Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Latham Music Enterprises
Arranged by Sheila Sandys-Wunsch. Full score and set of performance parts for st...(+)
Arranged by Sheila
Sandys-Wunsch. Full score
and set of performance
parts for string quartet
and piano accompaniment
(for rehearsal only).
Published by Latham Music
Enterprises.
Cello. Composed by Scott Joplin (1868-1917). Arranged by William Zinn. Collectio...(+)
Cello. Composed by Scott
Joplin (1868-1917).
Arranged by William Zinn.
Collections; Masterworks;
Performance Music
Ensemble; String
Orchestra Collection.
Masterwork Arrangement;
Romantic. Book. 16 pages.
Alfred Music #00-11637X.
Published by Alfred Music
String quartet SKU: LO.30-3718L Composed by Marty Parks. Choral. Sacred A...(+)
String quartet
SKU:
LO.30-3718L
Composed
by Marty Parks. Choral.
Sacred Anthem, Advent,
Christmas. Score and
parts. Lorenz Publishing
Company #30/3718L.
Published by Lorenz
Publishing Company
(LO.30-3718L).
UPC:
000308154894.
Strin
g Quartet Score and Parts
for 10/5333L Marty Parks
uses the beloved COVENTRY
CAROL as the basis for
his original lyric: Your
humble birth, Your
matchless worth; Jesus,
God with us. No earthly
crown, no great renown;
Jesus, God with us.
Redeemer King, of whom
angels sing; Jesus, God
with us. Equally
inspiring with piano
accompaniment or the
optional string quartet,
this is a stunning
addition to Christmas
worship or concert
repertoire.
Composed by Rhian Samuel.
Chamber music. For High
Voice, String Quartet and
Piano. Score (2 copies
supplied) and parts.
Score and parts. Stainer
& Bell Ltd. #Y296.
Published by Stainer &
Bell Ltd. (ST.Y296).
ISBN
9790220223525.
Natu
re and landscape have
been the dominant themes
of much of Rhian Samuel's
vocal music of the last
ten years, projected
chiefly through the
poetry of Anne Stevenson,
and in her most recent
song-settings, the
writings of the
Pakistan-born Texas-based
poet Zulfikar Ghose. His
poem 'Conspiracy of the
Clouds' describes how,
the clouds having chosen
to become invisible,
'Even the astronauts on
the space shuttle /
looked down on a
cloudless America' as
hurricanes ravage
Louisiana and storms
engulf Nebraska. An
intriguing conceit in the
tradition of magic
realism, the text is
presented as a scena
lasting around 16
minutes, with
interpolations from
'Haze' by the
nineteenth-century New
England transcendentalist
Henry David Thoreau. Thus
modern fable and romantic
nature-description are
juxtaposed, and their
interaction becomes the
source of musical
contrasts too. Thoreau's
words are assigned
predominantly to the
vocalist's highest
register, those of Ghose
to her lower tessitura;
and the suggestive and
dramatic accompaniment
builds tension steadily
to the final ironic
response of an
incredulous American
public: not one of awe
and wonder, but the
question 'Why weren't we
told about it?
String Quartet; Violin
(Score & Parts) - very
easy
SKU:
HL.49045441
For
Violin and String Quartet
(Score/Parts).
Composed by Ferdinand
Kü and chler. Edited
by Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
String. Classical.
Softcover. Op. 11. 80
pages. Schott Music
#SE1002. Published by
Schott Music
(HL.49045441).
ISBN
9790001161794. UPC:
841886028593.
9.25x12.0x0.082 inches.
German - English -
French.
Ferdinand
Kuchler is regarded as
one of the great violin
teachers of the 20th
century, not least
because of his violin
method. His Concertino in
G major Op. 11 still is a
popular entry-level piece
of concert literature
even in today's violin
lessons.Apart from the
edition in the original
instrumentation for
violin and piano (SE
1001), this arrangement
follows the title
'Concertino' and allows
for early playing with
string accompaniment -
with string quartet and
double-bass ad libitum or
scored for multiple parts
with string orchestra.
Further individual
orchestral parts are
available for download at
www.notafina.de. As an
alternative to the viola
part, a part for a third
violin is notated as
well.This edition is part
of the new Schott Student
Edition series which
offers varied literature
at five different levels
of difficulty, from 1
(easy) to 5 (difficult),
for instrumental
lessons.
Cello, Viola, Violin, String Quartet SKU: HL.14026541 Composed by Per Nor...(+)
Cello, Viola, Violin,
String Quartet
SKU:
HL.14026541
Composed
by Per Norgard. Music
Sales America. Classical.
Score. 12 pages. Music
Sales #KP01185. Published
by Music Sales
(HL.14026541).
ISBN
9788759874226.
9.5x14.25x0.058 inches.
Danish.
String
Quartet No.1 - 'Quartetto
Breve' (1952) by Per
Norgard. Programme
note: The spectrum
of sound, the
gesticulation - in short,
the very nature of the
strings - has always had
a central place in my
output, demonstrated by
the numbers of string
quartets, concertos with
string soloist, chamber
and solo works. The
interest dates back to my
school years, when I was
fortunate to be able to
compose for a
cello-playing schoolmate
and to accompany him on
the piano. I discovered
then the innumerable
nuances of sound and
playing varieties offered
by just one bow, four
strings and five
fingers.. My first
string quartet -
Quartetto Breve - has a
firm root in the
Nordictradition and is
strongly inspired by Jean
Sibelius (1865-1957) and
my teacher Vagn Holmboe
(1909-96). Per
Norgard (1998) .
Soprano voice and string quartet - difficult SKU: HL.49007921 By Rober...(+)
Soprano voice and string
quartet - difficult
SKU: HL.49007921
By Robert Schumann,
op. 107. Composed by
Robert Schumann. Arranged
by Aribert Reimann. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Score and
Parts. 56 pages. Duration
10'. Schott Music #ED
8329. Published by Schott
Music (HL.49007921).
ISBN 9790001111911.
9.0x12.0x0.238
inches.
In these
lieder, Robert Schumann
seems to mirror his life
full of crises. The
composition coincides
with the first
signs of his illness. The
picture of the drowning
Ophelia evoked in the
first chant
conjures up the image of
his suicide attempt three
years later. Aribert
Reimann's transcription
seems to be opposed to
Schumann's endeavours to
make stronger use of 'the
development of the
accompanying instrument,
the piano'. On the other
hand, the complete
integration of the vocal
part in the musical
setting of the string
quartet confirms
Schumann's assessment
that the singing voice
alone cannot 'express
everything; apart from
the expression of the
whole, even subtle
nuances of the poem shall
become apparent'. These
transcriptions show
Reimann's sense of timbre
and his many years of
experience as a lied
accompanist.