Canon for Christmas Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Based upon Canon in D. Composed by Larry Clark. Score and part(s). Durati...(+)
Based upon Canon in
D. Composed by Larry
Clark. Score and part(s).
Duration 3 minutes, 53
seconds. Carl Fischer
#YPS148. Published by
Carl Fischer (CF.YPS148).
Pachelbel's Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Hal Leonard
Arranged by Larry Moore. (Score and Parts). Score and full set of parts. Discove...(+)
Arranged by Larry Moore.
(Score and Parts). Score
and full set of parts.
Discovery Concert Band.
Grade 1.5. Size 9x12
inches. Published by Hal
Leonard.
Composed
by Philip Sparke. Anglo
Music Concert Band. Score
Only. Composed 2014.
Anglo Music Press
#AMP372-140. Published by
Anglo Music Press
(HL.44012269).
Golden
Winds was
commissioned by
Jugendblasorchester
Schramberg, Germany, to
celebrate their 50th
anniversary in 2012. They
gave the premiere,
conducted by Andreas
Hirt, at their Christmas
concert that year.The
work opens with a
nervously energetic theme
in the lower woodwinds,
which is developed in
canon and builds to
climax for the whole
band. The mood subsides
to introduce a meditative
section featuring first
the clarinets and then a
rich, chorale-like theme
which grows into a
passionate tutti. This
then leads to the main
body of the piece, a
rhythmic vivo, which
introduces its main theme
quietly before it is
taken up by the full
band. A brief bridge
passage thenintroduces a
muscular second subject
which develops until the
bridge passage reappears
to lead to a repeat of
the main theme. This is
transformed to herald a
return of the opening
bars of the piece, which
now bring the work to a
celebratory close.
Golden
Winds werd geschreven
in opdracht van het
Jugendblasorchester
Schramberg uit Duitsland,
dat in 2012 zijn
vijftigjarig bestaan
vierde. Het orkest bracht
het werk in premiere
tijdens het kerstconcert
van het jubileumjaar,
onder leiding van
dirigent Andreas Hirt.De
compositie begint met een
koortsachtig, energiek
thema in het lage hout.
Dit ontvouwt zich
vervolgens tot een canon,
die uitmondt in een door
het complete orkest
uitgevoerd hoogtepunt. De
muziek wordt rustiger van
sfeer en er ontwikkelt
zich een meditatieve
passage, aanvankelijk
gespeeld door de
klarinetten, waarna een
rijk, koraalachtig thema
uitgroeit tot een
gepassioneerd tutti. Het
centralegedeelte van het
werk, een ritmisch vivo,
introduceert het
hoofdthema, eerst
zachtjes en dan
weerklinkend in het hele
orkest. Een kort fragment
leidt een krachtig tweede
motief in, waarop wordt
voortgebouwd totdat de
bridgepassage opnieuw
opduikt en ons meevoert
naar een herhaling van
het hoofdthema. Dat
ondergaat een
transformatie en kondigt
dan de terugkeer van de
openingsmaten aan,
waarmee het werk op
feestelijke wijze wordt
afgesloten.
Golden
Winds wurde zum
50-jahrigen Jubilaum des
Jugendblasorchesters
Schramberg in Auftrag
gegeben. Die Premiere
fand beim
Weihnachtskonzert
selbigen Jahres unter der
Leitung von Andreas Hirt
statt.Das Werk setzt mit
einem Thema voll
gespannter Energie in den
tiefen Holzblasern ein,
das kanonisch
weiterentwickelt wird und
sich zu einem Hohepunkt
fur das gesamte Orchester
aufbaut. Diese Stimmung
klingt ab zugunsten eines
meditativen Abschnitts,
der zunachst die
Klarinetten in den
Vordergrund ruckt und
dann ein volltonendes,
choralartiges Thema, das
zu einem
leidenschaftlichen Tutti
anschwillt. Dieses fuhrt
zum Hauptteil des
Stuckes, einem
rhythmischen Vivo, das
seinHauptthema leise
vorstellt, bevor es vom
gesamten Orchester
aufgenommen wird. Eine
kurze Uberleitung
prasentiert ein
kraftvolles zweites
Thema, das
weiterentwickelt wird bis
die Uberleitung
zuruckkehrt und die
Wiederholung des
Hauptthemas bewirkt.
Dieses verwandelt sich in
eine Ankundigung der
Eroffnungstakte, die das
Werk nun zu einem
festlichen Schluss
fuhren.
Golden
Winds est une
commande de l'Harmonie
des Jeunes de Schramberg,
en Allemagne, pour
marquer son
cinquantenaire en 2012.
L'orchestre a cree cette
piece sous la direction
d'Andreas Hirt lors de
son concert de Noel la
meme annee.La piece
s'ouvre sur un theme
nerveux et energique joue
dans le registre grave
des bois qui se developpe
en canon et s'amplifie
pour arriver a un climax
avec l'orchestre entier.
L'ambiance s'apaise pour
introduire un passage
contemplatif qui met en
avant d'abord les
clarinettes, puis un
theme opulent en forme de
choral qui se transforme
en un tutti ardent.
Celui-ci mene au corps de
la piece, un vivo rythme
qui introduit doucement
son themeprincipal avant
une reprise par
l'orchestre entier. Un
court passage de
transition introduit
alors un second sujet
muscle qui se developpe
jusqu'a la reapparition
du passage de transition
pour mener a une reprise
du theme principal. Ce
theme se transforme pour
annoncer le retour des
premieres mesures de la
piece, qui menent a une
conclusion festive.
Pachelbel's Canon Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Hal Leonard
By Johann Pachelbel. Arranged by Paul Lavender. Score and full set of parts. Dis...(+)
By Johann Pachelbel.
Arranged by Paul
Lavender. Score and full
set of parts. Discovery
Concert Band. Grade 1.5.
Size 9x12 inches.
Published by Hal Leonard.
Pachelbel Canon Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
By Johann Pachelbel. Arranged by Charles Sayre. By Johann Pachelbel / arr. Charl...(+)
By Johann Pachelbel.
Arranged by Charles
Sayre. By Johann
Pachelbel / arr. Charles
Sayre. For Concert Band.
Concert Band. Belwin
Young Band. Level: Easy
(grade II). Conductor
Score. 16 pages.
Published by Alfred
Publishing.
Concert band - Grade 4 SKU: MH.1-59913-070-X Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-070-X
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
score and set of parts.
Duration 10:00. Published
by Manhattan Beach Music
(MH.1-59913-070-X).
ISBN
9781599130705.
Prog
ram Notes: Stylistically
diverse -- tranquil,
spirited pastoral,
sensitive, energetic --
exhibiting a remarkable
palette, the five
movements of SINFONIA IX
form a unique symphonic
statement. Movement I,
Prelude, is about
contrasts: A lazy,
smooth, motive in brasses
alternates with, and then
joins, an active and
detached motive in
woodwinds. The spirited
Movement II, Morley's
Ghost, is an intricate
canonic collage and
homage to that venerable
theoretician & composer,
Thomas Morley. By
contrast, movement III,
Dialog, speaks in a
relaxed, lyrical, and
pastoral language as it
develops its gently
rising and falling
motives. Movement IV,
Waltz, innocently
celebrates the joys of
childhood with a lilting
melody and rondo form.
For the rousing Finale,
Movement V begins with a
martial call of
repeated-notes, heralding
a headstrong journey of
power and excitement.
Like a number of the
composer's other works,
SINFONIA IX is based on
earlier material: A brass
sextet, written in 1966
when the composer was
nineteen years old, forms
the raw material for the
first, third and fifth
movements, while a later
work, Martin's Waltz (a
children's piece for
flutes and clarinets
composed in 1975) is the
basis of the fourth
movement. The second
movement, however, is a
fanciful contrapuntal
commentary on Thomas
Morley's 16th-century
canzonet, Fire and
Lightning. SINFONIA IX is
dedicated to John
Raforth, a distinguished
band director and music
educator at West High
School in Madison,
Wisconsin. The work was
commissioned by his
friends and former
students, and was
completed in 1977. Its
first publication some
twenty years later is a
result of the increasing
attention paid by
university band directors
to the earlier Sinfonias,
particularly Sinfonia III
(Hymns and Dances);
Sinfonia V (Sinfonia
Sacra et Profana); and
now, Sinfonia IX. Whereas
the first two works are
wind ensemble
compositions that have
been championed equally
by the concert band,
Sinfonia IX is the
composer's first
college-level Sinfonia
written especially for
concert band. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1-2, 2
Oboe, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3 Bb
Bass Clarinet, 2 Bassoon,
4 Eb Alto Saxophone, 2 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 3
Trombone 1, 3 Trombone 2,
3 Baritone B.C., 2
Baritone T.C., 4 Tuba, 3
String Bass, 2 Timpani, 5
Percussion.
Concert band - Grade 4 SKU: MH.1-59913-071-8 Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-071-8
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
Full Score. Duration
10:00. Published by
Manhattan Beach Music
(MH.1-59913-071-8).
ISBN
9781599130712.
Prog
ram Notes: Stylistically
diverse -- tranquil,
spirited pastoral,
sensitive, energetic --
exhibiting a remarkable
palette, the five
movements of SINFONIA IX
form a unique symphonic
statement. Movement I,
Prelude, is about
contrasts: A lazy,
smooth, motive in brasses
alternates with, and then
joins, an active and
detached motive in
woodwinds. The spirited
Movement II, Morley's
Ghost, is an intricate
canonic collage and
homage to that venerable
theoretician & composer,
Thomas Morley. By
contrast, movement III,
Dialog, speaks in a
relaxed, lyrical, and
pastoral language as it
develops its gently
rising and falling
motives. Movement IV,
Waltz, innocently
celebrates the joys of
childhood with a lilting
melody and rondo form.
For the rousing Finale,
Movement V begins with a
martial call of
repeated-notes, heralding
a headstrong journey of
power and excitement.
Like a number of the
composer's other works,
SINFONIA IX is based on
earlier material: A brass
sextet, written in 1966
when the composer was
nineteen years old, forms
the raw material for the
first, third and fifth
movements, while a later
work, Martin's Waltz (a
children's piece for
flutes and clarinets
composed in 1975) is the
basis of the fourth
movement. The second
movement, however, is a
fanciful contrapuntal
commentary on Thomas
Morley's 16th-century
canzonet, Fire and
Lightning. SINFONIA IX is
dedicated to John
Raforth, a distinguished
band director and music
educator at West High
School in Madison,
Wisconsin. The work was
commissioned by his
friends and former
students, and was
completed in 1977. Its
first publication some
twenty years later is a
result of the increasing
attention paid by
university band directors
to the earlier Sinfonias,
particularly Sinfonia III
(Hymns and Dances);
Sinfonia V (Sinfonia
Sacra et Profana); and
now, Sinfonia IX. Whereas
the first two works are
wind ensemble
compositions that have
been championed equally
by the concert band,
Sinfonia IX is the
composer's first
college-level Sinfonia
written especially for
concert band. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1-2, 2
Oboe, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3 Bb
Bass Clarinet, 2 Bassoon,
4 Eb Alto Saxophone, 2 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 3
Trombone 1, 3 Trombone 2,
3 Baritone B.C., 2
Baritone T.C., 4 Tuba, 3
String Bass, 2 Timpani, 5
Percussion.
Sinfonietta N. 3.
Composed by Ferrer
Ferran. IberMusica
Concert Band. Score Only.
Composed 2008. Hal
Leonard #IB047. Published
by Hal Leonard
(HL.44011308).
El Misteri del Foc
(Het geheim van het vuur)
is de derde sinfonietta
van de Spaanse componist
Ferrer Ferran. Dit
contrastvolle werk
bestaat uit drie
kleurrijke, levendige en
melodische delen:
Calixto III, Els
Canalsund Foguera
i Festa. De delen
Calixto III en
Els Canals
vertellen het
avontuurlijke verhaal van
paus Calixto III uit het
Spaanse Canals rond 1500.
In het deel Foguera i
Festa nodigen de
inwoners van Canalsu uit
op het feest van St.
Anthony. De climax van
dit feest is een groot
vreugdevuur op een
twintig meter hoge
stellage van hout. Een
vlammend werk voor
muzikant en
publiek!
El
Misteri del Foc (Das
Geheimnis des Feuers) ist
Ferrer Ferrans dritte
Sinfonietta. Dieses
kontrastreiche Werk
besteht aus drei
farbigen, lebhaften und
melodischen Satzen:
Calixto III, Els
Canals und Foguera
i Festa. Die Musik
handelt von der
abenteuerlichen
Geschichte des Papstes
Calixto aus dem
spanischen Canals des 15.
Jahrhunderts und einem
traditionellen Fest, bei
dem Feuer eine wichtige
Rolle spielt ... Spannend
fur Musiker und
Publikum!
El
Misteri del Foc (Le
mystere du feu) est
la troisieme sinfonietta
du compositeur espagnol
Ferrer Ferran. Cette
œuvre contrastante
est constituee de trois
mouvements colores,
espiegles, petillants,
dansants et melodiques. /
1. Calixte III :
Alfonso de Borgia, futur
Calixte III, naquit dans
la cite de Canals pres de
Valence en Espagne. Lors
d'une rencontre avec
Vicente Ferrer (Vincent
Ferrier), un dominicain
valencien et predicateur
illustre, celui-ci lui
predit qu'il serait elu
pape et qu'en tant que
tel, il le canoniserait.
Alfonso de Borgia fut elu
pape sous le nom de
Calixte III et fit
inscrire Vicente Ferrer
parmi les saints de
l'Eglise.Devenu souverain
pontife, son grand
objectif fut la
reconquete de
Constantinople tombee aux
mains des Turcs. Calixte
III appella a une
croisade pour liberer la
ville. Apres une premiere
bataille victorieuse, la
croisade s'acheva par un
echec cuisant. / 2.
Els Canals (Canals) :
Canals, ses paysages
colores, ses nombreux
canaux et rivieres, et
son sens de la fete, nous
invite a assister a la
Fete de la Saint Antoine,
a la cremation du bucher
beni, la benediction des
animaux et la Festa
dels Parells (La fete
des parents). / 3.
Foguera i Festa (Le
feu et la fete) : Le
point d'orgue de la Fete
de la Saint Antoine est
la mise a feu d'un
immense bucher de vingt
metres de haut dont la
construction necessite
chaque annee pas moins de
600 tonnes de bois
(essentiellement du
sapin). Le Feu de la
Saint Antoine est
accompagne des vivats des
habitants qui rendent
ainsi hommage a leur
saint patron. La Fete de
la Saint Antoine compte
parmi les fetes les plus
populaires dans la
tradition valencienne.
Rassembles autour du
bucher, les habitants de
Canals celebrent cette
fete avec
enthousiasme.
Sinfonietta N. 3.
Composed by Ferrer
Ferran. IberMusica
Concert Band. Score Only.
Composed 2008. Hal
Leonard #IB047. Published
by Hal Leonard
(HL.44011309).
El Misteri del Foc
(Het geheim van het vuur)
is de derde sinfonietta
van de Spaanse componist
Ferrer Ferran. Dit
contrastvolle werk
bestaat uit drie
kleurrijke, levendige en
melodische delen:
Calixto III, Els
Canalsund Foguera
i Festa. De delen
Calixto III en
Els Canals
vertellen het
avontuurlijke verhaal van
paus Calixto III uit het
Spaanse Canals rond 1500.
In het deel Foguera i
Festa nodigen de
inwoners van Canalsu uit
op het feest van St.
Anthony. De climax van
dit feest is een groot
vreugdevuur op een
twintig meter hoge
stellage van hout. Een
vlammend werk voor
muzikant en
publiek!
El
Misteri del Foc (Das
Geheimnis des Feuers) ist
Ferrer Ferrans dritte
Sinfonietta. Dieses
kontrastreiche Werk
besteht aus drei
farbigen, lebhaften und
melodischen Satzen:
Calixto III, Els
Canals und Foguera
i Festa. Die Musik
handelt von der
abenteuerlichen
Geschichte des Papstes
Calixto aus dem
spanischen Canals des 15.
Jahrhunderts und einem
traditionellen Fest, bei
dem Feuer eine wichtige
Rolle spielt ... Spannend
fur Musiker und
Publikum!
El
Misteri del Foc (Le
mystere du feu) est
la troisieme sinfonietta
du compositeur espagnol
Ferrer Ferran. Cette
œuvre contrastante
est constituee de trois
mouvements colores,
espiegles, petillants,
dansants et melodiques. /
1. Calixte III :
Alfonso de Borgia, futur
Calixte III, naquit dans
la cite de Canals pres de
Valence en Espagne. Lors
d'une rencontre avec
Vicente Ferrer (Vincent
Ferrier), un dominicain
valencien et predicateur
illustre, celui-ci lui
predit qu'il serait elu
pape et qu'en tant que
tel, il le canoniserait.
Alfonso de Borgia fut elu
pape sous le nom de
Calixte III et fit
inscrire Vicente Ferrer
parmi les saints de
l'Eglise.Devenu souverain
pontife, son grand
objectif fut la
reconquete de
Constantinople tombee aux
mains des Turcs. Calixte
III appella a une
croisade pour liberer la
ville. Apres une premiere
bataille victorieuse, la
croisade s'acheva par un
echec cuisant. / 2.
Els Canals (Canals) :
Canals, ses paysages
colores, ses nombreux
canaux et rivieres, et
son sens de la fete, nous
invite a assister a la
Fete de la Saint Antoine,
a la cremation du bucher
beni, la benediction des
animaux et la Festa
dels Parells (La fete
des parents). / 3.
Foguera i Festa (Le
feu et la fete) : Le
point d'orgue de la Fete
de la Saint Antoine est
la mise a feu d'un
immense bucher de vingt
metres de haut dont la
construction necessite
chaque annee pas moins de
600 tonnes de bois
(essentiellement du
sapin). Le Feu de la
Saint Antoine est
accompagne des vivats des
habitants qui rendent
ainsi hommage a leur
saint patron. La Fete de
la Saint Antoine compte
parmi les fetes les plus
populaires dans la
tradition valencienne.
Rassembles autour du
bucher, les habitants de
Canals celebrent cette
fete avec
enthousiasme.
Sinfonietta N. 3.
Composed by Ferrer
Ferran. IberMusica
Concert Band. Score Only.
Composed 2008. Hal
Leonard #IB047. Published
by Hal Leonard
(HL.44011307).
El Misteri del Foc
(Het geheim van het vuur)
is de derde sinfonietta
van de Spaanse componist
Ferrer Ferran. Dit
contrastvolle werk
bestaat uit drie
kleurrijke, levendige en
melodische delen:
Calixto III, Els
Canalsund Foguera
i Festa. De delen
Calixto III en
Els Canals
vertellen het
avontuurlijke verhaal van
paus Calixto III uit het
Spaanse Canals rond 1500.
In het deel Foguera i
Festa nodigen de
inwoners van Canalsu uit
op het feest van St.
Anthony. De climax van
dit feest is een groot
vreugdevuur op een
twintig meter hoge
stellage van hout. Een
vlammend werk voor
muzikant en
publiek!
El
Misteri del Foc (Das
Geheimnis des Feuers) ist
Ferrer Ferrans dritte
Sinfonietta. Dieses
kontrastreiche Werk
besteht aus drei
farbigen, lebhaften und
melodischen Satzen:
Calixto III, Els
Canals und Foguera
i Festa. Die Musik
handelt von der
abenteuerlichen
Geschichte des Papstes
Calixto aus dem
spanischen Canals des 15.
Jahrhunderts und einem
traditionellen Fest, bei
dem Feuer eine wichtige
Rolle spielt ... Spannend
fur Musiker und
Publikum!
El
Misteri del Foc (Le
mystere du feu) est
la troisieme sinfonietta
du compositeur espagnol
Ferrer Ferran. Cette
œuvre contrastante
est constituee de trois
mouvements colores,
espiegles, petillants,
dansants et melodiques. /
1. Calixte III :
Alfonso de Borgia, futur
Calixte III, naquit dans
la cite de Canals pres de
Valence en Espagne. Lors
d'une rencontre avec
Vicente Ferrer (Vincent
Ferrier), un dominicain
valencien et predicateur
illustre, celui-ci lui
predit qu'il serait elu
pape et qu'en tant que
tel, il le canoniserait.
Alfonso de Borgia fut elu
pape sous le nom de
Calixte III et fit
inscrire Vicente Ferrer
parmi les saints de
l'Eglise.Devenu souverain
pontife, son grand
objectif fut la
reconquete de
Constantinople tombee aux
mains des Turcs. Calixte
III appella a une
croisade pour liberer la
ville. Apres une premiere
bataille victorieuse, la
croisade s'acheva par un
echec cuisant. / 2.
Els Canals (Canals) :
Canals, ses paysages
colores, ses nombreux
canaux et rivieres, et
son sens de la fete, nous
invite a assister a la
Fete de la Saint Antoine,
a la cremation du bucher
beni, la benediction des
animaux et la Festa
dels Parells (La fete
des parents). / 3.
Foguera i Festa (Le
feu et la fete) : Le
point d'orgue de la Fete
de la Saint Antoine est
la mise a feu d'un
immense bucher de vingt
metres de haut dont la
construction necessite
chaque annee pas moins de
600 tonnes de bois
(essentiellement du
sapin). Le Feu de la
Saint Antoine est
accompagne des vivats des
habitants qui rendent
ainsi hommage a leur
saint patron. La Fete de
la Saint Antoine compte
parmi les fetes les plus
populaires dans la
tradition valencienne.
Rassembles autour du
bucher, les habitants de
Canals celebrent cette
fete avec
enthousiasme.
Composed by Freddie
Mercury. Arranged by
Philip Sparke. Anglo
Music Midway Series. Pop
& Rock. Set (Score &
Parts). Composed 2011.
Anglo Music Press #AMP
316-010. Published by
Anglo Music Press
(BT.AMP-316-010).
9x12
inches.
English-German-French-Dut
ch.
Bohemian
Rhapsody is undoubtedly
one of the most important
songs in the history of
rock ‘n’
roll. The song defied all
convention in terms of
form. It has no chorus.
Instead, it comprised of
an introduction, ballad,
guitar solo, operatic
interlude, hard rock
section and coda. Perhaps
the most mystifying
aspect of the song is the
lyrics, which are
commonly thought to be
autobiographical,
although members of the
band have never fully
explained them. Bring the
house down with Philip
Sparke’s authentic
arrangement!
Bohem
ian Rhapsody wordt vaak
gezien als het
belangrijkste nummer uit
de geschiedenis van de
rockmuziek. Naast de
nooit verklaarde
raadselachtige tekst, was
het vooral de ongewone
vorm die tot op de dag
van vandaag voor het
grote succeszorgde. Het
nummer kent geen refrein,
maar bestaat uit vijf
afzonderlijke delen:
inleiding, ballad,
gitaarsolo, hardrock en
slot. Philip Sparke is
met zijn arrangement zo
dicht mogelijk bij het
origineel gebleven.
Grotesk!
Bohemi
an Rhapsody wird oft
als der bedeutendste Song
in der Geschichte des
Rock bezeichnet. Neben
dem nie erklärten
rätselhaften Text trug
vor allem die
ungewöhnliche Form zum
heute noch andauernden
Erfolg des Liedes bei: Es
hat keinen Refrain,
sondern besteht aus den
Abschnitten Einleitung,
Ballade, Gitarrensolo,
Hardrock und Schluss.
Philip Sparke versuchte,
in seiner Version von
Bohemian Rhapsody
so nahe wie möglich am
Original zu
bleiben.
Bohemian
Rhapsody è spesso
menzionato come il titolo
più importante nella
storia della musica rock.
Scritta da Freddie
Mercury, questa canzone
sfida tutti i canoni fino
a allora rispettati. Si
compone di sei sezioni
ben distinte:
introduzione, ballata,
assolo di chitarra, parti
classiche e rock ed un
finale.
L’arrangiamento
per banda di Philip
Sparke è fedele
all’originale.
Composed by Freddie
Mercury. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Score Only. Composed
2011. 28 pages. Anglo
Music Press #AMP 316-140.
Published by Anglo Music
Press (BT.AMP-316-140).
9x12 inches.
English-German-French-Dut
ch.
Bohemian
Rhapsody is undoubtedly
one of the most important
songs in the history of
rock ‘n’
roll. The song defied all
convention in terms of
form. It has no chorus.
Instead, it comprised of
an introduction, ballad,
guitar solo, operatic
interlude, hard rock
section and coda. Perhaps
the most mystifying
aspect of the song is the
lyrics, which are
commonly thought to be
autobiographical,
although members of the
band have never fully
explained them. Bring the
house down with Philip
Sparke’s authentic
arrangement!
Bohem
ian Rhapsody wordt vaak
gezien als het
belangrijkste nummer uit
de geschiedenis van de
rockmuziek. Naast de
nooit verklaarde
raadselachtige tekst, was
het vooral de ongewone
vorm die tot op de dag
van vandaag voor het
grote succeszorgde. Het
nummer kent geen refrein,
maar bestaat uit vijf
afzonderlijke delen:
inleiding, ballad,
gitaarsolo, hardrock en
slot. Philip Sparke is
met zijn arrangement zo
dicht mogelijk bij het
origineel gebleven.
Grotesk!
Bohemi
an Rhapsody wird oft
als der bedeutendste Song
in der Geschichte des
Rock bezeichnet. Neben
dem nie erklärten
rätselhaften Text trug
vor allem die
ungewöhnliche Form zum
heute noch andauernden
Erfolg des Liedes bei: Es
hat keinen Refrain,
sondern besteht aus den
Abschnitten Einleitung,
Ballade, Gitarrensolo,
Hardrock und Schluss.
Philip Sparke versuchte,
in seiner Version von
Bohemian Rhapsody
so nahe wie möglich am
Original zu
bleiben.
Bohemian
Rhapsody è spesso
menzionato come il titolo
più importante nella
storia della musica rock.
Scritta da Freddie
Mercury, questa canzone
sfida tutti i canoni fino
a allora rispettati. Si
compone di sei sezioni
ben distinte:
introduzione, ballata,
assolo di chitarra, parti
classiche e rock ed un
finale.
L’arrangiamento
per banda di Philip
Sparke è fedele
all’originale.
Bohemian Rhapsody Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band (Score) - Grade 4 SKU: HL.44010995 Composed by Freddie Mercu...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.44010995
Composed
by Freddie Mercury.
Arranged by Philip
Sparke. Anglo Music
Concert Band. Pop. Score
Only. Composed 2011.
Anglo Music Press
#AMP316140. Published by
Anglo Music Press
(HL.44010995).
Bohemian
Rhapsody is undoubtedly
one of the most important
songs in the history of
rock 'n' roll. The song
defied all convention in
terms of form. It has no
chorus. Instead, it
comprised of an
introduction, ballad,
guitar solo, operatic
interlude, hard rock
section and coda. Perhaps
the most mystifying
aspect of the song is the
lyrics, which are
commonly thought to be
autobiographical,
although members of the
band have never fully
explained them. Bring the
house down with Philip
Sparke's authentic
arrangement!
Bohem
ian Rhapsody wordt vaak
gezien als het
belangrijkste nummer uit
de geschiedenis van de
rockmuziek. Naast de
nooit verklaarde
raadselachtige tekst, was
het vooral de ongewone
vorm die tot op de dag
van vandaag voor het
grote succeszorgde. Het
nummer kent geen refrein,
maar bestaat uit vijf
afzonderlijke delen:
inleiding, ballad,
gitaarsolo, hardrock en
slot. Philip Sparke is
met zijn arrangement zo
dicht mogelijk bij het
origineel gebleven.
Grotesk!
Bohemi
an Rhapsody wird oft
als der bedeutendste Song
in der Geschichte des
Rock bezeichnet. Neben
dem nie erklarten
ratselhaften Text trug
vor allem die
ungewohnliche Form zum
heute noch andauernden
Erfolg des Liedes bei: Es
hat keinen Refrain,
sondern besteht aus den
Abschnitten Einleitung,
Ballade, Gitarrensolo,
Hardrock und Schluss.
Philip Sparke versuchte,
in seiner Version von
Bohemian Rhapsody
so nahe wie moglich am
Original zu
bleiben.
Bohemian
Rhapsody est souvent
mentionne comme le titre
le plus important dans
l'histoire du Rock.
Ecrite par Freddie
Mercury, cette chanson
defie toutes les normes
jusque-la respectees.
Elle se compose de six
sections bien distinctes:
introduction, ballade,
solo de guitare, parties
opera et hard rock ainsi
qu'un finale.
L'arrangement pour
orchestre d'harmonie de
Philip Sparke reste
conforme a la version
originale. Succes
garanti!
Bohemian
Rhapsody e spesso
menzionato come il titolo
piu importante nella
storia della musica rock.
Scritta da Freddie
Mercury, questa canzone
sfida tutti i canoni fino
a allora rispettati. Si
compone di sei sezioni
ben distinte:
introduzione, ballata,
assolo di chitarra, parti
classiche e rock ed un
finale. L'arrangiamento
per banda di Philip
Sparke e fedele
all'originale.
Eine Kleine Rockmusik Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
By Wolfgang Amadeus Mozart. Arranged by Paul Jennings. Score and full set of par...(+)
By Wolfgang Amadeus
Mozart. Arranged by Paul
Jennings. Score and full
set of parts. Young Band
(Concert Band). Grade 3.
Size 9x12 inches.
Published by Hal Leonard.
Clarinet Spring Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Scomegna Edizioni Musicali
By Flavio Bar. For Concert band (solo feature for 2 clarinets). Original Work, S...(+)
By Flavio Bar. For
Concert band (solo
feature for 2 clarinets).
Original Work, Solo
piece. Grade 2.5. Score
and set of parts.
Duration 5:40. Published
by Scomegna Edizioni
Musical srl
Grade 2 SKU: CL.RWS-2309-00 Composed by Johann Pachelbel. Arranged by Ear...(+)
Grade 2
SKU:
CL.RWS-2309-00
Composed by Johann
Pachelbel. Arranged by
Earp. Young Concert Band.
Score and set of parts.
Composed 2023. RWS Music
Company #RWS-2309-00.
Published by RWS Music
Company (CL.RWS-2309-00).
Canon In
Boombucket Major was
inspired by
Pachelbel’s Canon.
Utilizing boomwhackers
and five-gallon buckets,
the percussion section is
featured in this new,
inspired take on a
timeless classic. It is
also a great recruiting
opportunity as you
feature elementary
students on their
boomwhackers at your next
concert. A great finale
for any program!
Grade 2 SKU: AP.98-RWS230901 Composed by Johann Pachelbel. Arranged by Ea...(+)
Grade 2
SKU:
AP.98-RWS230901
Composed by Johann
Pachelbel. Arranged by
Earp. Young Concert Band.
Extra score. Composed
2023. RWS Music Company
#RWS-2309-01. Published
by RWS Music Company
(AP.98-RWS230901).
Canon In
Boombucket Major was
inspired by
Pachelbel’s Canon.
Utilizing boomwhackers
and five-gallon buckets,
the percussion section is
featured in this new,
inspired take on a
timeless classic. It is
also a great recruiting
opportunity as you
feature elementary
students on their
boomwhackers at your next
concert. A great finale
for any program!
A Man's Destiny Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1195826-010 Yn Ieren en Si...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1195826-010
Yn Ieren en Sinen.
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2019. De
Haske Publications #DHP
1195826-010. Published by
De Haske Publications
(BT.DHP-1195826-010).
English-German-French-
Dutch.
A
Man’s Destiny
has the Frisian line
‘Yn Ieren en
Sinen’
(‘with much
conviction’) as
its subtitle. The work
was commissioned by CMV
Harmonie Sneek (based in
Friesland, The
Netherlands) to
acknowledge their 95th
anniversary. The composer
based this work on the
life of a former member
of the band, who played
flugelhorn in the
ensemble until the age of
86. Their favourite piece
of music,
‘Canon’ by
Thomas Tallis, provided a
great deal of musical
inspiration for this
characteristic and
versatile
work.
A
Man’s Destiny
heeft als ondertitel de
Friese regel ‘Yn
Ieren en Sinen’
(vanuit volle
overtuiging) meegekregen.
Het werk is geschreven in
opdracht van de CMV
Harmonie Sneek ter
gelegenheid van haar
95-jarig jubileum. De
componist baseerde de
compositie op het leven
van een oud-lid van de
vereniging een man die
tot zijn 86e jaar de
bugel bespeelde. Diens
lievelingslied,
‘Tallis’
Canon’ van Thomas
Tallis, is dan ook de
muzikale inspiratiebron
geweest voor dit
karakteristieke en
veelzijdige
werk.
A
Man’s Destiny
hat den friesischen
Ausspruch Yn Ieren en
Sinen“ (mit
großer Überzeugung)
als Untertitel. Das Werk
wurde von der CMV
Harmonie Sneek (aus
Friesland in den
Niederlanden)
anlässlich ihres
95-jährigen Bestehens
in Auftrag gegeben. Der
Komponist widmete sich in
diesem Werk dem Leben
eines ehemaligen
Orchestermitglieds, das
bis zum Alter von 86
Jahren in dem Ensemble
Flügelhorn gespielt
hat. Sein
Lieblingsstück
Canon“ von Thomas
Tallis diente als
wichtige musikalische
Inspirationsquelle für
diese charakteristische
und vielseitige
Komposition.
A Man's Destiny Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1195826-140 Yn Ieren en Si...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1195826-140
Yn Ieren en Sinen.
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2019. 43 pages.
De Haske Publications
#DHP 1195826-140.
Published by De Haske
Publications
(BT.DHP-1195826-140).
English-German-French-
Dutch.
A
Man’s Destiny
has the Frisian line
‘Yn Ieren en
Sinen’
(‘with much
conviction’) as
its subtitle. The work
was commissioned by CMV
Harmonie Sneek (based in
Friesland, The
Netherlands) to
acknowledge their 95th
anniversary. The composer
based this work on the
life of a former member
of the band, who played
flugelhorn in the
ensemble until the age of
86. Their favourite piece
of music,
‘Canon’ by
Thomas Tallis, provided a
great deal of musical
inspiration for this
characteristic and
versatile
work.
A
Man’s Destiny
heeft als ondertitel de
Friese regel ‘Yn
Ieren en Sinen’
(vanuit volle
overtuiging) meegekregen.
Het werk is geschreven in
opdracht van de CMV
Harmonie Sneek ter
gelegenheid van haar
95-jarig jubileum. De
componist baseerde de
compositie op het leven
van een oud-lid van de
vereniging een man die
tot zijn 86e jaar de
bugel bespeelde. Diens
lievelingslied,
‘Tallis’
Canon’ van Thomas
Tallis, is dan ook de
muzikale inspiratiebron
geweest voor dit
karakteristieke en
veelzijdige
werk.
A
Man’s Destiny
hat den friesischen
Ausspruch Yn Ieren en
Sinen“ (mit
großer Überzeugung)
als Untertitel. Das Werk
wurde von der CMV
Harmonie Sneek (aus
Friesland in den
Niederlanden)
anlässlich ihres
95-jährigen Bestehens
in Auftrag gegeben. Der
Komponist widmete sich in
diesem Werk dem Leben
eines ehemaligen
Orchestermitglieds, das
bis zum Alter von 86
Jahren in dem Ensemble
Flügelhorn gespielt
hat. Sein
Lieblingsstück
Canon“ von Thomas
Tallis diente als
wichtige musikalische
Inspirationsquelle für
diese charakteristische
und vielseitige
Komposition.
Golden Winds Orchestre d'harmonie - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-372-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-372-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Set (Score
& Parts). Composed 2014.
Anglo Music Press #AMP
372-010. Published by
Anglo Music Press
(BT.AMP-372-010).
9x12
inches.
English-German-French-Dut
ch.
This
contrasting work builds
up twice from quiet
relaxation or meditative
calm to a climax for the
entire ensemble, before
the main section, a
rhythmic vivo, begins.
Golden Winds
ensures truly
precious moments in your
concert right up to
thelast note!
Twee
keer vindt in dit
contrastrijke werk een
opbouw plaats van rustige
spanning of meditatieve
rust tot een hoogtepunt
voor het complete orkest,
waarna het hoofdgedeelte,
een ritmisch vivo, zich
ontvouwt. Tot aan het
feestelijke slot zorgt
GoldenWinds voor
gouden muzikale momenten
tijdens uw eerstvolgende
concert!
Zweimal
baut sich dieses
kontrastreiche Werk von
leiser Spannung oder
meditativer Ruhe zu einem
Höhepunkt für das
gesamte Orchester auf,
bevor der Hauptteil, ein
rhythmisches Vivo,
einsetzt. Bis hin zum
festlichen Schluss sorgt
Golden Windsfür
wahrhaft goldene
musikalische Momente in
Ihrem
Konzert!
Golden
Winds inizia con un
tema energico eseguito
nel registro grave dei
legni che poi si sviluppa
in canone amplificandosi
fino ad arrivare al
culmine con
l’intero organico.
La musica diventa più
calma per introdurre un
passaggiocontemplativo
che mette dapprima in
luce le caratteristiche
dei clarinetti, e in
seguito un tema opulento
in forma di corale che si
trasforma in un ardente
tutti. I
“Venti
Dorati†terminano
con una nota festiva.
Tallis' Canon Orchestre d'harmonie - Débutant Anglo Music
Concert Band/Harmonie - Grade 1 SKU: BT.AMP-376-140 Composed by Thomas Ta...(+)
Concert Band/Harmonie -
Grade 1
SKU:
BT.AMP-376-140
Composed by Thomas
Tallis. Arranged by
Philip Sparke. Debut
Series (Anglo). Score
Only. Composed 2012. 16
pages. Anglo Music Press
#AMP 376-140. Published
by Anglo Music Press
(BT.AMP-376-140).
9x12
inches.
English-German-French-Dut
ch.
The well-known
16th Century canon by
Thomas Tallis is as
effective as it is
simple. This arrangement
includes four verses of
the melody: the first in
the form of canon; the
second for brass; the
third for woodwind and
the fourth for the entire
orchestra. Philip
Sparke’s
arrangement is also well
suited for incomplete
brass ensembles.
Eenvoudig, maar
met een bijzondere
uitwerking. Dat is deze
bekende canon van Thomas
Tallis uit de zestiende
eeuw. Deze bewerking
geeft vier strofen van
het lied: de eerste in de
vorm van een canon, de
tweede voor de
koperblazers, de derde
voor de houtblazers en de
vierde voor het gehele
orkest. Ook wanneer u met
een onvolledige bezetting
moet werken, is dit
arrangement van Philip
Sparke goed speelbaar.
Der bekannte
Canon von Thomas Tallis
aus dem 16. Jahrhundert
ist ein ebenso einfaches
wie wirkungsvolles
Stück. Diese
Bearbeitung
präsentiert vier
Strophen des Liedes: die
erste in Kanonform, die
zweite für die
Blechbläser, die
dritte für
dieHolzbläser und die
vierte für das gesamte
Orchester. Philip Sparkes
Arrangement ist auch
für unvollständig
besetzte Blasorchester
gut spielbar.
Questo
arrangiamento per banda
del celebre Canone del
XVI secolo di Thomas
Tallis che mette in
musica il Salmo 67,
God Grant we
Grace, presenta
quattro strofe estratte
da questo cantico. La
prima è proposta sotto
forma di canone, la
seconda affi data agli
ottoni, la terza ai
legni, e l’ultima
è ripresa
dall’intero
organico. Il sontuoso
arrangiamento di Philip
Sparke si presta in modo
ottimale a essere
eseguito da ogni tipo di
organico, anche
ridotto.
Tallis' Canon Orchestre d'harmonie - Débutant Anglo Music
Concert Band/Harmonie - Grade 1 SKU: BT.AMP-376-010 Composed by Thomas Ta...(+)
Concert Band/Harmonie -
Grade 1
SKU:
BT.AMP-376-010
Composed by Thomas
Tallis. Arranged by
Philip Sparke. Debut
Series (Anglo). Set
(Score & Parts). Composed
2012. Anglo Music Press
#AMP 376-010. Published
by Anglo Music Press
(BT.AMP-376-010).
9x12
inches.
English-German-French-Dut
ch.
The well-known
16th Century canon by
Thomas Tallis is as
effective as it is
simple. This arrangement
includes four verses of
the melody: the first in
the form of canon; the
second for brass; the
third for woodwind and
the fourth for the entire
orchestra. Philip
Sparke’s
arrangement is also well
suited for incomplete
brass ensembles.
Eenvoudig, maar
met een bijzondere
uitwerking. Dat is deze
bekende canon van Thomas
Tallis uit de zestiende
eeuw. Deze bewerking
geeft vier strofen van
het lied: de eerste in de
vorm van een canon, de
tweede voor de
koperblazers, de derde
voor de houtblazers en de
vierde voor het gehele
orkest. Ook wanneer u met
een onvolledige bezetting
moet werken, is dit
arrangement van Philip
Sparke goed speelbaar.
Der bekannte
Canon von Thomas Tallis
aus dem 16. Jahrhundert
ist ein ebenso einfaches
wie wirkungsvolles
Stück. Diese
Bearbeitung
präsentiert vier
Strophen des Liedes: die
erste in Kanonform, die
zweite für die
Blechbläser, die
dritte für
dieHolzbläser und die
vierte für das gesamte
Orchester. Philip Sparkes
Arrangement ist auch
für unvollständig
besetzte Blasorchester
gut spielbar.
Questo
arrangiamento per banda
del celebre Canone del
XVI secolo di Thomas
Tallis che mette in
musica il Salmo 67,
God Grant we
Grace, presenta
quattro strofe estratte
da questo cantico. La
prima è proposta sotto
forma di canone, la
seconda affi data agli
ottoni, la terza ai
legni, e l’ultima
è ripresa
dall’intero
organico. Il sontuoso
arrangiamento di Philip
Sparke si presta in modo
ottimale a essere
eseguito da ogni tipo di
organico, anche
ridotto.
Composed by Johann Pachelbel (1653-1706). Arranged by Robert E. Foster. For conc...(+)
Composed by Johann
Pachelbel (1653-1706).
Arranged by Robert E.
Foster. For concert band.
Concert Band Music.
Achievement Series. Print
on demand. Concert and
Contest. Easy. Full score
and parts. Published by
Wingert-Jones
Publications
Full Score Concert Band (Score) - Grade 1 SKU: HL.4280587 Composed by Ann...(+)
Full Score Concert Band
(Score) - Grade 1
SKU:
HL.4280587
Composed
by Anne McGinty.
MusicWorks Grade 1.
Chorale, Concert.
Published by Hal Leonard
(HL.4280587).
UPC:
073999805871.
9.0x12.0x0.019
inches.
The opening
Chorale section of this
very appealling beginning
band piece introduces the
theme that is then used
in the Canon that
follows. Skillfully
designed to pass the
melody to every section,
this is a very rewarding
piece for beginning
groups. First published
in 1984.
Trombone & Band SKU: SU.32040020 For Trombone & Band. Composed by ...(+)
Trombone & Band
SKU:
SU.32040020
For
Trombone & Band.
Composed by Amy Riebs
Mills. Brass, Trombone,
Concert Band/Wind
Ensemble. Full Score.
Subito Music Corporation
#32040020. Published by
Subito Music Corporation
(SU.32040020).
Solo Trombone,
Band parts - picc, 2fls,
2 obs, EH, 2bsns, 3 cls,
bcl, 2asx, tsx, bsx, 4
hns, 3 tpts, 3 tbns,
euph, tba, timp, 3 perc
Duration: 17' Composed:
2013 Published by: Amy
Mills Music, LLC
…the audience loved
Red Dragonfly. Definitely
a keeper in my
repertoire! Dr. James
Bicigo, Associate
Professor of Trombone,
University of Alaska,
Anchorage Virtuoso piece,
the dramatic first
movement opens with a
Bold statement followed
by the beautiful love
theme. It reaches up to
the Cry of the Heart,
then everything ruptures
and crashes. Now the
trombonist must rebuild
and gain strength through
dramatic cadenzas until
reaching the
recapitulation where the
opening Bold melody is
transformed into a
majestic march in 3/4
time. The love theme
returns, and the movement
ends in triumph. The
second movement is a
setting of the famous
Japanese folksong, Red
Dragonfly. The trombonist
and pianist play the
lovely song amidst the
sound of fluttering wings
that appear and disappear
like memories of the
heart. Thank you to the
Nihon Gakugeki Kyoukai
Foundation for permission
to use the melody in this
trombone sonata. A solo
glissando opens the third
movement in American folk
dance style with tongue
in cheek and twinkle in
both eyes. The subsequent
variations include a
perfect triple canon, a
taste of New Orleans
jazz, and a dramatic
augmentation which spills
into a flashback of the
first movement’s
love theme. This melts
away and we recapture a
glimpse of the Red
Dragonfly melody, this
time growing to the
Triumphant restatement of
the first
movement’s main
theme. And finally, the
exuberant coda drives to
a spectacular ending.
Difficulty Level:
Trombone 6 (Professional)
Band 5 (Advanced) See
also Red Dragonfly,
Sonata for Trombone and
Piano for the version
with piano accompaniment.
See composer website for
audio sample. Performance
materials available on
rental only:.
Composed by Larry Clark.
SWS. Young Performance
Series. Full score. With
Standard notation. 24
pages. Duration 3
minutes, 37 seconds. Carl
Fischer Music #YPS103F.
Published by Carl Fischer
Music (CF.YPS103F).
ISBN 9780825884849.
UPC: 798408084844. 9 x 12
inches. Key: Eb
major.
Dance of the
Harlequins is a
dance-like composition
that uses the harmonic
progression of the famous
Pachelbel Canon as its
basis. Depicting the
painted, jerky harlequin
clown, it is at times
playful, and others,
simply beautiful. The
familiarity of the famous
bass line makes this work
feel comfortable and
pleasurably original at
the same time, and your
groups will love the new
spin on the Pachelbel
Canon.