by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody.
For violin. Format: fake
book. With lead melody,
chord names,
instructional text and
performance notes. Folk,
americana and british.
302 pages. 9x12 inches.
Published by Oak
Publications.
Violin SKU: BT.9781408114612 Composed by Peter Davey. Abracadabra. Method...(+)
Violin
SKU:
BT.9781408114612
Composed by Peter Davey.
Abracadabra. Method. Book
with CD. 64 pages.
Collins Music Publishing
#9781408114612. Published
by Collins Music
Publishing
(BT.9781408114612).
ISBN 9781408114612.
English.
Now in a
third edition,
Abracadabra Violin
has a fresh and
contemporary new look and
is the perfect book for
pupil and
teacher.
This
title offers an identical
selection of repertoire
to the other books in
theAbracadabra Strings
series, so they can be
used in any combination
for group or whole class
lessons and mixed
ensemble performances.
Used alone, they remain
ideal for individual
tuition.
With
tunes you know and want
toplay, carefully graded
in 20 learning steps,
this new edition of the
popular tutor also
includes duets, trios and
teacher's parts. Clear
fingering and bowing
diagrams and concise
theory explanations help
to teach
thefundamentalsof the
instrument, and each new
technical aspect is
reinforced by several
pieces using that
particular
technique.
Abra
cadabra Violin now
also includes two CDs of
performance and backing
tracks, featuringselected
orchestral backings.
Featuring 43 Fiddlers
and 188 of Their
Tunes. Perfect
binding. Folk. Book. 212
pages. Mel Bay
Publications, Inc #30091.
Published by Mel Bay
Publications, Inc
(MB.30091).
ISBN
9781513466378. 8.75 x
11.75
inches.
Appalachian
fiddle music, based on
the musical traditions of
the people who settled in
the mountainous regions
of the southeastern
United States, is
widely-known and played
throughout North America
and parts of Europe
because of its complex
rhythms, its catchy
melodies, and its
often-ancient-sounding
stylistic qualities. The
authors explore the lives
and music of 43 of the
classic Appalachian
fiddlers who were active
during the first half of
the 20th century. Some of
them were recorded
commercially in the
1920s, such as Gid
Tanner, Fiddlin? John
Carson, and Charlie
Bowman. Some were
recorded by folklorists
from the Library of
Congress, such as William
Stepp, Emmett Lundy, and
Marion Reece. Others were
recorded informally by
family members and
visitors, such as John
Salyer, Emma Lee
Dickerson, and Manco
Sneed. All of them played
throughout most of their
lives and influenced the
growth and stylistic
elements of fiddle music
in their regions. Each
fiddler has been given a
chapter with a biography,
several tune
transcriptions, and tune
histories. To show the
richness of the music,
the authors make a
special effort to show
the musical elements in
detail, but also
acknowledge that nothing
can take the place of
listening. Many of the
classic recordings used
in this book can be found
on the web, allowing you
to hear and read the
music together.
Arrangements for Solo Instrument to Full Orchestra; Flexible for any number o...(+)
Arrangements for Solo
Instrument to Full
Orchestra; Flexible for
any number or combination
of instruments with piano
or CD accompaniment.
Arranged by Stan Pethel.
Advent; Christmas;
Epiphany;
Transfiguration; Christ's
Gracious Life; Palm
Sunday; Easter;
Eastertide; Pentecost;
Holy Trinity;
Reformation; All Saints';
Christ the King;
Communion; Stewardship;
Thanksgiving; General.
Book and CD. Published by
Chorister's Guild
(CG.CGIN16CD).
Arrangements for Solo Instrument to Full Orchestra; Flexible for any number o...(+)
Arrangements for Solo
Instrument to Full
Orchestra; Flexible for
any number or combination
of instruments with piano
or CD accompaniment.
Arranged by Stan Pethel.
Advent; Christmas;
Epiphany;
Transfiguration; Christ's
Gracious Life; Palm
Sunday; Easter;
Eastertide; Pentecost;
Holy Trinity;
Reformation; All Saints';
Christ the King;
Communion; Stewardship;
Thanksgiving; General.
Book only. Published by
Chorister's Guild
(CG.CGIN16).
By Bonnie Rideout. For Fiddle. Solos. Encyclopedia. Scottish. Level: Intermediat...(+)
By Bonnie Rideout. For
Fiddle. Solos.
Encyclopedia. Scottish.
Level: Intermediate.
Book. Size 8.75x11.75.
136 pages. Published by
Mel Bay Publications,
Inc.
Chamber Music Violin SKU: PR.144407530 Composed by Lauren Bernofsky. 12 p...(+)
Chamber Music Violin
SKU: PR.144407530
Composed by Lauren
Bernofsky. 12 pages.
Duration 10 minutes, 30
seconds. Merion Music
#144-40753. Published by
Merion Music
(PR.144407530).
ISBN
9781491136614. UPC:
680160687992.
A
violinist herself, Lauren
Bernofsky has described
SONATA FOR SOLO VIOLIN as
drawn from
autobiographical
inspiration, including
gestures from Bachâ??s
beloved Partita in E
Major. Bernofsky opens
with a Preludio movement
whose references to Bach
may be disguised, but
they are surely lurking.
The second movement is
lusciously contrapuntal
with the idiomatic
finesse of a violinist
composing for her own
instrument, while
musically journaling the
emotional pain of living
through 2020. The third
and final movement is
aptly marked
â??white-hot,â? and
the music certainly
is. My SONATA FOR SOLO
VIOLIN was commissioned
by violinist Megan Healy
as part of The Maud
Powell Project, which
celebrated the 100th
anniversary of the
ratification of the 19th
Amendment. The project
included the creation of
five new works for solo
violin inspired by and
dedicated to the memory
of pioneering American
violinist Maud Powell
(1867-1920). Healy
premiered the sonata on
May 8, 2021 at PianoForte
Studios in Chicago.Among
the works Powell most
frequently performed in
her recitals was the
â??Preludioâ?
movement from Bachâ??s E
major Partita, and I
decided to refer to that
music in my own first
movement, also titled
â??Preludio.â? The
beginning subtly reflects
Bachâ??s opening
three-note motive,
wherein the music dips
down a semitone and then
comes back up. This
melodic material returns
throughout the movement
in various forms. I also
refer to Bachâ??s
sixteenth-note dominated
texture, and the gesture
in the third measure,
which outlines a perfect
fifth and then fills it
in with notes that
alternate between a scale
and a pedal tone. The
corresponding passage in
my piece occurs in the
same place, measure 3.
Apart from these
references to Bach, my
sonata is much more
modern sounding,
especially in its
chromatic character.I was
still thinking of
Bachâ??s solo violin
writing while composing
the second movement,
particularly the
polyphonic nature of the
slow movements, where the
melodic interest moves
around between the
voices. Emotionally, I
wanted my movement to
reflect the acute sadness
I had been experiencing
over the political and
social situation in the
United States as I wrote
the piece. I realized
that this is a
historically noteworthy
time in U.S. history,
marked not only by
political unrest, but
also by a challenge to
the very values that I
consider essential to
what makes a person
fundamentally human. I
wanted to create a record
of that pain in my
music.The final movement
is marked
â??White-hot.â? It is
imbued with a relentless,
passionate intensity.
Wanting again to reflect
aspects of our own time,
I included glissandi that
refer to rock music,
specifically the
â??fall-offsâ? I
frequently hear played by
electric guitarists. I
borrowed from another
(completely different)
musical tradition as
well, one that is
near-and-dear to my
heart: Klezmer. Klezmer
(Eastern European Jewish
folk music) is
characterized in part by
scales colored by
augmented seconds, and is
often performed by solo
instrumentalists who
improvise embellishments
like quick grace notes.
The second, more lyrical
theme in this movement is
my nod to Klezmer
style.While this piece is
an homage to Maud Powell,
I also think of it as my
own musical
autobiography, as it
combines some of my
favorite aspects of
music, and is played on
my own instrument.
String Thang Violon - Intermédiaire Alfred Publishing
Violin - Grade 3 SKU: AP.50642 Composed by Mark Wood. Sheet; Solo. Mark W...(+)
Violin - Grade 3
SKU:
AP.50642
Composed by
Mark Wood. Sheet; Solo.
Mark Wood Series. Rock.
Score. 6 pages. Alfred
Music #00-50642.
Published by Alfred Music
(AP.50642).
ISBN
9781470652517. UPC:
038081574967.
English.
String
Thang by Mark Wood is
based on the twelve-bar
blues. The blues has deep
roots in American
history, developed out of
the work songs and chants
of African-American
slaves. The Great
Migration of the first
half of the 20th century
saw freed slaves and
their descendants move to
northern and eastern
parts of the U.S., taking
their music with them.
The blues took on
different forms; in turn
it helped to create rock,
jazz, hip-hop, and other
popular genres. A
twelve-bar blues uses a
repeating chord
progression which allows
musicians to express
themselves creatively
with each recurrence. If
anything defines the
blues, it is the use of
blue notes---pitches that
don't usually belong in a
given key---and elements
of improvisation.
Composed by Carol Ann Wheeler. Squareback saddle stitch, Country, Bluegrass, Met...(+)
Composed by Carol Ann
Wheeler. Squareback
saddle stitch, Country,
Bluegrass, Method,
Children and Young
Beginner. Style. Book and
online audio. 104 pages.
Mel Bay Publications, Inc
#95279M. Published by Mel
Bay Publications, Inc
Composed by Craig Duncan. Saddle-stitched. Celtic. Book and online audio. 60...(+)
Composed by Craig Duncan.
Saddle-stitched. Celtic.
Book
and online audio. 60
pages.
Mel Bay Publications, Inc
#30860M. Published by Mel
Bay
Publications, Inc
The Orchestra Musician's CD-ROM Library, Volume 10. By Various. For Violin. The ...(+)
The Orchestra Musician's
CD-ROM Library, Volume
10. By Various. For
Violin. The Orchestra
Musician's CD-ROM
Library. CD-ROM only. 8
pages. Published by Hal
Leonard.
compiled by Dr. Ed Whitcomb. For Fiddle. songbook. Canadian. Level: Beginning-In...(+)
compiled by Dr. Ed
Whitcomb. For Fiddle.
songbook. Canadian.
Level:
Beginning-Intermediate.
Book. Size 8.75x11.75.
224 pages. Published by
Mel Bay Publications,
Inc.
Play Along with a Full Symphony Orchestra!. Composed by Various. Instrumental Pl...(+)
Play Along with a Full
Symphony Orchestra!.
Composed by Various.
Instrumental Play-Along.
Play Along. Softcover
Audio Online. 20 pages.
Published by Hal Leonard