By Martin Wulfhorst. This edition: 1st printing 2012 edition. Paperback. A compr...(+)
By Martin Wulfhorst. This
edition: 1st printing
2012 edition. Paperback.
A comprehensive guidebook
with hundreds of
excerpts. Book. Language:
English. 483 pages.
Published by Baerenreiter
Verlag
Violin - intermediate SKU: BT.DHP-1125237-400 Composed by Nico Dezaire. D...(+)
Violin - intermediate
SKU:
BT.DHP-1125237-400
Composed by Nico Dezaire.
De Haske String Technique
Series. Book with CD.
Composed 2012. 56 pages.
De Haske Publications
#DHP 1125237-400.
Published by De Haske
Publications
(BT.DHP-1125237-400).
ISBN 9789043145565.
9x12 inches.
German.
Double
Stopping is a modern
method designed to teach
violinists who are fairly
confident in the 1st
position how to play
dyads on two strings as
well as double stops.
This is achieved through
38 exercises and 37
performance pieces in
various musical styles.
The various dyads and
double stops are offered
in a coherent and
structured way, and
indicated in different
colours. The performance
pieces can be played
without accompaniment,
with CD accompaniment or
as a duet, with the
second violin parts
provided as PDF files on
the CD.English edition:
DHP 1125089-400 Double
Stops for
Violin
Doub
le Stopping is een
eigentijdse methode om
violisten met een ruime
speelervaring in de
eerste positie
samenklanken van twee
snaren en dubbelgrepen te
leren. Dit gebeurt door
middel van 38 oefeningen
en 37 speelstukkenin
diverse muzikale stijlen.
De verschillende
samenklanken en
dubbelgrepen worden
overzichtelijk en
gestructureerd aangeboden
en met verschillende
kleuren aangeduid. De
speelstukken kunnen zowel
onbegeleid , met
cd-begeleiding alsmet een
tweede vioolstem worden
uitgevoerd. De duetten
zijn geleverd als uit te
printen pdf-files op de
cd.Nederlandse uitgave:
DHP 1125236-400
Dubbelgrepen voor
viool
Doppe
lgriffe auf der
Violine richtet sich
an Geigenschüler, die
sich sicher in der ersten
Lage bewegen, und leitet
zum Spiel von
Zusammenklängen mit
zwei Saiten und
Doppelgriffen über.
Anhand von 38 Ã?bungen
und 37 Spielstücken in
verschiedenen Musikstilen
führt diese moderne
Methode übersichtlich
und strukturiert in die
diversen
Zusammenklänge und
Doppelgriffe ein.
Zusätzliche farbige
Markierungen
unterstützen dabei den
Lernprozess. Die
Spielstücke können
sowohl unbegleitet als
auch mit einer zweiten
Geigenstimme gespielt
werden. Die Duette sind
als PDF-Dateien zum
Ausdrucken auf der CD
enthalten.
Score and Parts Percussion, Piano, Violin, Chamber Group SKU: HL.14034098 ...(+)
Score and Parts
Percussion, Piano,
Violin, Chamber Group
SKU: HL.14034098
For Violin, Piano and
Percussion Score and
Parts. Composed by
Andy Pape. Music Sales
America. Set. 48 pages.
Edition Wilhelm Hansen
#KP01263. Published by
Edition Wilhelm Hansen
(HL.14034098).
ISBN
9788759870655. 0.446
inches.
English.
Trio Op.42
was composed by Andy Pape
in 1989-91. Scored for
Violin, Piano and
Percussion.
Violin - intermediate SKU: BT.DHP-1125089-400 Composed by Nico Dezaire. D...(+)
Violin - intermediate
SKU:
BT.DHP-1125089-400
Composed by Nico Dezaire.
De Haske String Technique
Series. Book with CD.
Composed 2012. 56 pages.
De Haske Publications
#DHP 1125089-400.
Published by De Haske
Publications
(BT.DHP-1125089-400).
ISBN 9789043145589.
9x12 inches.
English.
Double
Stopping is a modern
method designed to teach
violinists who are fairly
confident in the 1st
position how to play
dyads on two strings as
well as double stops.
This is achieved through
38 exercises and 37
performance pieces in
various musical styles.
The various dyads and
double stops are offered
in a coherent and
structured way, and
indicated in different
colours. The performance
pieces can be played
without accompaniment,
with CD accompaniment or
as a duet, with the
second violin parts
provided as PDF files on
the CD.
Double
Stopping is een
eigentijdse methode om
violisten met een ruime
speelervaring in de
eerste positie
samenklanken van twee
snaren en dubbelgrepen te
leren. Dit gebeurt door
middel van 38 oefeningen
en 37 speelstukkenin
diverse muzikale stijlen.
De verschillende
samenklanken en
dubbelgrepen worden
overzichtelijk en
gestructureerd aangeboden
en met verschillende
kleuren aangeduid. De
speelstukken kunnen zowel
onbegeleid, met
cd-begeleiding alsmet een
tweede vioolstem worden
uitgevoerd. De duetten
zijn geleverd als uit te
printen pdf-files op de
cd.Nederlandse uitgave:
DHP 1125236-400
Dubbelgrepen voor
viool
Doubl
e Stops for Violin
richtet sich an
Geigenschüler, die
sich sicher in der ersten
Lage bewegen, und leitet
zum Spiel von
Zusammenklängen mit
zwei Saiten und
Doppelgriffen über.
Anhand von 38 Ã?bungen
und 37 Spielstücken in
verschiedenen Musikstilen
führt diese moderne
Methode übersichtlich
und strukturiert in die
diversen
Zusammenklänge und
Doppelgriffe ein.
Zusätzliche farbige
Markierungen
unterstützen dabei den
Lernprozess. Die
Spielstücke können
sowohl unbegleitet als
auch mit einer zweiten
Geigenstimme gespielt
werden. Die Duette sind
als PDF-Dateien zum
Ausdrucken auf der CD
enthalten.Deutschsprachig
e Ausgabe siehe DHP
1125237-400
Doppelgriffe auf
derVioline
Violin - intermediate SKU: BT.DHP-1125236-400 Composed by Nico Dezaire. D...(+)
Violin - intermediate
SKU:
BT.DHP-1125236-400
Composed by Nico Dezaire.
De Haske String Technique
Series. Book with CD.
Composed 2012. 56 pages.
De Haske Publications
#DHP 1125236-400.
Published by De Haske
Publications
(BT.DHP-1125236-400).
ISBN 9789043145572.
9x12 inches.
Dutch.
Double
Stopping is a modern
method designed to teach
violinists who are fairly
confident in the 1st
position how to play
dyads on two strings as
well as double stops.
This is achieved through
38 exercises and 37
performance pieces in
various musical styles.
The various dyads and
double stops are offered
in a coherent and
structured way, and
indicated in different
colours. The performance
pieces can be played
without accompaniment,
with CD accompaniment or
as a duet, with the
second violin parts
provided as PDF files on
the CD.English edition:
DHP 1125089-400 Double
Stops for
Violin
Dubb
elgrepen voor viool -
Double Stopping is
een eigentijdse methode
om violisten met een
ruime speelervaring in de
eerste positie
samenklanken van twee
snaren en dubbelgrepen te
leren. Dit gebeurt door
middel van 38
oefeningenen 37
speelstukken in diverse
muzikale stijlen. De
verschillende
samenklanken en
dubbelgrepen worden
overzichtelijk en
gestructureerd aangeboden
en met verschillende
kleuren aangeduid. De
speelstukken kunnen zowel
onbegeleid,met
cd-begeleiding als met
een tweede vioolstem
worden uitgevoerd. De
duetten zijn geleverd als
uit te printen pdf-files
op de
cd.
Doppelgriff
e auf der Violine
richtet sich an
Geigenschüler, die
sich sicher in der ersten
Lage bewegen, und leitet
zum Spiel von
Zusammenklängen mit
zwei Saiten und
Doppelgriffen über.
Anhand von 38 Ã?bungen
und 37 Spielstücken in
verschiedenen Musikstilen
führt diese moderne
Methode übersichtlich
und strukturiert in die
diversen
Zusammenklänge und
Doppelgriffe ein.
Zusätzliche farbige
Markierungen
unterstützen dabei den
Lernprozess. Die
Spielstücke können
sowohl unbegleitet als
auch mit einer zweiten
Geigenstimme gespielt
werden. Die Duette sind
als PDF-Dateien zum
Ausdrucken auf der CD
enthalten.Deutschsprachig
e Ausgabe siehe DHP
1125237-400
Doppelgriffe aufder
Violine
Chamber Music Violin SKU: CF.BF154 30 Easy Level Arrangements for Any ...(+)
Chamber Music Violin
SKU: CF.BF154
30 Easy Level
Arrangements for Any
Combination of String
Instruments. Composed
by Antonin Dvorak, Clara
Wieck-Schumann, Czech
Folk Song, Edvard Grieg,
French Folk Song, George
Frideric Handel, Isabella
Leonarda, Korean
Folksong, Lowell Mason,
Scottish Folk Song,
Spanish Folk, Thomas
Bayly, Traditional,
Wolfgang Amadeus Mozart,
and etc. Arranged by
Kathryn Griesinger.
Collection - Part. 28
pages. Carl Fischer Music
#BF154. Published by Carl
Fischer Music (CF.BF154).
ISBN 9781491162064.
UPC:
680160920808.
Learn
ing to play chamber music
is an important milestone
in the music
studentââ¬â¢s
journey. Playing with a
teacher or friend helps
develop rhythmic
independence, intonation,
listening skills, and
sense of pulse that are
vital to playing in an
ensemble. These
progressive duets offer
beginning and developing
players the opportunity
to play along with
others, or with the
helpful support of the
teacher in a lesson. Each
duet adds new techniques
and challenges that align
with the natural
advancement of lessons,
moving from easy rhythms
and keys to staccato bow
strokes, slurs,
accidentals (low or
extended finger
patterns), and more
complex or independent
rhythms. While the melody
remains in the top line,
musicians can alternate
playing the melody as all
efforts have been made to
keep both parts at a
similar difficulty level.
This book features
familiar melodies from
traditional, folk, and
Classical repertoire
including tunes that many
string teachers will
recognize from Suzuki
books. Appropriate for
recitals or even small
group concerts, there are
30 selections of
different tempi, styles,
and keys for variety,
while remaining in
string-friendly ranges.
Each duet is one page or
less in length, ensuring
an immediate sense of
success for young
players. The perfect
supplement to method book
exercises and solo
repertoire.
For
Violin (or Cello) and
Accordion. Composed
by Anders Koppel. Music
Sales America. Classical,
Contemporary. Softcover.
16 pages. Edition Wilhelm
Hansen #WH31025.
Published by Edition
Wilhelm Hansen
(HL.14043545).
ISBN
9788759818800.
9.5x14.0x0.038 inches.
English.
Swan Song for
Violin (or Cello) And
Accordion by Anders
Koppel - 2009
version.
The
original version of
Swan
Song is for Alto
Saxophone, Harp and
Strings (2005):
KP01619
Music Minus One Violin. Composed by Wolfgang Amadeus Mozart (1756-1791). Sheet m...(+)
Music Minus One Violin.
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Sheet music
with CD. Music Minus One.
Classical. Softcover
Audio Online. 32 pages.
Music Minus One #MMO3170.
Published by Music Minus
One
Score and Parts Chamber Group, String Instruments, Piano Chamber (Chamber Orches...(+)
Score and Parts Chamber
Group, String
Instruments, Piano
Chamber (Chamber
Orchestra)
SKU:
HL.14035706
For
Violin, Viola, Cello,
Double Bass, and Piano
Score and Parts.
Composed by Judith Weir.
Music Sales America. 20th
Century. Set. Composed
2000. 108 pages. Chester
Music #CH60298. Published
by Chester Music
(HL.14035706).
ISBN
9780711930070.
9.25x12.0x0.37
inches.
This work
was commissioned by the
Schubert Ensemble, and
first performed by them
on 5th July 1992 as part
of the Cheltenham
International Festival.
The words I broke off a
golden branch come from a
Croatian folksong, which
is very obliquely
referred to in the second
of the work's two
movements. Scored for
Violin, Viola, Cello,
Double Bass and Piano.
Duration: c.15
minutes.
Violin - intermediate SKU: HL.50601152 Violin Solo. By Italo Vesco...(+)
Violin - intermediate
SKU: HL.50601152
Violin Solo. By
Italo Vescovo. By Nicolo
Paganini. String Solo.
Classical. Softcover.
Composed 2017. 24 pages.
Ricordi #NR14171700.
Published by Ricordi
(HL.50601152).
UPC:
888680739379. 9x12
inches.
Italian-English.
Th
e Caprice d'Adieu
(autograph unknown) is
appended to Eduard
Eliason's Six Caprices
Caractéristiques
pour le Violon, Op. 12,
which was published in
Mayence by B. Schott in
1833. This piece, which
Paganini dedicated to
Eliason, is part of a
series of compositions
for violin solo that have
been widely ignored by
both performers and
scholars of the great
Genoese musician. It is a
composition whose size
and structure (A-B-A,
with two refrains)
follows the pattern of
some of his Capricci, Op.
1, but, unlike these
proper studies, the
Caprice d'adieu is
lighter and more lively
in character. Although
not as brilliant,
musically, as the
Capricci, it still
contains some original
musical ideas, mostly
articulated in two parts
with a few complex
technical passages and a
central, contrasting
section featuring
different dynamics and a
range of chords and
trills. This critical
edition is based on the
first edition and is
collated with the most
important nineteenth and
twentieth-century
editions.
For
Violin, Violoncello, and
Piano Score and
Parts. Composed by
Sean Shepherd. Boosey &
Hawkes Chamber Music.
Classical. Softcover. 32
pages. Boosey & Hawkes
#M051098293. Published by
Boosey & Hawkes
(HL.48024375).
ISBN
9781540028280. UPC:
888680749439. 9x12
inches.
Strings violin, piano SKU: PR.UE037201 For violin and piano. Compo...(+)
Strings violin, piano
SKU: PR.UE037201
For violin and
piano. Composed by
Aleksey Igudesman. Set of
Score and Parts. 8 pages.
Universal Edition
#UE037201. Published by
Universal Edition
(PR.UE037201).
ISBN
9783702475871. UPC:
803452072980.
A
natural followup to
Igudesman's first book of
In My Garden (UE037200)
presents another ten easy
pieces inspired by fruits
and vegetables. Whether
for teaching or recital,
enjoy violin musings on
the potato, the
blueberry, the orange,
radish, and zucchini, and
(yes) the ubiquitous
broccoli. The violin part
is easy to
intermediate-level, and
the piano accompaniments
are suitable for teacher
or a fellow student of
intermediate skills.
For
violin and piano.
Composed by Aleksey
Igudesman. Set of Score
and Parts. With Standard
notation. 23 pages.
Universal Edition
#UE037200. Published by
Universal Edition
(PR.UE037200).
ISBN
9783702475079. UPC:
803452072188.
Maste
r violinist Igudesman
continues a series of
books designed for
beginning to intermediate
violin students. In My
Garden presents ten short
pieces based on various
fruits and vegetables,
perfect for class and
recitals. This charming
collection includes
drawings and short poems
for each descriptive
miniature. Piano
accompaniment is
undemanding for a more
advanced fellow student
or teacher.
For
Violin, Cello and Basso
Continuo. Composed by
Pietro Antonio Locatelli.
Edited by Angela Lepore.
Arranged by Filippo
Ravizza. This edition:
Saddle stitching. Sheet
music. Ensemble.
Classical. Softcover. Op.
8/10. 26 pages. Schott
Music #ED13723. Published
by Schott Music
(HL.49044374).
ISBN
9781847613684. UPC:
888680057183.
9.25x12.0x0.148
inches.
Chamber Music Violin SKU: CF.BF131 Composed by Roland Vamos. With Standar...(+)
Chamber Music Violin
SKU: CF.BF131
Composed by Roland Vamos.
With Standard notation.
168 pages. Carl Fischer
Music #BF131. Published
by Carl Fischer Music
(CF.BF131).
ISBN
9781491153765. UPC:
680160911264. 9 x 12
inches.
Inspired by
Clarence Cameron
White’s book The
Violinist’s Daily
Dozen, The
Violinist’s Daily
Sixteen is a collection
of daily exercises
compiled by Roland Vamos.
Intended for student and
professional violinists,
the collection provides
the performer with a
variety of exercises for
daily warm-ups. Mr. Vamos
also focuses on
developing dexterity and
flexibility in the
fingers and joints, the
first and fourth fingers
in particular. Each of
the sixteen exercises is
notated for each of the
four strings, and Vamos
recommends that the
exercises be practiced as
warm-ups, choosing a
different string for each
day of practice.Also
included with the Daily
Sixteen is a
comprehensive set of
studies for developing
fluency with scales and
arpeggios. Mr.
Vamos’ unique
methodology is to begin
with major scales and
arpeggios, followed by
minor scales and
arpeggios, all of which
are notated in two, three
and four octaves.
Alternate fingers are
provided, as well as a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. It is
a remarkably systematic
approach to performing
scales and arpeggios on
the violin and will
surely benefit students
and professionals
alike. ForewordThis
short hand-setting set of
exercises was inspired by
a book entitled The
Violinist’s Daily
Dozen, conceived by
Clarence Cameron White, a
prominent
African-American
violinist, composer and
arranger who enjoyed the
bulk of his career in the
first half of the
twentieth century.I have
practiced this set of
exercises since I was
twelve years old. It has
served me as a superb
warm-up and hand setting
tool. Over the years, I
have found that there are
some aspects of this
warm-up routine that were
not given sufficient
attention or not
addressed at all.
Consequently, I have
expanded the Daily Dozen
to create a new work
entitled The
Violinist’s Daily
Sixteen.I have also paid
particular attention in
this work as to how these
exercises are to be
practiced. In exercises
one and two, I have
indicated some notes to
be played before the
actual written exercises.
This is to ensure that
the fourth finger will be
over the string in a
position ready to strike
even though it is not
being used. Before
playing exercises three,
four, nine, ten, eleven
and twelve, I have
indicated silent fingers
to be placed on the notes
they would be playing if
they were being used.I
have replaced Mr.
White’s grace
notes with notes of
specific value and have
slowed down the exercises
so that the first joint
(the joint nearest the
string) of each finger
can move with flexibility
and strength. At no time
should the first joint
buckle.In Mr.
White’s version,
the last exercise gave
the first finger some
very valuable backward
extensions. In this
exercise (number 14 in
this book), I caution the
student not to move the
hand along with the first
finger. The hand should
remain in position while
the first finger
independently moves back
and forth.It became
obvious to me that if the
first finger were given
the opportunity to
develop the dexterity
that Mr. White’s
twelfth exercise
emphasizes, the fourth
finger could benefit from
an exercise that gives it
a forward extension.
Consequently, I added
another exercise to
create a Baker’s
Dozen (thirteen).Several
years later, I felt that
the second and third
fingers should also have
an exercise to further
develop their
dexterity…hence
exercise fourteen was
added to create a
“Vamos
Dozen.â€Because the
first finger did not have
sufficient practice in
the development of the
first joint in the
original version, I have
added two exercises to
precede White’s
fifth exercise. After
re-working and
re-numbering these
exercises, I have come up
with a total of sixteen
exercises. It is my
suggestion that these be
practiced as a warm-up,
choosing a different
string each
day.—Roland
VamosEvanston, Illinois
2017Â PrefaceScales are
a means of teaching a
person the fingerboard on
his or her instrument.
The fingers move across
the strings and are
required to make shifts,
all in highly organized
patterns. Scales and
arpeggios are the
foundation upon which our
repertoire is built. Many
scale books have been
written; each one being
organized in its own
specific way. The Flesch
Scale System has been a
standard for many
decades. It is very
comprehensive and
systematic. From the
point of view of
establishing similar
patterns, it has one
drawback: it is organized
by starting with a major
key, followed by its
relative minor, going
through the circle of
fifths. I believe that it
is more profitable to do
only major scales with
their arpeggios first,
going up chromatically,
and then follow them in a
similar way with the
minor scales. In using
this approach, the
similarities in
fingerings between the
various scales are more
apparent. It is also
profitable to have
alternate fingerings
whenever possible. My
approach to scales and
arpeggios includes a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. These
bowings are not
all-inclusive. Whenever a
particularly awkward
bowing pattern is
encountered in the
repertoire, it can be
practiced as an
additional bowing
variation in the scales
and arpeggios. Â Â I
have chosen to introduce
the three and four octave
scales by teaching two
octave scales across the
strings in one position
going up chromatically
through seven positions;
starting on the first,
second, third, and
finally fourth fingers in
major and melodic
minor.—Roland
VamosEvanston, Illinois
2017.
Violin SKU: HL.49047419 31 Traditional Pieces for Violin (with Optiona...(+)
Violin
SKU:
HL.49047419
31
Traditional Pieces for
Violin (with Optional
Violin Accompanying
Parts). String. Folk,
Russian. Softcover Audio
Online. 72 pages. Schott
Music #ED13653D.
Published by Schott Music
(HL.49047419).
ISBN
9781847615701. UPC:
196288221708.
9.0x12.0x0.231
inches.
The author
of Argentinian Tango and
Folk Tunes for Violin (ED
13379), Ros Stephen,
presents a wide-ranging
collection of Russian
Tunes for violin. Highly
flexible to use, the
pieces may be performed
by a solo violinist as
violin duets. The music
has been carefully edited
to create authentic
arrangements.
Ornamentation, bowing and
fingering have been
included to enable
stylistic performances,
and there is also
guidance on general
style, as well as note on
all of the individual
tunes. Recordings of all
tunes, performed by Ros
Stephen, are available
for free download.
Featuring 43 Fiddlers
and 188 of Their
Tunes. Perfect
binding. Folk. Book. 212
pages. Mel Bay
Publications, Inc #30091.
Published by Mel Bay
Publications, Inc
(MB.30091).
ISBN
9781513466378. 8.75 x
11.75
inches.
Appalachian
fiddle music, based on
the musical traditions of
the people who settled in
the mountainous regions
of the southeastern
United States, is
widely-known and played
throughout North America
and parts of Europe
because of its complex
rhythms, its catchy
melodies, and its
often-ancient-sounding
stylistic qualities. The
authors explore the lives
and music of 43 of the
classic Appalachian
fiddlers who were active
during the first half of
the 20th century. Some of
them were recorded
commercially in the
1920s, such as Gid
Tanner, Fiddlin? John
Carson, and Charlie
Bowman. Some were
recorded by folklorists
from the Library of
Congress, such as William
Stepp, Emmett Lundy, and
Marion Reece. Others were
recorded informally by
family members and
visitors, such as John
Salyer, Emma Lee
Dickerson, and Manco
Sneed. All of them played
throughout most of their
lives and influenced the
growth and stylistic
elements of fiddle music
in their regions. Each
fiddler has been given a
chapter with a biography,
several tune
transcriptions, and tune
histories. To show the
richness of the music,
the authors make a
special effort to show
the musical elements in
detail, but also
acknowledge that nothing
can take the place of
listening. Many of the
classic recordings used
in this book can be found
on the web, allowing you
to hear and read the
music together.