Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody.
For violin. Format: fake
book. With lead melody,
chord names,
instructional text and
performance notes. Folk,
americana and british.
302 pages. 9x12 inches.
Published by Oak
Publications.
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
Featuring 43 Fiddlers
and 188 of Their
Tunes. Perfect
binding. Folk. Book. 212
pages. Mel Bay
Publications, Inc #30091.
Published by Mel Bay
Publications, Inc
(MB.30091).
ISBN
9781513466378. 8.75 x
11.75
inches.
Appalachian
fiddle music, based on
the musical traditions of
the people who settled in
the mountainous regions
of the southeastern
United States, is
widely-known and played
throughout North America
and parts of Europe
because of its complex
rhythms, its catchy
melodies, and its
often-ancient-sounding
stylistic qualities. The
authors explore the lives
and music of 43 of the
classic Appalachian
fiddlers who were active
during the first half of
the 20th century. Some of
them were recorded
commercially in the
1920s, such as Gid
Tanner, Fiddlin? John
Carson, and Charlie
Bowman. Some were
recorded by folklorists
from the Library of
Congress, such as William
Stepp, Emmett Lundy, and
Marion Reece. Others were
recorded informally by
family members and
visitors, such as John
Salyer, Emma Lee
Dickerson, and Manco
Sneed. All of them played
throughout most of their
lives and influenced the
growth and stylistic
elements of fiddle music
in their regions. Each
fiddler has been given a
chapter with a biography,
several tune
transcriptions, and tune
histories. To show the
richness of the music,
the authors make a
special effort to show
the musical elements in
detail, but also
acknowledge that nothing
can take the place of
listening. Many of the
classic recordings used
in this book can be found
on the web, allowing you
to hear and read the
music together.
(Foreword and Additional Editing by Doris Gazda). By George Frideric Handel Fede...(+)
(Foreword and Additional
Editing by Doris Gazda).
By George Frideric Handel
Federigo Fiorillo. Edited
by Larry Clark, Leopold
Auer, Doris Gazda.
Arranged by William
Strasser. For Violin,
Violin and Piano. Book.
96 pages. Published by
Carl Fischer
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Bongos, Cello, Clarinet,
Contrabass, Crotales,
Cymbals, English Horn,
Field Drum, Flute,
Glockenspiel, Horn 1,
Horn 2, Oboe 1, Oboe 2,
Percussion, Piano, Snare
Drum, Triangle, Trumpet,
Vibraphone, Viola and
more.
SKU:
PR.416411770
For
Violin, Piano, and
Chamber Orchestra.
Composed by William
Kraft. Full score. With
Standard notation.
Duration 17 minutes.
Theodore Presser Company
#416-41177. Published by
Theodore Presser Company
(PR.416411770).
UPC:
680160091508.
I was
tempted to call the piece
Throw Back because it
consciously employs
rhythmic and harmonic
approaches characteristic
of the earlier part of
the twentieth century,
much of which plays a
part in forging my
musical personality.
Going along with the
impetus, I have paid
homage by subtly
interpolating stylistic
or actual references to
such unexpected
bedfellows as Scriabin,
Ravel, Debussy, Piston,
Roussel, and Ysaye. I
hope I will be musically
forgiven. In one
continuous movement,
there are three definite
internal sections:
Presto-Largo-Allegro. The
first section opens with
a very soft percussion
cadenza. If the acoustics
allow it, the player will
use sponge pottery
mallets (sponge-headed
mallets employed to
smooth the interior of a
pot as it is being
spin-dried). No matter
how hard the
percussionist strikes the
drums, the dynamic cannot
go above pp (pianissimo).
This cadenza serves as a
basis for the first
movement. The elements of
the cadenza are taken by
the orchestra to make the
first major statement,
similar to the classical
concerto; but rather than
making a restatement, the
soloists, when they come
in, begin with
variational ideas. The
second section is given
over to the soloists, and
is lyrical. The third
section begins with an
alternation between
strict rhythmic pulsation
and free-sounding
timbres, as if reluctant
to leave the second
section behind. The
rhythmic aspect takes
over more and more as the
piece progresses toward
its conclusion. Double
Play was commissioned by
the Saint Paul Chamber
Orchestra with financial
assistance from the
Northwest Area
Foundation. It received
its premiere on January
7, 1983, in St. Paul,
with the St. Paul Chamber
Orchestra; Pinchas
Zukerman, violinist; Marc
Neikrug, piano; and the
composer conducting.
For Violin. Sheet Music, Audio CD and DVD (Region 0). 64 pages. Published by Mus...(+)
For Violin. Sheet Music,
Audio CD and DVD (Region
0). 64 pages. Published
by Music Sales.
This complete violin
course brings together
the Step One Teach
Yourself series in a
single multimedia package
to provide a total
learning system. In this
great pack you'll get: a
complete instruction
book, 3 CDs, and a DVD.
The CD audio tracks tell
you how everything should
sound, and the full
length accompaniment
tracks give you instant
backing. The DVD features
an expert teacher
demonstrating proper
playing techniques.
In form of Etudes, in all 24 Keys. Composed by Jacques Pierre Joseph Rode. Arran...(+)
In form of Etudes, in all
24 Keys. Composed by
Jacques Pierre Joseph
Rode. Arranged by Max
Rostal. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 76 pages.
Schott Music #ED6512.
Published by Schott Music
Abracadabra. Studies &
Exercises. Book with CD.
Composed 2017. 32 pages.
Collins Music Publishing
#9781472923608. Published
by Collins Music
Publishing
(BT.9781472923608).
ISBN 9781472923608.
English.
A
fantastic collection of
14 classical showstoppers
arranged for beginner to
intermediate players.
Bringing together
well-known classics in
varied styles from the
Baroque period to the
twentieth century, this
versatile repertoire book
includes aninspirational
CD and duet parts:
everything needed to
givea great
performance.Anyone can
take centre stage and
stand in the spotlight
with Abracadabra
Performance Pieces.This
brand new book is the
latest addition to the
best-selling Abracadabra
series, offering
approachable longer
arrangements with
fantastic backing tracks
ideal for concert
performances or simply
for more musical fun. The
14 pieces showcase
anarray of classical
favourites, from Purcell
and Handel to Bizet and
Bartok, and are suitable
for beginner to
intermediate players
(Grade 1 3).The CD
contains specially
recorded performances and
supportive backing tracks
that are guaranteed to
bring extra sparkle to
any performance. Four
pieces also include a
duet part for teachers or
fellow players.
(Solos with Ensemble Arrangements for Two or More Players) Arranged by Stan Peth...(+)
(Solos with Ensemble
Arrangements for Two or
More Players) Arranged by
Stan Pethel. For violin.
Format: violin songbook.
With standard notation,
solo part and harmony
part. Contemporary
Christian. 21 pages. 9x12
inches. Published by
Daybreak Music.
10 Virtuoso Pieces for Solo Violin. Composed by Aleksey Igudesman. Full s...(+)
10 Virtuoso Pieces for
Solo Violin. Composed
by Aleksey Igudesman.
Full score (study). With
Standard notation. 44
pages. Universal Edition
#UE36700. Published by
Universal Edition
(PR.UE036700).
8 Famous Works for Violin. By Johann Sebastian Bach. De Haske Play-Along Book. P...(+)
8 Famous Works for
Violin. By Johann
Sebastian Bach. De Haske
Play-Along Book. Play
Along. BOOK W/CD. Size
9x12 inches. 16 pages.
Published by DeHaske
Publications.