Cello and Piano Schott Student Edition Level 1. Composed by Arnold Trowell. ...(+)
Cello and Piano Schott
Student Edition Level 1.
Composed by Arnold
Trowell.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Classical. Softcover. Op.
4/1-6. 40 pages. Schott
Music
#SE 1024. Published by
Schott
Music
6 Easy Concert Pieces. Composed by Arnold Trowell. Edited by Beverley Ellis. ...(+)
6 Easy Concert Pieces.
Composed by Arnold
Trowell.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition. 6
leichte Stucke fur
Violoncello und Klavier.
Classical. Softcover. Op.
4/7-12. 40 pages. Schott
Music #SE 1050. Published
by
Schott Music
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025367 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48025367
Cello
and Piano. Composed
by Simon Laks. Boosey &
Hawkes Chamber Music.
Classical. Softcover.
Bote & Bock #M202538630.
Published by Bote & Bock
(HL.48025367).
From The Barber of Seville . Composed by Gioachino Rossini (1792-1868). ...(+)
From The Barber of
Seville . Composed by
Gioachino Rossini
(1792-1868). Edited by
Gregor Piatigorsky.
Arranged by Mario
Castelnuovo-Tedesco. With
Standard notation. Carl
Fischer #B002670.
Published by Carl Fischer
(CF.B2670).
12 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
12 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
16/23/21 pages pages.
Published by Baerenreiter
Verlag
Cello and piano SKU: BR.EB-32083 Urtext. Composed by Camillo Schum...(+)
Cello and piano
SKU:
BR.EB-32083
Urtext. Composed
by Camillo Schumann.
Edited by Maria Kliegel.
Solo instruments;
stapled. Edition
Breitkopf.
With
supplementary violoncello
part marked by Maria
Kliegel
Sonata;
Late-romantic. Score. 108
pages. Breitkopf and
Haertel #EB 32083.
Published by Breitkopf
and Haertel
(BR.EB-32083).
ISBN
9790004186299. 9 x 12
inches.
There are
many composers about whom
it is believed, today,
that they composed
conservatively, or
against the taste of
their time. The question
is also raised, today,
which extract of this
large amount of effective
and high-quality music,
unknown for the most
part, should receive our
attention; which of it is
worth rediscovering or
re-editing. Camillo
Schumann is one of the
most important
representatives of these
composers, but his works
are still largely unknown
today. He was born on 10
March 1872 in Konigstein,
Saxony. His musical
language combines the
sound world of Brahms
with the grand,
late-romantic Liszt
School. He wrote piano
parts of incredible power
and virtuosity,
approaching the sounds of
Rachmaninoff. His
wonderfully individual
melodic language makes
these works a valuable
testimony to a composer
who never had his due
recognition. The cello
sonatas Opp. 59 (EB
32082) and 99 (EB 32083)
are the first of three
works for this
combination. Op. 59 was
composed around 1905/06,
Op. 99 followed in 1932.
Nothing is known so far
of the circumstances of
the composition of this
work, including for whom
it was composed. However,
it is quite evident that
Schumann wrote it, like
most of his works,
primarily for his own
concerts and befriended
musicians. The extensive
entries in the piano part
bear witness to a
considerably practical
approach. Crossed-out
bars, notes added or
crossed out in chords as
well as a number of
revisions of other kinds
are more the rule than
the exception. The
composer's own fingerings
written in the piano part
also underline this
assumption. The present
edition contains two
solo-parts each. One
clean Urtext-part free of
any additions from the
editor and a second one
with bowing marks and
fingerings by Maria
Kliegel who recorded both
sonatas for the first
time with the label
Naxos. Both sonatas show
evident resemblance to
the works of this
combination by Johannes
Brahms and are therefore
a must have for ambitious
cellists.
With
supplementary violoncello
part marked by Maria
Kliegel.
Chamber Music Cello, Piano SKU: PR.114418630 Composed by Stacy Garrop. Se...(+)
Chamber Music Cello,
Piano
SKU:
PR.114418630
Composed
by Stacy Garrop. Set of
Score and Parts. With
Standard notation. 24+8
pages. Duration 13
minutes. Theodore Presser
Company #114-41863.
Published by Theodore
Presser Company
(PR.114418630).
ISBN
9781491114063. UPC:
680160642724. 9 x 12
inches.
The film
noir genre of 1940s
cinema typically includes
a strong but flawed male
lead (often a detective),
a beautiful woman who
coerces the male into
committing murder or is a
killer herself (a
“femme
fataleâ€), and a
twisting plot line that
involves one or more
homicides. These movies
typically are shot in
black and white, with
emphasis on shadows and
light, alcohol and
cigarettes, trench coats
and fedoras. Most of the
story lines do not have
happy endings. Inspired
by this genre, NOIR
VIGNETTES consists of
four movements, each
depicting an aspect of
film noir: Murder at
Midnight, Loaded Gun,
Femme Fatale, and Last
Cigarette. In the
mid-1940s, film critics
in France noticed a trend
emerging in movies from
the United States, which
they coined film noir
(which translates to
“black
filmâ€). These
movies were dark, moody,
and pessimistic,
reflecting the agitation
and anxiety present in
society following World
War II. Several
characteristics are
commonly found in many of
these movies, including a
strong but flawed male
lead (often a detective),
a beautiful woman who
either coerces the male
lead into committing
murder for her or is a
killer herself (a
“femme
fataleâ€), and a
twisting, turning plot
line that involves one or
more homicides.
Additionally, there are
several visual elements
that these movies share:
many are shot in black
and white, with great
emphasis on the use of
shadows and light;
alcohol and cigarettes
are heavily consumed by
men and women alike; and
men typically wear trench
coats and fedoras. Most
of the story lines do not
have happy endings.
Examples of film noir
include Orson
Welles’ The Lady
from Shanghai, Billy
Wilder’s Double
Indemnity, and John
Huston’s The
Maltese Falcon.NOIR
VIGNETTES consists of
four movements, each
depicting a different
aspect of film noir:
Murder at Midnight,
Loaded Gun, Femme Fatale,
and Last Cigarette.This
piece was commissioned by
the University of
Illinois Research Board
on behalf of double
bassist Michael Cameron;
and it also published for
Double Bass and Piano
(114-41811). The cello
version is transcribed by
the composer.-- Stacy
Garrop.
Ekah Violoncelle, Piano [Conducteur et Parties séparées] Subito Music
Violoncello & Piano SKU: SU.94010750 For Violoncello & Piano. Comp...(+)
Violoncello & Piano
SKU: SU.94010750
For Violoncello &
Piano. Composed by
James Lee III. Strings,
Cello. Accompanied by
piano. Score & Parts.
Subito Music Corporation
#94010750. Published by
Subito Music Corporation
(SU.94010750).
Ekah is the
Hebrew word for
Lamentations, as in the
book of Lamentations in
the Bible. The literal
translation of this word
would be How or Ah! How.
When the cellist, Inbal
Segev asked me to write a
new piece for cello and
piano, and as a part of
our discussion, I decided
to compose a new piece
that reflected on the
immense challenges that
the year 2020 has
presented. The hows and
lamentations in this
piece might be: how can
there still be so much
hate in the world since
we are all equal and
created in the image of
God? How can there be
such police brutality in
2020? How and why is the
whole world suffering
with the Coronavirus
(COVID-19)? How can our
mental health, cities,
and communities be so
desolate? We can hope,
pray, and do our
responsible part to make
our life on this planet
meaningful during these
challenging times of the
year 2020. — James
Lee III Violoncello &
Piano Duration: 6'
Composed: 2020 Published
by: Subito Music
Publishing.
18 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
18 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
22/24/17 pages pages.
Published by Baerenreiter
Verlag
14 Easy Pieces. Composed by Daniel Kemminer. Edited by Katharina Deserno. This...(+)
14 Easy Pieces. Composed
by
Daniel Kemminer. Edited
by
Katharina Deserno. This
edition: Saddle
stitching.
Sheet music. Schott
Student
Edition. Classical.
Softcover. 1035. 56
pages.
Schott Music #SE 1035.
Published by Schott Music
(
Schott Student Edition Repertoire. Composed by Jean Baptiste Breval. Edit...(+)
Schott Student Edition
Repertoire. Composed
by Jean Baptiste Breval.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 40/1. 36 pages.
Schott Music #SE1006.
Published by Schott Music
(HL.49045503).
Urtext. Composed by Pauline Viardot-Garcia (1821-1910). Edited by Miriam-Alexa...(+)
Urtext. Composed by
Pauline
Viardot-Garcia
(1821-1910).
Edited by
Miriam-Alexandra
Wigners. Breitkopf and
Haertel #EB 8887.
Published
by Breitkopf and Haertel
For Cello and Piano Schott Student Edition Repertoire. Composed by Hugo S...(+)
For Cello and Piano
Schott Student Edition
Repertoire. Composed
by Hugo Schlemueller.
Edited by Martin
Mueller-Runte. This
edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 12. 32 pages. Schott
Music #SE1005. Published
by Schott Music
(HL.49045443).
Cello and Piano. Composed by Cesar Antonovich Cui (1835- 1918). Edited by Est...(+)
Cello and Piano. Composed
by
Cesar Antonovich Cui
(1835-
1918). Edited by Estelle
Revaz. This edition:
Saddle
stitching. Sheet music.
Schott Student Edition.
Classical. Softcover. Op.
50/9. 14 pages. Schott
Music
#SE 1038. Published by
Schott Music
(10 Solo Pieces from Pablo Casals' Repertoire for Cello and Piano Accompanim). B...(+)
(10 Solo Pieces from
Pablo Casals' Repertoire
for Cello and Piano
Accompanim). By Pablo
Casals Ernest Bloch.
Edited by Marion Feldman,
Pablo Casals. Arranged by
Theodore Moses-Tobani.
For Cello, Piano. 76
pages. Published by Carl
Fischer
Cello and piano - easy to intermediate SKU: HL.49044195 Composed by Georg...(+)
Cello and piano - easy to
intermediate
SKU:
HL.49044195
Composed
by George Gershwin.
Arranged by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. String. Inspiriert
von den 24 Preludes
Chopins begann George
Gershwin er Mitte der
20er Jahre selbst
'Preludes' fur Klavier zu
schreiben. Diese
verbinden klassische
Momente mit
Jazz-Elementen zu einem
wirkungsvollen Ganzen,
konnen einzeln oder als
kleine Jazz-Son.
Softcover. 16 pages.
Schott Music #ED21485.
Published by Schott Music
(HL.49044195).
ISBN
9790001190879. UPC:
840126933604.
9.0x12.0x0.065
inches.
The
melodies from George
Gershwin's (1898-1937)
musicals, from 'Porgy and
Bess', from orchestral
pieces like 'Rhapsody in
Blue' or 'An American in
Paris', we all know them!
But the career of the
young musician started as
a pianist in a music
publishing house where he
was to encourage
customers to buy music by
playing it. Soon he began
to compose music himself
and caught the attention
of the Broadway, which
paved the way to his
international career.
Inspired by Frederic
Chopin's 24 Preludes, he
began to write his own
'Preludes' for the piano
in the mid-1920s: Of the
five preludes composed by
him, he used two for the
violin composition 'Short
Story' and presented the
other three at a concert
on 4 December 1926. These
'Preludes' combine
classical moments and
jazz elements into an
effective whole and can
be played individually or
as a little jazz sonata
(fast - slow - fast).
Thanks to the present
arrangement, the charming
miniatures are now
available in a version
for solo instrument and
piano accompaniment.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.49047040 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.49047040
30
Concert and Salon Pieces
for Cello and Piano.
Composed by Various.
Edited by Beverley Ellis
and Rainer Mohrs. String.
Classical. Softcover. 192
pages. Schott Music
#ED22414. Published by
Schott Music
(HL.49047040).
ISBN
9783795711436. UPC:
196288116332.
9.0x12.0x0.535
inches.
Cello and Piano SKU: HL.14016246 Composed by Ludwig van Beethoven. Arrang...(+)
Cello and Piano
SKU:
HL.14016246
Composed
by Ludwig van Beethoven.
Arranged by Hugo Cole.
Music Sales America.
Classical. Book
[Softcover]. Music Sales
#NOV120308. Published by
Music Sales
(HL.14016246).
8.25x11.75x0.054
inches.
It is a
surprising fact of
Beethoven's life that of
all the categories of
pieces he composed, there
are more settings of
Irish songs than of any
other type of music.
Scottish poet Robert
Burns convinced a
Scottish music publisher
to commission Beethoven
to set his own words to
Irish airs. The death of
Burns in 1796 ended the
project, but Beethoven
went on to harmonise and
arrange the songs in 1814
through 1816, mainly, and
they were published,
though never achieved as
great a popularity as a
rival set by Thomas
Moore.This simplified
version for easy Cello
and Piano was arranged by
composer Hugo Cole, an
accomplished cellist who
was for many years a
music critic for
theGuardian
newspaper.
Cello and piano (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.EB-10802<...(+)
Cello and piano (solo: vc
- 2.2.2.2 - 4.2.3.0 -
timp - str)
SKU:
BR.EB-10802
Urtext. Composed
by Edouard Lalo. Edited
by Peter Jost. Arranged
by J. Schiff and J.
Umbreit. Solo
instruments; Softbound.
Edition Breitkopf.
The first
definitive author's
version - In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic. Piano
reduction. 92 pages.
Breitkopf and Haertel #EB
10802. Published by
Breitkopf and Haertel
(BR.EB-10802).
ISBN
9790201808024. 9.5 x 12
inches.
In the past
years, French music has
become a focal point of
Breitkopf's orchestral
library. With Edouard
Lalo's popular
violoncello concerto,
these new editions of
French music now bring
publishers Breitkopf and
G. Henle together once
again in another example
of their proven
cooperation. Peter Jost,
an expert on French music
who established his claim
to expertise through his
Debussy, Franck and
Saint-Saens editions,
ensures a flawless Urtext
edition which is based
for the first time on the
autograph piano
reduction. This
piano-cello score shows
traces of several layers
of arrangements, the last
two of which were
obviously not taken into
account in the first
edition. The new edition
thus offers a wealth of
new, authentic readings.A
carefully researched text
with clear and spacious
printing highlights this
sympathetic collaboration
of two esteemed
publishing houses,
Breitkopf & Hartel and
Henle. (Mary Nemet,
Strings).
After Colonna Violoncelle, Piano [Conducteur et Parties séparées] University Of York Music Press
Cello and Piano SKU: BT.MUSM570201778 Composed by Sadie Harrison. Classic...(+)
Cello and Piano
SKU:
BT.MUSM570201778
Composed by Sadie
Harrison. Classical. Set
(Score & Parts). 28
pages. University of York
Music Press
#MUSM570201778. Published
by University of York
Music Press
(BT.MUSM570201778).
English.
After
Colonna was expertly
composed, in 2001, by
Sadie Harrison . First
performed at Hampstead
Town hall in March 2001
by Miriam Lowbury and
David Carhart . After
Colonna later featured on
Harrison ’s 2002 album,
No Title Required .
Australian born freelance
composer and performe,
Sadie Harrison ’s
unique fusion of elements
from indigenous
Lithuanian music and
poetry with her own
modernist, often abrasive
style, have led her to be
compared with Bartok, but
with her own warmth and
grandeur. Since 2012
Harrison has been working
along side a long list of
well accomplished
musicians; Paul Carey,
Peter Sheppard Skaerved,
Sergej Okrushko, Alex
South, Duncan Honeybourne
are among many whohave
had the privilege to work
with Harrison so far.
Performances of Harrison
's works have been given
across the world by
Lontano, London Chamber
Symphony, Music Projects/
London, Ixion, Okeanos,
Bournemouth Sinfonietta,
Kokoro and the St.
Christopherus Chamber
Orchestra, and many
others.
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Compo...(+)
Cello; Piano
Accompaniment
SKU:
HL.50512037
Cello
and Piano. Composed
by Franz Liszt. Edited by
Csiky Boldizsar. Arranged
by Csí, ky
Boldizsá, and r.
Romantic. EMB. Classical.
Softcover. 14 pages.
Editio Musica Budapest
#Z14779. Published by
Editio Musica Budapest
(HL.50512037).
ISBN
9790080147795. UPC:
884088668723.
9.0x12.0x0.079 inches.
Ferenc Liszt; Boldizsar
Csiky.
The arranger
of this work (a
well-known Hungarian
composer living in
Romania) writes: +This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstine' is closer
in meaning to stubborn.
There is just a shade of
difference, but to me it
is important, because the
latter suggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of stubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltan Kocsis
played the piece in
Transylvania. At that
time, I asked the
composer, +Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartokian false relations
that keep recurring in
the work, the B-E flat-G,
etc. That foreshadows
Debussy, creating
harmonic thrills that,
when I hear the work,
keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the
cello.+.