Ausgewählte Stücke der Barockzeit bearbeitet von Fabian Payr & Ruth Bamberger. Arranged by Fabian Payr_Ruth Bamberger. Book Only. Composed 2022. 28 pages. Ricordi #SY 2955. Published by Ricordi

By Daniel Perttu. Chamber Ensemble. For violin and cello. Chamber Music. Grade 6. Duration 10'30

(Duo fur Violine und Violoncello). Composed by Rainer Bischof. For violin and cello. Chamber music. Chamber music. 5 pages. Published by Doblinger Music Publishers

By Alexander Tcherepnin. Boosey and Hawkes Chamber Music. Size 9x12.2 inches. Published by Bote and Bock.

By Wolfgan Amadeus Mozart. Chamber Music (Strings). For violin and cello. Score and set of parts. KV 423. 42 pages. Published by Doblinger (Austrian import).

For Violin and Violoncello. By Gideon Klein. (Parts). Boosey and Hawkes Chamber Music. Book only. Size 9.25x12.25 inches. 10 pages. Published by Bote and Bock.

After the Duos for Violin and Viola K. 423, 424. By Wolfgang Amadeus Mozart. Edited by Berke, Dietrich. For Violin, Violoncello. Score; Set of Parts. Published by Baerenreiter-Ausgaben (German import).

(Eine funfsatzige Suite nach alter Art). Composed by Otto Siegl (1896-1978). For violin and cello. Chamber music. Chamber music. Level 3-4/3. Score and parts. Op. 19. 11 pages. Published by Doblinger Music Publishers

By Sibylle Pomorin (1957-). For violin and cello. Strings - Duet. Work premiere: Marz 1996 in der Berliner Werkstatt der Kulturen. Chamber Music. Intermediate. Score and part. Composed 1996. Duration 10'. Published by Furore Verlag . score and part. Chamber Music.

Composed by Fritz Leitermeyer. For violin and cello. Chamber music. Chamber music. Level 3-4/3-4. Playing score. Op. 59. 20 pages. Published by Doblinger Music Publishers

(Violin, Cello, and Chamber Ensemble). Composed by Gabriel Faure (1845-1924). Edited by Wolfgang Birtel. For Violin, Chamber Ensemble (Full Score). Schott. Softcover. Schott Music #CON265. Published by Schott Music

By Maurice Ravel (1875-1937). Edited by Ulrich Kr�¤mer. For Cello, Violin, Chamber Ensemble. Henle Music Folios. Softcover. G. Henle #HN1070. Published by G. Henle

Violin and Cello

SKU: BT.MUSM570360130

Composed by Thomas Simaku. Score Only. 9 pages. University of York Music Press #MUSM570360130. Published by University of York Music Press (BT.MUSM570360130).

English.

For Violin and Cello. Published 2008. Dedicated to Peter Sheppard Skaerved and Neil Heyde. This music was composed during my DAAD residency in Berlin in October — November 2007. If I were to describe it in one sentence, I would say that it is based on the idea of 'two things seen/heard as one'. a2 (a due) is a well-known term to musicians; it is often found in orchestral scores indicating a given passage that is to be played by two instruments of the same family. Although violin and cello could well be regarded as 'first cousins' of the string family, the literal implementation of the term a2 as a 'compositional strategy' would have been too much (!) for a piece of chamber music consisting of no more than two players. Not surprisingly, this never happens in this work; in fact, the opposite is true: regardless of how it appears on paper (i.e. on one or two staves), the music for each instrument is constantly based on two layers. This musical 'interpretation' of the title gives an indication as to how the textural format of the piece operates. However, this was by no means the only thought that 'preoccupied' my mind whilst composing this music. Berlin made a profound impression on me. The remnants of the wall in Bernauer Straße and the cobbled two-stone line tracing the wall across where it once stood — a clear reminder of what not so long ago there were two different worlds in one city — provoked a strikingly dramatic effect. Border, death-strip, killing, and escape to freedom had a particularly evocative resonance, especially of the time when I lived for three years in a remote town in Southern Albania right at the border with Greece. There, there was a nameless road whose destination the authorities did not want you to know, but the locals called it the 'death-road'. In no way programmatic, in this context, the extra-musical dimension of the principal idea is very much part of the piece. Here, the musical and extra-musical interpretations cannot easily be separated, for they are two parts of the same thing: a2. As if to add another dimension to this idea, there are two versions of this piece: for viola & cello and violin & cello. The first version was premiéred by Garth Knox and Rohan de Saram at the 2008 Intrasonus Festival in Venice..

Violin & Cello

SKU: SS.50028970

Composed by Faye-Ellen Silverman. Chamber Music. Score & Parts. Composed 2004. Duration c 6'. Published by Seesaw Music Corp (SS.50028970).

By Henry Orland. For Violin, Cello. (Chamber Music). Sheet music. Published by See Saw.

For Violin and Cello. By Bela Bartok. Arranged by Kraeuter, Karl Kraeuter. Boosey and Hawkes Chamber Music. Size 9x12 inches. 6 pages. Published by Boosey & Hawkes.