| 24 Varied Scales And Exercises For Clarinet
Clarinette Carl Fischer
In All Major and Minor Keys. Composed by J. B. Albert. Edited by Julie DeRoche...(+)
In All Major and Minor
Keys.
Composed by J. B. Albert.
Edited by Julie DeRoche.
Book.
With Standard notation.
32
pages. Carl Fischer Music
#O99X. Published by Carl
Fischer Music
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 11 Duets for Clarinet 2 Clarinettes (duo) [Partition + CD] - Intermédiaire Mel Bay
For 2 Clarinets or Clarinet and Alto Sax. Composed by Matthias Petzold. Clar...(+)
For 2 Clarinets or
Clarinet
and Alto Sax. Composed by
Matthias Petzold.
Clarinet,
Saxophone, Music Styles
&
Regions, Classical, Solos
and
Duets. Book and Insert
with
CD. 52 pages. Published
by
Mel Bay Publications, Inc
$22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata K. 292 2 Clarinettes (duo) Alea Publishing
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Michael and Kimberl...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Michael and Kimberly
Davenport. For bass
clarinet duet. This
edition: 2nd Edition.
Classical; classical
period. Parts. 5 pages
(each part). Published by
Alea Publishing
$10.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Classic Hits for two Clarinets 2 Clarinettes (duo) Barenreiter
Edited by Douglas Woodfull-Harris. Stapled. Ready to Play. Playing score(en) (2)...(+)
Edited by Douglas
Woodfull-Harris. Stapled.
Ready to Play. Playing
score(en) (2),
anthology. 31/31 pages
pages. Published by
Baerenreiter Verlag
(BA.BA10636).
$20.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Parthia Op. 103 - Rondo WoO 25 2 Hautbois, 2 Clarinettes, 2 Cors et 2 Bassons [Partition] G. Henle
For Wind Octet 2 Horns (E-flat/B-flat), 2 Oboes, 2 Clarinets, 2 B. Compos...(+)
For Wind Octet 2 Horns
(E-flat/B-flat), 2 Oboes,
2 Clarinets, 2 B.
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Egon Voss.
Henle Music Folios.
Softcover. G. Henle
#HN1254. Published by G.
Henle (HL.51481254).
$47.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jacques Offenbach: Offenbach-Cocktail Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Schott
String Quartet (with ad lib, Double Bass, Flute, Oboe, Clarinet, Bassoon, Horn)....(+)
String Quartet (with ad
lib, Double Bass, Flute,
Oboe, Clarinet, Bassoon,
Horn). By Jacques
Offenbach. Arranged by
Wolfgang Birtel. (Score
and Parts). Schott. Book
only. Size 9x12 inches.
74 pages. Published by
Schott.
$31.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 11 Duets for Flute 2 Flûtes traversières (duo) [Partition + CD] - Intermédiaire Mel Bay
For 2 Flutes or Clarinet and Flute. Composed by Matthias Petzold. Clarinet, ...(+)
For 2 Flutes or Clarinet
and
Flute. Composed by
Matthias
Petzold. Clarinet, Flute,
Fife and Oboe, Music
Styles and
Regions, Classical, Jazz,
Solos and Duets. Book and
Insert with CD. 52 pages.
Published by Mel Bay
Publications, Inc
$22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 3e Symphonie en ut mineur, op. 78 - Avancé Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1,
Fl2 , Fl3(Fl-picc), 2 Ob,
EnglHn, 2 clarinet,
clarinet-B, 2 bassoon,
bassoon-Co, Hn1, Hn2 ,
Hn3(chrom.), Hn4(chrom.),
3Trp, 3trombone, timpani,
Tr-Gr, Tri, Be, Org,
piano-4ms, 2 Violin,
Viola, Cello, Double
Bass) - Level 5 SKU:
BA.BA10303-01
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann. The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$566.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Première Rhapsodie for Orchestra with Solo Clarinet in B-flat Clarinette - Intermédiaire Barenreiter
Second violin (2. Violin) - Level 3 SKU: BA.BA07897-75 Composed by Claude...(+)
Second violin (2. Violin)
- Level 3 SKU:
BA.BA07897-75
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. 8 pages.
Baerenreiter Verlag
#BA07897_75. Published by
Baerenreiter Verlag
(BA.BA07897-75). ISBN
9790006564392. 32.5 x
25.5 cm
inches. Debussy's
Premiere Rhapsodie is one
of two concertante works
completed, premiered and
published during his
lifetime. He was
commissioned to write it
in 1909 for the final
examination at the Paris
Conservatoire in 1910.
Debussy orchestrated it
in the summer of 1911.
While transferring the
clarinet part from the
already published version
for clarinet and piano,
he made a few subtle
changes, particularly in
m. 201, which has been a
bone of contention among
clarinettists for over a
century. The present
scholarly-critical
publication is the first
Urtext edition of the
orchestral version. It
draws on every known
source and takes into
account a previously
ignored source that sheds
new light on the
piece.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$5.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Leipzig Edition of the Works of Felix Mendelssohn Bartholdy Breitkopf & Härtel
2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, string...(+)
2 flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, strings SKU:
BR.SON-431
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas
Schmidt-Beste. Linen.
Complete Works. Romantic
period. Complete Works.
116 pages. Breitkopf and
Haertel #SON 431.
Published by Breitkopf
and Haertel (BR.SON-431).
ISBN 9790004803103. 10
x 12.5 inches. A
mystifying question of
versions surrounds the
Italian: right after the
world premiere in London,
Mendelssohn is
unsatisfied with his
symphony. Since he no
longer has the score with
him, he writes it down
afresh (except for the
opening movement), but
stops at three quarters
of the way. In the
meantime, trusted experts
weigh in with their
views. Fanny Hensel
writes to her brother: I
dont like the change in
the first melody at all;
why did you make it?
Nevertheless, Felix
continues to busy himself
with the first movement,
but ultimately finds no
more time for it and
leaves it primarily in
the form of the complete
early version of 1833,
which is published
posthumously and remains,
to this day, a standard
repertoire piece in all
concert halls. The
revised torso, in turn,
was long ignored. It was
published in this volume,
yet it is clear that the
three movements of the
incomplete final version
of 1834 were from the
composers viewpoint not
at all ready for
publication, seeing that
Mendelssohn had never
critically reviewed them
after having penned
them. $167.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Adagio Sostenuto Orchestre d'harmonie [Conducteur et Parties séparées] Theodore Presser Co.
(Movement 2 from Symphony No.6). Composed by Vincent Persichetti (1915-1987). Co...(+)
(Movement 2 from Symphony
No.6). Composed by
Vincent Persichetti
(1915-1987). Concert
Band. For Flute I, Flute
II, Piccolo, Oboe I, Oboe
II, Clarinet (in Eb),
Clarinet I, Clarinet II,
Clarinet III, Alto
Clarinet (in Eb), Bass
Clarinet, Bassoon I,
Bassoon II, Alto
Saxophone I, Alto
Saxophone II, Tenor
Saxophone, Baritone
Saxophone, Cornet I,
Cornet I. Classical.
Score and Set of Parts.
Standard notation. Opus
69. 8 pages. Duration 3
minutes. Theodore Presser
Company #165-00093.
Published by Theodore
Presser Company
$75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Vier Stücke (4 Pieces) for Clarinet and Piano, Op. 5 Clarinette et Piano LudwigMasters Publications
Clarinet and Piano SKU: AP.36-60440001 Composed by Alban Berg. Clarinet. ...(+)
Clarinet and Piano
SKU:
AP.36-60440001
Composed by Alban Berg.
Clarinet. Master Woodwind
Series. Score.
LudwigMasters
Publications
#36-60440001. Published
by LudwigMasters
Publications
(AP.36-60440001). ISBN
9798888521748. UPC:
676737684600.
English. Alban
Berg's (1885-1935) Vier
Stücke für Klarinette
und Klavier (Four Pieces
for Clarinet and Piano),
Op. 5, was composed in
1913. They are his only
true miniatures as,
shortly after he wrote
them, a fateful and
somewhat traumatic lesson
with his tutor Arnold
Schoenberg drove the
young Berg to abandon
small-scale works
altogether, turning
towards large extended
orchestral works at his
teacher's heavily
critical insistence. Each
of the four movements (1.
Mäßig; 2. Sehr langsam;
3. Sehr rasch; 4.
Langsam) constantly
changes in tempo,
articulation, timbral
effects, and dynamics
throughout. Despite
Schoenberg's criticism in
1913, the work did
finally premiere on
October 17, 1919,
ironically at
Schoenberg's own Society
for Private Musical
Performances in Vienna.
Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $7.99 - Voir plus => Acheter | | |
| Zephyrus Theodore Presser Co.
Chamber Music SKU: PR.164002120 Composed by Dan Welcher. Set of Score and...(+)
Chamber Music SKU:
PR.164002120 Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
32+16+12+12+12 pages.
Duration 16 minutes.
Theodore Presser Company
#164-00212. Published by
Theodore Presser Company
(PR.164002120). UPC:
680160037582. Works
of chamber music
including flute and
strings are not nearly as
numerous as those for
clarinet, or even the
oboe. Probably the reason
for this is the less
assertive, more pure tone
the flute possesses - it
can't compete for volume
or range with the
clarinet, except in its
top octave, and the
oboe's tone is more
penetrating and easily
discerned from within a
string texture.
Consequently, composers
who have written for
flute and strings have
done so in lightweight
divertimento works:
compare, for instance,
the delicate flute
quartets of Mozart with
his monumental quintet
for clarinet and strings.
When Karl and Joan
Karber approached me with
the ideas of writing a
work for flute and string
trio, I originally
thought it would be best
to write a humorous,
rather offhand piece -
but a look at their
repertoire (mostly
comprised of smaller
works of the Rococo
period) convinced me that
it was the last thing
they needed. In spite of
the challenge (or maybe
because of it?), I
determined to write a
large work, and a serious
work. Zephyrus (named for
the God of the West Wind,
in deference to the
flute) is a
three-movement work, with
each movement cast in a
very different form, but
all three being built of
the same twelve-note
series. There is also a
rhythmic motive and a
pair of themes that
appear in all three
movements. The
first movement plays with
the idea of contrast and
persuasion. The flute, at
the outset, is the
hell-for-leather
protagonist, charging and
swooping around the
strings - who seem oddly
unconcerned by his
passion. Indeed, they
have a more somber song
to sing - and as the
movement unfolds, the
flute becomes less and
less active, while the
strings become
increasingly enlivened.
By the midpoint, when all
four instruments are
finally in the same meter
and the same tempo, the
flute's energy has
finally infected the
other three players, and
this energy does not let
up until the movement's
abrupt final cadence.
The second
movement begins with a
tag from the first - as
if the energy left over
was too great to simply
stop. At length, though,
a very poignant flute
melody appears over an
almost bluesy harmony in
the strings. After this
has been fully exposed, a
slight increase in
motion, marked gently
rocking in triplets,
features a theme-fragment
from Leonard Bernstein's
Symphony No. 2 (Kaddish).
Bernstein died as I was
writing this work, and it
seemed quite natural to
encourage what was
already implicit in the
music, and create an
Elegy for L.B. The music
rises and peaks, then in
the recapitulation of the
opening the Kaddish theme
reappears, as the
ensemble suggests a
gentle song of sleep.
The final movement
is a Rondo-Variations
form, with the slight
alteration of adding the
main theme of the second
movement in what would be
the trio of the form. The
ritornello theme is a
kind of ethnic dance
music, almost an allusion
to the Klezmer ensembles
of Eastern Europe. The
successive episodes
between the ritornelli
are loosely organized
variations on the basic
theme, but always
beginning with a metric
modulation, a rhythmic
changing of gears. The
movement reaches and apex
of speed and furious
pulsing, then abruptly
pirouttes, and finishes.
Zephyrus was
written between April and
November of 1990 in
Austin, Aspen, and
Honolulu, and is
dedicated to Karl Kraber
and The Chamber Soloists
of Austin. --Dan
Welcher. $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Zephyrus Theodore Presser Co.
SKU: PR.16400212S Composed by Dan Welcher. With Standard notation. Durati...(+)
SKU: PR.16400212S
Composed by Dan Welcher.
With Standard notation.
Duration 16 minutes.
Theodore Presser Company
#164-00212S. Published by
Theodore Presser Company
(PR.16400212S). UPC:
680160037605. Works
of chamber music
including flute and
strings are not nearly as
numerous as those for
clarinet, or even the
oboe. Probably the reason
for this is the less
assertive, more pure tone
the flute possesses - it
can't compete for volume
or range with the
clarinet, except in its
top octave, and the
oboe's tone is more
penetrating and easily
discerned from within a
string texture.
Consequently, composers
who have written for
flute and strings have
done so in lightweight
divertimento works:
compare, for instance,
the delicate flute
quartets of Mozart with
his monumental quintet
for clarinet and strings.
When Karl and Joan
Karber approached me with
the ideas of writing a
work for flute and string
trio, I originally
thought it would be best
to write a humorous,
rather offhand piece -
but a look at their
repertoire (mostly
comprised of smaller
works of the Rococo
period) convinced me that
it was the last thing
they needed. In spite of
the challenge (or maybe
because of it?), I
determined to write a
large work, and a serious
work. Zephyrus (named for
the God of the West Wind,
in deference to the
flute) is a
three-movement work, with
each movement cast in a
very different form, but
all three being built of
the same twelve-note
series. There is also a
rhythmic motive and a
pair of themes that
appear in all three
movements. The
first movement plays with
the idea of contrast and
persuasion. The flute, at
the outset, is the
hell-for-leather
protagonist, charging and
swooping around the
strings - who seem oddly
unconcerned by his
passion. Indeed, they
have a more somber song
to sing - and as the
movement unfolds, the
flute becomes less and
less active, while the
strings become
increasingly enlivened.
By the midpoint, when all
four instruments are
finally in the same meter
and the same tempo, the
flute's energy has
finally infected the
other three players, and
this energy does not let
up until the movement's
abrupt final cadence.
The second
movement begins with a
tag from the first - as
if the energy left over
was too great to simply
stop. At length, though,
a very poignant flute
melody appears over an
almost bluesy harmony in
the strings. After this
has been fully exposed, a
slight increase in
motion, marked gently
rocking in triplets,
features a theme-fragment
from Leonard Bernstein's
Symphony No. 2 (Kaddish).
Bernstein died as I was
writing this work, and it
seemed quite natural to
encourage what was
already implicit in the
music, and create an
Elegy for L.B. The music
rises and peaks, then in
the recapitulation of the
opening the Kaddish theme
reappears, as the
ensemble suggests a
gentle song of sleep.
The final movement
is a Rondo-Variations
form, with the slight
alteration of adding the
main theme of the second
movement in what would be
the trio of the form. The
ritornello theme is a
kind of ethnic dance
music, almost an allusion
to the Klezmer ensembles
of Eastern Europe. The
successive episodes
between the ritornelli
are loosely organized
variations on the basic
theme, but always
beginning with a metric
modulation, a rhythmic
changing of gears. The
movement reaches and apex
of speed and furious
pulsing, then abruptly
pirouttes, and finishes.
Zephyrus was
written between April and
November of 1990 in
Austin, Aspen, and
Honolulu, and is
dedicated to Karl Kraber
and The Chamber Soloists
of Austin. --Dan
Welcher. $38.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Maurice Ravel: Pavane Pour Une Infante Defunte Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Pavanne for a Dead Princess) Arranged by Jerry Brubaker, composed by Maurice Ra...(+)
(Pavanne for a Dead
Princess) Arranged by
Jerry Brubaker, composed
by Maurice Ravel
(1875-1937). Conductor's
score and set of
performance parts for
concert band (3 - 1st
flute, 3 - 2nd flute, 2 -
oboe, 2 - bassoon, 3 -
1st clarinet, 3 - 2nd
clarinet, 3 - 3rd
clarinet, 1 - alto
clarinet, 2- bass
clarinet, 2 - 1st alto
saxophone, 2 - 2nd alto
saxophone, 1 - tenor
saxophone, 1 - baritone
saxophone, 3 - 1st
trumpet, 3 - 2nd trumpet,
3 - 3rd trumpet, 2 - 1st
horn in F, 2 - 2nd horn
in F, 2 - 1st trombone, 2
- 2nd trombone, 2 - 3rd
trombone, 2 - euphonium,
1 - baritone (treble
clef), 4 - tuba, 1 -
mallet percussion I, 1 -
mallet percussion II, 1 -
timpani, 2 - percussion).
Series: Belwin Concert
Band. Published by Alfred
Publishing.
$70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mazltov! Clarinette Schott
Jewish-American Wedding Music from the Repertoire of Dave Tarras. By Various Com...(+)
Jewish-American Wedding
Music from the Repertoire
of Dave Tarras. By
Various Composers.
Arranged by Joel Rubin.
(Clarinet). Schott. Size
9x12 inches. 47 pages.
Published by Schott.
$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tradition of Excellence Book 3 - Bass Clarinet - Intermédiaire Kjos Music Company
Band bass clarinet - Grade 3 SKU: KJ.W63CLB Composed by Bruce Pearson and...(+)
Band bass clarinet -
Grade 3 SKU:
KJ.W63CLB Composed by
Bruce Pearson and Ryan
Nowlin. Band. Method
Book. Neil A. Kjos Music
Company #W63CLB.
Published by Neil A. Kjos
Music Company
(KJ.W63CLB). ISBN
9780849771545. UPC:
849771544. Book 3
of the new overwhelmingly
popular band method
Tradition of Excellence
is now available! A music
educator's dream,
Tradition of Excellence
is a flexible
performance-centered
curriculum that
seamlessly blends classic
and contemporary pedagogy
and cutting edge
technology. The consensus
is in! Directors love the
music; the dynamic look;
the comprehensive
approach; the ability to
customize teaching; the
smooth pacing with
careful review; and the
audio
accompaniments.
And just like with Books
1 and 2, Tradition of
Excellence Book 3 comes
with the unique and
revolutionary Interactive
Practice Studio (16 month
subscription). Today's
students will appreciate
access to all multimedia
components of the
curriculum on a single
virtual page. And best of
all it's fully loaded and
ready for use in a
performance classroom or
on a Smartboard. Bruce
Pearson and Ryan Nowlin
have created a systematic
comprehensive
musicianship curriculum
second-to-none! $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tradition of Excellence Book 3 - Eb Alto Clarinet - Intermédiaire Kjos Music Company
Band Eb alto clarinet - Grade 3 SKU: KJ.W63CLE Composed by Bruce Pearson ...(+)
Band Eb alto clarinet -
Grade 3 SKU:
KJ.W63CLE Composed by
Bruce Pearson and Ryan
Nowlin. Band. Method
Book. Neil A. Kjos Music
Company #W63CLE.
Published by Neil A. Kjos
Music Company
(KJ.W63CLE). UPC:
849771536. Book 3
of the new overwhelmingly
popular band method
Tradition of Excellence
is now available! A music
educator's dream,
Tradition of Excellence
is a flexible
performance-centered
curriculum that
seamlessly blends classic
and contemporary pedagogy
and cutting edge
technology. The consensus
is in! Directors love the
music; the dynamic look;
the comprehensive
approach; the ability to
customize teaching; the
smooth pacing with
careful review; and the
audio
accompaniments.
And just like with Books
1 and 2, Tradition of
Excellence Book 3 comes
with the unique and
revolutionary Interactive
Practice Studio (16 month
subscription). Today's
students will appreciate
access to all multimedia
components of the
curriculum on a single
virtual page. And best of
all it's fully loaded and
ready for use in a
performance classroom or
on a Smartboard. Bruce
Pearson and Ryan Nowlin
have created a systematic
comprehensive
musicianship curriculum
second-to-none! $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| From heav'n on high Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Set de Parties séparées] Carus Verlag
(Christmas cantata). Composed by Felix Mendelssohn Bartholdy / Martin Luther. Ed...(+)
(Christmas cantata).
Composed by Felix
Mendelssohn Bartholdy /
Martin Luther. Edited by
Karen Lehmann. For SBar
vocal soli, SSATB choir,
2 flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins, 2
violas, 2 cellos,
contrabass. Stuttgart
Urtext Edition. German
title: Vom Himmel hoch,
da komm ich her.
Cantatas, Christmas.
Level 3. Complete
orchestral parts.
Language: German/English.
Composed 1831. Duration
16 minutes. Published by
Carus Verlag
$174.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Christ, thou Lamb most holy Chorale SATB SATB, Cordes [Set de Parties séparées] Carus Verlag
(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited b...(+)
(Chorale cantata).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Oswald Bill. For SATB
choir, 2 violins, viola,
cello/contrabass, [flute
or oboe or clarinet].
Stuttgart Urtext Edition.
German title: Christe, du
Lamm Gottes. Cantatas,
Mass sections, Lent and
Passiontide, Holy Week,
Eucharist, Communion.
Complete orchestral
parts. Language:
German/English. Composed
1827. A 5. Duration 7
minutes. Published by
Carus Verlag
$65.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Wondrous Love - Full Orchestra Score and Parts plus CD with Printable Parts Orchestre Lorenz Publishing Company
Orchestra SKU: LO.30-2906L Suffering Servant, Crucified Christ, Risen ...(+)
Orchestra SKU:
LO.30-2906L
Suffering Servant,
Crucified Christ, Risen
Redeemer. Composed by
Lloyd Larson. Arranged by
Michael Lawrence. Choral,
cantatas. Ready to
Worship. Holy Week,
Eastertide, Sacred.
Orchestral score and
parts, plus CD with
printable parts. Lorenz
Publishing Company
#30/2906L. Published by
Lorenz Publishing Company
(LO.30-2906L). UPC:
000308133608. This
product includes the full
orchestral score, printed
parts, and digital parts
(delivered on a CD) for
Wondrous Love. The parts
include 2 Flutes/Piccolo,
Oboe, 2 Clarinets, 3
Trumpets, 2 Horns
(substitute Flugelhorn or
Trumpet), 2 Trombones,
Tuba, Percussion, Piano,
2 Violins, Viola, Cello,
and Bass. $399.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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