Danza Brilliante Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4002-01 From Aida. Composed by Giuseppe Verdi....(+)
Grade 3
SKU:
CL.012-4002-01
From Aida.
Composed by Giuseppe
Verdi. Arranged by
Glover. Concert Band.
Gems of the Concert Band
Series. Audio recording
available separately
(item CL.WFR372). Extra
full score. Composed
2011. Duration 2 minutes,
15 seconds. Opus III Wind
Orchestra Publications
#012-4002-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4002-01).
This fiery work
is perfect for an encore,
or as a dazzling
showstopper! Originally
written as ballet music
for the orchestra score
of one of Verdi’s
most famous opera, this
lively dance makes a
terrific showpiece for
band. Exciting and
challenging, Danza
Brilliante will engage
your audiences and excite
performers. The title
says it all!
About Gems of
the Concert
Band
A
series of transcriptions
and other works in
varying styles,
representative of the
programming of the Great
American Classic Concert
Band era of a century
ago, as exemplified by
John Phillip Sousa, Edwin
Franko Goldman, Karl L.
King, and Leonard B.
Smith
At the Feast of Stephen Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Scott Watson. Concert Band. Concert Band; SmartMusic. Alfred Debut Series. Ch...(+)
By Scott Watson. Concert
Band. Concert Band;
SmartMusic. Alfred Debut
Series. Christmas;
Winter. Grade 1.
Conductor Score and
Parts. 118 pages.
Published by Alfred Music
Publishing
Band concert band - Grade 4.5 SKU: CF.SPS75 Composed by Brant Karrick. SW...(+)
Band concert band - Grade
4.5
SKU: CF.SPS75
Composed by Brant
Karrick. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
3+12+12+6+12+12+12+6+6+6+
6+6+6+9+9+9+6+6+9+9+9+9+6
+12+6+9+3+9+9+40 pages.
Duration 6 minutes, 44
seconds. Carl Fischer
Music #SPS75. Published
by Carl Fischer Music
(CF.SPS75).
ISBN
9781491147702. UPC:
680160905201. 9 x 12
inches. Key: F
major.
When Hearts
Tremble is an emotion
packed piece dedicated to
musician friends lost all
to soon. This beautiful
composition by Brant
Karrick reflects on the
fragility of human
existence, joyous
memories of loved ones
and their effect on
everyone around them, and
maintaining hope for what
the future will hold when
all feels lost. This tour
de force piece perfectly
displays Karrick's
polished compositional
craft with impeccable
scoring, beautiful
melodic writing, and
exceptional
orchestrational
color. While the
day-to-day grind of our
lives can be filled with
overwhelming obligations,
goals and commitments, it
is sometimes very easy to
forget just how precious
and fragile life is . It
is so easy to get caught
up in our own personal
feelings and worries that
we sometimes don’t
realize and appreciate
the many blessings we
have, especially
friendships . On
Wednesday, November 18,
2015 the Jefferson High
School Band in Jefferson,
Georgia lost two of its
members to a fatal car
accident . The victims
were brothers . Music was
a constant part of their
lives, and the boys were
talented percussionists
in the marching band . To
help with the grieving
process the school and
community commissioned
this piece to celebrate
the lives of William and
Alex Trimble .As a
father, I cannot imagine
losing a child, let alone
two, and beginning this
piece was very difficult
as I felt extreme
anguish, especially for
the parents . But it was
decided the piece should
primarily reflect the
enthusiasm, youthful
spirits and positive
influence these two young
men demonstrated as they
were deeply loved by
their band mates,
community and family .
There are four main
themes, each representing
the feelings and emotions
that are certain to occur
after a loss of loved
ones . The first theme is
a short, introductory
fanfare, strong and bold,
to stand for courage . A
second dance-like melody
features a liltingly
mixed meter to portray a
youthful and carefree
innocence . This soon
changes into a third more
song-like, and stately
theme intended to provide
encouragement as we move
forward through life .The
middle of the piece
includes a soft
transition as two snare
drummers give voice to
the boys, allowing them
to thank their friends
and assuring them that it
will be okay . This moves
directly into a slow
melody introduced by the
saxophones (Alex, the
younger brother was also
a saxophonist) and is a
time for reflection and
allows for feelings of
sadness at losing beloved
friends . However, a
second statement of the
same theme, now at full
volume with a strong
percussion cadence,
intends to lift the
spirits and allows all
friends to unite in
joyous celebration of
life . Both the
enthusiastic dance theme
and stately lyrical theme
return, now in different
keys, and work their way
toward the highly
energetic burst of
glorious sound in the
short and wild coda .
When Hearts Tremble was
written to celebrate the
joys of youth and life,
and should remind us that
our friends and loved
ones are precious, and we
should live each day to
bring more joy into the
world and into the lives
of others .
Symphonic Poem for
Wind Orchestra.
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Score Only. Composed
2010. 177 pages. De Haske
Publications #DHP
1104914-140. Published by
De Haske Publications
(BT.DHP-1104914-140).
9x12 inches.
English-German-French-Dut
ch.
This piece was
commissioned by Matsudo
Citizen Wind Orchestra
for their 30th
anniversary concert and
premiêred by the band
conducted by Kenichiro
Hasunuma in July 2009.
This piece is typical of
Satoshi Yagisawa in that
it depicts a magnificent
spectacle. This one is
set in ancient Egypt and
is based on the story
depicted in the famous
film “The Ten
Commandmentsâ€
(1956, directed by Cecil
B. DeMille). One day
Moses, who was raised by
the rich royal family,
found out that he was
originally Hebrew. The
Hebrews had been forced
to live as slaves.
Ramses, the prince
directly descended from
the Pharaoh, envied
Moses’ strength
and popularity. After
internal argument Moses
decides todeliver the
Hebrew from the
Pharaoh’s tyranny
and escape from Egypt
with them.The music
starts with brilliant
royal fanfare and depicts
magnificent architecture,
the Hebrew people forced
into hard labour, and the
slaves escaping from the
Pharaoh’s tyranny.
At the climax they are at
crisis point, trapped by
the sea. Moses waves his
staff and the miracle
happens; the sea parts
and Hebrew people
successfully escape.
Following on from
Perseus - A
Hero’s Quest in
the Heavens, this
work Moses and
Ramses is another
piece written in the
dramatic style favoured
by Satoshi Yagisawa.
Het oude
testament verhaalt van
Mozes die met zijn volk
Egypte verlaat, na zijn
strijd met de jonge farao
Ramses. De film The
Ten Commandments uit
1956 is gebaseerd op dit
verhaal. Satoshi Yagisawa
zette de beelden van
dezemonumentale film om
in de karakteristiek
dramatische stijl die zo
eigen is voor de
verfilming. De muzikale
beelden geven het
koninklijke paleis weer,
maar ook de
architectonische pracht
en praal van het oude
Egypte. Ook komen
deverlossing van de
slavernij en de uittocht
aan bod. Natuurlijk met
als hoogtepunt dat Mozes
de zee opent en het volk
door de zee uit Egypte
leidt. Een fantastisch
spektakel!
Von
Moses, der nach einem
Streit mit dem jungen
Ramses mit seinem ganzen
Volk, Israel, das Land
verließ, erzählt
das alte Testament und
der darauf basierende
Film Die zehn Gebote von
1965. Satoshi Yagisawa
setzte die Bilder dieses
monumentalen Films in
seinem charakteristischen
dramatischen Stil um: Die
musikalischen Bilder
zeigen den Königshof,
die architektonische
Pracht des alten
Ägypten, das
versklavte Volk Israel
und natürlich die
Flucht mit dem
Höhepunkt, als Moses
das Meer teilt. Ein
prachtvolles
Spektakel!
Thriller Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125275-140 As performed b...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1125275-140
As performed by
Michael Jackson.
Composed by Rod
Temperton. Arranged by
Miho Hazama. Pop & Rock.
Score Only. Composed
2012. 32 pages. De Haske
Publications #DHP
1125275-140. Published by
De Haske Publications
(BT.DHP-1125275-140).
9x12 inches.
As
with previous releases
from Thriller, the
seventh and last single
provided yet another top
ten hit in many countries
in 1984. With the most
ambitious and costliest
video to date, Jackson
set a new benchmark
worldwide and wrote
himself—and his
music—into the
annals of pop history. In
Miho Hazama’s
excellent arrangement, in
which the flute plays an
important role, the
music—and the
spirit—of
Thriller live on.
Ook met zijn
zevende en laatste single
van het album
Thriller kwam
Michael Jackson in 1984
in veel landen in de top
tien terecht. Zijn
videoclip - meer een
minifilm - was tot dan
toe de duurste aller
tijden en zorgde voor
nieuwemaatstaven op het
gebied van videoclips.
Maar droeg ongetwijfeld
bij aan de populariteit
van dit legendarische
nummer. Miho Hazama
smaakte er een
fantastisch arrangement
van.De fluit speelt hier
een belangrijke rol. Als
geenander weet dit
instrument zowel de
muziek als de sfeer van
Thriller feilloos
over te
brengen.
Auch mit
der siebten und letzten
Singleauskopplung aus dem
Jahrhundert-Album
Thriller schaffte
es Michael Jackson im
Jahr 1984 in vielen
Ländern in die
Top-Ten. Mit dem bis dato
aufwändigsten und
teuersten Video aller
Zeiten setzte Jackson
weltweit neue
Maßstäbe und trug
zur Unsterblichkeit des
Songs und seines
Mythos’ bei. Miho
Hazama gelang es seinem
ausgezeichneten
Arrangement, in dem die
Flöte eine wichtige
Rolle spielt, sowohl die
Musik als auch die
Stimmung von
Thriller zu
transportieren.
Thriller Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125275-010 As performed b...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1125275-010
As performed by
Michael Jackson.
Composed by Rod
Temperton. Arranged by
Miho Hazama. Pop and
Rock. Set (Score and
Parts). Composed 2012. De
Haske Publications #DHP
1125275-010. Published by
De Haske Publications
(BT.DHP-1125275-010).
9x12 inches.
As
with previous releases
from Thriller, the
seventh and last single
provided yet another top
ten hit in many countries
in 1984. With the most
ambitious and costliest
video to date, Jackson
set a new benchmark
worldwide and wrote
himself?and his
music?into the annals of
pop history. In Miho
Hazamaâ??s excellent
arrangement, in which the
flute plays an important
role, the music?and the
spirit?of Thriller
live on.
Ook met
zijn zevende en laatste
single van het album
Thriller kwam
Michael Jackson in 1984
in veel landen in de top
tien terecht. Zijn
videoclip - meer een
minifilm - was tot dan
toe de duurste aller
tijden en zorgde voor
nieuwemaatstaven op het
gebied van videoclips.
Maar droeg ongetwijfeld
bij aan de populariteit
van dit legendarische
nummer. Miho Hazama
smaakte er een
fantastisch arrangement
van.De fluit speelt hier
een belangrijke rol. Als
geenander weet dit
instrument zowel de
muziek als de sfeer van
Thriller feilloos
over te
brengen.
Auch mit
der siebten und letzten
Singleauskopplung aus dem
Jahrhundert-Album
Thriller schaffte
es Michael Jackson im
Jahr 1984 in vielen
Ländern in die
Top-Ten. Mit dem bis dato
aufwändigsten und
teuersten Video aller
Zeiten setzte Jackson
weltweit neue
Ma�stäbe und trug
zur Unsterblichkeit des
Songs und seines
Mythosâ?? bei. Miho
Hazama gelang es seinem
ausgezeichneten
Arrangement, in dem die
Flöte eine wichtige
Rolle spielt, sowohl die
Musik als auch die
Stimmung von
Thriller zu
transportieren.
A
nche con Thriller,
uscito nel 1984, Michael
Jackson riuscì a
entrare in molti paesi
nelle top ten degli album
più venduti. Con il
video più elaborato e
costoso mai messo in
commercio, Michael
Jackson introdusse nuovi
standard in tutto il
mondo e contribuì a
rendere immortali la sua
canzone e il suo mito. Il
riuscito arrangiamento di
Miho Hazama, nel quale il
flauto riveste un ruolo
importante, riesce a
trasmettere la musica e
lâ??atmosfera di
Thriller.
Symphonic Poem for
Wind Orchestra.
Composed by Satoshi
Yagisawa. De Haske
Concert Band. Set (Score
& Parts). Composed 2010.
De Haske Publications
#1104914010. Published by
De Haske Publications
(HL.44011065).
This piece was
commissioned by Matsudo
Citizen Wind Orchestra
for their 30th
anniversary concert and
premiered by the band
conducted by Kenichiro
Hasunuma in July 2009.
This piece is typical of
Satoshi Yagisawa in that
it depicts a magnificent
spectacle. This one is
set in ancient Egypt and
is based on the story
depicted in the famous
film The Ten Commandments
(1956, directed by Cecil
B. DeMille). One day
Moses, who was raised by
the rich royal family,
found out that he was
originally Hebrew. The
Hebrews had been forced
to live as slaves.
Ramses, the prince
directly descended from
the Pharaoh, envied
Moses' strength and
popularity. After
internal argument Moses
decides todeliver the
Hebrew from the Pharaoh's
tyranny and escape from
Egypt with them.The music
starts with brilliant
royal fanfare and depicts
magnificent architecture,
the Hebrew people forced
into hard labour, and the
slaves escaping from the
Pharaoh's tyranny. At the
climax they are at crisis
point, trapped by the
sea. Moses waves his
staff and the miracle
happens; the sea parts
and Hebrew people
successfully escape.
Following on from
Perseus - A Hero's
Quest in the Heavens,
this work Moses and
Ramses is another
piece written in the
dramatic style favoured
by Satoshi Yagisawa.
Het oude
testament verhaalt van
Mozes die met zijn volk
Egypte verlaat, na zijn
strijd met de jonge farao
Ramses. De film The
Ten Commandments uit
1956 is gebaseerd op dit
verhaal. Satoshi Yagisawa
zette de beelden van
dezemonumentale film om
in de karakteristiek
dramatische stijl die zo
eigen is voor de
verfilming. De muzikale
beelden geven het
koninklijke paleis weer,
maar ook de
architectonische pracht
en praal van het oude
Egypte. Ook komen
deverlossing van de
slavernij en de uittocht
aan bod. Natuurlijk met
als hoogtepunt dat Mozes
de zee opent en het volk
door de zee uit Egypte
leidt. Een fantastisch
spektakel!
Von
Moses, der nach einem
Streit mit dem jungen
Ramses mit seinem ganzen
Volk, Israel, das Land
verliess, erzahlt das
alte Testament und der
darauf basierende Film
Die zehn Gebote von 1965.
Satoshi Yagisawa setzte
die Bilder dieses
monumentalen Films in
seinem charakteristischen
dramatischen Stil um: Die
musikalischen Bilder
zeigen den Konigshof, die
architektonische Pracht
des alten Agypten, das
versklavte Volk Israel
und natürlich die
Flucht mit dem Hohepunkt,
als Moses das Meer teilt.
Ein prachtvolles
Spektakel!
Mose
s and Ramses (Moise et
Ramses) est une
commande de l'Orchestre
d'Harmonie de la ville de
Matsudo au Japon, a
l'occasion des festivites
marquant le trentieme
anniversaire de la
creation de la formation.
La premiere mondiale a eu
lieu en juillet 2009.
Elle fut assuree par la
formation dedicataire,
placee sous la direction
de Kenichiro Hasunuma.
Apres Perseus - A
Hero's Quest in the
Heavens, Satoshi
Yagisawa nous livre une
nouvelle œuvre
dramatique, flamboyante
et epique. L'action se
deroule en Egypte
ancienne, et suit la
chronologie du celebre
film biblique Les Dix
Commandements (1956),
du realisateur americain
Cecil B. DeMille. Le
jeune Moisegrandit au
sein de la riche famille
royale egyptienne. Devenu
adulte, il decouvre ses
origines hebraiques. Or,
Pharaon a reduit les
Hebreux en esclavage. Le
prince Ramses, descendant
direct de Pharaon, envie
la force et la gloire de
Moise. Apres une querelle
grave, Moise doit fuir
dans le desert. Dans son
exil, il decide de
delivrer son peuple de la
tyrannie de Pharaon et de
le mener hors d'Egypte.
L'œuvre debute avec
une fanfare royale
flamboyante qui sonne la
grandeur architecturale
de l'Egypte. Le peuple
d'Israel est condamne a
subir les travaux forces
; des esclaves echappent
a la tyrannie du Pharaon.
Lorsque la musique
atteint sa densite
maximale, les Hebreux en
fuite sont accules devant
la mer Rouge. Moise
invoque Dieu. Celui-ci
lui ordonne de lever son
baton au-dessus des eaux
de la mer Rouge. Moise
obeit et le miracle se
produit ; les eaux se
divisent en deux pour
laisser passer les
enfants d'Israel.
Junior Rock Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1002123-015 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 1.5
SKU:
BT.DHP-1002123-015
Composed by Roland
Kernen. Flexible 6
Series. Festive and
Solemn Music. Set (Score
& Parts). Composed 2000.
De Haske Publications
#DHP 1002123-015.
Published by De Haske
Publications
(BT.DHP-1002123-015).
Junior Rock
depicts two children, a
brother and sister, who
despite all their
differences are both
filled with the joys of
life. The piece opens
with a lively graceful
theme depicting the light
and good-natured mood
that characterizes the
two children playing. The
music then becomes more
calm and romantic in the
middle passage. The piece
comes to a cheerful and
youthful close with the
extended restatement of
the earlier thematic
material. It has been
arranged for beginner
bands and can be played
with a minimum of six
players (+
percussion).
Ju
nior Rock beschrijft
twee spelende kinderen.
Een levendig thema
weerspiegelt een
onbezorgde sfeer. De
muziek wordt kalmer in de
middenpassage. Dan komt
een nieuwe melodie naar
voren in verschillende
muzikale frasen, die
quastructuur min of meer
identiek zijn. De eerdere
thematiek leidt het stuk
daarna naar zijn jeugdige
slot.
Roland
Kernen schrieb diese
kurze und leichte
Komposition speziell
für kleinere
Blasorchester oder
Jugendorchester in
variabler Besetzung.
Junior Rock
erzählt von zwei
Kindern voller
Lebensfreude: Ein Junge
und seine jüngere
Schwester erleben trotz
ihrer unterschiedlichen
Charaktere Momente
großer Vertrautheit.
Junior
Rock è una
composizione melodica,
luminosa e piena di
freschezza. Affidandosi
alla grande vitalit dei
giovani musicisti, Roland
Kernen ha composto un
brano ideale per
orchestre di fiati
junior. Let’s
Rock!
Junior Rock Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant De Haske Publications
Concert Band - Grade 1.5 SKU: BT.DHP-1002123-040 Composed by Roland Kerne...(+)
Concert Band - Grade 1.5
SKU:
BT.DHP-1002123-040
Composed by Roland
Kernen. Flexible 6
Series. Festive and
Solemn Music. Set (Score
& Parts). Composed 2000.
De Haske Publications
#DHP 1002123-040.
Published by De Haske
Publications
(BT.DHP-1002123-040).
Junior Rock
depicts two children, a
brother and sister, who
despite all their
differences are both
filled with the joys of
life. The piece opens
with a lively graceful
theme depicting the light
and good-natured mood
that characterizes the
two children playing. The
music then becomes more
calm and romantic in the
middle passage. The piece
comes to a cheerful and
youthful close with the
extended restatement of
the earlier thematic
material.
Junior
Rock beschrijft twee
spelende kinderen. Een
levendig thema
weerspiegelt een
onbezorgde sfeer. De
muziek wordt kalmer in de
middenpassage. Dan komt
een nieuwe melodie naar
voren in verschillende
muzikale frasen, die
quastructuur min of meer
identiek zijn. De eerdere
thematiek leidt het stuk
daarna naar zijn jeugdige
slot.
Roland
Kernen schrieb diese
kurze und leichte
Komposition speziell
für kleinere
Blasorchester oder
Jugendorchester in
variabler Besetzung.
Junior Rock
erzählt von zwei
Kindern voller
Lebensfreude: Ein Junge
und seine jüngere
Schwester erleben trotz
ihrer unterschiedlichen
Charaktere Momente
großer Vertrautheit.
Junior
Rock è una
composizione melodica,
luminosa e piena di
freschezza. Affidandosi
alla grande vitalit dei
giovani musicisti, Roland
Kernen ha composto un
brano ideale per
orchestre di fiati
junior. Let’s
Rock!
Concert Band - Grade 5 SKU: ML.013780090 Composed by Valdemar Gomes. Full...(+)
Concert Band - Grade 5
SKU: ML.013780090
Composed by Valdemar
Gomes. Full set. Molenaar
Edition #013780090.
Published by Molenaar
Edition (ML.013780090).
The Spanish war
galleon with 64 cannons,
built in Cuba between
1770 and 1771 for an
English shipowner in the
service of the King of
Spain left Peru for Cadiz
in 1784 with a huge cargo
of copper, gold, silver
and other valuables on
board. There were also
more than 400 people on
board, including
passengers, crew and Inca
prisoners after a revolt.
The Atlantic crossing
went smoothly, passing
Portugal to take
advantage of favourable
winds. The shipwreck off
Peniche was the result of
human error, apparently
due to French maps with
dramatic errors in the
position of the islands
of Berlengas and
neighbouring islets. On 2
February 1786, the sea
was calm and the night
clear, but they hit the
rock formation Papoa and
the hull immediately
broke in two. The bottom
sank quickly, while the
deck remained afloat for
some time. 128 people
lost their lives,
including many Indians
who were trapped in the
basement. This shipwreck
is considered one of the
most important in
maritime
history.
What the
composer wants to convey,
and what can be felt as
one listens, is first of
all the sound of power,
of hope, of the glory of
conquest, of the
splendour of wealth. This
is followed by the
perception of the
maritime environment, the
harmony with the softness
of the ocean, the gliding
of the hull in the foam
of the sea on sunny, blue
days. But along with this
tranquillity, you soon
hear a rhythmic chain
that makes you feel a
representation of the
hustle and bustle, of the
busy crew, of the hard
work of a sailor, of the
desperation of an exotic
people imprisoned in a
dark, damp cellar. A
distinct rhythm that
reminds us of the salero
of Andalusia, with its
Arab influences and its
people, the soothing of
the resignation of others
who are forced to submit.
Then we clearly hear a
crescendo that makes us
imagine the agony of the
collision that precedes
the shipwreck. The
breaking of the hull, the
water flooding
everything, the despair,
the clash of bodies on
the rocks, the tragedy to
come. Before the grand
finale, in which the
return of musical
softness reminds us that
the story is over. The
supremacy of nature over
human greed. The waves,
though gentle, sweep the
wreckage, the lives and
the treasures of the New
World to the bottom of
the sea.
Het
Spaans oorlogsgaljoen met
64 kanonnen, gebouwd in
Cuba tussen 1770 en 1771
voor een Engelse reder in
dienst van de koning van
Spanje vertrok in 1784
vanuit Peru naar Cádiz
met een enorme lading
koper, goud, zilver en
andere kostbaarheden aan
boord. Er waren ook meer
dan 400 mensen aan boord,
waaronder passagiers,
bemanning en Inca
gevangenen na een
opstand. De oversteek van
de Atlantische Oceaan
verliep vlot, waarbij
Portugal werd gepasseerd
om te profiteren van
gunstige winden. De
schipbreuk bij Peniche
was het resultaat van een
menselijke fout,
blijkbaar te wijten aan
Franse kaarten met
dramatische fouten in de
positie van de eilanden
Berlengas en naburige
eilandjes. Op 2 februari
1786 was de zee kalm en
de nacht helder, maar ze
raakten de rotsformatie
Papoa en de romp brak
onmiddellijk in tweeën.
De bodem zonk snel,
terwijl het dek nog enige
tijd bleef drijven. 128
mensen verloren het
leven, waaronder veel
indianen die vastzaten in
de kelder. Dit
scheepswrak wordt
beschouwd als een van de
belangrijkste in de
maritieme
geschiedenis.
Wat
de componist wil
overbrengen, en wat men
kan voelen als men
luistert, is allereerst
het geluid van macht, van
hoop, van de glorie van
verovering, van de pracht
van rijkdom. Dit wordt
gevolgd door de perceptie
van de maritieme
omgeving, de harmonie met
de zachtheid van de
oceaan, het glijden van
de romp in het schuim van
de zee op zonnige, blauwe
dagen. Maar samen met
deze rust hoor je al snel
een ritmische ketting die
je een voorstelling geeft
van de drukte, van de
drukke bemanning, van het
harde werk van een
zeeman, van de wanhoop
van een exotisch volk dat
gevangen zit in een
donkere, vochtige kelder.
Een duidelijk ritme dat
ons doet denken aan de
salero van Andalusië,
met zijn Arabische
invloeden en zijn mensen,
het sussen van de
berusting van anderen die
gedwongen worden zich te
onderwerpen. Dan horen we
duidelijk een crescendo
dat ons de lijdensweg
doet voorstellen van de
aanvaring die voorafgaat
aan de schipbreuk. Het
breken van de romp, het
water dat alles
overspoelt, de wanhoop,
het botsen van lichamen
op de rotsen, de tragedie
die komen gaat. Vóór de
grote finale, waarin de
terugkeer van de muzikale
zachtheid ons eraan
herinnert dat het verhaal
voorbij is. De overmacht
van de natuur over de
hebzucht van de mens. De
golven, hoewel zacht,
vegen het wrak, de levens
en de schatten van de
Nieuwe Wereld naar de
bodem van de
zee.
Le galion de
guerre espagnol de 64
canons, construit à Cuba
entre 1770 et 1771 pour
un armateur anglais au
service du roi d'Espagne,
a quitté le Pérou pour
Cadix en 1784 avec à son
bord une énorme
cargaison de cuivre,
d'or, d'argent et
d'autres objets de
valeur. Il y avait
également plus de 400
personnes à bord, dont
des passagers, des
membres d'équipage et
des prisonniers incas à
la suite d'une révolte.
La traversée de
l'Atlantique s'est
déroulée sans encombre,
en passant par le
Portugal pour profiter
des vents favorables. Le
naufrage au large de
Peniche est le résultat
d'une erreur humaine,
apparemment due à des
cartes françaises
comportant des erreurs
dramatiques dans la
position des îles de
Berlengas et des îlots
voisins. Le 2 février
1786, alors que la mer
est calme et la nuit
claire, le navire heurte
la formation rocheuse de
Papoa et la coque se
brise immédiatement en
deux. Le fond coule
rapidement, tandis que le
pont reste à flot
pendant un certain temps.
128 personnes ont perdu
la vie, dont de nombreux
Indiens qui étaient
coincés dans les
sous-sols. Ce naufrage
est considéré comme
l'un des plus importants
de l'histoire
maritime.
Ce que
le compositeur veut
transmettre, et ce que
l'on ressent à
l'écoute, c'est d'abord
le son de la puissance,
de l'espoir, de la gloire
de la conquête, de la
splendeur de la richesse.
C'est ensuite la
perception de
l'environnement maritime,
l'harmonie avec la
douceur de l'océan, le
glissement de la coque
dans l'écume de la mer
par des journées bleues
et ensoleillées. Mais à
côté de cette
tranquillité, on entend
bientôt une chaîne
rythmique qui nous fait
ressentir une
représentation de
l'agitation, de
l'équipage affairé, du
dur labeur d'un marin, du
désespoir d'un peuple
exotique emprisonné dans
une cave sombre et
humide. Un rythme
distinct qui nous
rappelle le salero
d'Andalousie, avec ses
influences arabes et son
peuple, l'apaisement de
la résignation des
autres qui sont obligés
de se soumettre. Puis on
entend clairement un
crescendo qui nous fait
imaginer l'agonie de la
collision qui précède
le naufrage. La rupture
de la coque, l'eau qui
envahit tout, le
désespoir, le choc des
corps sur les rochers, la
tragédie à venir. Avant
le grand final, où le
retour de la douceur
musicale nous rappelle
que l'histoire est
terminée. La suprématie
de la nature sur la
cupidité humaine. Les
vagues, bien que douces,
emportent les épaves,
les vies et les trésors
du Nouveau Monde au fond
de la mer.
Die
spanische Kriegsgaleone
mit 64 Kanonen, die
zwischen 1770 und 1771
auf Kuba für einen
englischen Reeder im
Dienste des spanischen
Königs gebaut wurde,
verließ Peru 1784 in
Richtung Cádiz mit einer
riesigen Ladung Kupfer,
Gold, Silber und anderen
Wertgegenständen an
Bord. An Bord befanden
sich auch mehr als 400
Menschen, darunter
Passagiere,
Besatzungsmitglieder und
Inka-Gefangene nach einem
Aufstand. Die
Atlantiküberquerung
verlief reibungslos,
wobei Portugal passiert
wurde, um die günstigen
Winde zu nutzen. Der
Schiffbruch vor Peniche
war das Ergebnis
menschlichen Versagens,
das offenbar auf
französische Karten
zurückzuführen war, die
in Bezug auf die Position
der Inseln Berlengas und
der benachbarten Eilande
dramatische Fehler
enthielten. Am 2. Februar
1786 stießen sie bei
ruhiger See und klarer
Nacht auf die
Felsformation Papoa und
der Rumpf brach sofort
entzwei. Der Boden sank
schnell, während das
Deck noch einige Zeit
über Wasser blieb. 128
Menschen kamen ums Leben,
darunter viele Indianer,
die im Keller
eingeschlossen waren.
Dieses Schiffswrack gilt
als eines der
bedeutendsten
Was
der Komponist vermitteln
will und was man beim
Zuhören spürt, ist
zunächst der Klang der
Macht, der Hoffnung, des
Ruhms der Eroberung, des
Glanzes des Reichtums. Es
folgt die Wahrnehmung der
maritimen Umgebung, die
Harmonie mit der
Sanftheit des Meeres, das
Gleiten des
Schiffsrumpfes im Schaum
des Meeres an sonnigen,
blauen Tagen. Doch neben
dieser Ruhe hört man
bald eine rhythmische
Kette, die die Hektik,
die geschäftige
Mannschaft, die harte
Arbeit eines Seemanns,
die Verzweiflung eines
exotischen Volkes, das in
einem dunklen, feuchten
Keller gefangen ist,
wiedergibt. Ein
ausgeprägter Rhythmus,
der an den Salero
Andalusiens erinnert, mit
seinen arabischen
Einflüssen und seinen
Menschen, der die
Resignation der anderen
besänftigt, die
gezwungen sind, sich zu
fügen. Dann hören wir
deutlich ein Crescendo,
das uns die Qualen des
Zusammenstoßes, der dem
Schiffbruch vorausgeht,
erahnen lässt. Das
Zerbrechen des Rumpfes,
das Wasser, das alles
überflutet, die
Verzweiflung, das
Aufeinanderprallen der
Körper auf den Felsen,
die bevorstehende
Tragödie. Vor dem
großen Finale, in dem
die Rückkehr der
musikalischen Sanftheit
uns daran erinnert, dass
die Geschichte zu Ende
ist. Die Vorherrschaft
der Natur über die
menschliche Gier. Die
Wellen, so sanft sie auch
sein mögen, spülen die
Trümmer, das Leben und
die Schätze der Neuen
Welt auf den Grund des
Meeres.
Band Concert Band - Grade 3 SKU: CF.CPS255 Composed by Mark Lortz. Set of...(+)
Band Concert Band - Grade
3
SKU: CF.CPS255
Composed by Mark Lortz.
Set of Score and Parts.
17+4+4+2+4+4+4+2+2+2+2+2+
2+4+4+4+2+2+3+3+3+2+4+1+2
+1+4+6 pages. Duration
2:10. Carl Fischer Music
#CPS255. Published by
Carl Fischer Music
(CF.CPS255).
ISBN
9781491159835. UPC:
680160918423.
Ameri
can Visions is a
fast-paced and energetic
composition featuring
rousing brass fanfares,
lively woodwind motives,
and driving percussion.
It was initially inspired
to embody the sense of
American vigor and
patriotism. Musically,
the main motive at mm.
4-12 runs throughout the
piece and vacillates
between duple and triplet
rhythms. Players should
be mindful to
differentiate between the
two rhythms, so there is
clarity. Measure 39
represents a contrasting
section, and should be
thought of as dark and
warm sounding as
possible. I intended that
the section would
resemble the overall
timbre of orchestral
strings, and players
could think of that when
performing the piece.
Measure 55 presents a
triplet rhythmic motive
that must be precise in
timing and dynamics. At
m. 66, be sure that the
main melodic motive and
the tenor saxophone, low
brass, and chimes
countermelody can be
heard through the
ensemble's texture.
Measure 73 uses bell tone
articulations that build
to standard articulations
at m. 76. Thank you for
playing my
composition. American
Visions is a fast-paced
and energetic composition
featuring rousing brass
fanfares, lively woodwind
motives, and driving
percussion. It was
initially inspired to
embody the sense of
American vigor and
patriotism. Musically,
the main motive at mm.
4–12 runs
throughout the piece and
vacillates between duple
and triplet rhythms.
Players should be mindful
to differentiate between
the two rhythms, so there
is clarity. Measure 39
represents a contrasting
section, and should be
thought of as dark and
warm sounding as
possible. I intended that
the section would
resemble the overall
timbre of orchestral
strings, and players
could think of that when
performing the piece.
Measure 55 presents a
triplet rhythmic motive
that must be precise in
timing and dynamics. At
m. 66, be sure that the
main melodic motive and
the tenor saxophone, low
brass, and chimes
countermelody can be
heard through the
ensemble’s
texture. Measure 73 uses
bell tone articulations
that build to standard
articulations at m.
76. Thank you for
playing my
composition. .
American Visions Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS255F Composed by Mark Lortz. Full ...(+)
Band Concert Band - Grade
3
SKU: CF.CPS255F
Composed by Mark Lortz.
Full score. 17 pages.
Carl Fischer Music
#CPS255F. Published by
Carl Fischer Music
(CF.CPS255F).
ISBN
9781491159842. UPC:
680160918430.
Ameri
can Visions is a
fast-paced and energetic
composition featuring
rousing brass fanfares,
lively woodwind motives,
and driving percussion.
It was initially inspired
to embody the sense of
American vigor and
patriotism. Musically,
the main motive at mm.
4-12 runs throughout the
piece and vacillates
between duple and triplet
rhythms. Players should
be mindful to
differentiate between the
two rhythms, so there is
clarity. Measure 39
represents a contrasting
section, and should be
thought of as dark and
warm sounding as
possible. I intended that
the section would
resemble the overall
timbre of orchestral
strings, and players
could think of that when
performing the piece.
Measure 55 presents a
triplet rhythmic motive
that must be precise in
timing and dynamics. At
m. 66, be sure that the
main melodic motive and
the tenor saxophone, low
brass, and chimes
countermelody can be
heard through the
ensemble's texture.
Measure 73 uses bell tone
articulations that build
to standard articulations
at m. 76. Thank you for
playing my
composition. American
Visions is a fast-paced
and energetic composition
featuring rousing brass
fanfares, lively woodwind
motives, and driving
percussion. It was
initially inspired to
embody the sense of
American vigor and
patriotism. Musically,
the main motive at mm.
4–12 runs
throughout the piece and
vacillates between duple
and triplet rhythms.
Players should be mindful
to differentiate between
the two rhythms, so there
is clarity. Measure 39
represents a contrasting
section, and should be
thought of as dark and
warm sounding as
possible. I intended that
the section would
resemble the overall
timbre of orchestral
strings, and players
could think of that when
performing the piece.
Measure 55 presents a
triplet rhythmic motive
that must be precise in
timing and dynamics. At
m. 66, be sure that the
main melodic motive and
the tenor saxophone, low
brass, and chimes
countermelody can be
heard through the
ensemble’s
texture. Measure 73 uses
bell tone articulations
that build to standard
articulations at m.
76. Thank you for
playing my
composition. .
Cobra Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0991729-010 Composed by Jan B...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0991729-010
Composed by Jan Bosveld.
Inspiration Series.
Concert Piece. Set (Score
& Parts). Composed 1999.
De Haske Publications
#DHP 0991729-010.
Published by De Haske
Publications
(BT.DHP-0991729-010).
Shortly after
the Second World War, a
combative movement of
Danish, Belgian and Dutch
artists chose the cobra
snake - extremely
dangerous yet considered
sacred - as a symbol of
their resistance to
strict guideliness of
form. The name Cobra also
happens to contain the
first letters of the
cities Copenhagen,
Brussels ans Amsterdam,
from where most of the
movement's members came.
The Cobra movement, which
existed from November
1948 until November 1951,
can with some
justicication be called
the last major
avant-garde movement of
the 20th century.The
source of inspiration for
the composition Cobra
comes from four
paintings: Obhobning by
the Dane Egill Jacobsen;
La jeune fille et lamort
by the Belgian Pierre
Alechinsky; Orgeldraaier
and Le rythme joyeux de
la ville by the Dutch
artists Karel Appel and
Corneille. Obhobning
means pile-up, which is
represented musically in
the first part by a
melodic and harmonic
pilling up of perfect
fourth's. The first part
is also characterized by
a rhythmic feeling, which
the painting gives
through its use of
numerous black stripes.
In the painting La jeune
fille et la mort, Pierre
Alechinsky places a young
girl opposite Death. The
second part features the
constantly pulsating
motion of live while a
creeping, dark, melodic
line develops. The
tension between life and
death is tangible as a
battle reveals itself. In
part three, one hears the
Orgeldraaier by Karel
Appel, as cheerful and
playful as an organ
grinder's music. The
painting Le rythme joyeux
de la ville by Corneille
is busy and extremely
dynamic, a perfect source
of inspiration for a
powerful, rhythmic ending
to this composition.
Woody Woodblocker Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS138F Composed by Joseph Compello. ...(+)
Band concert band - Grade
1
SKU: CF.BPS138F
Composed by Joseph
Compello. Full score. 10
pages. Carl Fischer Music
#BPS138F. Published by
Carl Fischer Music
(CF.BPS138F).
ISBN
9781491159507. UPC:
680160918096.
Woody
Woodblocker is a novelty
piece featuring the title
instrument as a soloist.
It is suitable for bands
currently in the first
year of lessons. It
should be performed in a
lively manner and played
at a tempo deemed
suitable by the director.
While the typical
woodblock is usually
struck with a drumstick,
the director may wish to
explore other types of
blocks and mallets which
may prove more effective
with bands of varying
sizes. To overcome the
issue of balance, the
woodblock notes are
primarily sounded while
the winds have rests
within a measure. Young
bands, therefore, with
more than a few players
in the percussion section
may use more than one
woodblock player on the
solo part without
upsetting the balance
between woodblock(s) and
winds. Thank you for
choosing this
composition. Woody
Woodblocker is a
novelty piece featuring
the title instrument as a
soloist. It is suitable
for bands currently in
the first year of
lessons. It should be
performed in a lively
manner and played at a
tempo deemed suitable by
the director. While the
typical woodblock is
usually struck with a
drumstick, the
director may wish to
explore other types of
blocks and mallets which
may prove more effective
with bands of varying
sizes. To overcome the
issue of balance, the
woodblock notes are
primarily sounded while
the winds have rests
within a measure. Young
bands, therefore, with
more than a few players
in the percussion section
may use more than one
woodblock player on the
solo part without
upsetting the balance
between woodblock(s) and
winds.Thank you for
choosing this
composition.
Band concert band - Grade 1 SKU: CF.BPS138 Composed by Joseph Compello. S...(+)
Band concert band - Grade
1
SKU: CF.BPS138
Composed by Joseph
Compello. Set of Score
and Parts.
10+8+2+8+2+5+2+2+8+3+6+2+
3+2+1+2+2 pages. Duration
1 minute, 59 seconds.
Carl Fischer Music
#BPS138. Published by
Carl Fischer Music
(CF.BPS138).
ISBN
9781491159491. UPC:
680160918089.
Woody
Woodblocker is a novelty
piece featuring the title
instrument as a soloist.
It is suitable for bands
currently in the first
year of lessons. It
should be performed in a
lively manner and played
at a tempo deemed
suitable by the director.
While the typical
woodblock is usually
struck with a drumstick,
the director may wish to
explore other types of
blocks and mallets which
may prove more effective
with bands of varying
sizes. To overcome the
issue of balance, the
woodblock notes are
primarily sounded while
the winds have rests
within a measure. Young
bands, therefore, with
more than a few players
in the percussion section
may use more than one
woodblock player on the
solo part without
upsetting the balance
between woodblock(s) and
winds. Thank you for
choosing this
composition. Woody
Woodblocker is a
novelty piece featuring
the title instrument as a
soloist. It is suitable
for bands currently in
the first year of
lessons. It should be
performed in a lively
manner and played at a
tempo deemed suitable by
the director. While the
typical woodblock is
usually struck with a
drumstick, the
director may wish to
explore other types of
blocks and mallets which
may prove more effective
with bands of varying
sizes. To overcome the
issue of balance, the
woodblock notes are
primarily sounded while
the winds have rests
within a measure. Young
bands, therefore, with
more than a few players
in the percussion section
may use more than one
woodblock player on the
solo part without
upsetting the balance
between woodblock(s) and
winds.Thank you for
choosing this
composition.
Junior Rock Orchestre d'harmonie [Conducteur] - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 1.5 SKU: BT.DHP-1002123...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band - Grade
1.5
SKU:
BT.DHP-1002123-216
Composed by Roland
Kernen. Flexible 6
Series. Pop & Rock. Score
Only. Composed 2000. De
Haske Publications #DHP
1002123-216. Published by
De Haske Publications
(BT.DHP-1002123-216).
Junior Rock
depicts two children, a
brother and sister, who
despite all their
differences are both
filled with the joys of
life. The piece opens
with a lively graceful
theme depicting the light
and good-natured mood
that characterizes the
two children playing. The
music then becomes more
calm and romantic in the
middle passage. The piece
comes to a cheerful and
youthful close with the
extended restatement of
the earlier thematic
material. It has been
arranged for beginner
bands and can be played
with a minimum of six
players (+
percussion).
Ju
nior Rock beschrijft
twee spelende kinderen.
Een levendig thema
weerspiegelt een
onbezorgde sfeer. De
muziek wordt kalmer in de
middenpassage. Dan komt
een nieuwe melodie naar
voren in verschillende
muzikale frasen, die
quastructuur min of meer
identiek zijn. De eerdere
thematiek leidt het stuk
daarna naar zijn jeugdige
slot.
Roland
Kernen schrieb diese
kurze und leichte
Komposition speziell
für kleinere
Blasorchester oder
Jugendorchester in
variabler Besetzung.
Junior Rock
erzählt von zwei
Kindern voller
Lebensfreude: Ein Junge
und seine jüngere
Schwester erleben trotz
ihrer unterschiedlichen
Charaktere Momente
großer Vertrautheit.
Dreamcatcher Orchestre d'harmonie - Facile De Haske Publications
Score Only Concert Band (Score) - Level 2.5 SKU: HL.44013197 Composed by ...(+)
Score Only Concert Band
(Score) - Level 2.5
SKU: HL.44013197
Composed by Otto M.
Schwarz. Mitropa Music
Concert Band. Concert,
Festival. Softcover.
Duration 460 seconds. De
Haske Publications
#211217140M. Published by
De Haske Publications
(HL.44013197).
UPC:
888680793463.
Once
upon a time in North
America, there lived a
mother and her small
daughter who were part of
a community of Ojibwa
people. The girl suffered
from severe nightmares.
The mother sought help
from Spider Woman also
known as asibikaashi, who
protected people by
weaving a magical web.
This dreamcatcher.
decorated with sacred
feathers, only let good
dreams through, and the
bad dreams were burnt by
the morning sunbeams.
During this fascinating
programmatic work, one
can follow the story
meticulously, making it a
true phantasmal concert
experience! (Grade 2.5)
Dur: 8:10 (Mitropa).
Dreamcatcher Orchestre d'harmonie - Facile De Haske Publications
Score and Parts Concert Band (Score & Parts) - Level 2.5 SKU: HL.44013196 ...(+)
Score and Parts Concert
Band (Score & Parts) -
Level 2.5
SKU:
HL.44013196
Composed
by Otto M. Schwarz.
Mitropa Music Concert
Band. Concert, Festival.
Softcover. Duration 460
seconds. De Haske
Publications #211217010M.
Published by De Haske
Publications
(HL.44013196).
UPC:
888680793456.
Once
upon a time in North
America, there lived a
mother and her small
daughter who were part of
a community of Ojibwa
people. The girl suffered
from severe nightmares.
The mother sought help
from Spider Woman also
known as asibikaashi, who
protected people by
weaving a magical web.
This dreamcatcher.
decorated with sacred
feathers, only let good
dreams through, and the
bad dreams were burnt by
the morning sunbeams.
During this fascinating
programmatic work, one
can follow the story
meticulously, making it a
true phantasmal concert
experience! (Grade 2.5)
Dur: 8:10 (Mitropa).
T. REX Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Daehn Publications
Grade 3 SKU: CL.LDP-7278-00 Composed by Cichy. Concert Band. Score and se...(+)
Grade 3
SKU:
CL.LDP-7278-00
Composed by Cichy.
Concert Band. Score and
set of parts. Composed
2003. Daehn Publications
#LDP-7278-00. Published
by Daehn Publications
(CL.LDP-7278-00).
A musical
depiction of the largest
Tyrannosaurus Rex
skeleton in existence.
Mysterious, dramatic
music describes the huge
animal that lived 67
million years ago: its
development from a
hatchling to a vicious
predator, its episodic
life and demise. A super
exciting programmatic
masterwork!
T. REX Orchestre d'harmonie [Conducteur] - Facile Daehn Publications
Grade 3 SKU: CL.LDP-7278-01 Composed by Cichy. Concert Band. Extra full s...(+)
Grade 3
SKU:
CL.LDP-7278-01
Composed by Cichy.
Concert Band. Extra full
score. Composed 2003.
Daehn Publications
#LDP-7278-01. Published
by Daehn Publications
(CL.LDP-7278-01).
A musical
depiction of the largest
Tyrannosaurus Rex
skeleton in existence.
Mysterious, dramatic
music describes the huge
animal that lived 67
million years ago: its
development from a
hatchling to a vicious
predator, its episodic
life and demise. A super
exciting programmatic
masterwork!
Take it Easy! Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-0991579-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-0991579-015
Composed by Andre
Waignein. Flexible 6
Series. Original Light
Music. Set (Score &
Parts). Composed 1999. De
Haske Publications #DHP
0991579-015. Published by
De Haske Publications
(BT.DHP-0991579-015).
Take it
Easy! takes a look at
life’s simple
pleasures—lively,
happy, and
uncomplicated—a
carefree, fresh-sounding
composition. This piece
is arranged in a variable
instrumentation and is
ideally suited to a youth
orchestra.
Take it
Easy! nimmt das Leben
von seiner
unkomplizierten Seite:
schwungvoll, fröhlich,
einfach - eine
unbekümmerte, frische
Komposition. Das Werk ist
in seiner variablen
Besetzung hervorragend
geeignet für
Jugendorchester.
Non
predenterla! è una
composizione divisa in
tre temi che, nonostante
il loro ecletticismo e la
loro diversit , si
fondono insieme in modo
armonioso e ben
bilanciato. Non
predenterla! è un
pezzo con
un’orchestrazione
variabile.
Ad Fontis Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-1074236-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3
SKU:
BT.DHP-1074236-015
Composed by Harm Evers.
On Parade! March. Set
(Score & Parts). Composed
2007. De Haske
Publications #DHP
1074236-015. Published by
De Haske Publications
(BT.DHP-1074236-015).
MARS (135X180) inches.
English-German-French-Dut
ch.
The Latin title
Ad Fontis means ?to the
source?. This lively
march in 2/4time follows
traditional forms of
march composition with a
cheerfulopening followed
by a somewhat more
lyrical trio. This
ceremonialgenre of old is
often used in the army to
keep up the morale of
thetroops, however a
march can also serve
perfectly well to add
luster toany concert and
bring immense pleasure to
the audience.
Ad Fontis
is een vrolijke mars in
tweekwartsmaat,
geschreven door Harm
Evers. De Latijnse titel
van het werk betekent:
naar de bron. Deze mars
heeft dan ook geen
ingewikkelde vorm, maar
bestaat uit een opgewekt
eerste gedeelteen een wat
lyrischer trio - in de
traditie van de
marsmuziek. Dit
ceremoniële genre
wordt van oudsher in het
leger gebruikt om het
moreel van de manschappen
hoog te houden. Een mars
kan echter ook uitstekend
dienen ter
opluisteringvan elk
concert - vaak tot groot
genoegen van het
publiek.
Ad
Fontis ist ein
lebhafter Marsch im
Zweivierteltakt. Unter
dem Titel Zur
Quelle“ folgt Harm
Evers der
ursprünglichen,
traditionellen
Marschform, die sich aus
einem lebhaften ersten
Teil und einem lyrischen
Trio zusammensetzt.
Dieses zeremonielle Genre
wird von Alters her in
der Armee eingesetzt,
eignet sich jedoch auch
wunderbar dazu, einem
Konzert mehr Glanz zu
verleihen - nicht zuletzt
zum Vergnügen des
Publikums.
Ad Fontis Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-1074236-215 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3
SKU:
BT.DHP-1074236-215
Composed by Harm Evers.
On Parade! March. Score
Only. Composed 2007. 12
pages. De Haske
Publications #DHP
1074236-215. Published by
De Haske Publications
(BT.DHP-1074236-215).
9x12 inches.
English-German-French-Dut
ch.
The Latin title
Ad Fontis means ?to the
source?. This lively
march in 2/4time follows
traditional forms of
march composition with a
cheerfulopening followed
by a somewhat more
lyrical trio. This
ceremonialgenre of old is
often used in the army to
keep up the morale of
thetroops, however a
march can also serve
perfectly well to add
luster toany concert and
bring immense pleasure to
the audience.
Ad Fontis
is een vrolijke mars in
tweekwartsmaat,
geschreven door Harm
Evers. De Latijnse titel
van het werk betekent:
naar de bron. Deze mars
heeft dan ook geen
ingewikkelde vorm, maar
bestaat uit een opgewekt
eerste gedeelteen een wat
lyrischer trio - in de
traditie van de
marsmuziek. Dit
ceremoniële genre
wordt van oudsher in het
leger gebruikt om het
moreel van de manschappen
hoog te houden. Een mars
kan echter ook uitstekend
dienen ter
opluisteringvan elk
concert - vaak tot groot
genoegen van het
publiek.
Ad
Fontis ist ein
lebhafter Marsch im
Zweivierteltakt. Unter
dem Titel Zur
Quelle“ folgt Harm
Evers der
ursprünglichen,
traditionellen
Marschform, die sich aus
einem lebhaften ersten
Teil und einem lyrischen
Trio zusammensetzt.
Dieses zeremonielle Genre
wird von Alters her in
der Armee eingesetzt,
eignet sich jedoch auch
wunderbar dazu, einem
Konzert mehr Glanz zu
verleihen - nicht zuletzt
zum Vergnügen des
Publikums.
E-Mail from Brazil Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-1033452-215 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3
SKU:
BT.DHP-1033452-215
Composed by Harm Evers.
Applause Series. Original
Light Music. Score Only.
Composed 2003. De Haske
Publications #DHP
1033452-215. Published by
De Haske Publications
(BT.DHP-1033452-215).
The inspiration
for this piece came from
an e-mail received by the
composer from a friend
who was travelling around
Brazil. The music depicts
the countries great
contrasts, from the
extreme poverty of the
street children to the
lavish lifestyle of the
top footballers and the
carnival revellers in Rio
de Janeiro. Bring an
exotic feel to any
concert with the lively
Latin American rhythms of
E-mail from Brazil.
Der Komponist
ließ sich zu E-mail
from Brazil von einer
E-Mail von Freunden
inspirieren, die sich zu
der Zeit in Brasilien
aufhielten. Die Musik
zeichnet ein Bild dieses
Landes voller
Gegensätze. Sie
erzählt von Armut und
Reichtum, von der wilden
Natur am Amazonas und
Metropolen wie Rio de
Janeiro oder São
Paulo. Es geht um Sonne,
Fußball, Karneval und
nicht zuletzt die
spektakulären Shows.
Ein kontrastreiches Werk
voll von
lateinamerikanischen
Rhythmen und lebhaftem
Temperament.
Dances & Sonnets Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1104959-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1104959-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2010. 44 pages.
De Haske Publications
#DHP 1104959-140.
Published by De Haske
Publications
(BT.DHP-1104959-140).
9x12
inches.
Dances &
Sonnets is a piece by
Jacob de Haan, inspired
by the dance and poetry
of the 19th Century
Europe. Lively
instrumental dances
alternate with spoken
sonnets that are recited
by one or more readers,
accompanied by quiet,
solemn music to provide
contrast. De Haan has
compiled a list of
suggested poems to be
read, but other poems may
be selected that better
fit the occasion. Dances
& Sonnets is a dramatic
and truly special piece!
Dances &
Sonnets is een
ontmoeting tussen dans-
en dichtkunst uit de
negentiende eeuw.
Centraal in dit werk
staan de dansen die toen
geliefd waren in de
vissersdorpen langs de
Noordzeekusten en rondom
de Zuiderzee.
Gedichtenwisselen deze
dansen af. Bedoeling is
dat een of meerdere
lezers de gedichten
voorlezen, waarbij het
orkest hen begeleidt met
zachte, gedragen muziek.
Naast de gedichten die de
componist voorstelt, kunt
u natuurlijk ook zelf
gedichtenof sonnetten
kiezen. Maar ook zonder
sprekers komt dit werk
voortreffelijk tot zijn
recht.
Dances &
Sonnets ist ein Werk,
in dem sich Tanz und
Dichtkunst des 19.
Jahrhunderts treffen. Im
Mittelpunkt des Werkes
stehen Tänze, die
damals in den
Fischereihäfen
längs der
niederländischen
Nordseeküste und der
ehemaligen Zuiderzee
populär waren. Im Werk
wechseln sie sich mit
einer Reihe von Gedichten
ab, welche von einem oder
mehreren Vorlesern
deklamiert werden
können. Begleitet
werden die Gedichte von
leise und getragen
gespielter Musik des
Blasorchesters. Für
die Aufführung von
Dances & Sonnets
können die vom
Komponisten
vorgeschlagenen oder
andere Sonette oder
Gedichte in jeder
beliebigen Sprache
ausgesucht werden. Auch
eine szenische
Umsetzungkann eine
Aufführung von
Dances & Sonnets
bereichern, das aber auch
rein instrumental
vorgetragen vorzüglich
zur Geltung kommt.
Questo
brano s’ispira
alla danza e alla poesia
del XIX secolo, in
particolare alle danze
dei pescatori lungo il
litorale del Mare del
Nord e dell’antico
golfo del Zuidersee.
Dances and Sonnets
propone
un’introduzione
maestosa. Il compositore
esplora in seguito
l’universo della
danza con una polka, un
valzer, uno scottisch
(danza di coppia in 2/4)
e un galoppo. Dances and
Sonnets è un brano che
può essere eseguito
con o senza la lettura
del poema o la
rappresentazione delle
danze.
Dances & Sonnets Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1104959-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1104959-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2010. De
Haske Publications #DHP
1104959-010. Published by
De Haske Publications
(BT.DHP-1104959-010).
9x12
inches.
Dances &
Sonnets is a piece by
Jacob de Haan, inspired
by the dance and poetry
of the 19th Century
Europe. Lively
instrumental dances
alternate with spoken
sonnets that are recited
by one or more readers,
accompanied by quiet,
solemn music to provide
contrast. De Haan has
compiled a list of
suggested poems to be
read, but other poems may
be selected that better
fit the occasion. Dances
& Sonnets is a dramatic
and truly special piece!
Dances &
Sonnets is een
ontmoeting tussen dans-
en dichtkunst uit de
negentiende eeuw.
Centraal in dit werk
staan de dansen die toen
geliefd waren in de
vissersdorpen langs de
Noordzeekusten en rondom
de Zuiderzee.
Gedichtenwisselen deze
dansen af. Bedoeling is
dat een of meerdere
lezers de gedichten
voorlezen, waarbij het
orkest hen begeleidt met
zachte, gedragen muziek.
Naast de gedichten die de
componist voorstelt, kunt
u natuurlijk ook zelf
gedichtenof sonnetten
kiezen. Maar ook zonder
sprekers komt dit werk
voortreffelijk tot zijn
recht.
Dances &
Sonnets ist ein Werk,
in dem sich Tanz und
Dichtkunst des 19.
Jahrhunderts treffen. Im
Mittelpunkt des Werkes
stehen Tänze, die
damals in den
Fischereihäfen
längs der
niederländischen
Nordseeküste und der
ehemaligen Zuiderzee
populär waren. Im Werk
wechseln sie sich mit
einer Reihe von Gedichten
ab, welche von einem oder
mehreren Vorlesern
deklamiert werden
können. Begleitet
werden die Gedichte von
leise und getragen
gespielter Musik des
Blasorchesters. Für
die Aufführung von
Dances & Sonnets
können die vom
Komponisten
vorgeschlagenen oder
andere Sonette oder
Gedichte in jeder
beliebigen Sprache
ausgesucht werden. Auch
eine szenische
Umsetzungkann eine
Aufführung von
Dances & Sonnets
bereichern, das aber auch
rein instrumental
vorgetragen vorzüglich
zur Geltung kommt.
Questo
brano s’ispira
alla danza e alla poesia
del XIX secolo, in
particolare alle danze
dei pescatori lungo il
litorale del Mare del
Nord e dell’antico
golfo del Zuidersee.
Dances and Sonnets
propone
un’introduzione
maestosa. Il compositore
esplora in seguito
l’universo della
danza con una polka, un
valzer, uno scottisch
(danza di coppia in 2/4)
e un galoppo. Dances and
Sonnets è un brano che
può essere eseguito
con o senza la lettura
del poema o la
rappresentazione delle
danze.
Olympia Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant FJH
By Brian Balmages. Arranged by Brian Balmages. Beginning Band. FJH Beginning Ban...(+)
By Brian Balmages.
Arranged by Brian
Balmages. Beginning Band.
FJH Beginning Band. This
fanfare captures the
spirit of Olympia, the
birthplace of the Olympic
Games. The Games began in
776 B.C. In honor of
Zeus. Since then, they
have become the central
location for heroes and
champions to compete for
the highest honors in the
world. This work also
serves as a reminder that
heroes are all around us
- in teachers who stay
after school to help
students, in parents who
strive to give their
children the best
possible lives, and most
of all in students
themselves, the young
champions of our world
who see nothing between
them and their dreams.
The mallet part calls for
multiple sets of bells
(or other metallic
instruments such as the
vibraphone). Certainly,
two to three players can
really make this an
effective part. There are
two Percussion 1 parts
included: a normal part
and an advanced part. The
level of the snare
drummer will determine
which part should be
used. However, both parts
may be used
simultaneously if
percussionists are
available. Score for this
title: B1270S. Extra part
for this title: B1270P.
Concert Band. Level: 1.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Dances and Sonnets Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band (Score & Parts) - Grade 3 SKU: HL.44011059 Composed by Jacob...(+)
Concert Band (Score &
Parts) - Grade 3
SKU:
HL.44011059
Composed
by Jacob De Haan. De
Haske Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2010.
De Haske Publications
#1104959010. Published by
De Haske Publications
(HL.44011059).
UPC:
884088640040. 9x12
inches.
Dances &
Sonnets is a piece by
Jacob de Haan, inspired
by the dance and poetry
of the 19th Century
Europe. Lively
instrumental dances
alternate with spoken
sonnets that are recited
by one or more readers,
accompanied by quiet,
solemn music to provide
contrast. De Haan has
compiled a list of
suggested poems to be
read, but other poems may
be selected that better
fit the occasion. Dances
& Sonnets is a dramatic
and truly special piece!
Dances &
Sonnets is een
ontmoeting tussen dans-
en dichtkunst uit de
negentiende eeuw.
Centraal in dit werk
staan de dansen die toen
geliefd waren in de
vissersdorpen langs de
Noordzeekusten en rondom
de Zuiderzee.
Gedichtenwisselen deze
dansen af. Bedoeling is
dat een of meerdere
lezers de gedichten
voorlezen, waarbij het
orkest hen begeleidt met
zachte, gedragen muziek.
Naast de gedichten die de
componist voorstelt, kunt
u natuurlijk ook zelf
gedichtenof sonnetten
kiezen. Maar ook zonder
sprekers komt dit werk
voortreffelijk tot zijn
recht.
Dances &
Sonnets ist ein Werk,
in dem sich Tanz und
Dichtkunst des 19.
Jahrhunderts treffen. Im
Mittelpunkt des Werkes
stehen Tanze, die damals
in den Fischereihafen
langs der
niederlandischen
Nordseekuste und der
ehemaligen Zuiderzee
popular waren. Im Werk
wechseln sie sich mit
einer Reihe von Gedichten
ab, welche von einem oder
mehreren Vorlesern
deklamiert werden konnen.
Begleitet werden die
Gedichte von leise und
getragen gespielter Musik
des Blasorchesters. Fur
die Auffuhrung von
Dances & Sonnets
konnen die vom
Komponisten
vorgeschlagenen oder
andere Sonette oder
Gedichte in jeder
beliebigen Sprache
ausgesucht werden. Auch
eine szenische
Umsetzungkann eine
Auffuhrung von Dances
& Sonnets bereichern,
das aber auch rein
instrumental vorgetragen
vorzuglich zur Geltung
kommt.
Cette
oeuvre foisonne de
references liees a la
danse et a la poesie du
XIXe siecle, car Jacob de
Haan s'est appuye sur des
danses jadis en vogue
dans les ports de peche
le long du littoral de la
mer du Nord et de
l'ancien golfe du
Zuidersee. Dances &
Sonnets s'ouvre avec
une introduction
majestueuse. Le
compositeur explore
ensuite l'univers de la
danse avec une polka, une
valse, une danse des
sabots, une scottish a
trois et un galop. Dances
& Sonnets est une oeuvre
enrichissante pouvant
etre interpretee avec ou
sans lecture de poeme ou
danses.
Questo
brano s'ispira alla danza
e alla poesia del XIX
secolo, in particolare
alle danze dei pescatori
lungo il litorale del
Mare del Nord e
dell'antico golfo del
Zuidersee. Dances and
Sonnets propone
un'introduzione maestosa.
Il compositore esplora in
seguito l'universo della
danza con una polka, un
valzer, uno scottisch
(danza di coppia in 2/4)
e un galoppo. Dances and
Sonnets e un brano che
puo essere eseguito con o
senza la lettura del
poema o la
rappresentazione delle
danze.