Composed by Johann
Sebastian Bach and ed.
Arranged by Michael
McLean. Performance Music
Ensemble. Latham Music.
Score. LudwigMasters
Publications
#36-52703038. Published
by LudwigMasters
Publications
(AP.36-52703038).
ISBN
9781682962220. UPC:
654690580573.
English.
Bach's
organ works seem to work
perfectly for string
quartet, with everyone
getting in on the
thematic material. These
two works are among his
best-known and are a nice
addition to the concert
and contest repertoire.
Contents: Little Fugue in
G minor, BWV 578;
Passacaglia and Fugue in
C minor, BWV 582.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Johann
Sebastian Bach and ed.
Arranged by Michael
McLean. Performance Music
Ensemble. Latham Music.
Score. LudwigMasters
Publications
#36-52703034. Published
by LudwigMasters
Publications
(AP.36-52703034).
ISBN
9781682962206. UPC:
654690579935.
English.
Bach's
organ works seem to work
perfectly for string
quartet, with everyone
getting in on the
thematic material. These
three works are some of
his best-known and are a
nice addition to the
concert and contest
repertoire. Contents:
Prelude and Fugue in C
minor, BWV 537; Great
Fugue in G minor, BWV
542; Fugue in D major,
BWV 532.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Lowell Liebermann. For string quartet (2 violins, viola, cello). Con...(+)
Composed by Lowell
Liebermann. For string
quartet (2 violins,
viola, cello).
Contemporary. Full score
- study. Standard
Notation. Op.102.
Duration 16 minutes.
Theodore Presser Company
#114-41424S. Published by
Theodore Presser Company
String Quartet (2vl,va,vc) SKU: BR.EB-9402 Composed by Mochizuki. Chamber...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.EB-9402
Composed
by Mochizuki. Chamber
music. Edition Breitkopf.
Music post-1945; New
music (post-2000). Full
score. Composed 2020.
Duration 7'. Breitkopf
and Haertel #EB 9402.
Published by Breitkopf
and Haertel (BR.EB-9402).
ISBN 9790004188767. 0
x 0
inches.
<>
est la quatrieme piece
(ou le quatrieme
mouvement) de mon cycle
<> pour quatuor a
cordes, base sur les
recherches recentes
concernant le
fonctionnement du
cerveau. La piece
s'inspire egalement de
l'interpretation de la
genese du monde telle
qu'abordee dans les
anciens livres japonais,
ou la premiere divinite
creee une deuxieme entite
pensee comme un
<>. C'est a
partir de l'harmonie de
ces deux etres que
naitront par la suite les
nombreux esprits lies a
la cosmogonie japonaise.
J'ai repris cette image
dans ma piece, ou une
sorte de note contenue
dans l'ostinato percussif
du violoncelle
(<>) sera
revelee progressivement
par une note tiree et
vibree au second violon.
Cette vibration, qui
s'accentue dans le
discours devient a la
fois une <>
reprise par l'alto et des
glissandi joues au
premier violon. D'apres
certaines etudes, le
rythme et la melodie ne
stimulent pas les memes
zones du cerveau, cette
construction permet ainsi
l'emergence d'une
communaute de quatre
differentes personnalites
qui s'observent les unes
les autres ; elles
arrivent a imaginer, a
anticiper et meme a
participer a la
realisation des
comportements des autres,
par un processus propre
au fonctionnement du
cerveau nomme
<>. (Misato
Mochizuki,
2000)
World
premiere: Luxembourg,
Philharmonie, October 12,
2020 (Aris-Quartett)
Commissioned by the ECHO
(European Concert Hall
Organisation) for the
Rising Stars-Project.
Musique Heroique Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire Editions Marc Reift (Swiss import)
String Quartet - Grade 3 SKU: MA.EMR-55474 Composed by Georg Philipp Tele...(+)
String Quartet - Grade 3
SKU: MA.EMR-55474
Composed by Georg Philipp
Telemann. Arranged by
Scott Richards. Score and
parts. Duration 2'21.
Editions Marc Reift #EMR
55474. Published by
Editions Marc Reift
(MA.EMR-55474).
Possible
instrumentations: String Quartet and Organ
(Piano (Organ), Timpani
(Optional) String
Quartet and Piano (Piano
(Organ), Timpani
(Optional) String
Quartet (Piano (Organ),
Timpani (Optional).
String Quartet (Parts) SKU: HL.14041957 Parts. Composed by Sir Pet...(+)
String Quartet (Parts)
SKU: HL.14041957
Parts. Composed by
Sir Peter Maxwell Davies.
Music Sales America.
Classical, Contemporary.
Softcover. Composed 2006.
Chester Music #CH68519.
Published by Chester
Music (HL.14041957).
This work was
inspired by a keyboard
piece of the same name, A
Sad Paven for these
Distracted Tymes by
Thomas Tomkins
(1572-1656). Tomkins had
a long association with
Worcester Cathedral,
where he was organist -
appointed magister
choristarum in 1596 - and
lived within the
precincts until shortly
before his death. At the
same time, he was
organist of the Chapel
Royal. When the city of
Worcester surrendered to
Cromwell's parliamentary
forces in 1646, Tomkins
had to watch the hasty
dismantling of his
cathedral organ and the
abolition of all choral
services. These were the
'distracted tymes' of the
'sad paven' which he
wrote in enforced
retirement at Worcester.
Parts. Score also
available (14037561).
Organ, string quartet -
Late Intermediate /
Advanced
SKU:
MN.20-956
Composed by
Charles E. Callahan Jr.
Concert Organ Series.
Duration 6+ minutes.
MorningStar Music
Publishers #20-956.
Published by MorningStar
Music Publishers
(MN.20-956).
UPC:
688670209567.
This
is a welcome addition to
the limited repertoire
for String Quartet and
Organ. In 6+ minutes the
work presents all five
instruments with solo
opportunities. The
playful mood of the piece
is contrasted by the
lyrical romanticism of
its quieter moments.
World
premiere: Paris (Festival
,,Presences), February
13, 2017 (Quatuor
Diotima)Commissioned by
Radio France
New
music (post-2000); Music
post-1945. Score.
Composed 2016/17. 12
pages. Duration 12'.
Breitkopf and Haertel #EB
9255. Published by
Breitkopf and Haertel
(BR.EB-9255).
ISBN
9790004185551. 9 x 12
inches.
C'est apres
un entretien avec le
Professeur Yuji Ikegaya
concernant ses recherches
en neurologie que j'ai
voulu travailler sur
quelques particularites
fonctionnelles du cerveau
humain. Quatre de ces
specificites ont retenu
mon attention. La
premiere est ce qui est
de l'ordre de l'autonomie
ou de l'independance. En
effet, alors qu'aucune
stimulation exterieure
n'ait lieu, le cerveau
humain montre des
activites spontanees qui
s'expriment sous forme de
patterns fixes. La
seconde est le principe
d'<> des
gestes ou des phrases
avec le fonctionnement
des neurones miroirs :
l'homme apprend en
imitant les gestes des
autres, c'est la source
d'emotions comme la
compassion ou la
sympathie. La troisieme
est liee a
l'apprentissage spontane
et l'auto-renouvellement
du cerveau, faculte qui
le differencie
singulierement de
l'ordinateur. Enfin la
conscience du <>,
qui est ce qui le
differencie du cerveau de
l'animal. J'ai trouve
dans la forme classique
et austere du quatuor un
terrain d'exploration
ideal pour elaborer ce
projet musical. Le
quatuor est en effet
compose des quatre
cerveaux des musiciens,
mais il est egalement une
entite a part entiere, un
centre nevralgique
unitaire. L'ecriture
musicale procede ainsi
par imitation, sur une
base de patterns qui
varie constamment dans
une quete identitaire et
dans son rapport a
l'autre et aux autres
(musiciens). L'autre,
c'est egalement
l'autiste, celui qui
n'arrive pas bien a
imiter et a comprendre
les expressions, emotions
et gestes exterieurs. La
question des rapports
devient alors celle de la
dependance, de
l'independance et/ou de
l'interdependance. Elle
est au centre de mon
processus compositionnel
qui, par l'organisation
et la sonification des
comportements aux
differentes voix du
quatuor, est egalement un
moyen de me questionner
en tant que compositrice,
sur mon identite et sur
mon propre rapport au
monde. (Misato
Mochizuki)
World
premiere: Paris (Festival
,,Presences), February
13, 2017 (Quatuor
Diotima) Commissioned by
Radio France.
Critical Edition
Hardcover. Composed
by Karol Szymanowski.
PWM. Classical.
Hardcover. 60 pages.
Polskie Wydawnictwo
Muzyczne #9267030.
Published by Polskie
Wydawnictwo Muzyczne
(HL.370494).
ISBN
9781705147009. UPC:
840126994025.
The
First String Quartet in C
major, Op. 37, was
written in the autumn of
1917 and earned
Szymanowski the first
prize in a competition
organized by the Ministry
of Religious and in a
competition organized by
the Ministry of Religious
and Educational Affairs
in January 1922. The
First String Quartet is
notable for its clar and
simple construction. The
first movement is in the
formof a sonata allegro;
the Andantino semplice
(in modo iuna canzone) in
the middle is a cross
between ternary and
variation form. The final
Scherzando alla burlesca
also keeps to the form of
a sonata allegro. The
combinations and
proportions of formal
factors and the treatment
of thematic material
betray a fairly
conventional adoption of
classical models.
Similarly, the expressive
and structural use of
melodic material shows a
respect for traditional
norms. Szymanowski
created, in other works
from the same period, his
own individual type of
melodic line, which was
strongly expressive and
achieved its effect
chiefly by its tonal
qualieties; nevertheless
in this Quartet he
returns to a fluid,
cantilena-like,
symmetrically shaped
melodic line, which runs
along in broad phrases of
a concentrated,
reflective character.
Melody becomes the chief
factor in the development
of the form, both in
thematic usage and in the
application of a more
polyphonic texture.
Harmonic and tonal means
are considerably
simplified in the Quartet
[]. Most of the writing
is linear, or horizontal,
with individual treatment
of each part, the
parallel continuation of
the four sound planes,
almost a matter of
principle. The functions
of the particular
instruments in realizing
these planes are
constantly changing,which
accounts for the even
greater variedy of
tone-colour. The decision
to forego experiment with
forms and sonorities is
reflectedin the overall
approach to musical
expression. The
predominant atmosphere of
restrained emotion, quiet
lyricism and serenity is
strongly suggestive of
classical aestetic
models. (Based on Zofia
Helman Commentary on
Szymanowski Complete
Edition, Vol. B6) (II)
The ''Second String
Quartet'' represents an
interesting attempt to
revert to classical form
coupled with the new
harmonic and tonal
vocabulary worked out
previously in the
''Slopiewnie'', ''Stabat
Mater'' and ''Mazurkas''.
It was also the first
time the composer had
used folk elements in the
framework of a major
classical form. The
''Second String Quartet''
is in a special category
among Szymanowski's
works. Though it dates
from the composer was
still occupied with folk
music, it nevertheless
shows him returning to
classical models, but at
the same time using an
aesthetic of subjective
expression, which gives
the work its own
individual stamp. The
''Second String Quartet''
synthesis of the various
directions in which
Szymanowski was
attempting to develop.
The sonority and texture
used in the first.
String quartet SKU: LM.29098 Composed by Regis Campo. Classical: 20th Cen...(+)
String quartet
SKU:
LM.29098
Composed by
Regis Campo. Classical:
20th Century
(Contemporary). Score and
parts. 46 + 17+18+18+16
pages. Editions Henry
Lemoine #29098. Published
by Editions Henry Lemoine
(LM.29098).