1, Cornet 2, Cymbal, Drums, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Piccolo, Triangle, Trombone 1, Trombone 2, Trombone 3 and more.

SKU: PR.115400890

Composed by Masaru Kawasaki. Score and Set of Parts. With Standard notation. Composed 1963. 118 pages. Theodore Presser Company #115-40089. Published by Theodore Presser Company (PR.115400890).

UPC: 680160018604. Key: Eb major.

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

Band concert band

SKU: PR.11540223L

For Band. Composed by Eric Ewazen. Celestial Dancers. Contemporary. Large Score. With Standard notation. Composed 2007. 268 pages. Duration 7 minutes. Theodore Presser Company #115-40223L. Published by Theodore Presser Company (PR.11540223L).

UPC: 680160633289. 11 x 14 inches.

Ewazen seemingly takes inspiration from an endless array of sights, environments, and events. It would be impossible for him to be exposed to the wonder of Angkor Wat and to not distill his impressions into music. In fact, he created four distinct impressions for wind ensemble. Performance notes are included, which help to describe the settings and the thoughts behind them.

(Grade 3 - Score Only). By Philip Sparke (1951-). For Concert Band. Anglo Music Concert Band. Grade 3. 16 pages. Anglo Music Press #AMP337040. Published by Anglo Music Press

Concert Band/Harmonie (Score) - Grade 3

SKU: HL.44007249

Composed by Jacob De Haan. De Haske Concert Band. Score Only. Composed 2007. 48 pages. De Haske Publications #1074231. Published by De Haske Publications (HL.44007249).

UPC: 884088244347. 8x11.6 inches. English-German-French-Dut ch.

Composer Jacob de Haan has based The Heart of Lithuania on five folk melodies from Lithuania, a country that despite its small size has a rich cultural heritage. The choice and diversity of emotions, largely determined by the characteristic melodies, take the listener straight to the heart of the Lithuanian people.

Litouwen, de grootste van de drie Baltische staten, is gezegend met een rijk cultureel erfgoed. Componist Jacob de Haan heeft The Heart of Lithuania gebaseerd op vijf volksmelodieen die met name geliefd waren in de tweede helftvan de twintigste eeuw. Hoewel alle vijf de liederen afkomstig zijn uit de Auk1taitija-regio, zijn ze populair in heel Litouwen, ze worden nog altijd gezongen door jonge mensen in de steden en dorpen. Dit schitterende werk voertde luisteraar rechtstreeks naar de ziel van het Litouwse volk.

In The Heart of Lithuania verwendete Jacob de Haan Volkslieder aus Litauen, das trotz seiner relativ geringen Grosse doch uber ein vielfaltiges kulturelles Erbe verfugt. Eine sehr reichhaltige Quelle der Inspiration fur Jacob de Haan, der sich funf traditionelle Lieder, die voller Freude, Hoffnung oder auch Melancholie von der Liebe erzahlen, als Basis fur seine Komposition wahlte. Diese Musik wird den Zuhorer direkt ins Herz des litauischen Volkes fuhren!

La Lituanie est dotee d'un riche patrimoine culturel. Petit territoire situe sur la rive orientale de la mer Baltique, la Lituanie est divisee en cinq regions ethnographiques : la Samogitie, la Haute Lituanie, la Sudovie, la Dzūkija et la Petite Lituanie. Chaque region a son dialecte, son costume traditionnel, ses coutumes, son artisanat, ses fetes et jours feries et surtout ses propres chants traditionnels chantes depuis pres d'un millenaire. Pour composer The Heart of Lithuania (Au cœur de la Lituanie), Jacob de Haan s'est inspire de cinq melodies traditionnelles particulierement en vogue dans la seconde moitie du XXe siecle. Bien que ces chantsproviennent de Haute Lituanie, ils sont apprecies sur l'ensemble du territoire et sont encore chantes aujourd'hui. Le choix des chants et la diversite des emotions qu'ils expriment a travers des lignes melodiques typees emportent l'auditeur au cœur de l'ame lituanienne.

Young concert band - Grade 2

SKU: CL.011-4104-01

Composed by Miles. Arranged by Glover. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR376). Extra full score. Composed 2012. Duration 3 minutes, 23 seconds. C.L. Barnhouse #011-4104-01. Published by C.L. Barnhouse (CL.011-4104-01).

This beautiful hymn has been arranged for the Barnhouse Command series by Andrew Glover. Lush, flowing melodies weave their way throughout the ensemble. An excellent resource for the study of phrasing, balance, tone quality, and lyrical playing. Excellent for bands at a variety of levels, this warm and flowing work will please all. Highly recommended!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1115227-140

Composed by Jan Van der Roost. Concert and Contest Collection CBHA. Hymns & Chorals. Score Only. Composed 2012. 20 pages. De Haske Publications #DHP 1115227-140. Published by De Haske Publications (BT.DHP-1115227-140).

9x12 inches. English-German-French-Dut ch.

2011 was a disastrous year for Japan: on March 11 the northeast of the country suffered a violent earthquake, which triggered a huge tsunami and caused massive damage to people and the environment. The ensuing problems with the nuclear reactor at Fukushima only increased the misery: a black day in the country’s history…One almost inevitable consequence of such dramatic circumstances is the particular damage suffered by the cultural arts. And so it was in Japan: various high school wind orchestras in the effected areas lost their practice rooms and/or instruments. It will take a long time before the damage suffered is repaired—and it will take great effort to overcome thepsychological effects, too. Focusing on the latter, Yutada Nishida (director of The Bandwagon radio program) asked a few composers for a simple work that could be played by many orchestras. It just so happened that the Osakan Philharmonic Winds (with whom Jan Van der Roost had conducted a concert exclusively of his own works on September 25th) had had a similar idea. This concert saw the baptism of Song of Hope. This piece immediately struck a chord with musicians and audience alike: it begins bleakly in the low register and evolves to a more open, optimistic close. There really is hope for better times!

2011 was een rampzalig jaar voor Japan: op 11 maart teisterde een hevige aardbeving het noordoosten van het land, bracht een enorme tsunami teweeg en veroorzaakte zeer grote schade aan mens en natuur. De daaruit voortvloeiende problemenmet de kernreactor van Fukushima maakten de ellende nog groter: een zwarte pagina in het bestaan van het land ... Dat in dergelijke dramatische omstandigheden ook (en vooral) het culturele bestel een flinke knauw krijgt, ishelaas een haast onvermijdelijke consequentie. Zo ook in Japan: verschillende high school bands in de getroffen regio verloren hun repetitieruimte en/of instrumenten: het zal lang duren voordat de geleden schade is hersteld - enhet zal ook moeite kosten om er mentaal weer bovenop te geraken. Met het oog op dat laatste aspect verzocht Yutaka Nishida (samensteller van het radioprogramma The Bandwagon) een paar componisten om een eenvoudig werkje te schrijvendat speelbaar is door een groot aantal orkesten. Als bij toeval kwam een dergelijk verzoek eveneens van de kant van de OSAKAN Philharmonic Winds, waarmee Jan Van der Roost op 25 september een concert dirigeerde, uitsluitend gewijdaan eigen werken. Daar werd Song of Hope dan ook ten doop gehouden en het werkje sloeg meteen aan bij uitvoerders en publiek: na een tamelijk donkere start in het lage register evolueert het tot een optimistischer en opener slot.Er is inderdaad hoop op betere tijden!

Am 11. März 2011 löste ein heftiges Erdbeben in Japan einen riesigen Tsunami mit desaströsen Folgen für Mensch, Natur auch das kulturelle Leben. Yutaka Nishida vom Radioprogramm The Bandwagon bat daher einige Komponisten, darunter Jan Van der Roost, ein einfaches, für viele Orchester spielbares Werk zu schreiben. Song of Hope beginnt düster im tiefen Register, um sich dann zu einem optimistischeren Schluss hin zu entwickeln. Es gibt sie, die Hoffnung auf bessere Zeiten... !

2011 fut une année tragique pour le Japon : le 11 mars, le nord-est du pays connut un violent tremblement de terre qui entraîna un gigantesque tsunami, occasionnant de nombreuses pertes humaines et de gros dég ts environnementaux. La catastrophe du réacteur nucléaire de Fukushima ajouta encore ces malheurs : une période bien sombre de l’histoire du pays…Des événements aussi dramatiques ont souvent un impact négatif sur les arts culturels. Ce fut le cas au Japon : plusieurs orchestres d’harmonie des collèges des régions affectées perdirent leurs locaux de répétition et/ou leurs instruments. Il faudra beaucoup de temps pour que les choses reviennent la normale - et pour estomperles cicatrices psychologiques. S’intéressant particulièrement celles-ci, Yutada Nishida (directeur du programme radiophonique The Bandwagon) demanda quelques compositeurs d’écrire une œuvre simple pouvant être interprétée par de nombreux orchestres.Il se trouva que l’Harmonie Philharmonique d’Osaka (que Jan Van der Roost avait dirigée lors d’un concert exclusivement composé de ses œuvres, le 25 septembre) avait eu la même idée. Ce concert vit la création mondiale de Song of Hope, qui interpella immédiatement les musiciens et l’auditoire. Cette pièce débute sombrement dans le registre grave avant d’évoluer vers une conclusion plus pétillante, plus optimiste. Il est assurément permis d’espérer des temps meilleurs !

Il 2011 è stato un anno tragico per il Giappone; al devastante terremoto e al non meno catastrofico tsunami dell’11 marzo, sono seguiti i gravi problemi al reattore nucleare di Fukushima. Il settore della cultura in generale, e quello della musica in particolare hanno sofferto immensamente a causa di questi nefasti eventi naturali. Song of Hope è un brano che ha profondamente commosso esecutori e pubblico.Song of Hope inizia nel registro acuto con suoni oscuri e melanconici, ma si sviluppa in un clima di ottimismo, come a voler simboleggiare un futuro più sereno.

Grade 2.5

SKU: CL.011-3087-01

March. Composed by Shaffer. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR195). Extra full score. Composed 2000. Duration 2 minutes, 34 seconds. C.L. Barnhouse #011-3087-01. Published by C.L. Barnhouse (CL.011-3087-01).

A spirited and contemporary concert march full of vitality. Outstanding contest or concert choice for intermediate level bands. Crisp rhythms, bold harmonies and some nice contrapuntal writing make this a superior march for this grade level.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

By Rob Romeyn. Concert band. Concert Band Series. Audio recording available separately (item CL.WFR373). Grade 3.5. Score and set of parts. Composed 2011. Duration 5 minutes, 21 seconds. Published by C.L. Barnhouse

Grade 2

SKU: CL.011-1835-02

Composed by R. Foster. Young Concert Band. Command Series. Audio recording available separately (items CL.WFR324 & CL.WFR195). Extra score. Composed 1985. C.L. Barnhouse #011-1835-02. Published by C.L. Barnhouse (CL.011-1835-02).

A brilliant opening fanfare by trumpets and trom bones is followed by the primary melody utilizing the low brass and low woodwinds as melodic instruments. This melody, in different forms and voicings, alternatives with the fanfare throughout, providing harmonic, rhythmic, and orchestration variety that is refreshing, and somewhat unusual in a work which is playable by young bands of even limited instrumentation.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Concert band - Grade 3

SKU: CL.011-4591-01

Composed by Huckeby. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR392). Extra full score. Composed 2017. Duration 3 minutes, 15 seconds. C.L. Barnhouse #011-4591-01. Published by C.L. Barnhouse (CL.011-4591-01).

Cyberlink 3 is a musical journey into the world of science fiction, fantasy and space travel! Using special musical effects and easily executed rhythmic elements, this unique selection allows students and audiences the opportunity to exercise their imagination. While the musical concepts are within the grasp of developing bands, the end result provides significant latitude for individual interpretation. Is there a villain?...or a cyborg?...or are we just imagining? You can really have fun with this one as a concert or contest selection!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.