SKU: MB.30091

ISBN 9781513466378. 8.75 x 11.75 inches.

Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.

SKU: BT.DHP-1135448-400

ISBN 9789043140881. 9x12 inches. English.

Now solo instrumentalists can play play along with 14 intermediate-level tunes from Musicals like The Sound of Music, Mary Poppins and Beauty and the Beast.These books include CDs with orchestral accompaniment tracks.
ABC (THRILLER - The Musical)
Always Look on the Bright Side (SPAMALOT)
Beauty And The Beast (BEAUTY AND THE BEAST)
Belle (BEAUTY AND THE BEAST)
Circle of Life (THE LION KING)
Defying Gravity (WICKED)
Good Morning Baltimore (HAIRSPRAY)
I Just Cant Wait To Be King (THE LION KING)
My Favourite Things (THE SOUND OF MUSIC)
One Short Day (WICKED)
Sixteen Going On Seventeen (THE SOUND OF MUSIC)
Supercalifragil isticexpialidocious (MARY POPPINS)
That Face (THE PRODUCERS)
We Are The Champions (WE WILL ROCK YOU)


Wem BEST OF FILM and TV gefällt, wird auch Freude an BEST OF MUSICAL haben. Die 14 mittelschweren Solostücke aus bekannten Musicals können zur Orchesterbegleitung der CD gespielt werden. Das macht richtig Laune! Inhalt:
ABC (THRILLER - The Musical)
Always Look on the Bright Side (SPAMALOT)
Beauty And The Beast (BEAUTY AND THE BEAST)
Belle (BEAUTY AND THE BEAST)
Circle of Life (THE LION KING)
Defying Gravity (WICKED)
Good Morning Baltimore (HAIRSPRAY)
I Just Cant Wait To Be King (THE LION KING)
My Favourite Things (THE SOUND OF MUSIC)
One Short Day (WICKED)
Sixteen Going On Seventeen (THE SOUND OF MUSIC)
Supercalifragil isticexpialidocious (MARY POPPINS)
That Face (THE PRODUCERS)
We Are The Champions (WE WILL ROCK YOU)

SKU: AP.48645

ISBN 9781470643539. UPC: 038081557403. English.

Fantastic repertoire for fun that also builds reading, listening, and ensemble skills! Intended for first- and second-year players, this creative collection presents seven original rounds, each written from the scrambled notes of a traditional tune that students are challenged to identify. Whether in the classroom or on the concert program, the mystery delights one and all. Designed for maximum flexibility, these pieces may be performed with as few as four like instruments, or with as many instruments as desired, divided into four groups. Upper strings can be combined, or lower strings can be combined. For an ensemble that contains both upper and lower strings, ensemble accompaniment parts have been provided. The score contains a reproducible piano accompaniment as well. With so many options for instrumentation, Seven Mystery Melodies offers a unique, easy-to-use collection for teachers and beginning string students.

SKU: HL.233289

12.0x9.25x0.43 inches.

Score and separate parts with spiral-bound keyboard/organ part. Number 5, 1950 was Mark Rothko's last painting before the breakthrough into his mature format. In it the luminous color fields of a classic Rothko are inscribed across the middle with three delicate lines. Describing this painting and its pivotal position in Rothko's work, Brian O'Doherty observes: 'After this, the lines disappear completely.' In recent years gesture and figuration have disappeared from my music. What used to be background has emerged to become a musical world composed entirely of floating color fields. In this new world I've changed media, moving from the orchestra to smaller combinations of acoustical instruments and electronically-processed sounds. I still think in orchestral terms, but this hybrid medium allows me to create orchestral textures for more practical and readily available ensembles. Initially I imagined this as a kind of monolithic music -an entire piece as one rich and complex sound. Then I came to hear it as homophonic or heterophonic. And now - in this musical world that I thought was completely free of lines - I've come to hear a polyphony of harmonic clouds. Maybe the lines never disappear completely. Maybe Christian Wolff was right when he quipped: 'No matter what we do, sooner or later it all sounds melodic.' - John Luther Adams.