Eta Cohen Violin Method - Book 2. (Student Book). For Violin (Book). Music Sal...(+)
Eta Cohen Violin Method -
Book 2. (Student Book).
For Violin (Book). Music
Sales America. 36 pages.
Novello and Co Ltd.
#NOV916170. Published by
Novello and Co Ltd.
How To Play Fiddle with CD by Larry McCabe. For fiddle. This edition: Paperback....(+)
How To Play Fiddle with
CD by Larry McCabe. For
fiddle. This edition:
Paperback. Instructional.
Method. Book and CD. Text
Language: English. 48
pages. Published by
Santorella Publications
Music Minus One Violin. Composed by Henri Wieniawski (1835-1880) and Pablo de Sa...(+)
Music Minus One Violin.
Composed by Henri
Wieniawski (1835-1880)
and Pablo de Sarasate
(1844-1908). Sheet music.
Music Minus One.
Classical. Softcover
Audio Online. 16 pages.
Music Minus One #MMO3113.
Published by Music Minus
One
By L. v Beethoven (1770-1827). For Violin. DOWANI 3 Tempi Play Along - Violin. A...(+)
By L. v Beethoven
(1770-1827). For Violin.
DOWANI 3 Tempi Play Along
- Violin. Artist:
Alexander Trostyansky -
Violin; Galina
Schirinskaya - Piano.
Level: Advanced. Sheet
Music with CD (3 Tempi
Play Along). Published by
Dowani International.
Violin - intermediate SKU: BT.DHP-1185780-400 The World's Most Beautif...(+)
Violin - intermediate
SKU:
BT.DHP-1185780-400
The World's Most
Beautiful Arias with Full
Orchestra Play Along.
Opera or Operetta. Book
with CD. Composed 2018.
36 pages. De Haske
Publications #DHP
1185780-400. Published by
De Haske Publications
(BT.DHP-1185780-400).
ISBN 9789043153836.
English-German-French-Dut
ch.
For over three
hundred years, great
opera singers have held
entire audiences under
their spell. In so doing,
they can call on an
etensive repertoire of
arias by many important
composers. Live at the
Opera now makes this
precious treasure trove
available to
instrumentalists, too.
Twelve of the most
beautiful operatic
melodies of all time have
been specially arranged
for violin and are
performed by the renowned
violinist Maximilian
Lohse. The accompanying
audio is performed by an
authentic opera
orchestra, which also
includes a play-along
version without soloist.
Additionally, this unique
collection also includes
background info and tips
on performance for
theindividual arias.
Al meer dan
driehonderd jaar weten
grote operazangers en
-zangeressen hun publiek
te betoveren. Wanneer ze
voor ons op het podium
staan, vertolken ze
melodieën die behoren
tot de allermooiste van
de klassieke muziek.
Live at the opera
maakt deze schat aan
melodieën nu ook
toegankelijk voor
instrumentalisten: twaalf
Italiaanse
opera-ariaâ??s zijn
speciaal gearrangeerd
voor viool en opgenomen
door de gerenommeerd
violist Maximilian Lohse.
Een echt operaorkest
neemt de begeleiding voor
zijn rekening, die op de
meespeelversie ook zonder
solo-instrumentalist
beschikbaar is. Verder
zijn in deze unieke
collectie
muziekhistorische
achtergrondinformatie bij
iedere aria entips voorde
uitvoering opgenomen.
Schon seit mehr
als dreihundert Jahren
ziehen groÃ?e
Opernsängerinnen ein
ganzes Opernpublikum in
seinen Bann. Dabei
können sie sich aus
einem umfangreichen
Arienrepertoire aus der
Feder zahlreicher
bedeutender Komponisten
bedienen. Live at the
Opera macht diesen
kostbaren Melodienschatz
nun auch
Instrumentalisten
zugänglich: 12 der
schönsten
Opernmelodien aller
Zeiten wurden hier eigens
für Violine
eingerichtet und werden
von dem renommierten
Geiger Maximilian Lohse
vorgespielt. Ein echtes
Opernorchester
übernimmt dabei die
Begleitung, welche
zusätzlich auch in
einer Mitspielversion
ohne den Solisten zur
Verfügung steht.
Hintergrundwissen
undAusführungstipps zu
den einzelnen Arien sind
weitere Pluspunkte dieser
einzigartigen Sammlung.
A violin method for children. By Egon Sassmannshaus; Kurt Sassmannshaus. America...(+)
A violin method for
children. By Egon
Sassmannshaus; Kurt
Sassmannshaus. American
English translation: Kurt
Sassmannshaus;
Illustrations: Charlotte
Panowsky. For Violin.
Take advantage of our
exclusive introductory
offer now and save 25%
off the regular price -
this special price is
available for a limited
time only. Baerenreiter's
Sassmannshaus. Original
German title: Fruher
Anfang auf der Geige -
Band 4; Eine Violinschule
fur Kinder. Instructional
Method. Method book. Text
language: English. 72
pages. Published by
Baerenreiter Verlag
(German import).
Featuring 43 Fiddlers
and 188 of Their
Tunes. Perfect
binding. Folk. Book. 212
pages. Mel Bay
Publications, Inc #30091.
Published by Mel Bay
Publications, Inc
(MB.30091).
ISBN
9781513466378. 8.75 x
11.75
inches.
Appalachian
fiddle music, based on
the musical traditions of
the people who settled in
the mountainous regions
of the southeastern
United States, is
widely-known and played
throughout North America
and parts of Europe
because of its complex
rhythms, its catchy
melodies, and its
often-ancient-sounding
stylistic qualities. The
authors explore the lives
and music of 43 of the
classic Appalachian
fiddlers who were active
during the first half of
the 20th century. Some of
them were recorded
commercially in the
1920s, such as Gid
Tanner, Fiddlin? John
Carson, and Charlie
Bowman. Some were
recorded by folklorists
from the Library of
Congress, such as William
Stepp, Emmett Lundy, and
Marion Reece. Others were
recorded informally by
family members and
visitors, such as John
Salyer, Emma Lee
Dickerson, and Manco
Sneed. All of them played
throughout most of their
lives and influenced the
growth and stylistic
elements of fiddle music
in their regions. Each
fiddler has been given a
chapter with a biography,
several tune
transcriptions, and tune
histories. To show the
richness of the music,
the authors make a
special effort to show
the musical elements in
detail, but also
acknowledge that nothing
can take the place of
listening. Many of the
classic recordings used
in this book can be found
on the web, allowing you
to hear and read the
music together.
String Trio SKU: HL.48181148 For Violin, Cello and Harp. Composed ...(+)
String Trio
SKU:
HL.48181148
For
Violin, Cello and
Harp. Composed by
Jacques-Francois Ibert.
Leduc. Classical.
Alphonse Leduc #AL20341.
Published by Alphonse
Leduc (HL.48181148).
UPC: 888680906801.
9.0x12.0x0.15
inches.
Jacques
Ibert (1890-1962) studied
at the Paris
Conservatoire before
embarking upon a
successful composing
career. The composer
wrote for a variety of
instrumentations and his
works remain popular to
this day, Trio for
Violin, Cello and Harp
being no exception.
Composed in 1944, Trio is
suitable to advanced
level violinists,
cellists and harpists.
Ibert was a unique
composer who did not
associate himself with
any particular style. His
music is generally
lighthearted, often
reflecting the composer's
wit and humour.
Containing a variety of
musical aspects and
techniques, and
significantly composed
for an unusual
arrangement of violin and
cello with harp
accompaniment, Ibert's
Trio is an exciting
addition to the advanced
level violin, cello and
harp ensemble
repertoire.
Music Minus One Violin. Composed by Max Bruch (1838-1920). Music Minus One. Clas...(+)
Music Minus One Violin.
Composed by Max Bruch
(1838-1920). Music Minus
One. Classical. Softcover
Audio Online. 20 pages.
Music Minus One #MMO3100.
Published by Music Minus
One
16 Easy to Intermediate Pieces from 18th century Sweden. Composed by Various. Ed...(+)
16 Easy to Intermediate
Pieces from 18th century
Sweden. Composed by
Various. Edited by Jeremy
Barlow. This edition:
Saddle stitching. Sheet
music with CD. 16 leichte
bis mittelschwere Stucke
aus dem Schweden des 18.
Jahrhunderts. Classical.
Edition with CD. 68
pages. Schott Music #ED
12863. Published by
Schott Music
By Ch. A. de Beriot (1802-1870). For Violin. DOWANI Urtext 3 Tempi Play Along ...(+)
By Ch. A. de Beriot
(1802-1870). For Violin.
DOWANI Urtext 3 Tempi
Play Along - Violin.
Level: Advanced. Sheet
Music with CD (3 Tempi
Play Along). Published by
Dowani International.
Violin SKU: HL.14023318 Composed by Per Norgard. Music Sales America. Cla...(+)
Violin
SKU:
HL.14023318
Composed
by Per Norgard. Music
Sales America. Classical.
Book [Softcover].
Composed 2002. 16 pages.
Edition Wilhelm Hansen
#WH30388. Published by
Edition Wilhelm Hansen
(HL.14023318).
Composed by Johannes Brahms (1833-1897). Edited by Bernhard Stockmann. Arranged ...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Bernhard
Stockmann. Arranged by
Bernhard Stockmann. With
Standard notation. Wiener
Urtext/Vienna Urtext
#UT50012. Published by
Wiener Urtext/Vienna
Urtext
For Violin. Contains a printed score and a compact disc featuring both concerti ...(+)
For Violin. Contains a
printed score and a
compact disc featuring
both concerti in
split-channel stereo with
the violinist on the
right channel; then again
in a stereo accompaniment
version minus the solo
violin part. Published by
Music Minus One.
Violin SKU: HL.48187242 Composed by Reynaldo Hahn. Leduc. Classical. Soft...(+)
Violin
SKU:
HL.48187242
Composed
by Reynaldo Hahn. Leduc.
Classical. Softcover. 9
pages. Heugel & Cie
#HE20707. Published by
Heugel & Cie
(HL.48187242).
UPC:
888680990206.
9.0x12.0x0.079
inches.
Composed by
Reynaldo Hahn, Romance in
A major is a chamber
piece for Violin and
Piano, for
upper-intermediate
players. This melodious
piece is written in one
main movement and is
perfect for a recital.
Starting Tres modere with
the main theme, the piece
later become quieter
calme with some
variations of this main
theme. Really romantic,
it is sometimes indicated
which string to play and
the Piano accompanies the
Violin with some flawless
arpeggiated semiquavers.
Reynaldo Hahn was a
naturalised French
composer, conductor,
theatre director and
singer. Best known as a
composer of songs, he
also wrote many pieces
and melodies for
different
instruments..
Music Minus One Violin. Composed by Jean Sibelius (1865-1957). Music Minus One. ...(+)
Music Minus One Violin.
Composed by Jean Sibelius
(1865-1957). Music Minus
One. Classical. Softcover
Audio Online. 16 pages.
Music Minus One #MMO3144.
Published by Music Minus
One
Piano Accompaniment; Violin SKU: HL.14047952 For Violin and Piano Acco...(+)
Piano Accompaniment;
Violin
SKU:
HL.14047952
For
Violin and Piano
Accompaniment.
Composed by Kevin Volans.
Music Sales America.
Classical. Softcover.
Composed 2016. 18 pages.
Chester Music #CH77033.
Published by Chester
Music (HL.14047952).
ISBN 9781785582936.
9.0x12.0
inches.
Violin:pian
o is a work by Kevin
Volans for Violin and
Piano, in which the two
instruments play at
different tempi. This
unusual and challenging
piece was commissioned by
Chris Alexander and
premiered by himself and
Waldo Alexander at the
Ultraschall Festival,
Berlin in 2012. A full
performance of this work
lasts around 25 minutes.
This includes both the
Violin and Piano
parts.
Chamber Music Violin SKU: PR.144407530 Composed by Lauren Bernofsky. 12 p...(+)
Chamber Music Violin
SKU: PR.144407530
Composed by Lauren
Bernofsky. 12 pages.
Duration 10 minutes, 30
seconds. Merion Music
#144-40753. Published by
Merion Music
(PR.144407530).
ISBN
9781491136614. UPC:
680160687992.
A
violinist herself, Lauren
Bernofsky has described
SONATA FOR SOLO VIOLIN as
drawn from
autobiographical
inspiration, including
gestures from Bachâ??s
beloved Partita in E
Major. Bernofsky opens
with a Preludio movement
whose references to Bach
may be disguised, but
they are surely lurking.
The second movement is
lusciously contrapuntal
with the idiomatic
finesse of a violinist
composing for her own
instrument, while
musically journaling the
emotional pain of living
through 2020. The third
and final movement is
aptly marked
â??white-hot,â? and
the music certainly
is. My SONATA FOR SOLO
VIOLIN was commissioned
by violinist Megan Healy
as part of The Maud
Powell Project, which
celebrated the 100th
anniversary of the
ratification of the 19th
Amendment. The project
included the creation of
five new works for solo
violin inspired by and
dedicated to the memory
of pioneering American
violinist Maud Powell
(1867-1920). Healy
premiered the sonata on
May 8, 2021 at PianoForte
Studios in Chicago.Among
the works Powell most
frequently performed in
her recitals was the
â??Preludioâ?
movement from Bachâ??s E
major Partita, and I
decided to refer to that
music in my own first
movement, also titled
â??Preludio.â? The
beginning subtly reflects
Bachâ??s opening
three-note motive,
wherein the music dips
down a semitone and then
comes back up. This
melodic material returns
throughout the movement
in various forms. I also
refer to Bachâ??s
sixteenth-note dominated
texture, and the gesture
in the third measure,
which outlines a perfect
fifth and then fills it
in with notes that
alternate between a scale
and a pedal tone. The
corresponding passage in
my piece occurs in the
same place, measure 3.
Apart from these
references to Bach, my
sonata is much more
modern sounding,
especially in its
chromatic character.I was
still thinking of
Bachâ??s solo violin
writing while composing
the second movement,
particularly the
polyphonic nature of the
slow movements, where the
melodic interest moves
around between the
voices. Emotionally, I
wanted my movement to
reflect the acute sadness
I had been experiencing
over the political and
social situation in the
United States as I wrote
the piece. I realized
that this is a
historically noteworthy
time in U.S. history,
marked not only by
political unrest, but
also by a challenge to
the very values that I
consider essential to
what makes a person
fundamentally human. I
wanted to create a record
of that pain in my
music.The final movement
is marked
â??White-hot.â? It is
imbued with a relentless,
passionate intensity.
Wanting again to reflect
aspects of our own time,
I included glissandi that
refer to rock music,
specifically the
â??fall-offsâ? I
frequently hear played by
electric guitarists. I
borrowed from another
(completely different)
musical tradition as
well, one that is
near-and-dear to my
heart: Klezmer. Klezmer
(Eastern European Jewish
folk music) is
characterized in part by
scales colored by
augmented seconds, and is
often performed by solo
instrumentalists who
improvise embellishments
like quick grace notes.
The second, more lyrical
theme in this movement is
my nod to Klezmer
style.While this piece is
an homage to Maud Powell,
I also think of it as my
own musical
autobiography, as it
combines some of my
favorite aspects of
music, and is played on
my own instrument.