Zodiac Dances Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-453-140 Six miniatures bas...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-453-140
Six
miniatures based on
animals from the Japanese
'Junishi'. Composed
by Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Score
Only. Composed 2017. 50
pages. Anglo Music Press
#AMP 453-140. Published
by Anglo Music Press
(BT.AMP-453-140).
English-German-French-
Dutch.
Zodiac
Dances was
commissioned by the
Izumiotsu City Band,
Osaka, Japan to celebrate
their 50th anniversary.
Sparke had previously
written the piece,
Prelude to a
Celebration for the
band, and in composing a
new piece for their 50th
anniversary wanted to
personalise it to reflect
the band’s
history. He chose to
write a set of six
dance-miniatures based on
the decades following the
band’s foundation
and the equivalent signs
from the Japanese
‘Junishi’. During the piece, all
aspects of true
musicianship come to the
surface. Energetic
playing, phrasing,
melodic music making,
technique and a
spectacular finale make
this work a perfect test
or concertwork!
Zodiac
Dances werd
geschreven in opdracht
van de Izumiotsu City
Band uit Osaka, Japan,
ter gelegenheid van het
vijftigjarig bestaan van
dit orkest. Eerder al
heeft Sparke voor dit
orkest Prelude to a
Celebration
gecomponeerd. Met dit
nieuwe werk voor het
vijftigjarig bestaan
wilde hij de geschiedenis
van het orkest
weerspiegelen. Hij koos
voor een set van zes
dansminiaturen, gebaseerd
op de decennia na de
oprichting, in combinatie
met de bijbehorende
sterrenbeelden uit de
Japanse Junishi.
In dit werk komen alle
aspecten van het ware
muzikantschap naar voren.
Levendig spel, frasering,
melodisch spel, techniek
en natuurlijk een
spetterende finale maken
diteen perfect wedstrijd-
of concertstuk!
Zodiac
Dances wurde von der
Izumiotsu City Band aus
Osaka (Japan)
anlässlich ihres
50-jährigen Bestehens
in Auftrag gegeben.
Philip Sparke schuf eine
Suite aus
Miniaturtänzen, von
denen jeder jeweils ein
Jahrzehnt und das
entsprechendejapanische
Tierkreiszeichen
symbolisiert. Das Werk
ist energiegeladen und
melodisch bis zum
spektakulären Finale
und damit ein perfektes
Wettbewerbs- oder
Konzertstück!
Zodiac
Dances è una
commissione della
Izumiotsu City Band di
Osaka, in Giappone, per
la celebrazione del suo
cinquantesimo
anniversario. Nel
comporre un nuovo brano
per la ricorrenza
dell’anniversario
ha voluto creare
un’opera che si
ispirasse alla storia di
questa formazione. Ha
scelto di scrivere un set
di sei danze in miniatura
ispirate ai decenni che
hanno seguito la
fondazione della banda e
ai segni equivalenti del
“Junishiâ€
giapponese.
L’energia
dell’esecuzione,
il fraseggio, la melodia,
gli aspetti tecnici e un
finale spettacolare
rendono questo brano
perfetto per un esame o
un concerto!
Zodiac Dances Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-453-010 Six miniatures bas...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-453-010
Six
miniatures based on
animals from the Japanese
'Junishi'. Composed
by Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2017.
Anglo Music Press #AMP
453-010. Published by
Anglo Music Press
(BT.AMP-453-010).
English-German-French-
Dutch.
Zodiac
Dances was
commissioned by the
Izumiotsu City Band,
Osaka, Japan to celebrate
their 50th anniversary.
Sparke had previously
written the piece,
Prelude to a
Celebration for the
band, and in composing a
new piece for their 50th
anniversary wanted to
personalise it to reflect
the band’s
history. He chose to
write a set of six
dance-miniatures based on
the decades following the
band’s foundation
and the equivalent signs
from the Japanese
‘Junishi’. During the piece, all
aspects of true
musicianship come to the
surface. Energetic
playing, phrasing,
melodic music making,
technique and a
spectacular finale make
this work a perfect test
or concertwork!
Zodiac
Dances werd
geschreven in opdracht
van de Izumiotsu City
Band uit Osaka, Japan,
ter gelegenheid van het
vijftigjarig bestaan van
dit orkest. Eerder al
heeft Sparke voor dit
orkest Prelude to a
Celebration
gecomponeerd. Met dit
nieuwe werk voor het
vijftigjarig bestaan
wilde hij de geschiedenis
van het orkest
weerspiegelen. Hij koos
voor een set van zes
dansminiaturen, gebaseerd
op de decennia na de
oprichting, in combinatie
met de bijbehorende
sterrenbeelden uit de
Japanse Junishi.
In dit werk komen alle
aspecten van het ware
muzikantschap naar voren.
Levendig spel, frasering,
melodisch spel, techniek
en natuurlijk een
spetterende finale maken
diteen perfect wedstrijd-
of concertstuk!
Zodiac
Dances wurde von der
Izumiotsu City Band aus
Osaka (Japan)
anlässlich ihres
50-jährigen Bestehens
in Auftrag gegeben.
Philip Sparke schuf eine
Suite aus
Miniaturtänzen, von
denen jeder jeweils ein
Jahrzehnt und das
entsprechendejapanische
Tierkreiszeichen
symbolisiert. Das Werk
ist energiegeladen und
melodisch bis zum
spektakulären Finale
und damit ein perfektes
Wettbewerbs- oder
Konzertstück!
Zodiac
Dances è una
commissione della
Izumiotsu City Band di
Osaka, in Giappone, per
la celebrazione del suo
cinquantesimo
anniversario. Nel
comporre un nuovo brano
per la ricorrenza
dell’anniversario
ha voluto creare
un’opera che si
ispirasse alla storia di
questa formazione. Ha
scelto di scrivere un set
di sei danze in miniatura
ispirate ai decenni che
hanno seguito la
fondazione della banda e
ai segni equivalenti del
“Junishiâ€
giapponese.
L’energia
dell’esecuzione,
il fraseggio, la melodia,
gli aspetti tecnici e un
finale spettacolare
rendono questo brano
perfetto per un esame o
un concerto!
Score and Parts. Composed by Norman Nelson. Southern Music. Concert, Folk. So...(+)
Score and Parts. Composed
by
Norman Nelson. Southern
Music. Concert, Folk.
Softcover. Southern Music
Company #S960CB.
Published
by Southern Music Company
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-200-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-200-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2007.
Anglo Music Press #AMP
200-010. Published by
Anglo Music Press
(BT.AMP-200-010).
9x12
inches.
English-German-French-Dut
ch.
The Camelot
Chronicles is a series of
contrasting musical
tableaux,each describing
the famous characters
from the Arthurian
legend. Noone knows
exactly where Camelot was
situated (favourite
choices areTintagel and
Glastonbury) but the
story has passed into
legend and isthe subject
of many poems and novels,
each of which have
cloudedthe truth and
added to the mystery. Let
Philip Sparke?s music
inspireyour band with
this magical tale.
Rondom het thema
Camelot creëerde
Philip Sparke een serie
contrasterende tableaus
die de figuren uit de
Arthur-legenden
beschrijven. At the
Castle Gates is een
muzikale weergave van
Camelot. King
Arthur beschrijft
demajestueuze aankomst
van de koning bij het
kasteel. Merlin the
Wizard is spookachtig
van sfeer en weerspiegelt
een van Merlijns
toverkunsten. Lancelot
and Guinevere is een
romantisch duet dat de
edele liefde van deridder
voor de koningin
verklankt. Knights of
the Round Table geeft
een indruk van hoe de
ridders vol vuur de
strijd aangaan, het werk
eindigt
glorierijk.
The
Camelot Chronicles
besteht aus einer Reihe
von musikalischen
Bildern, von denen jedes
eine Figur aus der
Artussage beschreibt.
Niemand weiß genau, wo
die Burg Camelot einst
stand, in der König
Artus seine Ritter um die
Tafelrunde versammelte,
aber die Legende
fasziniert die Menschen
bis heute. Lassen Sie mit
Philip Sparkes Musik Ihr
Publikum die
Atmosphäre der
sagenumwobenen Burg und
der Geschichte derer, die
darin ein und aus gingen,
nacherleben!
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-200-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-200-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2007. 40 pages.
Anglo Music Press #AMP
200-140. Published by
Anglo Music Press
(BT.AMP-200-140).
9x12
inches.
English-German-French-Dut
ch.
The Camelot
Chronicles is a series of
contrasting musical
tableaux,each describing
the famous characters
from the Arthurian
legend. Noone knows
exactly where Camelot was
situated (favourite
choices areTintagel and
Glastonbury) but the
story has passed into
legend and isthe subject
of many poems and novels,
each of which have
cloudedthe truth and
added to the mystery. Let
Philip Sparke?s music
inspireyour band with
this magical tale.
The Camelot
Chronicles besteht
aus einer Reihe von
musikalischen Bildern,
von denen jedes eine
Figur aus der Artussage
beschreibt. Niemand
weiß genau, wo die
Burg Camelot einst stand,
in der König Artus
seine Ritter um die
Tafelrunde versammelte,
aber die Legende
fasziniert die Menschen
bis heute. Lassen Sie mit
Philip Sparkes Musik Ihr
Publikum die
Atmosphäre der
sagenumwobenen Burg und
der Geschichte derer, die
darin ein und aus gingen,
nacherleben!
In The Bleak Midwinter Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant RWS Music Company
Melody Mine. Composed by Gustav Holst (1874-1934). Arranged by S. Smith a...(+)
Melody Mine.
Composed by Gustav Holst
(1874-1934). Arranged by
S. Smith and R.W. Smith.
Young band. RWS Beginning
Band Series. Score and
parts. Duration 0:2:54.
Published by RWS Music
Company (CL.RWS-1603-00).
Brass Band (Score & Parts) - Grade 3 SKU: HL.44012861 Composed by Mykola ...(+)
Brass Band (Score &
Parts) - Grade 3
SKU:
HL.44012861
Composed
by Mykola Dmytrovich
Leontovych. Arranged by
Philip Sparke. Anglo
Music Concert Band.
Christmas. Softcover.
Composed 2005. Anglo
Music Press #AMP134-030.
Published by Anglo Music
Press (HL.44012861).
9x12 inches.
English-German-French-Dut
ch.
The
Ukrainian Bell
Carol is part of a
large choral work
entitled Shchedryk by the
Ukrainian composer Mykola
Dmytrovich Leontovych
(1877-1921). The tune is
an adaptation of an old
'shchedrivka', a song
traditionally sung on
Ukrainian New Year's Eve
(January 13th) which
hopes for good fortune in
the year to come. The
tune has since been the
inspiration for at least
four different Christmas
carols, of which Carol
of the Bells is the
most famous. Philip
Sparke has sourced the
original Ukrainian melody
to create this stirring
arrangement.
The <
em>Ukrainian Bell
Carol is part
of a large choral work
entitled Shchedryk by the
Ukrainian composer Mykola
Dmytrovich Leontovych
(1877-1921).
The
tune is an adaptation of
an old 'shchedrivka', a
song traditionally sung
on Ukrainian New Year's
Eve (January 13th) which
hopes for good fortune in
the year to come. The
tune has since been the
inspiration for at least
four different Christmas
carols, of
which Carol of
the Bells is
the most famous. Philip
Sparke has sourced the
original Ukrainian melody
to create this stirring
arrangement.
D
e Ukrainian Bell
Carol is onderdeel
van het grote koorwerk
Shchedryk van de
Oekraiense componist
Mykola Dmytrovich
Leontovych (1877-1921).
De melodie is gebaseerd
op een 'shchedrivka', een
lied dat van oudsher
werdgezongen op de
Oekraiense oudejaarsavond
(13 januari). In
Shchedryk voegde
Leontovych de tekst toe
over de legende die
vertelt dat bij de
geboorte van Jezus alle
klokken op aarde begonnen
te luiden. Sindsdien is
deze melodiede
inspiratiebron geweest
voor ten minste vier
verschillende Christmas
carols, waarvan Carol
of the Bells de
beroemdste is. Voor dit
meeslepende arrangement
heeft Philip Sparke
echter de oorspronkelijke
Oekraiense
melodiegebruikt.
D
as Ukrainian Bell
Carol (Ukrainisches
Glocken- Weihnachtslied)
ist Teil eines grossen
Chorwerkes namens
Shchedryk vom
ukrainischen Komponisten
Mykola Dmytrovich
Leontovych. Sein Text
handelt von der Legende,
die besagt, dass zu Ehren
von Jesu Geburt alle
Glocken lauteten. Aus der
Melodie entstand unter
anderem auch das bekannte
Carol of the Bells
von Peter J. Wilhousky.
Philip Sparke griff fur
seine bewegende
Bearbeitung jedoch auf
die originale ukrainische
Melodie
zuruck.
Ukraini
an Bell Carol
constitue une des parties
de l'œuvre chorale
Shchedryk du
compositeur ukrainien
Mykola Dmytrovich
Leontovich (1877-1921).
La melodie s'inspire d'un
vieux chant traditionnel
ukrainien
(shchedrivka)
chante le Jour de l'An
(celebre le 13 janvier,
conformement au
calendrier julien) dans
l'espoir que l'annee a
venir se presente sous de
bons hospices. A
l'ecriture de
Shchedryk, Mykola
Leontovich a choisi de
changer les paroles. Il
opte pour la legende
selon laquelle, toutes
les cloches des eglises
se sont mises a
carillonner joyeusement
pour annoncer la
naissance de Jesus. La
melodie du chant a
inspire au moins quatre
noelsdifferents. Carol
of the Bells en est
la version la plus
celebre. Elle a ete
adaptee en 1936 (texte et
melodie) par Peter J.
Wilhousky (1902-1978)
d'apres la version
originale de Mykola
Leontovich. Philip Sparke
s'est base sur la melodie
du chant traditionnel
ukrainien pour realiser
cet arrangement brillant
et petillant.
Ukrainian Bell
Carol costituisce una
delle parti dell'opera
corale Shchedryk del
compositore ucraino
Mykola Dmytrovich
Leontovich (1877-1921).
Il testo narra una
leggenda secondo la quale
le campane delle chiese
si sono messe a suonare
per annunciare la nascita
di Gesu. La melodia di
Leontovich ha ispirato
almeno quattro canti
natalizi diversi. Carol
of the Bells di Peter
J.Wilhousky e la versione
piu celebre. Philip
Sparke ha scelto di
ispirarsi alla melodia
originale del canto
tradizionale ucraino
(shchedrivka) per
realizzare questo
brillante
arrangiamento.
Concert Band/Harmonie - Grade 6 SKU: BT.AMP-028-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.AMP-028-140
Composed by Philip
Sparke. Elite Series.
Concert Piece. Score
Only. Composed 2005. 68
pages. Anglo Music Press
#AMP 028-140. Published
by Anglo Music Press
(BT.AMP-028-140).
English-German-French-
Dutch.
The piece
reflects the composer's
fascination with the
origins of the universe
and deep space in
general. The title comes
from a theory, formulated
by Pythagoras, that the
cosmos was ruled by the
same laws he had
discovered that govern
the ratios of note
frequencies of the
musical scale.
(‘Harmonia’
in Ancient Greek, which
means scale or tuning
rather than harmony -
Greek music was
monophonic). He also
believed that these
ratios corresponded to
the distances of the six
known planets from the
sun and that the planets
each produced a musical
note which combined to
weave a continuous
heavenly melody (which,
unfortunately, we humans
cannot hear). In this
work, these six notesform
the basis of the sections
MUSIC OF THE SPHERES and
HARMONIA. The pieces
opens with a horn solo
called t = 0, a name
given by some scientists
to the moment of the Big
Bang when time and space
were created, and this is
followed by a depiction
of the BIG BANG itself,
as the entire universe
bursts out from a single
point. A slower section
follows called THE LONELY
PLANET which is a
meditation on the
incredible and unlikely
set of circumstances
which led to the creation
of the Earth as a planet
that can support life,
and the constant search
for other civilisations
elsewhere in the
universe. ASTEROIDS AND
SHOOTING STARS depicts
both the benign and
dangerous objects that
are flying through space
and which constantly
threaten our planet, and
the piece ends with THE
UNKNOWN, leaving in
question whether our
continually expanding
exploration of the
universe will eventually
lead to enlightenment or
destruction.
Dit
werk weerspiegelt de
fascinatie van de
componist voor het
heelal. Het begint met
een hoornsolo met de naam
t = 0, waarmee
sommige wetenschappers de
oerknal aanduiden. Dan
volgt een weergave van de
oerknal zelf. Het
volgendegedeelte, The
Lonely Planet, is een
meditatie over het
ongelooflijke samenspel
van omstandigheden dat
leidde tot het ontstaan
van de Aarde.
Asteroids and Shooting
Stars beschrijft
objecten in de ruimte.
Het werkeindigt met
The Unknown,
waarmee we in het
ongewisse blijven over de
gevolgen van onze verdere
verkenning van het
universum. In 2005 won
Philip Sparke met
Music of the
Spheres de National
Band Association/William
D.Revelli Memorial Band
Composition
Contest.
Dieses
Werk handelt vom Weltall
und unserem Platz im
Universum, auf dem
Weltbild von Pythagoras
basierend. Am einfachsten
lässt sich diese
außergewöhnliche
Komposition wohl als
Filmmusik ähnliches
Stück beschreiben ?
Musik zu einem
Science-Fiction-Film
eines Ripley Scott oder
Steven Spielberg oder
auch Musik, wie sie ein
John Williams oder Danny
Elfman schreiben
würde: absolut
stimmungsvoll, brillant
instrumentiert mit
Klangfarben, Strukturen,
Effekten und Timbres,
gemischt mit
fließenden
musikalischen Linien, die
die Substanz des Themas
auf den Punkt treffen.
Dieses atemberaubende
neue Stück hebt Ihr
Blasorchester auf ein
höheres Niveau, sowohl
im technischen als
auchmusikalischen Sinn.
Music of the
Spheres evidenza il
fascino che le origini
dell’universo
esercitano su Philip
Sparke. Il titolo
proviene da una teoria
del matematico greco
Pitagora, secondo la
quale il cosmo è retto
dalle stesse leggi che
governano i rapporti di
frequenza tra le note
della scala musicale.
Questa composizione
inizia con un assolo di
corno chiamato t = 0,
nozione che definisce il
momento del big-bang.
The Lonely Planet
(Il pianeta solitario)
è una meditazione
sulle circostanze che
hanno portato alla
creazione della terra.
Asteroids and Shooting
Stars (Asteroidi e
Stelle cadenti) descrive
i molteplici oggetti che
si muovono nello spazio e
che rappresentano
unrischio per il nostro
pianeta. Le battute
finali portano verso
l’ignoto (The
Unknown) sollevando
una domanda la cui
risposta resta in
sospeso: la nostra
continua avanzata
nell’esplorazione
dell’Universo
porter un giorno alla
scoperta o alla
distruzione?
Composed by Mykola
Leotnovich. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2005.
Anglo Music Press #AMP
134-010. Published by
Anglo Music Press
(BT.AMP-134-010).
9x12
inches.
English-German-French-Dut
ch.
The
Ukrainian Bell
Carol is part of a
large choral work
entitled Shchedryk by the
Ukrainian composer Mykola
Dmytrovich Leontovych
(1877-1921). It was first
performed by students of
Kiev University in
December 1916. The tune
is an adaptation of an
old
‘shchedrivkaâ€
, a song traditionally
sung on Ukrainian New
Year’s Eve
(January 13th) which
hopes for good fortune in
the year to come. In
Shchedryk, Leontovych
added his own the lyrics
which concern the legend
claiming that when Jesus
was born, all the bells
on earth started ringing
in his honour.The tune
has since been the
inspiration of at least
four different Christmas
carols, but Philip Sparke
has sourced the
originalUkrainian melody
to create this stirring
arrangement.
De
Ukrainian Bell
Carol is onderdeel
van het grote koorwerk
Shchedryk van de
Oekra ense componist
Mykola Dmytrovich
Leontovych (1877-1921).
De melodie is gebaseerd
op een
‘shchedrivkaâ€
, een lied dat van
oudsher werdgezongen op
de Oekra ense
oudejaarsavond (13
januari). In
Shchedryk voegde
Leontovych de tekst toe
over de legende die
vertelt dat bij de
geboorte van Jezus alle
klokken op aarde begonnen
te luiden. Sindsdien is
deze melodiede
inspiratiebron geweest
voor ten minste vier
verschillende Christmas
carols, waarvan Carol
of the Bells de
beroemdste is. Voor dit
meeslepende arrangement
heeft Philip Sparke
echter de oorspronkelijke
Oekra ense
melodiegebruikt.
D
as Ukrainian Bell
Carol ist Teil eines
großen Chorwerkes
namens Shchedryk
vom ukrainischen
Komponisten Mykola
Dmytrovich Leontovych.
Leontovych ergänzte
ein traditionelles
ukrainisches Neujahrslied
um eine alte Legende, die
besagt, dass zu Ehren von
Jesu Geburt alle Glocken
läuteten. Die Melodie
diente inzwischen als
Grundlage für
mindestens vier
verschiedene
Weihnachtslieder. Philip
Sparke griff für seine
bewegende Bearbeitung
jedoch auf die originale
ukrainische Melodie
zurück.
Ukrainian Bell
Carol costituisce una
delle parti
dell’opera corale
Shchedryk del compositore
ucraino Mykola Dmytrovich
Leontovich (1877-1921).
Il testo narra una
leggenda secondo la quale
le campane delle chiese
si sono messe a suonare
per annunciare la nascita
di Gesù. La melodia di
Leontovich ha ispirato
almeno quattro canti
natalizi diversi. Carol
of the Bells di Peter
J.Wilhousky è la
versione più celebre.
Philip Sparke ha scelto
di ispirarsi alla melodia
originale del canto
tradizionale ucraino
(shchedrivka) per
realizzare questo
brillante
arrangiamento.
Composed by Mykola
Leotnovich. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Score
Only. Composed 2005. 28
pages. Anglo Music Press
#AMP 134-140. Published
by Anglo Music Press
(BT.AMP-134-140).
9x12
inches.
English-German-French-Dut
ch.
The
Ukrainian Bell
Carol is part of a
large choral work
entitled Shchedryk by the
Ukrainian composer Mykola
Dmytrovich Leontovych
(1877-1921). It was first
performed by students of
Kiev University in
December 1916. The tune
is an adaptation of an
old
‘shchedrivkaâ€
, a song traditionally
sung on Ukrainian New
Year’s Eve
(January 13th) which
hopes for good fortune in
the year to come. In
Shchedryk, Leontovych
added his own the lyrics
which concern the legend
claiming that when Jesus
was born, all the bells
on earth started ringing
in his honour.The tune
has since been the
inspiration of at least
four different Christmas
carols, but Philip Sparke
has sourced the
originalUkrainian melody
to create this stirring
arrangement.
De
Ukrainian Bell
Carol is onderdeel
van het grote koorwerk
Shchedryk van de
Oekra ense componist
Mykola Dmytrovich
Leontovych (1877-1921).
De melodie is gebaseerd
op een
‘shchedrivkaâ€
, een lied dat van
oudsher werdgezongen op
de Oekra ense
oudejaarsavond (13
januari). In
Shchedryk voegde
Leontovych de tekst toe
over de legende die
vertelt dat bij de
geboorte van Jezus alle
klokken op aarde begonnen
te luiden. Sindsdien is
deze melodiede
inspiratiebron geweest
voor ten minste vier
verschillende Christmas
carols, waarvan Carol
of the Bells de
beroemdste is. Voor dit
meeslepende arrangement
heeft Philip Sparke
echter de oorspronkelijke
Oekra ense
melodiegebruikt.
D
as Ukrainian Bell
Carol ist Teil eines
großen Chorwerkes
namens Shchedryk
vom ukrainischen
Komponisten Mykola
Dmytrovich Leontovych.
Leontovych ergänzte
ein traditionelles
ukrainisches Neujahrslied
um eine alte Legende, die
besagt, dass zu Ehren von
Jesu Geburt alle Glocken
läuteten. Die Melodie
diente inzwischen als
Grundlage für
mindestens vier
verschiedene
Weihnachtslieder. Philip
Sparke griff für seine
bewegende Bearbeitung
jedoch auf die originale
ukrainische Melodie
zurück.
Ukrainian Bell
Carol costituisce una
delle parti
dell’opera corale
Shchedryk del compositore
ucraino Mykola Dmytrovich
Leontovich (1877-1921).
Il testo narra una
leggenda secondo la quale
le campane delle chiese
si sono messe a suonare
per annunciare la nascita
di Gesù. La melodia di
Leontovich ha ispirato
almeno quattro canti
natalizi diversi. Carol
of the Bells di Peter
J.Wilhousky è la
versione più celebre.
Philip Sparke ha scelto
di ispirarsi alla melodia
originale del canto
tradizionale ucraino
(shchedrivka) per
realizzare questo
brillante
arrangiamento.
Brass Band (Full Score) - Grade 3 SKU: HL.44012862 Composed by Mykola Dmy...(+)
Brass Band (Full Score) -
Grade 3
SKU:
HL.44012862
Composed
by Mykola Dmytrovich
Leontovych. Arranged by
Philip Sparke. Anglo
Music Concert Band.
Christmas. Softcover.
Composed 2005. Anglo
Music Press #AMP134-130.
Published by Anglo Music
Press (HL.44012862).
9x12 inches.
English-German-French-Dut
ch.
The
Ukrainian Bell
Carol is part of a
large choral work
entitled Shchedryk by the
Ukrainian composer Mykola
Dmytrovich Leontovych
(1877-1921). The tune is
an adaptation of an old
'shchedrivka', a song
traditionally sung on
Ukrainian New Year's Eve
(January 13th) which
hopes for good fortune in
the year to come. The
tune has since been the
inspiration for at least
four different Christmas
carols, of which Carol
of the Bells is the
most famous. Philip
Sparke has sourced the
original Ukrainian melody
to create this stirring
arrangement.
De
Ukrainian Bell
Carol is onderdeel
van het grote koorwerk
Shchedryk van de
Oekraiense componist
Mykola Dmytrovich
Leontovych (1877-1921).
De melodie is gebaseerd
op een 'shchedrivka', een
lied dat van oudsher
werdgezongen op de
Oekraiense oudejaarsavond
(13 januari). In
Shchedryk voegde
Leontovych de tekst toe
over de legende die
vertelt dat bij de
geboorte van Jezus alle
klokken op aarde begonnen
te luiden. Sindsdien is
deze melodiede
inspiratiebron geweest
voor ten minste vier
verschillende Christmas
carols, waarvan Carol
of the Bells de
beroemdste is. Voor dit
meeslepende arrangement
heeft Philip Sparke
echter de oorspronkelijke
Oekraiense
melodiegebruikt.
D
as Ukrainian Bell
Carol (Ukrainisches
Glocken- Weihnachtslied)
ist Teil eines grossen
Chorwerkes namens
Shchedryk vom
ukrainischen Komponisten
Mykola Dmytrovich
Leontovych. Sein Text
handelt von der Legende,
die besagt, dass zu Ehren
von Jesu Geburt alle
Glocken lauteten. Aus der
Melodie entstand unter
anderem auch das bekannte
Carol of the Bells
von Peter J. Wilhousky.
Philip Sparke griff fur
seine bewegende
Bearbeitung jedoch auf
die originale ukrainische
Melodie
zuruck.
Ukraini
an Bell Carol
constitue une des parties
de l'œuvre chorale
Shchedryk du
compositeur ukrainien
Mykola Dmytrovich
Leontovich (1877-1921).
La melodie s'inspire d'un
vieux chant traditionnel
ukrainien
(shchedrivka)
chante le Jour de l'An
(celebre le 13 janvier,
conformement au
calendrier julien) dans
l'espoir que l'annee a
venir se presente sous de
bons hospices. A
l'ecriture de
Shchedryk, Mykola
Leontovich a choisi de
changer les paroles. Il
opte pour la legende
selon laquelle, toutes
les cloches des eglises
se sont mises a
carillonner joyeusement
pour annoncer la
naissance de Jesus. La
melodie du chant a
inspire au moins quatre
noelsdifferents. Carol
of the Bells en est
la version la plus
celebre. Elle a ete
adaptee en 1936 (texte et
melodie) par Peter J.
Wilhousky (1902-1978)
d'apres la version
originale de Mykola
Leontovich. Philip Sparke
s'est base sur la melodie
du chant traditionnel
ukrainien pour realiser
cet arrangement brillant
et petillant.
Ukrainian Bell
Carol costituisce una
delle parti dell'opera
corale Shchedryk del
compositore ucraino
Mykola Dmytrovich
Leontovich (1877-1921).
Il testo narra una
leggenda secondo la quale
le campane delle chiese
si sono messe a suonare
per annunciare la nascita
di Gesu. La melodia di
Leontovich ha ispirato
almeno quattro canti
natalizi diversi. Carol
of the Bells di Peter
J.Wilhousky e la versione
piu celebre. Philip
Sparke ha scelto di
ispirarsi alla melodia
originale del canto
tradizionale ucraino
(shchedrivka) per
realizzare questo
brillante
arrangiamento.
Pulcinella Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-513-010 For Euphonium and ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-513-010
For
Euphonium and Concert
Band. Composed by
Philip Sparke. Anglo
Music Midway Series. Solo
& Concerto. Set (Score &
Parts). Composed 2021.
Anglo Music Press #AMP
513-010. Published by
Anglo Music Press
(BT.AMP-513-010).
English-German-French-
Dutch.
Pulcinell
a was commissioned by
the Taiwanese euphonium
player Tzu-Hsiang Lin.
Lin is a renowned soloist
and teacher and a Besson
Euphonium Artist. He
teaches euphonium at
Taipei National
University of the Arts,
National Taiwan
University of Arts, Shih
Chien University and
National Kaohsiung Normal
University. Lin gave the
premiere of
Pulcinella in both
its concert band and
brass band versions in
January 2021.
Pulcinella
continues Sparke’s
series of euphonium solos
named after characters of
the Italian commedia
dell’arte and
opens with a long and
expressive minor melody
for the soloist over a
brooding accompaniment.
This is taken up briefly
by the full band and is
extended by the soloist
after a change of key. A
cadenza, accompanied by
fragments of the main
melody leads to a
complete change of mood,
tempo and tonality,
introducing a Vivo
section starting with a
perky syncopated tune for
the soloist. The band
then uses elements of
this new tune to
introduce a change of
key, where the soloist
introduces a more lyrical
second subject over a
pulsing accompaniment.
The band then takes this
up and changes key to
reintroduce the original
Vivo melody, which
leads to a short and
acrobatic coda to bring
the work to a spectacular
close.
Pulcinella
werd geschreven in
opdracht van de Taiwanese
eufoniumspeler Tzu-Hsiang
Lin. Lin is een
gerenommeerd solist en
leraar en een Besson
Euphonium Artist. Hij
geeft eufoniumles aan de
Taipei National
University of the Arts,
de National Taiwan
University of Arts, de
Shih Chien University en
de National Kaohsiung
Normal University. In
januari 2021 bracht Lin
de première van
Pulcinella in
zowel de versie voor
harmonieorkest als die
voor brassband.
Pulcinella is een
vervolg binnen Sparkes
serie
eufoniumsolo’s
waarin personages uit de
Italiaanse commedia
dell’arte de
hoofdrol spelen. Het werk
opent met een lange,
expressieve mineurmelodie
voor de solist, boven een
sonore begeleiding. Deze
wordt kortstondig door
het complete orkest
overgenomen en dan na een
modulatie door de solist
verder uitgewerkt. Een
cadens, begeleid door
fragmenten van de
hoofdmelodie, mondt uit
in een totaal andere
sfeer, tempo en
tonaliteit, met de
introductie van een
Vivo-gedeelte dat
begint met een pittige,
gesyncopeerde passage
voor de solist. Het
orkest gebruikt elementen
hieruit om een nieuwe
modulatie in te voeren,
waarbij de solist een
lyrischer tweede thema
boven een pulserende
begeleiding introduceert.
Het orkest neemt dit dan
over en verandert van
toonsoort om naar de
originele
Vivo-melodie terug
te keren, die naar een
korte, acrobatische coda
leidt en het werk op
spectaculaire wijze
afsluit.
Pulcinella
wurde von dem
taiwanesischen
Euphoniumspieler
Tzu-Hsiang Lin in Auftrag
gegeben, einem bekannten
Solisten, Lehrer und
Besson Euphonium
Artist“. Er
unterrichtet Euphonium an
der Taipei National
University of the Arts,
der National Taiwan
University of Arts, der
Shih Chien University und
an der National Kaohsiung
Normal University.
Tzu-Hsiang Lin spielte im
Januar 2021 die
Uraufführungen von
Pulcinella, sowohl
die Version mit
Blasorchesterbegleitung
als auch die mit
Brass-Band-Begleitung.
Mit Pulcinella
setzt sich Philip Sparkes
Serie mit Stücken
für Euphonium solo
fort, die nach
Charakteren der
italienischen Commedia
dell’Arte
benannt sind. Das Werk
beginnt mit einer langen
und ausdrucksvollen
Melodie des Solisten in
Moll über einer
düsteren Begleitung.
Die Melodie wird vom
gesamten Blasorchester
kurz übernommen und
durch den Solisten nach
einem Tonartwechsel
erweitert. Eine Kadenz,
begleitet von Fragmenten
der Hauptmelodie,
führt zu einer
kompletten Veränderung
von Stimmung, Tempo und
Tonalität und leitet
einen
Vivo-Abschnitt
ein, der mit einer
munteren synkopierten
Melodie des Solisten
beginnt. Das
Blasorchester greift
Elemente der neuen
Melodie auf, um einen
Tonartwechsel
einzuführen, wobei der
Solist ein lyrischeres
zweites Thema über
einer pulsierenden
Begleitung vorstellt. Das
Blasorchester greift
dieses wiederum auf,
wechselt die Tonart und
übernimmt erneut die
ursprüngliche
Vivo-Melodie. Eine
kurze und technisch
anspruchsvolle Coda
leitet in einen
fulminanten Schluss
über.
Pulcinella Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-513-140 For Euphonium and ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-513-140
For
Euphonium and Concert
Band. Composed by
Philip Sparke. Anglo
Music Midway Series. Solo
& Concerto. Score Only.
Composed 2021. 28 pages.
Anglo Music Press #AMP
513-140. Published by
Anglo Music Press
(BT.AMP-513-140).
English-German-French-
Dutch.
Pulcinell
a was commissioned by
the Taiwanese euphonium
player Tzu-Hsiang Lin.
Lin is a renowned soloist
and teacher and a Besson
Euphonium Artist. He
teaches euphonium at
Taipei National
University of the Arts,
National Taiwan
University of Arts, Shih
Chien University and
National Kaohsiung Normal
University. Lin gave the
premiere of
Pulcinella in both
its concert band and
brass band versions in
January 2021.
Pulcinella
continues Sparke’s
series of euphonium solos
named after characters of
the Italian commedia
dell’arte and
opens with a long and
expressive minor melody
for the soloist over a
brooding accompaniment.
This is taken up briefly
by the full band and is
extended by the soloist
after a change of key. A
cadenza, accompanied by
fragments of the main
melody leads to a
complete change of mood,
tempo and tonality,
introducing a Vivo
section starting with a
perky syncopated tune for
the soloist. The band
then uses elements of
this new tune to
introduce a change of
key, where the soloist
introduces a more lyrical
second subject over a
pulsing accompaniment.
The band then takes this
up and changes key to
reintroduce the original
Vivo melody, which
leads to a short and
acrobatic coda to bring
the work to a spectacular
close.
Pulcinella
werd geschreven in
opdracht van de Taiwanese
eufoniumspeler Tzu-Hsiang
Lin. Lin is een
gerenommeerd solist en
leraar en een Besson
Euphonium Artist. Hij
geeft eufoniumles aan de
Taipei National
University of the Arts,
de National Taiwan
University of Arts, de
Shih Chien University en
de National Kaohsiung
Normal University. In
januari 2021 bracht Lin
de première van
Pulcinella in
zowel de versie voor
harmonieorkest als die
voor brassband.
Pulcinella is een
vervolg binnen Sparkes
serie
eufoniumsolo’s
waarin personages uit de
Italiaanse commedia
dell’arte de
hoofdrol spelen. Het werk
opent met een lange,
expressieve mineurmelodie
voor de solist, boven een
sonore begeleiding. Deze
wordt kortstondig door
het complete orkest
overgenomen en dan na een
modulatie door de solist
verder uitgewerkt. Een
cadens, begeleid door
fragmenten van de
hoofdmelodie, mondt uit
in een totaal andere
sfeer, tempo en
tonaliteit, met de
introductie van een
Vivo-gedeelte dat
begint met een pittige,
gesyncopeerde passage
voor de solist. Het
orkest gebruikt elementen
hieruit om een nieuwe
modulatie in te voeren,
waarbij de solist een
lyrischer tweede thema
boven een pulserende
begeleiding introduceert.
Het orkest neemt dit dan
over en verandert van
toonsoort om naar de
originele
Vivo-melodie terug
te keren, die naar een
korte, acrobatische coda
leidt en het werk op
spectaculaire wijze
afsluit.
Pulcinella
wurde von dem
taiwanesischen
Euphoniumspieler
Tzu-Hsiang Lin in Auftrag
gegeben, einem bekannten
Solisten, Lehrer und
Besson Euphonium
Artist“. Er
unterrichtet Euphonium an
der Taipei National
University of the Arts,
der National Taiwan
University of Arts, der
Shih Chien University und
an der National Kaohsiung
Normal University.
Tzu-Hsiang Lin spielte im
Januar 2021 die
Uraufführungen von
Pulcinella, sowohl
die Version mit
Blasorchesterbegleitung
als auch die mit
Brass-Band-Begleitung.
Mit Pulcinella
setzt sich Philip Sparkes
Serie mit Stücken
für Euphonium solo
fort, die nach
Charakteren der
italienischen Commedia
dell’Arte
benannt sind. Das Werk
beginnt mit einer langen
und ausdrucksvollen
Melodie des Solisten in
Moll über einer
düsteren Begleitung.
Die Melodie wird vom
gesamten Blasorchester
kurz übernommen und
durch den Solisten nach
einem Tonartwechsel
erweitert. Eine Kadenz,
begleitet von Fragmenten
der Hauptmelodie,
führt zu einer
kompletten Veränderung
von Stimmung, Tempo und
Tonalität und leitet
einen
Vivo-Abschnitt
ein, der mit einer
munteren synkopierten
Melodie des Solisten
beginnt. Das
Blasorchester greift
Elemente der neuen
Melodie auf, um einen
Tonartwechsel
einzuführen, wobei der
Solist ein lyrischeres
zweites Thema über
einer pulsierenden
Begleitung vorstellt. Das
Blasorchester greift
dieses wiederum auf,
wechselt die Tonart und
übernimmt erneut die
ursprüngliche
Vivo-Melodie. Eine
kurze und technisch
anspruchsvolle Coda
leitet in einen
fulminanten Schluss
über.
Concert Band (Score) - Grade 5 SKU: HL.44012906 For Concert Band (Scor...(+)
Concert Band (Score) -
Grade 5
SKU:
HL.44012906
For
Concert Band (Score
Only). Composed by
Philip Sparke. Anglo
Music Concert Band.
Opening Pieces.
Softcover. Composed 2017.
32 pages. Anglo Music
Press #AMP447140.
Published by Anglo Music
Press (HL.44012906).
A Bluegrass
Overture was
commissioned by Gabriel
Wooley and funded by a
grant from Leslie and
Cathy Anderson for the
Central Kentucky Concert
Band to celebrate their
40th anniversary in 2016.
This energetic overture
opens with an
introduction loosely
based on 'bluegrass'
chords before a slower,
legato chorale appears in
the clarinets and flutes.
This is short-lived and
soon a new mood is
introduced, based on a
repeated-note
accompaniment. This leads
to the main theme,
heavily syncopated with
bluesy inflections. A
central section features
a cantabile melody, which
changes key frequently,
before the main theme
reappears, leading to a
triumphal presentation of
the earlierchorale
melody.
A
Bluegrass Overture is
geschreven voor de
Central Kentucky Concert
Band ter gelegenheid van
hun veertigjarig bestaan
in 2016. De opdracht komt
van Gabriel Wooley en is
gefinancierd door een
gift van Leslie en Cathy
Anderson. Deze energieke
ouverture opent met
bluegrass-akkoorden,
waarna in de klarinetten
en fluiten een langzamer,
legato koraal naar voren
komt. Het wordt al snel
gevolgd door een nieuw
sfeerbeeld, dat is
gebaseerd op een
begeleiding van herhaalde
noten. Hier komt het
hoofdthema uit voort, dat
zwaar gesyncopeerd is en
bluesachtige invloeden
laat horen. In het
middengedeelte klinkt een
zangerige melodie met
frequente modulaties,
waarna hethoofdthema weer
opduikt en ons meevoert
naar een glorierijke
presentatie van de eerder
gespeelde koraalmelodie.
A Bluegrass
Overture wurde von
Gabriel Wooley anlasslich
des 40-jahrigen Jubilaums
der Central Kentucky
Concert Band im Jahre
2016 in Auftrag gegeben
und von Leslie und Cathy
Anderson finanziell
unterstutzt. Diese
energiegeladene Ouverture
beginnt mit einer
Einleitung mit lockeren
Bluegrass-Akkorden, bevor
ein langsamer Choral im
Legato in den Klarinetten
und Floten erklingt. Das
ist jedoch nur von kurzer
Dauer, denn schon bald
wird durch eine
Begleitung mit
repetierten Noten eine
neue Stimmung erzeugt.
Dies fuhrt schliesslich
zum Hauptthema mit
deutlichen Synkopen und
Blues-Modulationen. Die
zentrale Passage zeichnet
sich durch eine kantable
Melodie aus, die
haufigdie Tonart
wechselt, bevor das
Hauptthema wiederkehrt
und zu einer triumphalen
Prasentation der
vorherigen Choralmelodie
hinleitet.
A
Bluegrass Overture
fut commande par Gabriel
Wooley et finance par une
bourse de Leslie et Cathy
Anderson pour la
celebration du 40e
anniversaire du Central
Kentucky Concert Band en
2016. Cette ouverture
energique debute par une
introduction basee
vaguement sur les accords
de bluegrass, puis un
court choral plus lent et
plus legato apparait chez
les clarinettes et
flutes. Bientot un
changement d'atmosphere
se produit, base sur un
accompagnement de motifs
de notes repetees. Ceci
nous mene au theme
principal, tres syncope,
aux inflexions de blues.
La section du milieu
comprend une melodie
lyrique qui change de
tonalite frequemment,
avant que le retour du
theme principal nousmene
a une presentation
triomphale de la melodie
de choral entendue plus
tot.
Questa
ouverture energica si
apre con una introduzione
dal movimento ampio
caratterizzata da accordi
in stile bluegrass prima
di un corale lento e
legato affi dato ai
clarinetti e ai flauti,
di breve durata, e presto
sostituito da una nuova
atmosfera, scandita da un
accompagnamento con note
ribattute. Questo conduce
a un tema principale,
molto sincopato, con
inflessioni blues. Una
sezione centrale dalla
melodia cantabile che
cambia spesso tonalita
anticipa la ricomparsa
del tema principale, che
conduce a sua volta a una
trionfale riproposizione
della melodia corale.
Portrait of a Clown Orchestre d'harmonie [Conducteur] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Level: Grade 2.
Conductor Full Score.
Duration 2:45. Published
by Manhattan Beach Music.
Portrait of a Clown Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Level: Grade 2.
Conductor score and set
of parts. Duration 2:45.
Published by Manhattan
Beach Music.
Cajun Folk Songs Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:40.
Published by Manhattan
Beach Music.
Cajun Folk Songs Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:40. Published
by Manhattan Beach Music.
Grade 3 - Score
Only. Composed by
Philip Sparke. Anglo
Music Concert Band.
Concert. Score Only.
Composed 2007. 40 pages.
Anglo Music Press
#AMP200. Published by
Anglo Music Press
(HL.44007323).
The Camelot
Chronicles is a series of
contrasting musical
tableaux, each describing
the famous characters
from the Arthurian
legend. No one knows
exactly where Camelot was
situated - favorite
choices are Tintagel and
Glastonbury - but the
story has passed into
legend and is the subject
of many poems and novels,
each of which has clouded
the truth and added to
the mystery. Let Philip
Sparke's music inspire
your band with this
magical tale. Dur:
8:20.
The Sound of Music Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Composed by Richard Rodgers. Arranged by Naohiro Iwai. New Sounds for Concert ...(+)
Composed by Richard
Rodgers.
Arranged by Naohiro Iwai.
New
Sounds for Concert Band.
TV-
Film-Musical-Show. Set
(Score
and Parts). Composed
2003. Hal
Leonard #1004-03-010 DHE.
Published by Hal Leonard
The Music Lesson Orchestre d'harmonie - Intermédiaire/avancé RWS Music Company
Grade 4 SKU: AP.98-RWS220500 (Mvt. 3 from Three Conversations with Mat...(+)
Grade 4
SKU:
AP.98-RWS220500
(Mvt. 3 from Three
Conversations with
Matisse). Composed by
Robert W. Smith. Concert
Band. Score and set of
parts. Composed 2022. RWS
Music Company
#RWS-2205-00. Published
by RWS Music Company
(AP.98-RWS220500).
Inspired by the
command and structure of
two Henri Matisse
paintings under the name
The Music Lesson, this
powerful work for alto
saxophone and band will
become a staple of the
repertoire. From the
strict structure of the
opening piano statement
to the classically
influenced melodic
interplay with the
saxophone, the piece
moves through a flowing
musical environment
highlighted by a
virtuosic cadenza. The
recapitulation of the
initial melodic line
completes our music
lesson and provides a
strong conclusion to
Three Conversations With
Matisse, a suite for alto
saxophone and band.
The Music Lesson Orchestre d'harmonie - Intermédiaire/avancé RWS Music Company
Grade 4 SKU: CL.RWS-2205-01 (Mvt. 3 from Three Conversations with Mati...(+)
Grade 4
SKU:
CL.RWS-2205-01
(Mvt. 3 from Three
Conversations with
Matisse). Composed by
Robert W. Smith. Concert
Band. Extra full score.
Composed 2022. RWS Music
Company #RWS-2205-01.
Published by RWS Music
Company (CL.RWS-2205-01).
Inspired by the
command and structure of
two Henri Matisse
paintings under the name
The Music Lesson, this
powerful work for alto
saxophone and band will
become a staple of the
repertoire. From the
strict structure of the
opening piano statement
to the classically
influenced melodic
interplay with the
saxophone, the piece
moves through a flowing
musical environment
highlighted by a
virtuosic cadenza. The
recapitulation of the
initial melodic line
completes our music
lesson and provides a
strong conclusion to
Three Conversations With
Matisse, a suite for alto
saxophone and band.
Blue Shades Orchestre d'harmonie [Conducteur] Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Conductor Full Score.
Duration 10:00. Published
by Manhattan Beach Music.
Level: Grade 5.