Faksimile der Originalhandschrift. J. S. Bach 's Notebook for Anna Magdalena (1725). This hardback facsimile edition, bound in green with gold trimmings, and bearing the initials “A. M. B. ” and “1725” on the front cover, presents one of the greatest albums of household music. It is primarily the personal album of Anna Magdalena Bach (1701-1760), daughter of the court and military trumpeter Johann Caspar Wilcke, a trained musician and court singer, and second wife to Johann Sebastian Bach. The album contains partitas (two in Bach's own hand probably intended as a tribute to his wife), minuets, polonaises, marches and short pieces by Johann Sebastian Bach, hischildren, and a few visitors to the Bach home. The volume also contains little vocal pieces, songs and chorales as well as exercises in harmony and thoroughbass realisations. The pieces are arranged chronologically (except for the last section) and several members of the Bach family helped with the copying - only Wilhelm Friedemann's hand is absent. The majority of the pieces (28 works) are in Anna Magdalena's hand, and the volume provides a tantalising glimpse into the everyday world of this musical family. Documenta Musicologica II, 25; Format 26cm x 20cm. Afterword (Ger-Eng-Fr); 140 pages facsimile; 24 pages text./ Recueil / Piano

Faire des exercices? 'Oui, bien sûr?, disent les uns. 'Non, plutôt pas ', disent les autres. L'intérêt pédagogique des exercices dans l'apprentissage du piano reste cependant, pour les spécialistes, incontesté, à la condition que l'étude ne soit pas jouée / Piano / 168 pages / niveau : Facile à Intermédiaire / Partition

Ce recueil musical constitue un florilège d'études pour piano, à l?attention des pianistes débutants et confirmés, où se côtoient les grandes études des compositeurs célèbres et les ?uvres plus didactiques d'auteurs moins connus.
A travers 101 Études, le pianiste aborde les grandes pages de la littérature pour piano, voyageant ainsi à travers les époques et les styles.
L'ouvrage est complété par un double CD (tapez TP002CD dans notre moteur de recherche) : à son gré le musicien peut y trouver un guide et un supplément indissociable de la partition.

?uvres de : Chopin, Liszt, Thalberg, Moszkovski, Sibelius, Brahms, Nazareth, Scriabin, Debussy, Czerny, Bertini, Burgmüller, Cramer, Gurlitt, Heller, Kadosa, etc.
/ [101 Etudes Pour Piano] / Classique / Feraux, Pierre / Partitions / Carré Collé /

Par SCHUMANN ROBERT. Pour la présente édition, l'éditeur s'est servi des manuscrits autographes pour les pièces 1, 6 et 7, de la première édition et, en cas de doute d'interprétation, de la deuxième édition. Les Scènes d'enfants, composées en 1838, font partie de cette période où Schumann écrit exclusivement pour le piano solo. Avant ces pièces pour 'enfants', certaines grandes couvres ont vu le jour : Le Carnaval (opus 9), Les Davidsbündlertänze, Fantaisie (opus 17), etc. Les Scènes d'enfants 'sont des regards jetés en arrière par un adulte sur sa propre enfance, des souvenirs pour les personnes qui ont grandi', écrit Schumann à Clara. Oeuvre pleine de poésie, de tendresse, de candeur, d'intimité exquise, de grâce juvénile, de virile tendresse, pages apparemment simples mais chargées de tous ces rêves dont veut se délivrer un adulte à la recherche du temps perdu de son enfance. Robert écrit à Clara : 'Les qualités qui donnent leur prix à cette musique ne dépendent que d'une grâce toute simple, naturelle et sans apprêt.' Le 17 mars 1838, Schumann écrit encore à Clara : 'Est-ce une réponse à ce que tu m'écrivis un jour, tu me fais parfois l'impression d'un enfant, s'il en est ainsi, tu verras que des ailes ont poussé à cet enfant car j'ai écrit plus de trente petites pièces et j'en ai choisi une douzaine que je réunirai sous le nom de Scènes Enfantines. Tu prendras sans doute plaisir à les jouer, mais il te faudra oublier que tu es une virtuose.' Treize pièces ont été retenues parmi les trente pour l'opus 15 - les autres pièces trouvèrent place dans l'Albumblätter ou dans Bunte Blätter. Schumann donne, pour la plupart de ses oeuvres, les indications de tempo en allemand. Dans l'opus 15, les indications sont données en tempos métronomiques, sauf dans la pièce #11. Les tempos indiqués en tête de chaque pièce sont de Robert Schumann et ceux indiqués en fin sont de Clara Schumann. Ils figurent dans la deuxième édition. L'interprète choisira parmi ces différentes indications métronomiques le tempo qu'il jugera le mieux adapté au caractère de ces pièces. / Niveau : Elémentaire / classique / Répertoire / Piano

Following the acclaimed, award-winning publication of The Notebooks for Anna Magdalena Bach 1722 and 1725 (Best Edition 2020, German Music Publishers Association), Edition Peters is proud to present the Notebook for Wilhelm Friedemann Bach 1720 in a new premium Urtext edition by world-renowned Bach scholar Christoph Wolff.
Bach?s ?notebooks? provide a fascinating glimpse into the domestic music academy of the Bach family home. They contain original compositions, exercises, and model examples by other composers, all collected with a view to providing a rounded musical education to family members. The Notebook for Wilhelm Friedemann Bach was compiled for Johann Sebastian?s eldest son, who himself went on to become one of the leading organists, improvisers and composers of his day. The book contains systematic exercises, first or early versions of three of Bach?s most important keyboard cycles (some of the preludes from the Well-Tempered Clavier, Preambulums for the Two-part Inventions and Fantasias for the Three-part Sinfonias) and suites by Richter, Telemann and Stölzel among other items.
This luxury linen-bound edition with gold-embossed cover lettering is in line with the quality of the production of the much-praised Notebooks for Anna Magdalena Bach. It is produced in the original landscape format, ideal for use on a keyboard stand, and contains illustrations, premium-quality new engravings and full critical commentary.
This edition is the first new Urtext edition of the notebook in 60 years. It presents cutting-edge scholarship from the world?s leading Bach authority Professor Christoph Wolff including the most up to date research regarding attributions of authors and writers, new fragments brought to light by recently rediscovered manuscripts and the latest dating of sources.
New Urtext Edition of the Notebook for Wilhelm Friedemann Bach 1720 by Christoph Wolff
First new Urtext Edition for 60 years
Highest possible level of scholarship
Follows acclaimed publication of The Notebooks for Anna Magdalena Bach 1722 and 1725
Landscape format, optimal for piano and keyboard players
Premium linen binding
Bibliophile edition
Praise for The Notebooks for Anna Magdalena Bach:
?Every aspect of this edition screams quality; it is quite simply a thing of great beauty!? - Pianodao.com
?There are countless editions of the Notebook for Anna Magdalena Bach. Edition Peters has now published a complete edition for the first time, containing the complete material from Bach's 1722 and 1725 notebooks. Christoph Wolff, renowned Bach specialist, professor at Harvard University and long-time director of the Bach Archive in Leipzig, is the editor of this bibliophile Urtext edition.
Bibliophile is the right term here [...] the publication shows the company?s deep connection to Bach in several ways. In addition to a foreword, the inside pages contain all piano pieces from Bach's books in a clean, very well-placed typesetting. Reproductions of Bach?s original manuscript make the bridge between the past and the present easy to understand. Close to the original and very beautifully realised, this Notebook is worthy of distinction.? - Deutsche Musikverleger-Verband (Best Edition 2020)
/ Partitions classique / Piano - instruments à clavier / Piano / EDITION PETERS

Par BACH WILHELM FRIEDEMANN. Following the acclaimed, award-winning publication of The Notebooks for Anna Magdalena Bach 1722 and 1725 (Best Edition 2020, German Music Publishers Association), Edition Peters is proud to present the Notebook for Wilhelm Friedemann Bach 1720 in a new premium Urtext edition by world-renowned Bach scholar Christoph Wolff. Bach's 'notebooks' provide a fascinating glimpse into the domestic music academy of the Bach family home. They contain original compositions, exercises, and model examples by other composers, all collected with a view to providing a rounded musical education to family members. The Notebook for Wilhelm Friedemann Bach was compiled for Johann Sebastian's eldest son, who himself went on to become one of the leading organists, improvisers and composers of his day. The book contains systematic exercises, first or early versions of three of Bach's most important keyboard cycles (some of the preludes from the Well-Tempered Clavier, Preambulums for the Two-part Inventions and Fantasias for the Three-part Sinfonias) and suites by Richter, Telemann and Stölzel among other items. This luxury linen-bound edition with gold-embossed cover lettering is in line with the quality of the production of the much-praised Notebooks for Anna Magdalena Bach. It is produced in the original landscape format, ideal for use on a keyboard stand, and contains illustrations, premium-quality new engravings and full critical commentary. This edition is the first new Urtext edition of the notebook in 60 years. It presents cutting-edge scholarship from the world's leading Bach authority Professor Christoph Wolff including the most up to date research regarding attributions of authors and writers, new fragments brought to light by recently rediscovered manuscripts and the latest dating of sources. New Urtext Edition of the Notebook for Wilhelm Friedemann Bach 1720 by Christoph Wolff First new Urtext Edition for 60 years Highest possible level of scholarship Follows acclaimed publication of The Notebooks for Anna Magdalena Bach 1722 and 1725 Landscape format, optimal for piano and keyboard players Premium linen binding Bibliophile edition Praise for The Notebooks for Anna Magdalena Bach: 'Every aspect of this edition screams quality; it is quite simply a thing of great beauty!' - Pianodao.com 'There are countless editions of the Notebook for Anna Magdalena Bach. Edition Peters has now published a complete edition for the first time, containing the complete material from Bach's 1722 and 1725 notebooks. Christoph Wolff, renowned Bach specialist, professor at Harvard University and long-time director of the Bach Archive in Leipzig, is the editor of this bibliophile Urtext edition. Bibliophile is the right term here [...] the publication shows the company's deep connection to Bach in several ways. In addition to a foreword, the inside pages contain all piano pieces from Bach's books in a clean, very well-placed typesetting. Reproductions of Bach's original manuscript make the bridge between the past and the present easy to understand. Close to the original and very beautifully realised, this Notebook is worthy of distinction.' - Deutsche Musikverleger-Verband (Best Edition 2020) / Date parution : 2021-12-09/ Recueil / Piano

Le tout dernier livre dans cette série très populaire couvrant la musique du compositeur français, Gabriel Faure. Inclus des arrangements des mélodies de ses célèbres Requiem et le Pavane Op.50. / Piano / 96 pages / Partition

Edité par Baroque savant Judith Schneider, avec doigté experts suggérés par Stuttgart Professeur Maria Sofianska, cette édition du second volume de chef-d'oeuvre essentielle de Bach contient 30 pages de recherches approfondies et un aperçu de la musique baroque. Soigneusement rapport avec les sources de manuscrit autographe le plus important et, cette édition complète comprend une analyse approfondie de l'ornementation écrite et improvisée, une discussion sur les instruments à clavier de l'époque, un aperçu des questions de rythme de pédalage, le toucher, le tempo et, ainsi qu'une discussion sur les préludes et fugues . On y trouve aussi un enregistrement exceptionnel de l'étiquette Naxos. / Piano

Ed. Maitland-Squire, Rev. Dover Edition. Famous early 17th century collection of keyboard music. 300 works by Morley, Byrd, Bull, Gibbons, etc. Modern notation. 469 pages. 'The most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music' (Grove's Dictionary of Music and Musicians). The close to 300 airs, variations, fantasies, toccatas, pavanes, galliards, allemandes and courantes in these two volumes include some of the finest examples of Elizabethan and Jacobean Music: Morley, Gibbons, Farnaby, Warrock, Ferdinando Richardson, Peter Phillips, Tomkins and practically every other composer of the virginalistic school. John Bull and William Byrd, two of England's greatest composers are represented by over 100 works. The pieces herein, while composed for the virginal, can be played without difficulty on thepiano or any other keyboard instrument. Maitland and Squire set the music into modern notation, preserving faithfully the intent of the composers./ Recueil / Piano

In 1790, during the lifetime of Mozart and Haydn, Ernst Ludwig Gerber wrote of Ko?eluch in his famous handbook for musicians, 'without opposition, by young and old, (?) generally the best-loved composer alive today?. His works display 'liveliness and grace, the noblest of melodies with the purest of harmonies, and a pleasing organisation of rhythm and modulation.? Until now, pianists have had little chance to acquaint themselves with the complete range of Ko?eluch's sonatas since very few modern editions were available. For the first time, this new complete edition by Christopher Hogwood presents all of Ko?eluch's sonatas for keyboard solo. The four volumes each contain 12 to 13 sonatas, and the works are presented chronologically according to the date of their first publication. Volume IV will contain those sonatas that are found only in hand-written sources.- First complete edition of the sonatas for keyboard by Leopold Ko?eluch- Fills a gap in Czech and Middle-European Classical repertoire- Suitable for amateurs as well as professionals- ideal for teaching purposes- Includes a detailed introduction (Eng/Czech/Ger), critical commentary (Eng) and facsimile pages from the sources / Piano

The 100 pieces (including individual sonatina movements) in this anthology provide a valuable resource for pianists and piano teachers as well as piano pedagogy faculty and students. The literature ranges from late elementary to intermediate levels of difficulty. Repertoire was chosen from all style periods and each piece includes suggestions for fingering and pedaling. All selections are in their original form (no arrangements, simplifications, or other adaptations). 172 pages. Comb-bound. / Piano