Concert Band - Grade 3 SKU: KJ.WB531F Composed by Quincy C. Hilliard. Ban...(+)
Concert Band - Grade 3
SKU: KJ.WB531F
Composed by Quincy C.
Hilliard.
Band/Repertoire.
Excellence in Performance
- Repertoire. Score. Neil
A. Kjos Music Company
#WB531F. Published by
Neil A. Kjos Music
Company (KJ.WB531F).
UPC:
084027053119.
Hymns
of Freedom, by Quincy
Hilliard, is based upon
two Negro spirituals,
Nobody Knows the Trouble
Iâ??ve Seen and Swing
Low, Sweet Chariot. These
two hymns are used in
fragments throughout the
composition. Contrasting
sections of serenity and
aggression create an
emotional and majestic
tapestry. Correlates with
Tradition of Excellence
Book 3, page 20.
About
Tradition of Excellence:
Excellence in
Performance
<
p>Excellence in
performance is a concert
band repertoire series
correlated with the
Tradition of Excellence
Comprehensive Band Method
by Bruce Pearson and Ryan
Nowlin. The compositions
in the series correlate
to a specific page in
Tradition of Excellence
Books 1, 2, or 3 and
reinforce and expand on
skills and concepts
introduced in the
method.
/Selecti
ons include exciting
parts for every player,
grade-appropriate
cross-cueing, accessible
ranges and rhythms,
creative percussion
writing, electric bass
and rehearsal piano
parts, and full conductor
scores with rehearsal
suggestions, program
notes and composer
biographies. In addition,
the Grade 1 works provide
an Advanced Snare Drum
part for percussionists
who have achieved a
higher level of ability,
playable simultaneously
with the more basic Snare
Drum part to facilitate
differentiated
learning.
Hymns of Freedom Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Kjos Music Company
Concert Band - Grade 3 SKU: KJ.WB531 Composed by Quincy C. Hilliard. Band...(+)
Concert Band - Grade 3
SKU: KJ.WB531
Composed by Quincy C.
Hilliard.
Band/Repertoire.
Excellence in Performance
- Repertoire. Score and
parts. Neil A. Kjos Music
Company #WB531. Published
by Neil A. Kjos Music
Company (KJ.WB531).
UPC:
084027053102.
Hymns
of Freedom, by Quincy
Hilliard, is based upon
two Negro spirituals,
Nobody Knows the Trouble
Iâ??ve Seen and Swing
Low, Sweet Chariot. These
two hymns are used in
fragments throughout the
composition. Contrasting
sections of serenity and
aggression create an
emotional and majestic
tapestry. Correlates with
Tradition of Excellence
Book 3, page 20.
About
Tradition of Excellence:
Excellence in
Performance
<
p>Excellence in
performance is a concert
band repertoire series
correlated with the
Tradition of Excellence
Comprehensive Band Method
by Bruce Pearson and Ryan
Nowlin. The compositions
in the series correlate
to a specific page in
Tradition of Excellence
Books 1, 2, or 3 and
reinforce and expand on
skills and concepts
introduced in the
method.
/Selecti
ons include exciting
parts for every player,
grade-appropriate
cross-cueing, accessible
ranges and rhythms,
creative percussion
writing, electric bass
and rehearsal piano
parts, and full conductor
scores with rehearsal
suggestions, program
notes and composer
biographies. In addition,
the Grade 1 works provide
an Advanced Snare Drum
part for percussionists
who have achieved a
higher level of ability,
playable simultaneously
with the more basic Snare
Drum part to facilitate
differentiated
learning.
Concert Band (Score & Parts) - Grade 4 SKU: HL.48024054 Composed by Gusta...(+)
Concert Band (Score &
Parts) - Grade 4
SKU:
HL.48024054
Composed
by Gustav Holst. Arranged
by Jon Mitchell.
Windependence Master
Level. Classical,
Concert. Softcover.
Boosey & Hawkes
#M051663637. Published by
Boosey & Hawkes
(HL.48024054).
UPC:
888680678678. 9x12
inches.
A century
ago, James Causley
Windram, then band
director of the 5th
Northumberland Fusiliers
(and later the Coldstream
Guards) asked Gustav
Holst if he would
transcribe some of the
composer's Hymns from
the Rig Veda for
military band. Always a
band advocate, Holst
readily agreed. In this
thoroughly characteristic
suite, two of Windram's
settings (Hymn of the
Travellers and
Battle Hymn) have
been edited for modern
instrumentation, while a
third (Hymn to
Manas) has been
arranged by Jon Ceander
Mitchell from Holst's
original choral
setting.
Hymns from the Rig Veda Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Boosey and Hawkes
Score Only Concert Band (Score) - Grade 4 SKU: HL.48024055 Composed by Gu...(+)
Score Only Concert Band
(Score) - Grade 4
SKU:
HL.48024055
Composed
by Gustav Holst. Arranged
by Jon Mitchell.
Windependence Master
Level. Softcover. 24
pages. Boosey & Hawkes
#M051663644. Published by
Boosey & Hawkes
(HL.48024055).
UPC:
888680678685.
9.0x12.0x0.079
inches.
A century
ago James Causley
Windram, then band
director of the 5th
Northumberland Fusiliers
and, later, the
Coldstream Guards, asked
Gustav Holst if he could
transcribe some of the
composer's Hymns from the
Rig Veda for military
band.Always a band
advocate,Holst readily
agreed. Two of Windram's
settings, Hymn of the
Travellersand Battle Hymn
have been edited for
modern instrumentation
while a third, Hymn to
Manas, has been arranged
from Holst's original
choral settingby Jon
Ceander Mitchell for
inclusion in this
thoroughly
characteristicsuite.
Band Concert Band - Grade 3 SKU: CF.CPS223F A Setting of “Amazin...(+)
Band Concert Band - Grade
3
SKU: CF.CPS223F
A Setting of
“Amazing
Grace†and
“My Shepherd Will
Supply My
Needâ€. Composed
by Grant Michel. Concert
Band (CPS). Full score.
With Standard notation.
16 pages. Carl Fischer
Music #CPS223F. Published
by Carl Fischer Music
(CF.CPS223F).
ISBN
9781491153178. UPC:
680160910670.
An
impressive composition
based on two popular
hymns, Amazing
Grace and My
Shepherd Will Supply My
Need. Lush harmonies,
flowing lines and
ultimately the combining
of both hymns shows the
compositional craft of
the composer. A
perfect piece to stretch
the musicianship of your
ensemble. Consider
this selection as a
middle piece in your next
contest/festival
performance.
Band Concert Band - Grade 3 SKU: CF.CPS223 A Setting of “Amazing...(+)
Band Concert Band - Grade
3
SKU: CF.CPS223
A Setting of
“Amazing
Grace†and
“My Shepherd Will
Supply My
Needâ€. Composed
by Grant Michel. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
16+2+8+16+16+4+2+2+2+2+2+
4+4+4+2+2+3+3+3+4+2+1+2+2
+16+2 pages. Duration
5:26. Carl Fischer Music
#CPS223. Published by
Carl Fischer Music
(CF.CPS223).
ISBN
9781491152492. UPC:
680160909995.
An
impressive composition
based on two popular
hymns, Amazing
Grace and My
Shepherd Will Supply My
Need. Lush harmonies,
flowing lines and
ultimately the combining
of both hymns shows the
compositional craft of
the composer. A
perfect piece to stretch
the musicianship of your
ensemble. Consider
this selection as a
middle piece in your next
contest/festival
performance.
For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L).
UPC:
680160039531. 11 x 17
inches.
Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland.
Concert Band/Harmonie - Grade 2.5 SKU: BT.CMP-0624-02-010 Composed by Joh...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.CMP-0624-02-010
Composed by Johann
Sebastian Bach. Arranged
by James Hosay. The
Splendor of Christmas.
Hymns & Chorals. Set
(Score & Parts). Composed
2002. Curnow Music #CMP
0624-02-010. Published by
Curnow Music
(BT.CMP-0624-02-010).
Two timeless
Christmas favorites by
J.S.Bach are gloriously
arranged for the Concert
Band and ready for your
interpretation. BREAK
FORTH, O BEAUTEOUS,
HEAVENLY LIGHT and JESU,
JOY OF MAN'S DESIRING
comprise the two
contrasting movements (a
Chorale and a Ballad).
You know how valuable
chorale style playing can
be for the band’s
tone quality, breath
support, intonation, and
phrasing. With thorough
cueing throughout the
arrangement, TWO BACH
CHRISTMAS CLASSICS will
work beautifully even if
your group has
instrumentation problems.
Christmas music does not
ordinarily leap to mind
as a choice for spring
festival use, but you may
wish to consider it in
this case. Great music
isgreat music any time of
the year!
Magnificent!
Concert Band/Harmonie - Grade 2.5 SKU: BT.CMP-0624-02-140 Composed by Joh...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.CMP-0624-02-140
Composed by Johann
Sebastian Bach. Arranged
by James Hosay. The
Splendor of Christmas.
Hymns & Chorals. Score
Only. Composed 2002. 16
pages. Curnow Music #CMP
0624-02-140. Published by
Curnow Music
(BT.CMP-0624-02-140).
Two timeless
Christmas favorites by
J.S.Bach are gloriously
arranged here for concert
band. BREAK FORTH, O
BEAUTEOUS HEAVENLY LIGHT
and JESU, JOY OF MAN'S
DESIRING comprise the two
contrasting movements.
With thorough
cueingthroughout the
arrangement, TWO BACH
CHRISTMAS CLASSICS will
work beautifully even if
your group has
instrumentation problems.
With its opportunities
for developing phrasing,
intonation and tone
quality, this short suite
is even anice
consideration for
festival use.
Children's Oak Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1165745-010 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1165745-010
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Hymns and Chorals. Set
(Score and Parts).
Composed 2016. De Haske
Publications #DHP
1165745-010. Published by
De Haske Publications
(BT.DHP-1165745-010).
English-German-French-
Dutch.
Children
??s Oak was
commissioned by the wind
band from Beauquesne,
France. This solemn work
pays homage to a city
particularly affected by
the two World Wars and is
inspired by the knowledge
that the city of
Beauquesne needed to
recover from these
terrible episodes in its
history. The title has
its origin in the roots
of the word
â??Beauquesneâ?, the
beautiful oak tree. It is
a beautiful slow piece
for your concert, or as a
resource to work on
phrasing and intonation,
or alternatively as a
warm up
piece.
Children
â??s Oak is
geschreven in opdracht
van het blaasorkest van
het Franse Beauquesne.
Dit plechtige werk is een
eerbetoon aan een plaats
die in de beide
wereldoorlogen zwaar is
getroffen. Het is ge
nspireerd op de gedachte
dat de gemeente
Beauquesne zich moest
herstellen na deze
verschrikkelijke periodes
uit haar geschiedenis. De
titel is gebaseerd op het
woord â??beauquesneâ??:
de mooie eikenboom. Het
is een fraai langzaam
stuk voor uw volgende
concert dat tevens
geschikt is om te werken
aan frasering en
intonatie. Ook is het
prima muziek voor een
warming-up.
Children's Oak Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1165745-140 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1165745-140
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Hymns & Chorals. Score
Only. Composed 2016. 16
pages. De Haske
Publications #DHP
1165745-140. Published by
De Haske Publications
(BT.DHP-1165745-140).
English-German-French-
Dutch.
Children
€™s Oak was
commissioned by the wind
band from Beauquesne,
France. This solemn work
pays homage to a city
particularly affected by
the two World Wars and is
inspired by the knowledge
that the city of
Beauquesne needed to
recover from these
terrible episodes in its
history. The title has
its origin in the roots
of the word
“Beauquesneâ€,
the beautiful oak tree.
It is a beautiful slow
piece for your concert,
or as a resource to work
on phrasing and
intonation, or
alternatively as a warm
up
piece.
Children
’s Oak is
geschreven in opdracht
van het blaasorkest van
het Franse Beauquesne.
Dit plechtige werk is een
eerbetoon aan een plaats
die in de beide
wereldoorlogen zwaar is
getroffen. Het is ge
nspireerd op de gedachte
dat de gemeente
Beauquesne zich moest
herstellen na deze
verschrikkelijke periodes
uit haar geschiedenis. De
titel is gebaseerd op het
woord
‘beauquesne’
: de mooie eikenboom. Het
is een fraai langzaam
stuk voor uw volgende
concert dat tevens
geschikt is om te werken
aan frasering en
intonatie. Ook is het
prima muziek voor een
warming-up.
To a Friend Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1216293-140 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1216293-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Hymns &
Chorals. Score Only.
Composed 2021. 8 pages.
De Haske Publications
#DHP 1216293-140.
Published by De Haske
Publications
(BT.DHP-1216293-140).
English-German-French-
Dutch.
When you
have been playing in a
band for a long time, you
will know that music
belongs to the most
beautiful moments in
life, but also to the
roughest times. Making
music together can give
you strength when things
are difficult.To a
Friend is a
wonderfully comforting
work for anyone going
through a dark time.
Jacob de Haan composed
the work for his father
in law, Gerard Bosch, a
musician to the core. The
piece received its first
performance justweeks
before his passing. On a
sun-kissed evening, his
friends, the musicians of
his two music societies
Oefening Baart Kunst
(Practice Makes Perfect)
Otterlo, and the
Reünie Orkest
Artillerie
Trompetterkorps (Reunion
BandArtillery Trumpet
Corps) played the work
for Gerard - an unknowing
yet beautiful
goodbye.
Wanneer
je al lang samen in een
orkest speelt, weet je
dat muziek hoort bij de
mooiste momenten in het
leven, maar ook bij de
diepste dalen. Samen
muziek maken kan je
kracht geven wanneer je
het moeilijk hebt. To
a Friendis een
prachtig troostrijk werk
voor iedereen die donkere
tijden meemaakt. Jacob de
Haan componeerde het werk
voor zijn schoonvader,
Gerard Bosch, een
muzikant in hart en
nieren. Een paar weken
voor diens overlijden was
het klaarom te worden
uitgevoerd. Op een
zonovergoten avond
speelden zijn vrienden,
de muzikanten van zijn
beide muziekverenigingen
Oefening Baart Kunst
Otterlo en het Reünie
Orkest Artillerie
Trompetterkorps het voor
Gerard. Eenprachtig
afscheid.
Wer
lange in einem Orchester
gespielt hat, der
weiß, dass Musik zu
den schönsten Momenten
im Leben gehört, aber
auch zu den schwersten.
Gemeinsames Musizieren
kann einem in schwierigen
Zeiten Kraft geben. To
a Friend istein
wunderbar tröstliches
Werk für jeden, der
eine schwere Zeit
durchlebt. Jacob de Haan
komponierte das Werk
für seinen
Schwiegervater Gerard
Bosch, der Musiker durch
und durch war. Das
Stück wurde nur wenige
Wochen vor seinemTod
uraufgeführt. An einem
sonnigen Abend spielten
seine Freunde, die
Musiker seiner beiden
Musikvereine Oefening
Baart Kunst (Ãœbung
macht den Meister“)
Otterlo und das Reünie
Orkest Artillerie
Trompetterkorps (Reunion
BandArtillerie Trompet
Corps) , das Werk für
Gerard. Ein unbewusster
und zugleich schöner
Abschied.
To a Friend Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1216293-010 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1216293-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Hymns &
Chorals. Set (Score &
Parts). Composed 2021. De
Haske Publications #DHP
1216293-010. Published by
De Haske Publications
(BT.DHP-1216293-010).
English-German-French-
Dutch.
When you
have been playing in a
band for a long time, you
will know that music
belongs to the most
beautiful moments in
life, but also to the
roughest times. Making
music together can give
you strength when things
are difficult.To a
Friend is a
wonderfully comforting
work for anyone going
through a dark time.
Jacob de Haan composed
the work for his father
in law, Gerard Bosch, a
musician to the core. The
piece received its first
performance justweeks
before his passing. On a
sun-kissed evening, his
friends, the musicians of
his two music societies
Oefening Baart Kunst
(Practice Makes Perfect)
Otterlo, and the
Reünie Orkest
Artillerie
Trompetterkorps (Reunion
BandArtillery Trumpet
Corps) played the work
for Gerard - an unknowing
yet beautiful
goodbye.
Wanneer
je al lang samen in een
orkest speelt, weet je
dat muziek hoort bij de
mooiste momenten in het
leven, maar ook bij de
diepste dalen. Samen
muziek maken kan je
kracht geven wanneer je
het moeilijk hebt. To
a Friendis een
prachtig troostrijk werk
voor iedereen die donkere
tijden meemaakt. Jacob de
Haan componeerde het werk
voor zijn schoonvader,
Gerard Bosch, een
muzikant in hart en
nieren. Een paar weken
voor diens overlijden was
het klaarom te worden
uitgevoerd. Op een
zonovergoten avond
speelden zijn vrienden,
de muzikanten van zijn
beide muziekverenigingen
Oefening Baart Kunst
Otterlo en het Reünie
Orkest Artillerie
Trompetterkorps het voor
Gerard. Eenprachtig
afscheid.
Wer
lange in einem Orchester
gespielt hat, der
weiß, dass Musik zu
den schönsten Momenten
im Leben gehört, aber
auch zu den schwersten.
Gemeinsames Musizieren
kann einem in schwierigen
Zeiten Kraft geben. To
a Friend istein
wunderbar tröstliches
Werk für jeden, der
eine schwere Zeit
durchlebt. Jacob de Haan
komponierte das Werk
für seinen
Schwiegervater Gerard
Bosch, der Musiker durch
und durch war. Das
Stück wurde nur wenige
Wochen vor seinemTod
uraufgeführt. An einem
sonnigen Abend spielten
seine Freunde, die
Musiker seiner beiden
Musikvereine Oefening
Baart Kunst (Ãœbung
macht den Meister“)
Otterlo und das Reünie
Orkest Artillerie
Trompetterkorps (Reunion
BandArtillerie Trompet
Corps) , das Werk für
Gerard. Ein unbewusster
und zugleich schöner
Abschied.
By George W. Warren and William Steffe. Arranged by James D. Ployhar. By George ...(+)
By George W. Warren and
William Steffe. Arranged
by James D. Ployhar. By
George W. Warren and
William Steffe / arr.
James D. Ployhar. For
Concert Band. Concert
Band. Belwin Concert
Band. Patriotic. Level:
Medium Easy (grade 3).
Conductor Score & Parts.
Duration 4:09:00.
Published by Alfred
Publishing.
Hymn of Cittaslow Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1196181-140 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1196181-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Hymns &
Chorals. Score Only.
Composed 2020. 11 pages.
De Haske Publications
#DHP 1196181-140.
Published by De Haske
Publications
(BT.DHP-1196181-140).
Hymn of Cittaslow Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1196181-010 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1196181-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Hymns &
Chorals. Set (Score &
Parts). Composed 2020. De
Haske Publications #DHP
1196181-010. Published by
De Haske Publications
(BT.DHP-1196181-010).
Easter Fantasy.
Composed by Michael
Bilkes. Musica Sacra.
Hymns & Chorals. Set
(Score & Parts). Composed
2005. De Haske
Publications #DHP
1053796-010. Published by
De Haske Publications
(BT.DHP-1053796-010).
English-German-French-
Dutch.
Based on
traditional Easter chants
Fantasia di Pasqua is a
tremendous work to
feature four of your
players in a religiously
inspired work. Often this
work is performed in
church concerts or
religious situations and,
as such, the composer
suggests that the quartet
may be utilised
performing from two
‘galleries’.
This creates a wonderful
double-choir effect that
befits the
Renaissance-like style of
such great composers as
Gabrieli. A truly
inspired work to bring a
touch of Renaissance
class to your
concerts.
In
Fantasia di Pasqua
speelt het (koper)kwartet
een cruciale rol. De
componist raadt aan dit
kwartet vanuit een
galerij te laten spelen:
de zo gecreëerde
dubbelkorigheid past bij
de enigszins
renaissancistische stijl
van hetwerk. De gebruikte
koraalmelodieën worden
alle - veelal dansrijk -
door het kwartet
uitgevoerd in diverse
cadansen, die mede door
de dubbelkorigheid
resulteren in een
levendige en afwisselende
uitvoering. Het kwartet
hoeft nietper se te
bestaan uit twee
trompetten (cornetten) en
twee trombones, maar kan
naar believen worden
samengesteld.
In
seiner Fantasia di
Pasqua verwendete
Michael Bilkes
traditionelle
Osterlieder. Ein Quartett
spielt hier eine
entscheidende Rolle. Dies
kann ein Blech- und/oder
Holzbläserquartett
sein, möglich ist auch
ein Posaunenchor (der
Komponist gibt hierzu
Tipps). In Kirchen kommt
die Fantasie besonders
schön zur Geltung,
wenn das Quartett von der
Empore herab spielt. Der
so kreierte
Doppelchor-Effekt passt
ausgezeichnet zum
Renaissance ähnlichen
Stil und verspricht eine
sehr lebhafte und
abwechslungsreiche
Aufführung.
Fantasia di
Pasqua, basata su melodie
tradizionali, utilizza un
quartetto, che riveste un
ruolo fondamentale nello
sviluppo del brano. Sono
possibili varie
combinazioni, come ad
esempio un quartetto di
ottoni e/o legni, come
anche un coro di
tromboni). Fantasia di
Pasqua è scritta in
uno stile simile alla
musica rinascimentale,
una scelta che si spiega
con il fatto che la
maggior parte delle
melodie corali datano di
questo periodo. Queste
melodie danzanti,
interpretate dal
quartetto, segnano la
trama del brano. La
bellezza del doppio coro
conferisce al brano un
carattere variegato e
divertente.
Easter Fantasy.
Composed by Michael
Bilkes. Musica Sacra.
Hymns and Chorals. Score
Only. Composed 2005. 24
pages. De Haske
Publications #DHP
1053796-140. Published by
De Haske Publications
(BT.DHP-1053796-140).
English-German-French-
Dutch.
Based on
traditional Easter chants
Fantasia di Pasqua is a
tremendous work to
feature four of your
players in a religiously
inspired work. Often this
work is performed in
church concerts or
religious situations and,
as such, thecomposer
suggests that the quartet
may be utilised
performing from two
galleries_x001A_. This
creates a wonderful
double-choir effect that
befits the
Renaissance-like style of
such great composers as
Gabrieli. A truly
inspired work tobring a
touch of Renaissance
class to your
concerts.
In
Fantasia di Pasqua
speelt het (koper)kwartet
een cruciale rol. De
componist raadt aan dit
kwartet vanuit een
galerij te laten spelen:
de zo gecreëerde
dubbelkorigheid past bij
de enigszins
renaissancistische stijl
van hetwerk. De gebruikte
koraalmelodieën worden
alle - veelal dansrijk -
door het kwartet
uitgevoerd in diverse
cadansen, die mede door
de dubbelkorigheid
resulteren in een
levendige en afwisselende
uitvoering. Het kwartet
hoeft nietper se te
bestaan uit twee
trompetten (cornetten) en
twee trombones, maar kan
naar believen worden
samengesteld.
In
seiner Fantasia di
Pasqua verwendete
Michael Bilkes
traditionelle
Osterlieder. Ein Quartett
spielt hier eine
entscheidende Rolle. Dies
kann ein Blech- und/oder
Holzbläserquartett
sein, möglich ist auch
ein Posaunenchor (der
Komponist gibt hierzu
Tipps). In Kirchen kommt
die Fantasie besonders
schön zur Geltung,
wenn das Quartett von der
Empore herab spielt. Der
so kreierte
Doppelchor-Effekt passt
ausgezeichnet zum
Renaissance ähnlichen
Stil und verspricht eine
sehr lebhafte und
abwechslungsreiche
Aufführung.
Fantasia di
Pasqua, basata su melodie
tradizionali, utilizza un
quartetto, che riveste un
ruolo fondamentale nello
sviluppo del brano. Sono
possibili varie
combinazioni, come ad
esempio un quartetto di
ottoni e/o legni, come
anche un coro di
tromboni). Fantasia di
Pasqua è scritta in
uno stile simile alla
musica rinascimentale,
una scelta che si spiega
con il fatto che la
maggior parte delle
melodie corali datano di
questo periodo. Queste
melodie danzanti,
interpretate dal
quartetto, segnano la
trama del brano. La
bellezza del doppio coro
conferisce al brano un
carattere variegato e
divertente.
Nordanvind Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Se...(+)
Band concert band - Grade
4.5
SKU: CF.SPS71
Composed by Carl
Strommen. Set of Score
and Parts. With Standard
notation.
2+16+4+8+8+8+4+4+2+4+4+4+
4+6+6+6+4+4+4+4+6+6+6+6+4
+8+3+2+12+2+4+28 pages.
Duration 6 minutes, 26
seconds. Carl Fischer
Music #SPS71. Published
by Carl Fischer Music
(CF.SPS71).
ISBN
9781491143544. UPC:
680160901043. Key: G
minor.
Nordanvind
is a tour de force
symphonic rhapsody that
is built on three
Scandinavian folk songs.
Composer Carl Strommen
has composed these
Viking-influenced
melodies into a concert
setting that brings out
all of the history of the
Scandinavian people. The
piece is at times bold
and aggressive, at other
times beautiful. Carl
employs all of the
instrumental colors of
the concert band to
create a new work for
more advanced
ensembles. Modern
Scandinavians are
descendants of the
Vikings, an adventuresome
people who were known for
their love of the sea,
their naval prowess, and
as fierce fighters . The
Scandinavian Vikings were
warriors from Denmark,
Norway, and Sweden who
traded, raided and
settled in various parts
of Europe, Russia, the
North Atlantic islands,
and the northeastern
coast of North America
.Starting around 1850,
over one million Swedes
left their homeland for
the United States in
search of religious
freedom and open farm
land . Augustana College
was founded in 1860 by
graduates of Swedish
universities and is
located on the
Mississippi River in Rock
Island, Illinois . Home
of the
“Vikings,â€
Augustana College is the
oldest Swedish- American
institution of higher
learning in the United
States . This powerful
and lively piece takes
inspiration from Swedish
history and from Swedish
folk songs and hymns
.Havsdrake (Dragon of the
Sea)The Nordanvind or
“North Windâ€
blows a cold wind during
a journey of a group of
courageous Viking rowers
. The
“Dragon-shipâ€
or long ships designed
for raiding and war was a
sophisticated, fast ship
able to navigate in very
shallow water . To
musically portray these
magnificent seafaring
vessels, the director is
encouraged to use an
Ocean Drum (or a rain
stick) during the
introduction . Wind
players may consider
blowing air through their
instruments to suggest
the North wind . Adding
men’s voices to
accompany the haunting
low brass and percussive
“rowerâ€
sounds can be helpful in
creating the dark and
ominous portrayal of
Viking adventurers
.Slangpolska efter Byss -
KalleIn Sweden, a
“polska†is a
partner dance where the
dancers spin each other
(släng in Swedish
“to sling or
tossâ€) .
Slangpolska efter Byss -
Kalle is attributed to
Byss-Kalle, who was a
notable Swedish folk
musician, specifically a
nyckelharpa player .
Slangpolska efter Byss -
Kalle is a traditional
“polskaâ€
dance song most often
played on the Nyckelharpa
or keyed fiddle and is
commonly heard in pubs
and at festive events
throughout Sweden .
Approximately 10,000
nyckelharpa players live
in Sweden today, and the
Swedish and the American
Nyckelharpa Associations
are dedicated to this
Swedish National
instrument . The director
is encouraged to share
video and audio examples
of the nyckelharpa
playing the original
Slangpolska efter Byss -
Kalle .Tryggare Kan Ingen
Vara (Children of the
Heavenly Father)Tryggare
Kan Ingen Vara Is a
traditional Swedish
melody, possibly of
German roots, and was
believed to be arranged
as a hymn by the Swedish
hymn writer, Karolina
Wilhelmina Sandell-Berg
(1832–1903) . As a
daughter of a Swedish
Lutheran minister, she
began writing poems as a
teenager and is said to
have written over 1,700
different texts . There
are two different
accounts as to the
inspiration for this hymn
. The first story is that
Lina (as she was called)
wrote the hymn to honor
her father and to say
thank you to him for
raising her and
protecting her . A second
belief is of her
witnessing the tragic
death of her father . She
and her father were on a
boat, when a wave threw
her father overboard . It
was said that the
profound effect of
watching her father drown
is what caused Lina to
write the text to this
hymn . Although this is a
treasured song to people
of Swedish descent
everywhere, it speaks to
all people about a father
tending and nourishing
his children, and
protecting them from evil
.SPS71FThe Augustana
College Concert
BandFounded in 1874, the
Augustana Band program is
one of the oldest
continuously active
collegiate band programs
in the country . The
Concert Band is one of
two bands on campus and
was formed more than
thirty years ago . The
Concert Band attracts
students of every skill
level and from a wide
variety of majors .
Students in the ensemble
play a large part in
choosing their music for
performance, which
include works from the
standard repertoire,
orchestral
transcriptions, and the
latest compositions from
leading composers .Rick
Jaeschke began his
musical career as a
clarinet player in the
1st US Army Band . He
received a Bachelor of
Music degree from
Susquehanna University, a
Masters of Music from
James Madison University,
and a doctorate from
Columbia University in
New York . He was also
fortunate to study
conducting with Donald
Hunsburger and with
Frederick Fennell .Dr .
Jaeschke taught band and
choir at Great Mills High
School in Southern
Maryland, and for fifteen
years, he was the
district Music Supervisor
in Armonk, New York,
where he taught high
school concert and jazz
bands, beginning band,
and music technology .
During that time, the
music program flourished,
and the high school band
consistently received
Gold Medals in the New
York State Festivals, as
well as in national, and
international festivals .
As a clarinet and
saxophone player, Dr .
Jaeschke performed in the
New York metropolitan
area with the Rockland
Symphony Orchestra, the
Putnam Symphony
Orchestra, Fine Arts
Symphony Orchestra, and
served as the concert
master for the Hudson
Valley Wind Symphony .For
several years, Dr .
Jaeschke served as the
Fine Arts Coordinator for
the District 204 schools
in Naperville, IL, a
district selected as One
of the Best 100 Schools
in America for Music .
Currently, Dr . Jaeschke
is an Associate Professor
at Augustana College
where he teaches music
and music education
courses, and directs the
Concert Band . He has
served on various
educational boards, is a
National edTPA scorer,
and has presented at
state, national and
international music
conferences . He lives
with his family in
Bettendorf Iowa, and
enjoys any opportunity to
explore the open water in
his sea kayak .
Glow Orchestre d'harmonie - Intermédiaire Mitropa Music
Concert Band/Harmonie - Grade 3.5 SKU: BT.2249-24-140-M Based on a mot...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.2249-24-140-M
Based on a motif by
Anita Wallner.
Composed by Thomas Doss.
Mitropa Concertwork
Series. Hymns & Chorals.
Score Only. Composed
2024. Mitropa Music
#2249-24-140 M. Published
by Mitropa Music
(BT.2249-24-140-M).
Glow Orchestre d'harmonie - Intermédiaire Mitropa Music
Concert Band/Harmonie - Grade 3.5 SKU: BT.2249-24-010-M Based on a mot...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.2249-24-010-M
Based on a motif by
Anita Wallner.
Composed by Thomas Doss.
Mitropa Concertwork
Series. Hymns & Chorals.
Set (Score & Parts).
Composed 2024. Mitropa
Music #2249-24-010 M.
Published by Mitropa
Music (BT.2249-24-010-M).
Concert Band SKU: BT.DHP-1053796-040 Easter Fantasy. Composed by M...(+)
Concert Band
SKU:
BT.DHP-1053796-040
Easter Fantasy.
Composed by Michael
Bilkes. Musica Sacra.
Hymns & Chorals. Set
(Score & Parts). Composed
2005. De Haske
Publications #DHP
1053796-040. Published by
De Haske Publications
(BT.DHP-1053796-040).
English-German-French-
Dutch.
Based on
traditional Easter chants
Fantasia di Pasqua is a
tremendous work to
feature four of your
players in a religiously
inspired work. Often this
work is performed in
church concerts or
religious situations and,
as such, the composer
suggests that the quartet
may be utilised
performing from two
‘galleries’.
This creates a wonderful
double-choir effect that
befits the
Renaissance-like style of
such great composers as
Gabrieli. A truly
inspired work to bring a
touch of Renaissance
class to your
concerts.
In
Fantasia di Pasqua
speelt het (koper)kwartet
een cruciale rol. De
componist raadt aan dit
kwartet vanuit een
galerij te laten spelen:
de zo gecreëerde
dubbelkorigheid past bij
de enigszins
renaissancistische stijl
van hetwerk. De gebruikte
koraalmelodieën worden
alle - veelal dansrijk -
door het kwartet
uitgevoerd in diverse
cadansen, die mede door
de dubbelkorigheid
resulteren in een
levendige en afwisselende
uitvoering. Het kwartet
hoeft nietper se te
bestaan uit twee
trompetten (cornetten) en
twee trombones, maar kan
naar believen worden
samengesteld.
In
seiner Fantasia di
Pasqua verwendete
Michael Bilkes
traditionelle
Osterlieder. Ein Quartett
spielt hier eine
entscheidende Rolle. Dies
kann ein Blech- und/oder
Holzbläserquartett
sein, möglich ist auch
ein Posaunenchor (der
Komponist gibt hierzu
Tipps). In Kirchen kommt
die Fantasie besonders
schön zur Geltung,
wenn das Quartett von der
Empore herab spielt. Der
so kreierte
Doppelchor-Effekt passt
ausgezeichnet zum
Renaissance ähnlichen
Stil und verspricht eine
sehr lebhafte und
abwechslungsreiche
Aufführung.
Concert Band - Grade 1.5 SKU: AP.41910S Featuring: We Gather Together ...(+)
Concert Band - Grade 1.5
SKU: AP.41910S
Featuring: We Gather
Together / Praise God
from Whom All Blessings
Flow. Arranged by
Robert Sheldon. Concert
Band; MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Sound Innovations for
Concert Band. Fall; Hymn;
Thanksgiving. Score. 12
pages. Alfred Music
#00-41910S. Published by
Alfred Music (AP.41910S).
UPC: 038081482347.
English.
Two of the
most popular Thanksgiving
hymns are set for young
band in this heartfelt
setting. Contemporary
harmonic structures are
carefully woven into the
fabric of these beautiful
melodies in celebration
of this uniquely American
holiday. (2:45) The
Spirit of Thanksgiving
correlates to Book 2,
Level 2 of Sound
Innovations for Concert
Band. This title
available in MakeMusic
Cloud.
Grade 3 SKU: CL.012-3326-99 Concert Band. Heritage of the March Series. A...(+)
Grade 3
SKU:
CL.012-3326-99
Concert Band. Heritage of
the March Series. Audio
recording available
separately (items
CL.WFR337, CL.WFR331 &
CL.WFR343). String score
and parts set. Composed
2004. Duration 4 minutes,
44 seconds. Opus III Wind
Orchestra Publications
#012-3326-99. Published
by Opus III Wind
Orchestra Publications
(CL.012-3326-99).
For band with
optional choir, strings,
narrator and audience
sing-a-long. This
glorious setting of two
of America's favorite
hymns, Amazing Grace and
Battle Hymn of The
Republic, is destined to
be the work of choice
when selecting that
special number for your
program's grand finale.
Playable by band alone,
this patriotic
arrangement also offers
the creative option of
adding choir, strings,
narrator, bagpiper and
even a group sing-a-long.
Musically appealing for
bands of varied levels,
this spectacular
production number will
offer grateful audiences,
young and old alike, a
wonderful opportunity to
experience the ultimate
in listening pleasure. A
guaranteed winner!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
The Spirit of Thanksgiving Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
(Featuring: We Gather Together / Praise God from Whom All Blessings Flow). Ar...(+)
(Featuring: We Gather
Together / Praise God
from
Whom All Blessings Flow).
Arranged by Robert
Sheldon.
Concert Band. Concert
Band;
Part(s); Score. Sound
Innovations for Band.
Fall;
Hymn; Thanksgiving. Grade
1.5. 134 pages. Published
by
Alfred Music
Concert band - Grade 4 SKU: MH.1-59913-070-X Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-070-X
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
score and set of parts.
Duration 10:00. Published
by Manhattan Beach Music
(MH.1-59913-070-X).
ISBN
9781599130705.
Prog
ram Notes: Stylistically
diverse -- tranquil,
spirited pastoral,
sensitive, energetic --
exhibiting a remarkable
palette, the five
movements of SINFONIA IX
form a unique symphonic
statement. Movement I,
Prelude, is about
contrasts: A lazy,
smooth, motive in brasses
alternates with, and then
joins, an active and
detached motive in
woodwinds. The spirited
Movement II, Morley's
Ghost, is an intricate
canonic collage and
homage to that venerable
theoretician & composer,
Thomas Morley. By
contrast, movement III,
Dialog, speaks in a
relaxed, lyrical, and
pastoral language as it
develops its gently
rising and falling
motives. Movement IV,
Waltz, innocently
celebrates the joys of
childhood with a lilting
melody and rondo form.
For the rousing Finale,
Movement V begins with a
martial call of
repeated-notes, heralding
a headstrong journey of
power and excitement.
Like a number of the
composer's other works,
SINFONIA IX is based on
earlier material: A brass
sextet, written in 1966
when the composer was
nineteen years old, forms
the raw material for the
first, third and fifth
movements, while a later
work, Martin's Waltz (a
children's piece for
flutes and clarinets
composed in 1975) is the
basis of the fourth
movement. The second
movement, however, is a
fanciful contrapuntal
commentary on Thomas
Morley's 16th-century
canzonet, Fire and
Lightning. SINFONIA IX is
dedicated to John
Raforth, a distinguished
band director and music
educator at West High
School in Madison,
Wisconsin. The work was
commissioned by his
friends and former
students, and was
completed in 1977. Its
first publication some
twenty years later is a
result of the increasing
attention paid by
university band directors
to the earlier Sinfonias,
particularly Sinfonia III
(Hymns and Dances);
Sinfonia V (Sinfonia
Sacra et Profana); and
now, Sinfonia IX. Whereas
the first two works are
wind ensemble
compositions that have
been championed equally
by the concert band,
Sinfonia IX is the
composer's first
college-level Sinfonia
written especially for
concert band. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1-2, 2
Oboe, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3 Bb
Bass Clarinet, 2 Bassoon,
4 Eb Alto Saxophone, 2 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 3
Trombone 1, 3 Trombone 2,
3 Baritone B.C., 2
Baritone T.C., 4 Tuba, 3
String Bass, 2 Timpani, 5
Percussion.
Concert band - Grade 4 SKU: MH.1-59913-071-8 Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-071-8
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
Full Score. Duration
10:00. Published by
Manhattan Beach Music
(MH.1-59913-071-8).
ISBN
9781599130712.
Prog
ram Notes: Stylistically
diverse -- tranquil,
spirited pastoral,
sensitive, energetic --
exhibiting a remarkable
palette, the five
movements of SINFONIA IX
form a unique symphonic
statement. Movement I,
Prelude, is about
contrasts: A lazy,
smooth, motive in brasses
alternates with, and then
joins, an active and
detached motive in
woodwinds. The spirited
Movement II, Morley's
Ghost, is an intricate
canonic collage and
homage to that venerable
theoretician & composer,
Thomas Morley. By
contrast, movement III,
Dialog, speaks in a
relaxed, lyrical, and
pastoral language as it
develops its gently
rising and falling
motives. Movement IV,
Waltz, innocently
celebrates the joys of
childhood with a lilting
melody and rondo form.
For the rousing Finale,
Movement V begins with a
martial call of
repeated-notes, heralding
a headstrong journey of
power and excitement.
Like a number of the
composer's other works,
SINFONIA IX is based on
earlier material: A brass
sextet, written in 1966
when the composer was
nineteen years old, forms
the raw material for the
first, third and fifth
movements, while a later
work, Martin's Waltz (a
children's piece for
flutes and clarinets
composed in 1975) is the
basis of the fourth
movement. The second
movement, however, is a
fanciful contrapuntal
commentary on Thomas
Morley's 16th-century
canzonet, Fire and
Lightning. SINFONIA IX is
dedicated to John
Raforth, a distinguished
band director and music
educator at West High
School in Madison,
Wisconsin. The work was
commissioned by his
friends and former
students, and was
completed in 1977. Its
first publication some
twenty years later is a
result of the increasing
attention paid by
university band directors
to the earlier Sinfonias,
particularly Sinfonia III
(Hymns and Dances);
Sinfonia V (Sinfonia
Sacra et Profana); and
now, Sinfonia IX. Whereas
the first two works are
wind ensemble
compositions that have
been championed equally
by the concert band,
Sinfonia IX is the
composer's first
college-level Sinfonia
written especially for
concert band. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1-2, 2
Oboe, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3 Bb
Bass Clarinet, 2 Bassoon,
4 Eb Alto Saxophone, 2 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 3
Trombone 1, 3 Trombone 2,
3 Baritone B.C., 2
Baritone T.C., 4 Tuba, 3
String Bass, 2 Timpani, 5
Percussion.
Full Score Concert Band (Score) - Grade 5 SKU: HL.48023758 Score Only<...(+)
Full Score Concert Band
(Score) - Grade 5
SKU:
HL.48023758
Score
Only. Composed by
Sergei Rachmaninoff.
Arranged by Jay
Juchniewicz.
Windependence Artist
Level. Festival.
Softcover. Boosey &
Hawkes #M051663484.
Published by Boosey &
Hawkes (HL.48023758).
UPC: 888680607999.
10.5x14.0x0.113
inches.
All-Night
Vigil (Vespers) is a
setting of music for a
night-long service on the
eves of Russian Orthodox
holy days, and became one
of Rachmaninoff's
favorite compositions.
Basing the 15 movements
of his choral setting on
a combination of
traditional Russian
Orthodox chants, Latin
hymns, and original
chants by the composer,
the work was completed in
less than two weeks in
1915. This arrangement
utilizes the 1st, 2nd,
7th, 10th, and 12th
movements, along with the
traditional Amens at the
beginning of Movements 1
and 2. Unlike other
settings of choral works
for wind ensemble, this
arrangement is
constructed as a complete
suite that is intended to
allow the performers and
audience to experience
the power and beauty of
the complete Vespers.
Dur: c. 16:00 (Recorded
by the Florida State
University Wind Orchestra
- Rick Clary,
conductor).