By Jean-Marie Leclair (1697-1764). Edited by Jean Saint-Arroman, Philippe Lescat...(+)
By Jean-Marie Leclair
(1697-1764). Edited by
Jean Saint-Arroman,
Philippe Lescat. Violin
and continuo / Flute and
continuo / Trios. For
Violin, Flute, Viol.
Facsimiles. La Musique
Francaise Classique de
1650 a 1800. Grade 0. 104
pages. Published by Anne
Fuzeau Productions -
France
Violin and basso continuo (V/BC) - intermediate to advanced SKU: HL.49042418<...(+)
Violin and basso continuo
(V/BC) - intermediate to
advanced
SKU:
HL.49042418
Composed
by Pietro Antonio
Locatelli. Edited by
Walter Kolneder. Sheet
music. Violin-Bibliothek
(Violin Library). Op.
6/1. 24 pages. Schott
Music #VLB 70. Published
by Schott Music
(HL.49042418).
By Louis Antoine Travenol. Edited by Jean Saint-Arroman. For Violin and continuo...(+)
By Louis Antoine
Travenol. Edited by Jean
Saint-Arroman. For Violin
and continuo. This
edition: Facsimile. La
Musique Francaise
Classique de 1650 a 1800.
Score. 64 pages.
Published by Anne Fuzeau
Productions - France
By Jean-Marie Leclair (1697-1764). Edited by Jean Saint-Arroman, Philippe Lescat...(+)
By Jean-Marie Leclair
(1697-1764). Edited by
Jean Saint-Arroman,
Philippe Lescat. Violin
and continuo. For Violin,
Continuo. Facsimiles. La
Musique Francaise
Classique de 1650 a 1800.
Grade 0. 100 pages
By Johann Georg Pisendel (1687-1755). For Violin, Basso continuo. D-Dur (D major...(+)
By Johann Georg Pisendel
(1687-1755). For Violin,
Basso continuo. D-Dur (D
major). German title:
Violinsonate in D. Part:
basso continuo. Language:
all languages. 8 pages.
Duration 12 minutes.
Published by Carus Verlag
By Johann Georg Pisendel (1687-1755). For Violin, Basso continuo. D-Dur (D major...(+)
By Johann Georg Pisendel
(1687-1755). For Violin,
Basso continuo. D-Dur (D
major). German title:
Violinsonate in D. Part:
violin. Language: all
languages. 12 pages.
Duration 12 minutes.
Published by Carus Verlag
By Jean-Baptiste Barriere. Edited by Jean Saint-Arroman, Philippe Lescat. Cello ...(+)
By Jean-Baptiste
Barriere. Edited by Jean
Saint-Arroman, Philippe
Lescat. Cello and
continuo. For Cello.
Facsimiles. La Musique
Francaise Classique de
1650 a 1800. Grade 0. 53
pages
Manuscrits uniques conserves dans la collection du Comte de Schonborn-Wiesenthei...(+)
Manuscrits uniques
conserves dans la
collection du Comte de
Schonborn-Wiesentheid,
dates de 1725. By
Giovanni Benedetti
Platti. Edited by Frohmut
Dangel-Hofmann.
Violoncelle et basse
continue. For Cello.
Facsimiles. Collection
Dominantes. Level: Grade
0. 80 pages. Published by
Editions Fuzeau Classique
- France (French import).
Composed by Pietro Antonio Locatelli (1695-1764). Edited by Alessandro Bares and...(+)
Composed by Pietro
Antonio Locatelli
(1695-1764). Edited by
Alessandro Bares and
Giuseppe Fochesato. For
violin and basso
continuo. This edition:
Paperback. I piaceri del
violino. Baroque. Score
and set of parts.
Published by Musedita
Edizioni Musicali
Violin and Basso Continuo. Composed by Pietro Locatelli. Edited by Pietro...(+)
Violin and Basso
Continuo. Composed by
Pietro Locatelli. Edited
by Pietro Zappalà.
String. Softcover. Schott
Music #ED13721. Published
by Schott Music
(HL.49044379).
Composed by Antonio Vivaldi (1678-1741). Edited by Rebecca Kan. For Violin solo,...(+)
Composed by Antonio
Vivaldi (1678-1741).
Edited by Rebecca Kan.
For Violin solo, strings,
basso continuo. Full
score. 25(xiv) pages.
Published by Edition HH
Music Publishers
By Jean-Fery Rebel. Edited by Catherine Cessac. (1 or 2) Violin and continuo. Fo...(+)
By Jean-Fery Rebel.
Edited by Catherine
Cessac. (1 or 2) Violin
and continuo. For Violin,
Continuo. Facsimiles. La
Musique Francaise
Classique de 1650 a 1800.
Grade 0. 259 pages
By Johann Christoph Friederich Bach. For Flute and harpsichord, Violin and harps...(+)
By Johann Christoph
Friederich Bach. For
Flute and harpsichord,
Violin and harpsichord,
Harpsichord and violin.
This edition: Facsimile.
Collection FacsiMusic.
Score. 28 pages.
Published by Anne Fuzeau
Productions - France
Twelve Concertos for
Violin, Strings and Basso
continuo. Composed by
Antonio Vivaldi. Edited
by Bettina Schwemer. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume I:
Concertos I-VI. Score,
anthology. Opus 4.
Baerenreiter Verlag
#BA07566_00. Published by
Baerenreiter Verlag
(BA.BA07566).
ISBN
9790006544066. 31 x 24.3
cm inches. Preface:
Schwemer,
Bettina.
Antonio
Vivaldi??s twelve
concertos op. 4 known by
the name of ??La
Stravaganza? were first
mentioned as a collection
of ??Concerti a 4? in
the 1711 Foreword of
??L??Estro Armonico?
op. 3. Their publication
had to wait until 1716,
when Estienne Roger
issued them in two
volumes of six concertos
each. However, unlike the
original announcement,
??La Stravaganza? is
more than a collection of
concertos for solo violin
with string
accompaniment: in five of
the concertos the soloist
is joined by a second
solo violin or even by a
solo violoncello
(Concerto No.
7).
The many
reprints of ??La
Stravaganza? bear
witness to its popularity
and widespread
dissemination well into
the 1730s. Besides the
surviving prints, there
is a significant body of
handwritten sources
containing alternative
versions for seven of the
concertos. Some of these
manuscripts stem from the
music library of Johann
Georg
Pisendel.
This
edition of ??La
Stravaganza? is not
only the first
scholarly-critical
edition, it is also the
only complete edition
available. In addition to
the twelve concertos
handed down in the Roger
edition, Bärenreiter
offers an additional
concerto in full score,
piano reduction and parts
contained in the 1728
print issued by the
English publishers Walsh
and Hare, as well as
alternative versions
(without viola) found in
handwritten sources for
Concertos No. 6 (Volume
1) and No. 11 (Volume
2).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Figured Bass Realization by S. Gerlach. By Franz Benda. Edited by S. Gerlach. Vi...(+)
Figured Bass Realization
by S. Gerlach. By Franz
Benda. Edited by S.
Gerlach. Violin. Pages:
Score = XV and 61 * Vl
Part = 32 * Basso Part =
24. Urtext edition-paper
bound. Published by G.
Henle.
By Jean-Baptiste Janson. Edited by Jean Saint-Arroman, Philippe Lescat. Cello an...(+)
By Jean-Baptiste Janson.
Edited by Jean
Saint-Arroman, Philippe
Lescat. Cello and
continuo. For Cello.
Facsimiles. La Musique
Francaise Classique de
1650 a 1800. Grade 0. 64
pages
By Jean-Baptiste Janson. Edited by Jean Saint-Arroman, Philippe Lescat. Cello an...(+)
By Jean-Baptiste Janson.
Edited by Jean
Saint-Arroman, Philippe
Lescat. Cello and
continuo. For Cello.
Facsimiles. La Musique
Francaise Classique de
1650 a 1800. Grade 0. 38
pages
Motet. Composed by
Dietrich Buxtehude.
Edited by Bruno Grusnick.
Stapled. Sacred. Single
part. BuxWV-Anh 1.
Baerenreiter Verlag
#BA00543_86. Published by
Baerenreiter Verlag
(BA.BA00543-86).