By Don Lusher. By Don Lusher. Solo. For Trombone solo and Piano accompaniment. A light-hearted suite. Light Concert. Medium. Piano score and parts. Standard Notation. Duration 6:15

Ten Short Solos for BC Trombone and Piano. By Bram Wiggins. Fentone Play Along Books. Play Along. Published by Fentone Music.

By Bill Geldard. Solo. For Trombone and Piano. Dance movements for trombone. Light Concert. Level: Easy. Piano score and parts. Standard Notation. Published by Winwood Music (U.K. Import).

By James Curnow. Solo. For Trombone and Piano. Popular solo mixing lyrical and bravura styles. Light Concert. Level: Medium. Piano score and parts. Standard Notation. Published by Winwood Music (U.K. Import).

Arranged by John Iveson. For Trombone & Piano. Solo Brass. Medium. Collection. Published by Brass Wind Publications

Arranged by John Iveson. Solo Brass. Collection. Published by Brass Wind Publications (B5.2115TC).

Trombone and Piano - Grade 2

SKU: HL.14007051

Composed by Eileen Clews. Music Sales America. Exam Material. Book [Softcover]. Composed 2002. 16 pages. Music Sales #PAT60400. Published by Music Sales (HL.14007051).

English.

Four delightful pieces by Eileen Clews for Trombone and Piano accompaniment.

Trombone and Piano - moderately advanced

SKU: CY.CC2654

Composed by Ludwig van Beethoven. Arranged by Ralph Sauer. German Romantic. Solo and Piano accompaniment. Published by Cherry Classics (CY.CC2654).

--This work is the third from a collection of five short pieces Beethoven wrote for Flotenuhr or mechanical clock, discovered a number of years after his death.

--Their true origin was uncovered by Professor Albert Kopfermann, a German musician/librarian, who solved the mystery about their instrumentation.

--This delightful Allegro movement has been transposed into the key of D from G and arranged for moderately advanced performers by Ralph Sauer.

--Your audience will love this little gem as the clock slows down and stops before the final cadence. It will make a great encore piece.

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

20 Short Recital and Study Pieces for the Intermediate Player. Composed by John Walker. Edited by Don Crowe. Score and audio CD. 28 pages. Carl Fischer #WF00170. Published by Carl Fischer (CF.WF170).

Trombone

SKU: HL.48185571

Composed by Galiegue M. Jerome. Leduc. Classical. Softcover. 9 pages. Alphonse Leduc #AL29232. Published by Alphonse Leduc (HL.48185571).

UPC: 888680854089. 9x12 inches.

“Both Marcel Galiègue and Jérôme Naulais studied the Trombone at the Paris Conservatoire. Both musicians have performed in a large number of concerts and recordings and have taken part in many international Master Classes. Their collaboration for Open Air, therefore, makes for a well-informed compilation. As suggested by the title, Open Air focuses on breath control. With a typical performance lasting around three minutes and ten seconds, this Trombone work is a delightful, alternative piece for young trombonists. Open Air is a delightful addition to the intermediate Trombone repertoire.&rdquo.

Trombone

SKU: HL.48181984

Composed by Pierre Max Dubois. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL22763. Published by Alphonse Leduc (HL.48181984).

UPC: 888680846497. 9x12 inches.

“Fren ch composer, Pierre Max Dubois (1930-1995) significantly contributed to the wind repertoire. Procession for Trombone and Piano was published in 1959 and remains prominent in the advanced trombonist's repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. Procession for Trombone and Piano reflects Dubois' compositional characteristics as well as elements of grandeur, reflecting the title. A typical performance lasts about four minutes and fifteen seconds. Procession is essential to the advanced trombonist's repertoire. Dubois' work makes for an exciting and enjoyable performance for players and audiences alike.&rdquo.

Trombone & Piano - Advanced

SKU: CY.CC2404

Composed by Vincent d'Indy. Arranged by Ralph Sauer. French Impressionist. Solo part & Piano. Published by Cherry Classics (CY.CC2404).

Paul Marie Theodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine Francois Marmontel and Louis Diemer. His main influence was Cesar Franck.

These three pieces were some of his many works for Piano.

Opus 33 was inspired by a trip to Bayreuth, the musical home of Wagner and the Black Forest region.

Opus 33 no. 1 from 1889 is titled ? with no explanation of itself. Opus 33 no. 10 is titled Lermoos, which is a delightful skiing village in Austria right on the border with Germany. Germany's largest mountain is in perfect view, possibly giving the movement its spirit.

Opus 28 is a Serenade for Violin and Piano published in 1900. It is lithe, subtle and lyrical.

By Vincent d'Indy (1851-1931). Arranged by Ralph Sauer. For Tuba or Bass Trombone and PIano. French Impressionist. Advanced. Solo part and Piano. Published by Cherry Classics

By Proctor. For Trombone and Piano. Solo Brass. Medium-slightly difficult. Sheet music. Published by Brass Wind Publications