(Intermediate Pieces for Cello and Piano). By Pat Legg and Alan Gout. For Cello ...(+)
(Intermediate Pieces for
Cello and Piano). By Pat
Legg and Alan Gout. For
Cello and Piano. Book;
String - Cello Studies or
Collection. Faber
Edition. Published by
Faber Music
For Cello and Piano. Arranged by Alan Gout and Pat Legg. Strings, Methods. L...(+)
For Cello and Piano.
Arranged
by Alan Gout and Pat
Legg.
Strings, Methods.
Learning the
Tenor Clef. Softcover
Book. 60
pages. Faber Music
#F0571519172. Published
by
Faber Music
(Hits from the Greatest Shows of All Time). By Pat Legg. For Cello and Piano. Bo...(+)
(Hits from the Greatest
Shows of All Time). By
Pat Legg. For Cello and
Piano. Book; String -
Cello Studies or
Collection. Faber
Edition. 24 pages.
Published by Faber Music
For Cello and Piano. Edited by Alan Gout and Pat Legg. Strings, Repertoire, ...(+)
For Cello and Piano.
Edited by
Alan Gout and Pat Legg.
Strings, Repertoire,
Collections. Softcover
Book.
44 pages. Faber Music
#F0571516424. Published
by
Faber Music
Romance Violoncelle, Piano [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
Chamber Music and Piano Accompaniment 1 Cello 1 Piano - Grade 4 SKU: FL.FX072...(+)
Chamber Music and Piano
Accompaniment 1 Cello 1
Piano - Grade 4
SKU:
FL.FX072617
Composed
by Patrice Bernard.
Original Composition.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX072617.
Published by FLEX
Editions (FL.FX072617).
A perfect Piece
for exams or auditions -
from 6 years of Cello
practice ; Instruments: 1
Cello 1 Piano; Difficuly
Level: Grade 4; Duration:
2 mn 40 s; Musical Style:
Classical, Educational;
Category: Original
Composition; Composer:
Patrice BERNARD;.
Cello and piano SKU: IM.3762 Arranged for Cello and Piano. Compose...(+)
Cello and piano
SKU:
IM.3762
Arranged
for Cello and Piano.
Composed by Franz
Schubert. Arranged by
Patrick Jee. Score and
part. International Music
Co. #3762. Published by
International Music Co.
(IM.3762).
Schubert used
this poignant song from
his famous song-cycle as
the basis for a
brilliant, virtuosic set
of variations. Originally
for flute and piano, now
arranged for cello by
Patrick Jee.
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
La Mandragore Violoncelle, Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Chamber Music & Piano Accompaniment 1 Cello 1 Piano - Grade 3 SKU: FL.FX07296...(+)
Chamber Music & Piano
Accompaniment 1 Cello 1
Piano - Grade 3
SKU:
FL.FX072965
Composed
by Patrice Bernard.
Original Composition.
Classical, Educational.
Score and Set of Parts.
Duration 2 minutes, 5
seconds. FLEX Editions
#FX072965. Published by
FLEX Editions
(FL.FX072965).
A piece for
instrumentalists with 4
years of musical
experience. ;
Instruments: 1 Cello 1
Piano; Difficuly Level:
Grade 3.
Tante Alice Violoncelle, Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Chamber Music & Piano Accompaniment 1 Cello 1 Piano - Grade 2 SKU: FL.FX07354...(+)
Chamber Music & Piano
Accompaniment 1 Cello 1
Piano - Grade 2
SKU:
FL.FX073540
Composed
by Patrice Bernard.
Original Composition.
Classical, Educational.
Score and Set of Parts. 7
(score); 2 (parts) pages.
Duration 3 minutes, 30
seconds. FLEX Editions
#FX073540. Published by
FLEX Editions
(FL.FX073540).
Etude a 9/8 Violoncelle, Piano [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
Chamber Music & Piano Accompaniment 1 Cello 1 Piano - Grade 4 SKU: FL.FX07352...(+)
Chamber Music & Piano
Accompaniment 1 Cello 1
Piano - Grade 4
SKU:
FL.FX073523
Composed
by Patrice Bernard.
Original Composition.
Classical, Educational.
Score and Set of Parts. 7
(score); 3 (parts) pages.
Duration 2 minutes, 50
seconds. FLEX Editions
#FX073523. Published by
FLEX Editions
(FL.FX073523).
A very nice
exercice on 9/8 rhythm. ;
Instruments: 1 Cello 1
Piano; Difficuly Level:
Grade 4.
CD
available
here (Selections
from the Cello
Repertoire). Compiled,
ed., arr., and composed
by Carey Cheney. For
Cello and Piano. String -
Cello Studies or
Collection. Companion CD
also available (see item
21620X). Instrumental
Solo Book and Piano
Accompaniment Book. 88
pages. Published by
Alfred Publishing.
Violin, cello and piano SKU: HL.49044398 For violin, violoncello and p...(+)
Violin, cello and piano
SKU: HL.49044398
For violin,
violoncello and
piano. Composed by
Toshio Hosokawa. Sheet
music. Ensemble.
Softcover. Composed 2013.
Duration 11'. Schott
Music #SJ10048. Published
by Schott Music
(HL.49044398).
This piece is
concerned with the world
of shaman, which I have
been very interested in
lately. A shaman is a
person who creates a path
connecting this world and
the underworld. In this
trio, the violin
represents female, and
the cello male. The
instruments sing a duo as
an extension of the
voices of two shamans.
The piano is the cosmos
and the nature. Violin
and piano have a 'Yin and
Yang' relationship, the
creation principal of the
Taoism cosmos: polar
opposites which
compliment one another
without cancelling each
other out, creating
perfect harmony. Toshio
Hosokawa.
Composed by Charles Chaplin (1889-1977), edited by Beckman. Set of performance p...(+)
Composed by Charles
Chaplin (1889-1977),
edited by Beckman. Set of
performance parts for
cello and piano. With
standard notation.
Published by Edition
Kunzelmann.
Altoflute, horn, viola d'amore, cello and piano (Score) - difficult SKU: HL.4...(+)
Altoflute, horn, viola
d'amore, cello and piano
(Score) - difficult
SKU: HL.49015289
Composed by Volker David
Kirchner. Sheet music.
Edition Schott.
Classical. Score and
Parts. Composed 1985. 73
pages. Duration 12'.
Schott Music #ED 7364.
Published by Schott Music
(HL.49015289).
ISBN
9790001076807.
In
1983, my friend and
colleague Arnt Martin
made me read and listen
to a most interesting
piece of music for
soprano, viola d'amore
and strings, this work
called my attention to
the viola d'amore. In the
following year, I became
more and more absorbed in
the possibilities this
instrument offers and in
1985 decided to write a
morceau d'ensemble
including a viola
d'amore. Thus birth was
given to Mysterion, a
composition for which
these five musicians seem
tailormade. As to
content, Mysterion
represents a reflection
on death. Passing through
various stages, the music
describes a path up to
the mysteries of
Redemption. Volker David
Kirchner.
Cello and piano SKU: BR.EB-32078 Composed by Friedrich Schneider. Edited ...(+)
Cello and piano
SKU:
BR.EB-32078
Composed
by Friedrich Schneider.
Edited by Nick
Pfefferkorn. Solo
instruments; stapled.
Edition Breitkopf.
Sonata; Romantic. Score.
76 pages. Breitkopf and
Haertel #EB 32078.
Published by Breitkopf
and Haertel
(BR.EB-32078).
ISBN
9790004186633. 9 x 12
inches.
Friedrich
Schneider is known today
above all for his
extensive oeuvre in the
area of the oratorio. No
less important, however,
in addition to his
symphonic work, is his
group of works for piano
and/or chamber music. His
cello sonata in F major,
with all four movements
large in scale, was
probably composed in 1831
for the daughter of the
Cologne music patron, Dr.
Erich Heinrich Verkenius.
With its expressiveness,
monumental structure, and
post-Beethovenian
sensuality, this sonata
already seriously
anticipates Romanticism.
Our edition offers two
solo parts: an unmarked
original text as well as
a version with fingerings
and bowings by the
Leipzig based cellist
Jurnjakob Timm.
(Cello and Piano). Composed by Patrick Hawes. For Cello, Piano. Music Sales Amer...(+)
(Cello and Piano).
Composed by Patrick
Hawes. For Cello, Piano.
Music Sales America.
Softcover. Novello and Co
Ltd. #NOV958375.
Published by Novello and
Co Ltd.
Composed by Arcangelo Corelli (1653-1713). Arranged by Patrick Jee & Nan...(+)
Composed by Arcangelo
Corelli
(1653-1713). Arranged by
Patrick Jee & Nanae
Iwata. For
cello and piano
accompaniment.
Score and part. Published
by
International Music
Company