Metamorphoses on a Theme by Tchaikovsky for Brass Band. By Johan De Meij. (Score). Amstel Concert Bands. 90 pages. Published by Amstel Music.

Metamorphoses on a Theme by Tchaikovsky for Wind Orchestra. By Johan De Meij. (Score and Parts). Amstel Concert Bands. Published by Amstel Music.

Metamorphoses on a Theme by Tchaikovsky for Wind Orchestra. By Johan De Meij. (Score). Amstel Concert Bands. 72 pages. Published by Amstel Music.

By William Himes. Edited by Bruce Pearson. For concert band. Concert Band. Standard of Excellence in Concert. Level: Grade 1.5. Score and set of parts. Published by Neil A. Kjos Music Company.

Dur. 8:00. Composed by James Barnes. Southern Music. Festival, Concert. Softcover. Southern Music Company #S968CB. Published by Southern Music Company

Score and Parts. By Soren Hyldgaard. Amstel Concert Bands. Published by Amstel Music.

Concert Band/Harmonie - Grade 4

SKU: BT.CMP-0912-04-140

Composed by James Hosay. Prestige Series. Concert Piece. Score Only. Composed 2004. 40 pages. Curnow Music #CMP 0912-04-140. Published by Curnow Music (BT.CMP-0912-04-140).

Soaring themes intertwine with compelling rhythms and inventive harmonies to render an unforgettable musical experience through acclaimed composer James L. Hosay’s impressive new overture. This one may well be the “signature” piece for your band this year. Every section will be challenging and rewarding as you prepare this magnificent offering. The expressive Andante Cantabile Trumpet solo acts as a perfect foil for the thrilling opening and the stirring finale. Exquisite counterpoint, both melodic and rhythmic, captivates the listener in a way that few compositions can. and rhythmic, captivates the listener in a way that few compositions can. Breath-taking!

Spr ekende thema’s verweven zich met meeslepende ritmes en inventieve harmonieën in deze indrukwekkende ouverture van componist James L. Hosay. Elke sectie speelt een waardevolle rol. De expressieve, zangerige trompetsolo vormt eenperfect contrast met de temperamentvolle opening en de opwindende finale. Verfijnd contrapunt, zowel melodisch als ritmisch, houdt de luisteraar zeker geboeid.

Aufsteige nde Themen, im Wechsel mit bestechenden Rhythmen und erfinderischen Harmonien, machen diese Ouvertüre von James L. Hosay zu einer unvergesslichen musikalischen Erfahrung. Das ausdrucksvolle Andantecantabile- Solo für Trompete bildet die ideale Basis für eine bewegende Einleitung und ein ebenso spannendes Finale. Dazwischen spielt jedes Register eine wichtige Rolle. Ausgezeichnetes, sowohl melodisches als auch rhythmisches kontrapunktisches Spiel hält das Publikum in Atem wie kaum ein anderes Werk.

Concert Band/Harmonie - Grade 4

SKU: BT.AMP-392-010

Composed by Philip Sparke. Anglo Music Midway Series. Set (Score & Parts). Composed 2014. Anglo Music Press #AMP 392-010. Published by Anglo Music Press (BT.AMP-392-010).

English-German-French- Dutch.

The work opens with a stern fanfare in bare fifths, which leads to a cantabile theme introduced by alto saxophone. This builds to a climax and reintroduces the fanfare, which slowly evolves into the subsequent vivo. A perky tune emerges on flute, saxophone and trumpet, which, after a short bridge passage, leads to a contrasting melody on low clarinets and saxophones. After some development a true ‘second subject’ appears for the whole band. A recapitulation leads briefly back to the opening fanfare before the vivo returns to close the work in celebratory mood.

Het werk begint met een sobere fanfare in open kwinten, gevolgd door een zangerig thema dat wordt ge ntroduceerd door de altsaxofoon. Dit thema groeit uit tot een climax en leidt opnieuw de fanfare in, die zich langzaam ontwikkelt tot het daaropvolgende vivo. Er verschijnt een opgewekte melodie in de fluit, saxofoon en trompet, die na een korte overgangspassage uitmondt in een contrasterende melodie in de lage klarinetten en saxofoons. Na een verdere uitwerking openbaart zich een tweede thema voor het complete orkest. Een herneming voert ons even weer mee naar de openingsfanfare, voordat het vivo terugkeert en het werk in feestelijke stemming afsluit.

Nach einer ernsten Fanfare in bloßen Quinten, die zu einem Thema in cantabile im Altsaxophon führt, taucht eine kecke Melodie in Flöte, Saxophon und Trompete auf, die nach einer kurzen Überleitung zu einer kontrastierenden Melodie in den tiefen Klarinetten und Saxophonen wird. Ein zweites Thema“ spielt das gesamte Blasorchester. Bevor ein Vivo aus dem Anfangsteil Southend Celebration beendet, werden längst alle Musiker und Zuhörer von der festlichen Stimmung, die es verbreitet, infiziert sein!

L’� ��uvre s’ouvre avec une fanfare de nature sérieuse en quintes qui mène un thème cantabile introduit par les saxophones alto. La musique s’amplifie pour atteindre un certain climax et réintroduire la fanfare, qui évolue progressivement vers un vivo. Fl tes, saxophones et trompettes introduisent un air guilleret qui, après un court passage de transition, aboutit une mélodie contrastée dans le registre grave des clarinettes et saxophones. Après un développement, un véritable second sujet apparaît pour l’orchestre entier. Une récapitulation mène une brève réapparition de la fanfare d’ouverture avant le retour du vivo, qui achève la pièce dans une ambiance de fête.

Il lavoro si apre con un’austera fanfara con quinte vuote, che porta a un tema cantabile introdotto da un saxofono contralto. Si arriva a un culmine e si introduce nuovamente la fanfara, che lentamente evolve nel ‘vivo’ successivo. Un tema vivace emerge dal flauto, dal sassofono e dalla tromba, e dopo un breve passaggio di transizione, porta a una melodia contrastante, dei clarinetti bassi e dei sassofoni. Dopo qualche sviluppo un vero ‘secondo soggetto’ sorge dall’intera banda. Una ripresa porta brevemente indietro alla fanfara, prima che il ‘vivo’ ritorni per chiudere il lavoro in modo celebrativo.

Concert Band/Harmonie - Grade 4

SKU: BT.AMP-392-140

Composed by Philip Sparke. Anglo Music Midway Series. Score Only. Composed 2014. Anglo Music Press #AMP 392-140. Published by Anglo Music Press (BT.AMP-392-140).

English-German-French- Dutch.

The work opens with a stern fanfare in bare fifths, which leads to a cantabile theme introduced by alto saxophone. This builds to a climax and reintroduces the fanfare, which slowly evolves into the subsequent vivo. A perky tune emerges on flute, saxophone and trumpet, which, after a short bridge passage, leads to a contrasting melody on low clarinets and saxophones. After some development a true ‘second subject’ appears for the whole band. A recapitulation leads briefly back to the opening fanfare before the vivo returns to close the work in celebratory mood.

Het werk begint met een sobere fanfare in open kwinten, gevolgd door een zangerig thema dat wordt ge ntroduceerd door de altsaxofoon. Dit thema groeit uit tot een climax en leidt opnieuw de fanfare in, die zich langzaam ontwikkelt tot het daaropvolgende vivo. Er verschijnt een opgewekte melodie in de fluit, saxofoon en trompet, die na een korte overgangspassage uitmondt in een contrasterende melodie in de lage klarinetten en saxofoons. Na een verdere uitwerking openbaart zich een tweede thema voor het complete orkest. Een herneming voert ons even weer mee naar de openingsfanfare, voordat het vivo terugkeert en het werk in feestelijke stemming afsluit.

Nach einer ernsten Fanfare in bloßen Quinten, die zu einem Thema in cantabile im Altsaxophon führt, taucht eine kecke Melodie in Flöte, Saxophon und Trompete auf, die nach einer kurzen Überleitung zu einer kontrastierenden Melodie in den tiefen Klarinetten und Saxophonen wird. Ein zweites Thema“ spielt das gesamte Blasorchester. Bevor ein Vivo aus dem Anfangsteil Southend Celebration beendet, werden längst alle Musiker und Zuhörer von der festlichen Stimmung, die es verbreitet, infiziert sein!

L’� ��uvre s’ouvre avec une fanfare de nature sérieuse en quintes qui mène un thème cantabile introduit par les saxophones alto. La musique s’amplifie pour atteindre un certain climax et réintroduire la fanfare, qui évolue progressivement vers un vivo. Fl tes, saxophones et trompettes introduisent un air guilleret qui, après un court passage de transition, aboutit une mélodie contrastée dans le registre grave des clarinettes et saxophones. Après un développement, un véritable second sujet apparaît pour l’orchestre entier. Une récapitulation mène une brève réapparition de la fanfare d’ouverture avant le retour du vivo, qui achève la pièce dans une ambiance de fête.

Il lavoro si apre con un’austera fanfara con quinte vuote, che porta a un tema cantabile introdotto da un saxofono contralto. Si arriva a un culmine e si introduce nuovamente la fanfara, che lentamente evolve nel ‘vivo’ successivo. Un tema vivace emerge dal flauto, dal sassofono e dalla tromba, e dopo un breve passaggio di transizione, porta a una melodia contrastante, dei clarinetti bassi e dei sassofoni. Dopo qualche sviluppo un vero ‘secondo soggetto’ sorge dall’intera banda. Una ripresa porta brevemente indietro alla fanfara, prima che il ‘vivo’ ritorni per chiudere il lavoro in modo celebrativo.

Concert Band (Score) - Grade 5

SKU: HL.4008205

Elite Series. Composed by Philip Sparke. Anglo Music Concert Band. Concert. Duration 330 seconds. Anglo Music Press #034005. Published by Anglo Music Press (HL.4008205).

UPC: 196288138914.

The name of this glorious overture speaks for itself: this work is vivacious and sparkling! Majestic fanfare playing enriched by florid woodwind decorations alternates with lively themes full of fierce energy, but there is also lyricism to be found in a lovely cantabile passage. An appealing flashy coda closes the work. This composition will be thoroughly enjoyed by musicians as well as the audience.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1175843-010

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2018. De Haske Publications #DHP 1175843-010. Published by De Haske Publications (BT.DHP-1175843-010).

English-German-French- Dutch.

Sbandiamo ! is a joyous—and swinging—work, taking its title from the wind music event held annually in the medieval Italian city of Gubbio, Umbria in which various bands from all over Italy participate. The first performance of this piece was given at the Piazza Grande, Gubbio, under the baton of the composer himself, with a wind band of some 250 musicians. A stately introduction, with festive percussion, is followed by a catchy theme in alternating pop and march rhythms. The opening theme then returns as a marcia cantabile, and the work is brought to a grand and compelling conclusion.

Sba ndiamo! is zowel een vreugdevol als swingend werk. De titel verwijst naar het gelijknamige blaasmuziekevenement in de middeleeuwse stad Gubbio in Umbrië (Italië). Daar klonk op de Piazza Grande de première met een blaasorkest bestaande uit ongeveer 250 musici, onder leiding van de componist. Elk jaar nemen diverse orkesten uit heel Italië deel aan dit evenement. Een statige inleiding met feestelijk slagwerk wordt gevolgd door een pakkend thema in afwisselende pop- en marsritmes. Dan keert het beginthema terug als marcia cantabile en eindigt het werk meeslepend en groots.

Sbandia mo! ist ein fröhliches und schwungvolles Werk. Der Titel bezieht sich auf die gleichnamige Blasmusik-Veranstaltung in der mittelalterlichen Stadt Gubbio in Umbrien (Italien). Dort fand auch die Uraufführung des Stückes mit einem etwa 250-köpfigen Blasorchester unter der Leitung des Komponisten auf der Piazza Grande statt. Jedes Jahr nehmen an dieser Veranstaltung verschiedene Blasorchester aus ganz Italien teil. Auf die majestätische Einleitung mit festlichem Schlagwerk folgt ein eingängiges Thema mit wechselnden Posp- und Marschrhythmen. Sbandiamo! Eine Komposition, die sowohl den Musikern als auch ihrem Publikum gefallen wird.

Sbandiamo ! est une œuvre joyeuse qui fait swinguer ! Son titre fait référence la rencontre d’orchestres d’harmonie qui regroupe chaque année des orchestres de toute l’Italie dans la ville médiévale de Gubbio en Ombrie (Italie). L , sur la Piazza Grande, l’œuvre a été créée sous la direction du compositeur avec une ensemble d’environ 250 musiciens. Une introduction grandiose avec de la percussion festive est suivie d’un thème entraînant, alternant entre des rythmes de pop et de marche. Puis, on retrouve le thème d’ouverture dans la forme d’une marcia cantabile, et l’œuvre est menée sa fin grandiose et captivante.

Sba ndiamo! è un brano gioioso e swing il cui titolo è tratto dalla rassegna dedicata ai fiati che si tiene nella cittadina medioevale di Gubbio una volta all’anno, e che vede chiamate a raccolta varie bande provenienti da ogni parte d’Italia. La prima esecuzione del brano è avvenuta nella Piazza Grande di Gubbio, sotto la guida dello stesso compositore con una banda di 250 strumentisti a fiato. Una maestosa introduzione con festose percussioni è seguita da un tema accattivante che alterna ritmi pop e di marcia. Il tema iniziale ritorna poi come una marcia cantabile e il brano si avvia ad una grande ed irresistibile conclusione.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1175843-140

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2018. 23 pages. De Haske Publications #DHP 1175843-140. Published by De Haske Publications (BT.DHP-1175843-140).

English-German-French- Dutch.

Sbandiamo ! is a joyous—and swinging—work, taking its title from the wind music event held annually in the medieval Italian city of Gubbio, Umbria in which various bands from all over Italy participate. The first performance of this piece was given at the Piazza Grande, Gubbio, under the baton of the composer himself, with a wind band of some 250 musicians. A stately introduction, with festive percussion, is followed by a catchy theme in alternating pop and march rhythms. The opening theme then returns as a marcia cantabile, and the work is brought to a grand and compelling conclusion.

Sba ndiamo! is zowel een vreugdevol als swingend werk. De titel verwijst naar het gelijknamige blaasmuziekevenement in de middeleeuwse stad Gubbio in Umbrië (Italië). Daar klonk op de Piazza Grande de première met een blaasorkest bestaande uit ongeveer 250 musici, onder leiding van de componist. Elk jaar nemen diverse orkesten uit heel Italië deel aan dit evenement. Een statige inleiding met feestelijk slagwerk wordt gevolgd door een pakkend thema in afwisselende pop- en marsritmes. Dan keert het beginthema terug als marcia cantabile en eindigt het werk meeslepend en groots.

Sbandia mo! ist ein fröhliches und schwungvolles Werk. Der Titel bezieht sich auf die gleichnamige Blasmusik-Veranstaltung in der mittelalterlichen Stadt Gubbio in Umbrien (Italien). Dort fand auch die Uraufführung des Stückes mit einem etwa 250-köpfigen Blasorchester unter der Leitung des Komponisten auf der Piazza Grande statt. Jedes Jahr nehmen an dieser Veranstaltung verschiedene Blasorchester aus ganz Italien teil. Auf die majestätische Einleitung mit festlichem Schlagwerk folgt ein eingängiges Thema mit wechselnden Posp- und Marschrhythmen. Sbandiamo! Eine Komposition, die sowohl den Musikern als auch ihrem Publikum gefallen wird.

Sbandiamo ! est une œuvre joyeuse qui fait swinguer ! Son titre fait référence la rencontre d’orchestres d’harmonie qui regroupe chaque année des orchestres de toute l’Italie dans la ville médiévale de Gubbio en Ombrie (Italie). L , sur la Piazza Grande, l’œuvre a été créée sous la direction du compositeur avec une ensemble d’environ 250 musiciens. Une introduction grandiose avec de la percussion festive est suivie d’un thème entraînant, alternant entre des rythmes de pop et de marche. Puis, on retrouve le thème d’ouverture dans la forme d’une marcia cantabile, et l’œuvre est menée sa fin grandiose et captivante.

Sba ndiamo! è un brano gioioso e swing il cui titolo è tratto dalla rassegna dedicata ai fiati che si tiene nella cittadina medioevale di Gubbio una volta all’anno, e che vede chiamate a raccolta varie bande provenienti da ogni parte d’Italia. La prima esecuzione del brano è avvenuta nella Piazza Grande di Gubbio, sotto la guida dello stesso compositore con una banda di 250 strumentisti a fiato. Una maestosa introduzione con festose percussioni è seguita da un tema accattivante che alterna ritmi pop e di marcia. Il tema iniziale ritorna poi come una marcia cantabile e il brano si avvia ad una grande ed irresistibile conclusione.

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-1145613-010

Composed by Peter Riedemann. On Parade! Set (Score & Parts). Composed 2014. De Haske Publications #DHP 1145613-010. Published by De Haske Publications (BT.DHP-1145613-010).

English-German-French- Dutch.

The main role in this attractive march is played by the harmonic elements of minor and major. These ingredients are supported by a solid bass passage, various dynamic contrasts and a lovely cantabile trio theme. Bandshop is a wonderfulmarch that brings pleasure to performer and listener alike-and is ideal for any concert program.

In deze attractieve mars spelen de harmonische componenten mineur en majeur de hoofdrol. Deze elementen worden aangevuld door een stevige baspassage, verschillende dynamische contrastwerkingen en een fraai zangrijk triothema. Bandshop is eenprachtige mars die veel luister- en speelplezier biedt en die geschikt is voor elk concertprogramma!

In diesem attraktiven Marsch spielen die harmonischen Komponenten Moll und Dur die Hauptrolle. Diese Elemente werden durch eine solide Passage im Bass, verschiedene dynamische Kontraste und ein liebliches Cantabile-Triothema ergänzt. Bandshopist ein wundervoller Marsch, der viel Spiel- und Hörspaß bietet und sich für jedes Konzertprogramm eignet!

Dans cette adorable marche, les éléments harmoniques en modes mineur et majeur jouent le rôle principal. Ces motifs sont complétés par une solide arcade la basse, alors que différents contrastes de dynamiques soutiennent un joli trio cantabile.Bandshop est une merveilleuse marche, qui offre en tout occasion l’incomparable émotion d’être jouée, mais également l’immense plaisir d’être écoutée.

In questa accattivante marcia, gli elementi armonici in tonalit maggiore e minore rivestono un ruolo principale. Questi motivi sono completati da una solida linea del basso, mentre i differenti contrasti di dinamiche sostengono un piacevole triocantabile. Bandshop è una splendida marcia che oltre ad essere emozionante da eseguire, offre momenti di puro piacere musicale a chi ascolta!

Concert Band - Grade 3

SKU: HL.44010493

Grade 3 - Score Only. Composed by Philip Sparke. Anglo Music Concert Band. March. Score Only. Composed 2009. Anglo Music Press #AMP248. Published by Anglo Music Press (HL.44010493).

UPC: 884088481032. 9x12 inches. English-German-French-Dut ch.

Utsunomiya is the capital of Japan's Tochigi Prefecture and is about 100 km north of Tokyo, about an hour on the bullet train. When the Utsunomiya Brass Society, a talented and versatile group of brass players formed in 1978, asked Philip Sparke to compose a signature march to celebrate their 30th anniversary, they asked for a bright and breezy march which they could use to open concerts. Jubiloso is written in the same style as Sparke's Slipstream and The Bandwagon, with heavily syncopated melodies and a conventional cantabile trio section, but also contains sudden bars of unusual meter that trip up the march rhythm.

Concert Band - Grade 3

SKU: HL.44010492

Grade 3 - Score and Parts. Composed by Philip Sparke. Anglo Music Concert Band. March. Score Only. Composed 2009. Duration 240 seconds. Anglo Music Press #AMP248. Published by Anglo Music Press (HL.44010492).

UPC: 884088481025. 9.0x12.0x0.973 inches. English(US)/Deutsch/Franc ais/Nederlands.

Uts unomiya is the capital of Japan's Tochigi Prefecture and is about 100 km north of Tokyo, about an hour on the bullet train. When the Utsunomiya Brass Society, a talented and versatile group of brass players formed in 1978, asked Philip Sparke to compose a signature march to celebrate their 30th anniversary, they asked for a bright and breezy march which they could use to open concerts. Jubiloso is written in the same style as Sparke's Slipstream and The Bandwagon, with heavily syncopated melodies and a conventional cantabile trio section, but also contains sudden bars of unusual meter that “trip up” the march rhythm.

Score and Parts Concert Band (Score & Parts) - Grade 5

SKU: HL.44012905

For Concert Band. Composed by Philip Sparke. Anglo Music Concert Band. Bluegrass, Concert. Softcover. Composed 2017. Anglo Music Press #AMP447010. Published by Anglo Music Press (HL.44012905).

English-German-French- Dutch.

A Bluegrass Overture was commissioned by Gabriel Wooley and funded by a grant from Leslie and Cathy Anderson for the Central Kentucky Concert Band to celebrate their 40th anniversary in 2016. This energetic overture opens with an introduction loosely based on bluegrass chords before a slower, legato chorale appears in the clarinets and flutes. This is short-lived and soon a new mood is introduced, based on a repeated-note accompaniment. This leads to the main theme, heavily syncopated with bluesy inflections. A central section features a cantabile melody, which changes key frequently, before the main theme reappears, leading to a triumphal presentation of the earlier chorale melody.

Clarinet Solo and Wind Band

SKU: IS.WE6180EM

Composed by Malcolm Arnold. Arranged by Alex Steurs. Ensembles - Wind Band. Metropolis Music Publishers #WE6180EM. Published by Metropolis Music Publishers (IS.WE6180EM).

ISBN 9790365061808.

Engl ish composer Malcolm Arnold wrote this compact sonatina in 1951 and it has since become one of his most popular instrumental works. As always with Arnold, it is impeccably crafted: the first movement, with it's wide leaps, the occasional incursion of a six-eight bar into the prevailing four-four, and the lightest of jazzy touches, lives up to its marking of Allegro con brio; while the second demonstates Arnold's love at this period of a gentle cantabile style where no shadows yet lurk. The finale is a wild dance in three-four time marked Furioso, and it is a distant cousin of the Czech Furiant. With its vigorous rhythms and cascading semiquavers, it has something of the open-air quality of Dvorak at his most buccolic - not a frequent influence on Malcolm Arnold, but a highly appropriate one in this charming (and challenging) little work. This version for clarinet solo with wind band has been arranged by saxophone player Alex Steurs.

SKU: HL.359045

Full Score. Composed by William Bolcom. E.B. Marks. Softcover. 81 pages. Edward B. Marks Music #MP071008. Published by Edward B. Marks Music (HL.359045).

ISBN 9781705120873. UPC: 840126945027. 11.0x17.0x0.457 inches.

The original work was commissioned by the New York Philharmonic for clarinetist Stanley Drucker. The version for band was commissioned by Dr. J. Blake Arrington. The band version was premiered by J. Blake Arrington, clarinet, with Troy University Wind Ensemble under Mark Walker on March 20, 2015. Both the orchestra and band versions are available for rent. Movements: I. Allegro, II. Cantabile, III. Scherzo - Finale.

Wind Band - Grade 4

SKU: YM.GTW01085764

Concert Band. New Sounds in Brass (NSB). Arranged Classics. Score & Parts. Yamaha Music Media #GTW01085764. Published by Yamaha Music Media (YM.GTW01085764).

ISBN 9784636857641.

New Sounds in Concert Band Series (NSB)
Various classical music themes are nicely connected
Duration: approx.7'35
Arranged by Masamichi Amano

Fragments from Rhapsody in Blue, Beethoven's Symphony No.7, Mozart's Oboe Concerto KV 271K, Till Eulenspiegel, Second Movement of Beethoven's Piano Sonata No.8 Pathetique and Third Movement of Rachmainoff's Piano Concerto No.2.

(from the Concerto for Clarinet KV622). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Jos van de Braak. For Clarinet and Concert Band. Grade 3. Full score and set of parts. Duration 7:30

(Andante Cantabile & Allegro Moderato). Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by F. Winterbottom. For concert band. BOVACO Classic CB. Extra condensed score. Published by BOVACO Music Publications

Grade 3

SKU: CL.LDP-7005-01

(from Sonata Pathetique). Composed by Ludwig van Beethoven. Arranged by Daehn. Concert Band. Extra full score. Composed 2009. Daehn Publications #LDP-7005-01. Published by Daehn Publications (CL.LDP-7005-01).

Beethoven’s Sonata No. 8, Op. 13, became the most famous of all his sonatas. It was one of the most beautiful pieces he ever wrote and is now made attainable for modern bands in this skillful arrangement. Introduce your players to Beethoven’s heartfelt music and let them sing! (Metaphorically speaking.) Spectacular!

By John Kinyon. Music by John Kinyon. For Concert Band. Concert Band. Growing Band Series. Level: Level 2 (grade 2). Conductor Score & Parts. 61 pages. Published by Alfred Publishing.

By Richard Meyer. Music by Richard Meyer. Concert Band. Alfred Concert Band. Level: Level 3 (grade 3). Conductor Score and Parts. 2 pages. Published by Alfred Publishing.

SKU: HL.44011478

Beriato Music Concert Band Set. Hal Leonard #BMP10025463. Published by Hal Leonard (HL.44011478).

UPC: 884088893668.

Grade 3

SKU: CL.LDP-7005-00

(from Sonata Pathetique). Composed by Ludwig van Beethoven. Arranged by Daehn. Concert Band. Score and set of parts. Composed 2009. Daehn Publications #LDP-7005-00. Published by Daehn Publications (CL.LDP-7005-00).

Beethoven’s Sonata No. 8, Op. 13, became the most famous of all his sonatas. It was one of the most beautiful pieces he ever wrote and is now made attainable for modern bands in this skillful arrangement. Introduce your players to Beethoven’s heartfelt music and let them sing! (Metaphorically speaking.) Spectacular!

By Frank Erickson. Concert Band. Concert Band. Belwin Symphonic Band. Contemporary. Grade 4. Conductor Score and Parts. 63 pages. Published by Alfred Music Publishing

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-1135498-015

Composed by Marc Jeanbourquin. De Haske Flexible Series. Original Light Music. Set (Score and Parts). Composed 2013. De Haske Publications #DHP 1135498-015. Published by De Haske Publications (BT.DHP-1135498-015).

9x12 inches. English-German-French-Dut ch.

Welcome to Ireland, the country where the traditional music is as varied as the landscape! Marc Jeanbourquinâ??s Irish Fantasy starts in a carefree and lively fashion from County Galway, then strolls through the moorlands of Kerry in a slower, lyrical movement with room for a solo, and comes to rest in Cork, with high-spirited and up-tempo folk tunes, and an accompaniment reminiscent of the bagpipes.

Ierland heeft - naast een veelvoud aan prachtige landschappen - een rijke muzikale traditie. In dit werk verwerkte de componist beide elementen en steekt van wal met een indruk van het opgewekte County Galway om dan door de venen van Kerry te wandelen, begeleid door een langzame optionele solo voor trombone en trompet. In Cork mag de doedelzak natuurlijk niet ontbreken en breekt een heus dansfeest los met de typische Ierse folkmuziek!

Willkommen in Irland, dem Land, in dem die traditionelle Musik so vielfältig ist wie seine Landschaften_x001C_! Marc Jeanbourquins Irische Fantasieâ?? beginnt in einem unbeschwerten, lebhaften Stil im County Galway, streift dann die Moorlandschaften von Kerry in einem langsameren, liedhaften Satz, der Raum fu?r ein Solo bietet, und endet in Cork, wo u?bermu?tige, schwungvolle irische Folk-Melodien mit an Dudelsack erinnernden Begleitungen angesagt sind.

Bienvenue en Irlande ! Le pays où la musique traditionnelle est aussi riche et variée que ses paysages. Avec le premier mouvement de Irish Fantasy, Marc Jeanbourquin propose de commencer la visite par le comté de Galway, dans un style léger et dansant. Le voyage se poursuit par le comté de Kerry avec ses landes et ses lagunes, illustré dans le deuxième mouvement par une berceuse lente et cantabile, qui laisse au chef dâ??orchestre la possibilité de mettre en avant un soliste de lâ??ensemble. Mais déj , le périple se termine par le comté de Cork. On retrouve ici des mélodies sautillantes et entraînantes. Bon voyage musical avec Irish Fantasy.

Lâ?? Irlanda vanta una ricca tradizione di musica e canti tradizionali. Con il primo movimento, Marc Jeanbourquin propone di iniziare la visita alla contea di Galway in uno spirito leggero e danzante. Il viaggio prosegue nella contea di Kerry, con le sue lande e lagune, descritte in musica nel secondo movimento da una ninna-nanna lenta e cantabile, che d spazio a un assolo. Il viaggio _x001E_nisce nella contea di Cork dove ritroviamo melodie vivaci e coinvolgenti.