Composed by Antonio Vivaldi (1678-1741). Masterworks; String - Cello and Piano. Kalmus Edition. Baroque; Masterwork. Book. 84 pages. Kalmus Classic Edition #00-K09129. Published by Kalmus Classic Edition

Clarinet in A, cello and piano (P/ST) - difficult

SKU: HL.49033276

Composed by Joerg Widmann. This edition: Saddle stitching. Sheet music. Edition Schott. Score and parts. Composed 1998. 28 pages. Duration 9'. Schott Music #ED 9764. Published by Schott Music (HL.49033276).

ISBN 9790001137096. 9.25x12.0x0.094 inches.

This is one of the early works by which the clarinettest Jorg Widmann also made himself a name as a composer. The form develops from the - at first only tentative - interaction of the three instruments. Sound-sensitive and eruptive moments alternate unexpectedly. Between 'jazzy-secco' and the 'Spieluhr' solo, the piano announces the passage of time: '12 Glockenschlage Mitternacht'.

Soprano voice, cor anglais, viola, cello and piano (P/ST) - difficult

SKU: HL.49033261

Composed by Ekkehard Jost. This edition: Saddle stitching. Sheet music. Edition Schott. Score and Parts. Composed 1999. 50 pages. Duration 12'. Schott Music #ED 9740. Published by Schott Music (HL.49033261).

ISBN 9790001136679. German.

Ein Liebespaar, unter deren Gier der Boden nachgibt und deren Lust zu Treibholz wird: dies ist das Herz von Hans Thills Gedicht Paradox und stellt den ersten Moment der Inspiration fur Christian Jost dar, diesem Text musikalische Gestalt zu verleihen. Die reduzierte Sprache des Gedichts, seine surreale erotische Welt, eroffnet Raume, in denen Satze zu Romanen und einzelne Worter zu endlosen Linien werden. Kompositorisch hat dies fur Jost nicht nur die Moglichkeit geschaffen, eine Geschichte hinter der Geschichte zu erzahlen, sondern auch jedes einzelen Wort in Klange einzuschweissen, deren Richtung er bestimmt. Folgerichtig ist demnach im Text und nicht an ihm entlang komponiert worden. Was bedeutet: der ohnehin zerschnittenen Sprache wurde eine weitere Ebene hinzugefugt, indem die jeweiligen Textschwerpunkte in verschiedene Klangbilder gefasst wurden, deren Summe dann die Dramaturgie des Ganzen bestimmt hat. Dadurch haben sich grossere atmosplarische Unterschiede und Spannungen ergeben, als das sehr lyrische Gedicht vermuten liesse. So aber konnte der Komponist eine Dichte an Ausdruck und Intensitat entwickeln, die bereits im Text enthalten sind, auch wenn er sich in ein lyrisches Gewand verkleidet hat.

Composed by Maurice Ravel (1875-1937). Leduc. Post- 1900. Softcover. 8 pages. Alphonse Leduc #AL24862. Published by Alphonse Leduc

Violin, Cello and Piano Piano Accompaniment; String Duet (Score & Parts)

SKU: HL.49046306

Violin, Cello and Piano Score and Parts. Composed by Jose Fernandez Diaz. Ensemble. Classical. Softcover. 16 pages. Schott Music #ED21587. Published by Schott Music (HL.49046306).

ISBN 9781540070982. UPC: 842819109921.

Who does not know the song Guantanamera? Dating back to a tune of the Cuban musical style Guajira and a text by the national hero Jose Marti, it was used by Jose Fernandez Diaz in the 30s as a refrain to improvise on current day topics. Pete Seeger reopened the Marti original in 1963 at a concert in New York's Carnegie Hall - it became a hymn to the American trade union movement. The song has since been sung in countless versions, right up to the Rudi Voller battle song, which echoed in 2002 in the football stadiums. This issue gives you the opportunity to play the world hit with piano trio - have fun!

Clarinet, Cello and Piano

SKU: HL.14026905

Composed by Karl Aage Rasmussen. Music Sales America. Classical. Set of Parts. 8 pages. Music Sales #KP00598. Published by Music Sales (HL.14026905).

ISBN 9788759857588. English-French.

Com pleted in 1977, Le Tombeau de Pere Igor or The Tomb of Father Igor is a fabulous Chamber work for Cello, Clarinet and Piano by Karl Aage Rasmussen, one of the most important post-war Danish composers. This set for his terrific piece includes both the Cello and the B flat Clarinet parts. The full score is also available (KP00193).

(Violoncello and Piano With Marked and Unmarked String Parts). Composed by Edward Elgar (1857-1934). Edited by Claus Kanngiesser, Rolf Koenen, and Rupert Marshall-Luck. For Cello, Piano Accompaniment. Henle Music Folios. Softcover. 8 pages. G. Henle #HN1189. Published by G. Henle

Composed by William Henry Squire (1871-1963). Set of performance parts for cello and piano. With bowings and fingerings. 10 pages. Published by Carl Fischer.

Composed by William Henry Squire (1871-1963). Set of performance parts for cello and piano. With bowings and fingerings. 13 pages. Published by Carl Fischer.

(for Mezzo-Soprano, Cello and Piano). By Tania Leon (1943-). Score & Parts. Peermusic Classical. 20 pages. Peermusic #61950-228. Published by Peermusic

(Cello Part And Piano Score)

SKU: HL.48021293

Boosey & Hawkes Chamber Music. Softcover. 70 pages. Hal Leonard #M202532522. Published by Hal Leonard (HL.48021293).

ISBN 9783793140351. UPC: 888680026097. 9.0x12.0x0.19 inches.

Edited by Jeffrey Solow, composed by Peter Ilyich Tchaikovsky (1840-1893). Set of performance parts for cello and piano. 7 pages. Published by International Music Co..

By Johann Sebastian Bach (1685-1750), arranged by Charles Krane. Set of performance parts for cello solo and piano accompaniment. Includes separate pull-out cello part. 19 pages. Published by G. Schirmer, Inc.

Medium voice with 2 flutes, cello and Piano (Set)

SKU: HL.49006763

Composed by Wolfgang Fortner. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score and Parts. Composed 1981. 28 pages. Duration 10'. Schott Music #ED 6883. Published by Schott Music (HL.49006763).

ISBN 9790001072816. 9.0x12.0x0.086 inches. Spanish - German.

Chamber Music Cello, Piano

SKU: PR.144400530

Composed by Henri Lazarof. Saddle. Set of Score and Parts. With Standard notation. 12+4 pages. Theodore Presser Company #144-40053. Published by Theodore Presser Company (PR.144400530).

UPC: 680160025077. 8.5 x 11 inches.

Cello and Piano

SKU: BT.EMBZ6528

Composed by Pal Jardanyi. Book Only. Composed 1972. 16 pages. Editio Musica Budapest #EMBZ6528. Published by Editio Musica Budapest (BT.EMBZ6528).

An ABRSM syllabus title - Grade 7.Pál Járdányi (1920-1966) was one of Zoltán Kodály's most faithful pupils and followers. At the end of his short career in 1965, he wrote his Sonata for Cello and Piano. The two movement format follows the format of a rhapsody. The Larghetto is dominated by pentatonic melodies characteristic of Hungarian folksongs. In contrast, the Allegro assai takes the tone of a bagpipe song, offering rhythmic and virtuosic parts for each instrument.

Score and Parts. By Karel Husa. (Cello). String. 44 pages. Published by G. Schirmer (Associated Music Publishers).

Soprano voice, flute, clarinet, saxophone, violin, cello and piano (Score & Parts)

SKU: HL.49045225

Soprano, flute, clarinet, saxophone, violin, cello and piano. Composed by Thierry Pé and cou. This edition: Saddle stitching. Sheet music. Ensemble. Softcover. Composed 2015. 44 pages. Duration 9'. Schott Music #ED22340. Published by Schott Music (HL.49045225).

ISBN 9790001129602. 9.0x12.0x0.122 inches. French.

If a chanson is combined with a birthday celebration (in this case, that of the Ensemble Utopik who commissioned this new work), this inevitably brings back scenes of childhood. For me, Adieu Madras conjures up memories of the homeland of my family, and in particular Henri and Jacqueline Salvador whose wonderful TV programmes I watched during the 1970s. It is without doubt thanks to Henri Salvadors wonderful interpretation that this old chanson from Martinique, dating from the late eighteenth century and almost a national anthem both in Martinique and Guadeloupe, has also gained such popularity in France. Thierry Pecou.

Chamber Music cello, piano

SKU: PR.114414310

For Cello and Piano. Composed by Samuel Adler. Sws each. 1st movement premiered 1992 in Rochester, NY; 2nd movement premiered 1980 in Hartford, CT; 3rd movement premiered 2009 in New York, NY. Contemporary. Set of Score and Parts. With Standard notation. Composed 1992, 1980, 2009. 20+16 pages. Duration 12 minutes. Theodore Presser Company #114-41431. Published by Theodore Presser Company (PR.114414310).

UPC: 680160594467. 9 x 12 inches.

Three diverse pieces by Samuel Adler are presented. Emunah (Faith) is a paean to his wife, Emily. L'olam Vaed dates back to 1978 and is printed in proportional notation, to better guide the musicians and to maximize the performers' expressive freedom. Tribute, the most recent of the three, was written to mark the reopening of Alice Tully Hall in 2009.

Medium voice, horn, violin, cello and piano - advanced

SKU: HL.49015319

Nach Texten aus West-ostlicher Divan. Composed by Volker David Kirchner. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score and Parts. Composed 1985-1986. 26 pages. Duration 7'. Schott Music #ED 7556. Published by Schott Music (HL.49015319).

ISBN 9790001078849. German.

Cello and piano

SKU: BR.EB-32083

Urtext. Composed by Camillo Schumann. Edited by Maria Kliegel. Solo instruments; stapled. Edition Breitkopf.

With supplementary violoncello part marked by Maria Kliegel

Sonata; Late-romantic. Score. 108 pages. Breitkopf and Haertel #EB 32083. Published by Breitkopf and Haertel (BR.EB-32083).

ISBN 9790004186299. 9 x 12 inches.

There are many composers about whom it is believed, today, that they composed conservatively, or against the taste of their time. The question is also raised, today, which extract of this large amount of effective and high-quality music, unknown for the most part, should receive our attention; which of it is worth rediscovering or re-editing. Camillo Schumann is one of the most important representatives of these composers, but his works are still largely unknown today. He was born on 10 March 1872 in Konigstein, Saxony. His musical language combines the sound world of Brahms with the grand, late-romantic Liszt School. He wrote piano parts of incredible power and virtuosity, approaching the sounds of Rachmaninoff. His wonderfully individual melodic language makes these works a valuable testimony to a composer who never had his due recognition. The cello sonatas Opp. 59 (EB 32082) and 99 (EB 32083) are the first of three works for this combination. Op. 59 was composed around 1905/06, Op. 99 followed in 1932. Nothing is known so far of the circumstances of the composition of this work, including for whom it was composed. However, it is quite evident that Schumann wrote it, like most of his works, primarily for his own concerts and befriended musicians. The extensive entries in the piano part bear witness to a considerably practical approach. Crossed-out bars, notes added or crossed out in chords as well as a number of revisions of other kinds are more the rule than the exception. The composer's own fingerings written in the piano part also underline this assumption. The present edition contains two solo-parts each. One clean Urtext-part free of any additions from the editor and a second one with bowing marks and fingerings by Maria Kliegel who recorded both sonatas for the first time with the label Naxos. Both sonatas show evident resemblance to the works of this combination by Johannes Brahms and are therefore a must have for ambitious cellists.

With supplementary violoncello part marked by Maria Kliegel.