Clarinet in A, cello and piano (P/ST) - difficult SKU: HL.49033276 Compos...(+)
Clarinet in A, cello and
piano (P/ST) - difficult
SKU: HL.49033276
Composed by Joerg
Widmann. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Score and parts. Composed
1998. 28 pages. Duration
9'. Schott Music #ED
9764. Published by Schott
Music (HL.49033276).
ISBN 9790001137096.
9.25x12.0x0.094
inches.
This is one
of the early works by
which the clarinettest
Jorg Widmann also made
himself a name as a
composer. The form
develops from the - at
first only tentative -
interaction of the three
instruments.
Sound-sensitive and
eruptive moments
alternate unexpectedly.
Between 'jazzy-secco' and
the 'Spieluhr' solo, the
piano announces the
passage of time: '12
Glockenschlage
Mitternacht'.
(Violoncello and Piano With Marked and Unmarked String Parts). Composed by Edwar...(+)
(Violoncello and Piano
With Marked and Unmarked
String Parts). Composed
by Edward Elgar
(1857-1934). Edited by
Claus Kanngiesser, Rolf
Koenen, and Rupert
Marshall-Luck. For Cello,
Piano Accompaniment.
Henle Music Folios.
Softcover. 8 pages. G.
Henle #HN1189. Published
by G. Henle
If Only: Only If Violoncelle, Piano [Conducteur et Parties séparées] Subito Music
Cello & Piano SKU: SU.32030070 For Cello & Piano. Composed by Davi...(+)
Cello & Piano
SKU:
SU.32030070
For
Cello & Piano.
Composed by David Lipten.
Strings, Cello.
Accompanied by piano.
Score & Parts. Subito
Music Corporation
#32030070. Published by
Subito Music Corporation
(SU.32030070).
Lyrical duet
for cello and piano
Duration: 10' Composed:
2014 Published by:
Distributed Composer.
Clarinet in Bb, cello and piano - difficult SKU: HL.49017074 Music for...(+)
Clarinet in Bb, cello and
piano - difficult
SKU:
HL.49017074
Music
for Clarinet in Bb, Cello
and Piano. Composed
by Christian Jost. This
edition: Saddle
stitching. Sheet music.
Misc. Score and parts.
Composed 2007. 52 pages.
Duration 12'. Schott
Music #ED 20369.
Published by Schott Music
(HL.49017074).
ISBN
9790001151573.
9.0x12.0x0.182
inches.
In this
trio, as in most of his
compositions, Jost has
pictures and associations
with true incidents,
films and novels in his
mind. What inspired him
to write this piece was
Joseph Conrad's novel
'Heart of Darkness' in
which the protagonist
Marlow says about the
city of Brussels: 'In a
few hours I arrived in a
city that always make me
think of a whited
sepulchre.'In 'Sepulchral
City', a work
commissioned to mark the
tenth anniversary of the
Jerusalem Chamber Music
Festival, however, the
title refers to
Jerusalem, the city of
white tombs. The topic of
Jost's trio is a travel
into the soul and living
spirit of a city, with no
physical movement being
needed to find the heart
of impenetrable darkness:
It lies within the city
walls.In this respect,
'Sepulchral City' equals
a compositionally
unfolded funeral bell.
Even the animated middle
section rather has
insisting than
progressive power. At the
end, the only thing to do
is to inhale and
exhale.
(parts only unless otherwise specified). By Dittersdorf, Carl Ditters Von (1739-...(+)
(parts only unless
otherwise specified). By
Dittersdorf, Carl Ditters
Von (1739-1799). String
ensembles without piano.
Published by
International Music Co.
Score and Parts Chamber Ensemble (Score & Parts) SKU: HL.49046418 Viol...(+)
Score and Parts Chamber
Ensemble (Score & Parts)
SKU: HL.49046418
Violin, Cello and
Piano Score and
Parts. Composed by
Enjott Schneider. String
Ensemble. Classical.
Softcover. 64 pages.
Duration 900 seconds.
Schott Music #ED23258.
Published by Schott Music
(HL.49046418).
ISBN
9781540090560. UPC:
842819110736.
In
the center of this work
is the melody of the
middle section Moon
reflected on the Erquan
Spring (Erquan Yingyue)
composed 1949 bythe blind
Erhu player Hua Yanjun.
The melody rapidly spread
throughout China and
became a cultural symbol
throughout the world.
Asian conductor Seiji
Ozawa heard it in 1978
saying that one can
appreciate it only on
bended knees.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Set
of parts. 78 pages.
Duration 23'. Breitkopf
and Haertel #OB 5283-30.
Published by Breitkopf
and Haertel
(BR.OB-5283-30).
ISBN
9790004332887. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
(With Marked and Unmarked String Parts). By Gabriel Fauré. Edited by Cornelia N...(+)
(With Marked and Unmarked
String Parts). By Gabriel
Fauré. Edited by
Cornelia N̦ckel. Score
and Parts. Henle Music
Folios. Book only. 12
pages. G. Henle #HN1019.
Published by G. Henle
Montserrat Version Violoncelle, Piano [Conducteur et Parties séparées] Subito Music
Violoncello & Piano) SKU: SU.91770301 For Violoncello & Piano). Co...(+)
Violoncello & Piano)
SKU: SU.91770301
For Violoncello &
Piano). Composed by
Paul Moravec. Strings,
Cello. Accompanied by
piano. Score & Parts.
Subito Music Corporation
#91770301. Published by
Subito Music Corporation
(SU.91770301).
New version for
Violoncello & PianoPiano
reduction by Lawrence
Rosen Violoncello & Piano
Duration: 17' Composed:
2003 Published by: Subito
Music Publishing
Performance materials for
orchestra version
available on rental
only:.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-15. Published by
Breitkopf and Haertel
(BR.OB-5283-15).
ISBN
9790004332832. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-19. Published by
Breitkopf and Haertel
(BR.OB-5283-19).
ISBN
9790004332856. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-23. Published by
Breitkopf and Haertel
(BR.OB-5283-23).
ISBN
9790004332863. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-16. Published by
Breitkopf and Haertel
(BR.OB-5283-16).
ISBN
9790004332849. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
8 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-27. Published by
Breitkopf and Haertel
(BR.OB-5283-27).
ISBN
9790004332870. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Andante from Op. 83 Violoncelle, Piano [Conducteur et Parties séparées] Sikorski
(Violoncello and Piano). By Johannes Brahms (1833-1897). Arranged by Cord Garben...(+)
(Violoncello and Piano).
By Johannes Brahms
(1833-1897). Arranged by
Cord Garben. Score and
Parts. String. Book only.
10 pages. Sikorski
#SIK1738. Published by
Sikorski
Sonatine Violoncelle, Piano EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ6528 Composed by Pal Jardanyi. Book Only. Com...(+)
Cello and Piano
SKU:
BT.EMBZ6528
Composed
by Pal Jardanyi. Book
Only. Composed 1972. 16
pages. Editio Musica
Budapest #EMBZ6528.
Published by Editio
Musica Budapest
(BT.EMBZ6528).
An ABRSM
syllabus title - Grade
7.Pál Járdányi
(1920-1966) was one of
Zoltán Kodály's
most faithful pupils and
followers. At the end of
his short career in 1965,
he wrote his Sonata for
Cello and Piano. The two
movement format follows
the format of a rhapsody.
The Larghetto is
dominated by pentatonic
melodies characteristic
of Hungarian folksongs.
In contrast, the Allegro
assai takes the tone of a
bagpipe song, offering
rhythmic and virtuosic
parts for each
instrument.
Set of performance parts. By Antonio Vivaldi. Arranged by Vilmos Lesko. (Cello)...(+)
Set of performance parts.
By Antonio Vivaldi.
Arranged by Vilmos Lesko.
(Cello). String Solo.
Book only. Size 9x12
inches. 20 pages.
Published by Ricordi.