| Jimi Hendrix - Valleys of Neptune Guitare notes et tablatures [Partition] Hal Leonard
Jimi Hendrix - Valleys of Neptune by Jimi Hendrix. Guitar Recorded Version. Soft...(+)
Jimi Hendrix - Valleys of
Neptune by Jimi Hendrix.
Guitar Recorded Version.
Softcover. Guitar
tablature. 168 pages.
Published by Hal Leonard
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hills and Valleys - Anthem Word Music
SKU: WD.080689595233 Composed by Cliff Duren. Octavo. Word Music #0806895...(+)
SKU:
WD.080689595233
Composed by Cliff Duren.
Octavo. Word Music
#080689595233. Published
by Word Music
(WD.080689595233).
UPC:
080689595233. New from artist
Tauren Wells is
this uplifting anthem,
Hills and
Valleys,
arranged and orchestrated
by Cliff Duren. With its
infectious rhythm and
striking harmonies,
Hills and
Valleys steers
us to adjust our
thinking: let us learn to
bow in the high places,
the
“mountaintop”
moments of life, as it is
God Who has put us there,
not our own doing. And in
the “valleys”
of life, God is always
there; we are never
alone. No matter where we
are standing, His grace
is
sufficient!
$3.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lefanu: Little Valleys Chorale SATB Music Sales
Soprano Voice SKU: HL.14019247 Composed by Nicola LeFanu. Music Sales Ame...(+)
Soprano Voice SKU:
HL.14019247 Composed
by Nicola LeFanu. Music
Sales America. Classical.
Book [Softcover]. 8
pages. Music Sales
#NOV290367. Published by
Music Sales
(HL.14019247). UPC:
884088446864.
6.75x9.75x0.018
inches.
The little
valleys is
adapted from The
valleys shall sing
for SATB choir with 2
Bassoons, 2 Trumpets and
3 Trombones. It was
written for Michael
Nicholas and the choir of
Norwich Cathedral, and
first performed by them
at the 1973 Norfolk and
Norwich Triennial
Festival. It was
commissioned with funds
provided by the Arts
Council of Great
Britain. Full
score and parts (chorus
and instrumental) are
available on
hire. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The City Quintette de Clarinettes: 5 clarinettes - Intermédiaire/avancé Claude T. Smith Publications
Clarinet Quintet (4 Bb clarinets, 1 Bb bass clarinet, full score) - Grade 4 S...(+)
Clarinet Quintet (4 Bb
clarinets, 1 Bb bass
clarinet, full score) -
Grade 4 SKU:
CL.CTS-7952-00
Composed by Betton.
Ensemble. Composed 2020.
Claude T. Smith
Publications
#CTS-7952-00. Published
by Claude T. Smith
Publications
(CL.CTS-7952-00).
Hang on! This
is an art piece telling a
story of driving through
a big city with its main
thoroughfares, dark
alleys, and neon bright
light districts. The
challenges are
intonation, rhythmic
stability, finger
technique, but mainly
endurance! Watch out for
the traffic! $20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sounds of the City Piano seul - Intermédiaire Beriato Music
Piano - intermediate SKU: BT.BMI15010643 15 Easy Pieces for Piano Solo...(+)
Piano - intermediate
SKU:
BT.BMI15010643 15
Easy Pieces for Piano
Solo. Composed by
Bert Appermont. Beriato
Music Instrumental. Book
Only. Composed 2015. 35
pages. Beriato Music
#BMI15010643. Published
by Beriato Music
(BT.BMI15010643). ISBN
9789043147880.
English-German-French-Dut
ch. This album
contains fifteen easy
compositions for piano
solo, inspired by the
city: from honking cars,
and dark alleys to
imposing
skyscrapers…one of
the pieces is even based
on mobile phone
ringtones. The album is
aimed at students who
have beenplaying the
piano for three to four
years; the level of
difficulty varies for
each piece some are
slightly easier, or
trickier, than the
others. Each work has its
own specific mood and
style, and where possible
I have also tried to
incorporatevarious
techniques or characters
within one composition.
This music would make a
suitable competition
selection, as well as
appropriate concert or
exam pieces.
Deze
pianobundel bestaat uit
vijftien eenvoudige
composities voor
pianosolo, ge nspireerd
op de geluiden van een
stad: van toeterende
auto’s, duistere
stegen tot imposante
wolkenkrabbers… Er
zit zelfs een werkje bij
dat is gebaseerd op
gsm-ringtones.Het album
is bedoeld voor
leerlingen die drie vier
jaar piano spelen; de
moeilijkheidsgraad
varieert per stuk het ene
is wat makkelijker of
moeilijker dan het
andere. Elk werk heeft
een specifieke sfeer en
stijl, en waar mogelijk
heb ik ookgeprobeerd om
diverse technieken of
karakters in één
compositie te verwerken.
De muziek is daarom erg
geschikt als verplicht
werk, en eveneens om te
spelen tijdens een
concert of
examen.
Dieses
Album enthält 15
leichte Kompositionen
für Klavier solo, die
von Klängen der Stadt
inspiriert wurden: von
hupenden Autos und
dunklen Gassen bis hin zu
imposanten
Wolkenkratzern. Ein
Stück basiert sogar
auf Handyklingeltönen.
Das Album richtetsich an
Schüler, die seit drei
oder vier Jahren Klavier
spielen. Der
Schwierigkeitsgrad der
Stücke ist
unterschiedlich manche
sind etwas einfacher,
manche schwieriger als
die anderen Stücke.
Jedes Werk hat eine
eigene Stimmung und einen
speziellenStil. Wo es
möglich war, habe ich
auch versucht,
verschiedene Techniken
oder Charaktere innerhalb
einer Komposition zu
verwenden. Diese Musik
eignet sich gut für
Wettbewerbe, aber auch
als Konzert- oder
Prüfungsstücke.
Cet album contient
quinze compositions
faciles pour piano solo,
inspirées par les sons
d’une ville : des
voitures klaxonnantes et
ruelles sombres aux
gratte-ciels
imposants…l’
un des morceaux est
même basé sur des
sonneries de portable.
L’album viseles
étudiants jouant du
piano depuis trois ou
quatre ans ; le niveau de
difficulté varie entre
chaque pièce -
certaines sont plus
faciles que
d’autres. Chaque
morceau a son propre ton
et style, et, si
possible, j’ai
aussi essayé
d’inclure
destechniques et
caractères
différents par
composition. Cette
musique est convenable
pour des concours,
concerts ou examens. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Valleys of Grace Chorale SATB SATB Shawnee Press
| | |
| Jazz for Two Volume 1 1 Piano, 4 mains - Débutant Schott
1 Piano, 4 Hands; Piano Duet - very easy SKU: HL.49007688 15 Easy Jazz...(+)
1 Piano, 4 Hands; Piano
Duet - very easy SKU:
HL.49007688 15
Easy Jazz and Pop
Pieces. Composed by
Mike Schoenmehl. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 52 pages.
Schott Music #ED7990.
Published by Schott Music
(HL.49007688). ISBN
9790001082402. UPC:
884088033576.
9.0x12.0x0.19
inches. Flips in
the park * Lollopping
Hare Waltz * In the
Galleys * Ripples in the
Water * Come on, Run! *
Grandpa's Ragtime *
Butterfly Meadow *
Hippopotamus and Humming
Bird. One piano, four
hands. $20.99 - Voir plus => Acheter | | |
| Jouni Kaipainen: Piping Down The Valleys Wild Wilhelm Hansen
Bass Clarinet and Piano SKU: HL.14017584 For Bass Clarinet and Piano(+)
Bass Clarinet and Piano
SKU: HL.14017584
For Bass Clarinet and
Piano. Composed by
Jouni Kaipainen. Music
Sales America. Classical.
Book [Softcover]. 22
pages. Edition Wilhelm
Hansen #KP00188.
Published by Edition
Wilhelm Hansen
(HL.14017584). ISBN
9788759851708.
English. A
brilliant composition by
Jouni Kaipainen completed
in 1984 for Bass Clarinet
in Bb and Piano
accompaniment. Was
commissioned by the Radio
of Netherlands (NOS) and
the Finnish Broadcasting
Company. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Thank You for the Valleys Chorale SATB SATB, Piano Shawnee Press
| | |
| Sunlit Peaks and Dark Valleys Violon, Clarinette, Piano (trio) [Conducteur et Parties séparées] Theodore Presser Co.
Sunlit Peaks and Dark Valleys. (For Violin, Clarinet in Bb, and Piano). By Donal...(+)
Sunlit Peaks and Dark
Valleys. (For Violin,
Clarinet in Bb, and
Piano). By Donald Erb.
Chamber ensemble. For
Violin, Clarinet, Piano.
Classical. Score and
part(s). Standard
notation. Composed MAY
1995. 33 pages. Duration
16 minutes, 30 seconds.
Published by Theodore
Presser Company
$40.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Thank You for the Valleys Chorale 3 parties SAB Shawnee Press
Composed by Cindy Berry. For Choral (SAB). Glory Sound. 12 pages. Published by G...(+)
Composed by Cindy Berry.
For Choral (SAB). Glory
Sound. 12 pages.
Published by Glory Sound
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mountains and Valleys Piano seul Imagine Music
Composed by Daniel Baldwin. For solo piano. Playing score. Published by Imag...(+)
Composed by Daniel
Baldwin.
For solo piano. Playing
score.
Published by Imagine
Music
$10.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Two Landscapes of Song for Treble Voices Carl Fischer
Choral SA choir, piano SKU: CF.CM9576 1. Who Robbed the Woods 2. Cool ...(+)
Choral SA choir, piano
SKU: CF.CM9576
1. Who Robbed the
Woods 2. Cool is the
Valley Now. Composed
by Paul David Thomas.
Sws. Performance Score.
16 pages. Carl Fischer
Music #CM9576. Published
by Carl Fischer Music
(CF.CM9576). ISBN
9781491153987. UPC:
680160912483. 6.875 x
10.5 inches. Key: G
minor. English. Emily
Dickinson (1830-1886) ,
Walt Whitman
(1819-1892). The
two pieces, Who Robbed
the Woods? and O Cool is
the Valley Now, combine
to create a set that both
explores the subtle
beauty, serenity,
fragility, and resiliency
of nature and examines
our relationship to the
natural world around us.
The first song combines a
short poem by Emily
Dickinson with a journal
entry excerpt by Walt
Whitman entitled The
Lesson of the Tree.
Only two stanzas in
length, Dickinsons poem
considers the ways in
which people use and
exploit trees for their
own purposes and asks, on
the trees behalf, who
would do such a thing?
Whitman ponders a trees
silent majesty and power
and its ability to be yet
say nothing at all. The
musical setting begins
and ends in the mode of
G-Dorian while moving
briefly in the middle
section to Bb major. The
Dorian mode, similar to
the natural minor but
with a raised sixth scale
degree, possesses a
mysterious and whimsical
sound, fitting for a poem
that considers the
possibility of talking
trees. The accents and
syncopation of the piano
accompaniment should be
carefully observed, with
particular attention paid
to the syncopation found
in gestures occurring in
mm. 712. The beginning
a cappella
section should be hushed
yet intense; a richer,
fuller sound may be
brought out in the middle
section where the key
shifts to Bb major and
the choir sings of the
many noble qualities of
trees (mm. 3953). O Cool
is the Valley Now also
makes use of a modal
scale. Set primarily in D
Mixolydian, similar to D
major but with a lowered
seventh scale degree,
this modes lack of a
leading tone gives the
melody a folk-tune
quality. The piano should
at all times remain
legato and flowing, its
ascending and descending
gestures, found in mm.
910, imitating the
rolling hills and valleys
evoked in the text. The
phrases of the vocal
lines should also be
flowing and carefully
shaped. Additional rubato
and dynamic subtleties
may be added to
accentuate any number of
the suspensions and
dissonances that occur,
especially on p.
14. The two pieces,
aWho Robbed the Woods?a
and aO Cool is the Valley
Now,a combine to create a
set that both explores
the subtle beauty,
serenity, fragility, and
resiliency of nature and
examines our relationship
to the natural world
around us. The first song
combines a short poem by
Emily Dickinson with a
journal entry excerpt by
Walt Whitman entitled
The Lesson of the
Tree. Only two
stanzas in length,
Dickinsonas poem
considers the ways in
which people use and
exploit trees for their
own purposes and asks, on
the treesa behalf, who
would do such a thing?
Whitman ponders a treeas
silent majesty and power
and its ability to be
ayet say nothing at all.a
The musical setting
begins and ends in the
mode of G-Dorian while
moving briefly in the
middle section to Bb
major. The Dorian mode,
similar to the natural
minor but with a raised
sixth scale degree,
possesses a mysterious
and whimsical sound,
fitting for a poem that
considers the possibility
of talking trees. The
accents and syncopation
of the piano
accompaniment should be
carefully observed, with
particular attention paid
to the syncopation found
in gestures occurring in
mm. 7a12. The beginning
a cappella
section should be hushed
yet intense; a richer,
fuller sound may be
brought out in the middle
section where the key
shifts to Bb major and
the choir sings of the
many noble qualities of
trees (mm. 39a53). O Cool
is the Valley NowA also
makes use of a modal
scale. Set primarily in D
Mixolydian, similar to D
major but with a lowered
seventh scale degree,
this modeas lack of a
leading tone gives the
melody a folk-tune
quality. The piano should
at all times remain
legato and flowing, its
ascending and descending
gestures, found in mm.
9a10, imitating the
rolling hills and valleys
evoked in the text. The
phrases of the vocal
lines should also be
flowing and carefully
shaped. Additional rubato
and dynamic subtleties
may be added to
accentuate any number of
the suspensions and
dissonances that occur,
especially on p.
14. The two pieces,
aWho Robbed the Woods?a
and aO Cool is the Valley
Now,a combine to create a
set that both explores
the subtle beauty,
serenity, fragility, and
resiliency of nature and
examines our relationship
to the natural world
around us. The first song
combines a short poem by
Emily Dickinson with a
journal entry excerpt by
Walt Whitman entitled
The Lesson of the
Tree. Only two
stanzas in length,
Dickinsonas poem
considers the ways in
which people use and
exploit trees for their
own purposes and asks, on
the treesa behalf, who
would do such a thing?
Whitman ponders a treeas
silent majesty and power
and its ability to be
ayet say nothing at all.a
The musical setting
begins and ends in the
mode of G-Dorian while
moving briefly in the
middle section to Bb
major. The Dorian mode,
similar to the natural
minor but with a raised
sixth scale degree,
possesses a mysterious
and whimsical sound,
fitting for a poem that
considers the possibility
of talking trees. The
accents and syncopation
of the piano
accompaniment should be
carefully observed, with
particular attention paid
to the syncopation found
in gestures occurring in
mm. 7a12. The beginning
a cappella
section should be hushed
yet intense; a richer,
fuller sound may be
brought out in the middle
section where the key
shifts to Bb major and
the choir sings of the
many noble qualities of
trees (mm. 39a53). O Cool
is the Valley NowA also
makes use of a modal
scale. Set primarily in D
Mixolydian, similar to D
major but with a lowered
seventh scale degree,
this modeas lack of a
leading tone gives the
melody a folk-tune
quality. The piano should
at all times remain
legato and flowing, its
ascending and descending
gestures, found in mm.
9a10, imitating the
rolling hills and valleys
evoked in the text. The
phrases of the vocal
lines should also be
flowing and carefully
shaped. Additional rubato
and dynamic subtleties
may be added to
accentuate any number of
the suspensions and
dissonances that occur,
especially on p.
14. The two pieces,
Who Robbed the Woods? and
O Cool is the Valley Now,
combine to create a set
that both explores the
subtle beauty, serenity,
fragility, and resiliency
of nature and examines
our relationship to the
natural world around us.
The first song combines a
short poem by Emily
Dickinson with a journal
entry excerpt by Walt
Whitman entitled The
Lesson of the Tree.
Only two stanzas in
length, Dickinson's poem
considers the ways in
which people use and
exploit trees for their
own purposes and asks, on
the trees' behalf, who
would do such a thing?
Whitman ponders a tree's
silent majesty and power
and its ability to be yet
say nothing at all. The
musical setting begins
and ends in the mode of
G-Dorian while moving
briefly in the middle
section to Bb major. The
Dorian mode, similar to
the natural minor but
with a raised sixth scale
degree, possesses a
mysterious and whimsical
sound, fitting for a poem
that considers the
possibility of talking
trees. The accents and
syncopation of the piano
accompaniment should be
carefully observed, with
particular attention paid
to the syncopation found
in gestures occurring in
mm. 7-12. The beginning
a cappella
section should be hushed
yet intense; a richer,
fuller sound may be
brought out in the middle
section where the key
shifts to Bb major and
the choir sings of the
many noble qualities of
trees (mm. 39-53). O Cool
is the Valley Now also
makes use of a modal
scale. Set primarily in D
Mixolydian, similar to D
major but with a lowered
seventh scale degree,
this mode's lack of a
leading tone gives the
melody a folk-tune
quality. The piano should
at all times remain
legato and flowing, its
ascending and descending
gestures, found in mm.
9-10, imitating the
rolling hills and valleys
evoked in the text. The
phrases of the vocal
lines should also be
flowing and carefully
shaped. Additional rubato
and dynamic subtleties
may be added to
accentuate any number of
the suspensions and
dissonances that occur,
especially on p.
14. The two pieces,
Who Robbed the Woods? and
O Cool is the Valley Now,
combine to create a set
that both explores the
subtle beauty, serenity,
fragility, and resiliency
of nature and examines
our relationship to the
natural world around us.
The first song combines a
short poem by Emily
Dickinson with a journal
entry excerpt by Walt
Whitman entitled The
Lesson of the Tree. Only
two stanzas in length,
Dickinson's poem
considers the ways in
which people use and
exploit trees for their
own purposes and asks, on
the trees' behalf, who
would do such a thing?
Whitman ponders a tree's
silent majesty and power
and its ability to be yet
say nothing at all. The
musical setting begins
and ends in the mode of
G-Dorian while moving
briefly in the middle
section to Bb major. The
Dorian mode, similar to
the natural minor but
with a raised sixth scale
degree, possesses a
mysterious and whimsical
sound, fitting for a poem
that considers the
possibility of talking
trees. The accents and
syncopation of the piano
accompaniment should be
carefully observed, with
particular attention paid
to the syncopation found
in gestures occurring in
mm. 7-12. The beginning a
cappella section should
be hushed yet intense; a
richer, fuller sound may
be brought out in the
middle section where the
key shifts to Bb major
and the choir sings of
the many noble qualities
of trees (mm. 39-53). O
Cool is the Valley Now
also makes use of a modal
scale. Set primarily in D
Mixolydian, similar to D
major but with a lowered
seventh scale degree,
this mode's lack of a
leading tone gives the
melody a folk-tune
quality. The piano should
at all times remain
legato and flowing, its
ascending and descending
gestures, found in mm.
9-10, imitating the
rolling hills and valleys
evoked in the text. The
phrases of the vocal
lines should also be
flowing and carefully
shaped. Additional rubato
and dynamic subtleties
may be added to
accentuate any number of
the suspensions and
dissonances that occur,
especially on p.
14. The two pieces,
“Who Robbed the
Woods?†and
“O Cool is the
Valley Now,â€
combine to create a set
that both explores the
subtle beauty, serenity,
fragility, and resiliency
of nature and examines
our relationship to the
natural world around
us.The first song
combines a short poem by
Emily Dickinson with a
journal entry excerpt by
Walt Whitman entitled The
Lesson of the Tree. Only
two stanzas in length,
Dickinson’s poem
considers the ways in
which people use and
exploit trees for their
own purposes and asks, on
the trees’ behalf,
who would do such a
thing? Whitman ponders a
tree’s silent
majesty and power and its
ability to be “yet
say nothing at
all.â€The musical
setting begins and ends
in the mode of G-Dorian
while moving briefly in
the middle section to Bb
major. The Dorian mode,
similar to the natural
minor but with a raised
sixth scale degree,
possesses a mysterious
and whimsical sound,
fitting for a poem that
considers the possibility
of talking trees. The
accents and syncopation
of the piano
accompaniment should be
carefully observed, with
particular attention paid
to the syncopation found
in gestures occurring in
mm. 7–12. The
beginning a cappella
section should be hushed
yet intense; a richer,
fuller sound may be
brought out in the middle
section where the key
shifts to Bb major and
the choir sings of the
many noble qualities of
trees (mm.
39–53).O Cool is
the Valley Now also
makes use of a modal
scale. Set primarily in D
Mixolydian, similar to D
major but with a lowered
seventh scale degree,
this mode’s lack
of a leading tone gives
the melody a folk-tune
quality. The piano should
at all times remain
legato and flowing, its
ascending and descending
gestures, found in mm.
9–10, imitating
the rolling hills and
valleys evoked in the
text. The phrases of the
vocal lines should also
be flowing and carefully
shaped. Additional rubato
and dynamic subtleties
may be added to
accentuate any number of
the suspensions and
dissonances that occur,
especially on p. 14. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Almon C. Bock II : Gallop and Walk Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
By Almon C. Bock II. Orchestra. Score; String Orchestra. Highland String Orchest...(+)
By Almon C. Bock II.
Orchestra. Score; String
Orchestra. Highland
String Orchestra. Grade
3.5. 16 pages. Published
by Alfred Music
$7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Images Of Appalachia-Score Orchestre d'harmonie - Intermédiaire/avancé Kjos Music Company
Band concert band - Grade 4 SKU: KJ.WB148F Composed by Christopher Salern...(+)
Band concert band - Grade
4 SKU: KJ.WB148F
Composed by Christopher
Salerno. Bandworks.
Score. Neil A. Kjos Music
Company #WB148F.
Published by Neil A. Kjos
Music Company
(KJ.WB148F). An
overture-style piece,
Images of Appalachia
portrays the composer's
impression of the
colorful Appalachian
mountain ranges and
valleys of southwestern
Virginia. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piping Down the Valleys Wild Chorale 2 parties Boosey and Hawkes
2-Part and piano (2-Part) SKU: HL.48022702 Composed by Herbert Howells. B...(+)
2-Part and piano (2-Part)
SKU: HL.48022702
Composed by Herbert
Howells. BH Secular
Choral. Softcover. 12
pages. Boosey & Hawkes
#M060123542. Published by
Boosey & Hawkes
(HL.48022702). ISBN
9780851628097. UPC:
888680925888.
7.25x10.25x0.026
inches. This
setting of a William
Blake text is in two
distinct vocal parts and
has a pastoral flavour
with flowing and singable
melodies. The clever
interplay between the two
parts makes this an
enjoyable song to sing
and listen to, making an
excellent and
rarely-heard concert
filler and a valuable
addition to a choir's
repertoire. $5.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chorale and Presto Orchestre [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Composed by Richard L. Saucedo. MusicWorks Grade 3. Concert. Score and parts. Pu...(+)
Composed by Richard L.
Saucedo. MusicWorks Grade
3. Concert. Score and
parts. Published by Hal
Leonard
$65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Walk Through the Valley Alfred Publishing
For Viola, Cello, and Piano. Composed by Victor Labenske. Method/Instruction...(+)
For Viola, Cello, and
Piano.
Composed by Victor
Labenske.
Method/Instruction; Piano
with Other Instrument.
Light
Concert. Other. Alfred
Music
#00-47773. Published by
Alfred Music
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Psalm 23 Brookfield Press
RehearsalTrax CDs (part-dominant, reproducible) Choral (REHEARSAL TX) SKU: HL...(+)
RehearsalTrax CDs
(part-dominant,
reproducible) Choral
(REHEARSAL TX) SKU:
HL.195828 A
Journey with the
Shepherd. Composed by
Pepper Choplin.
Brookfield Choral Series.
Cantata, Christ The Good
Shepherd, General
Worship, Psalm, Sacred.
CD. Duration 2280
seconds. Published by
Brookfield Press
(HL.195828). UPC:
888680642686.
4.75x5.5x0.953
inches. This major
work is an affirmation of
assurance that takes us
on a musical and
spiritual pilgrimage
through the beloved 23rd
Psalm. Singers and
listeners will be carried
from peaceful meadows to
the shadowed valleys, and
from the fragile hope of
faith, to life
everlasting. A work of
scope and substance,
Psalm 23 - A Journey with
the Shepherd gives
directors a wonderful
opportunity to program
outside the seasonal box.
A glorious orchestration
by Michael Lawrence
decorates the expressive
choral writing with color
and a theatrical sweep.
Songs include: We Are Not
Alone; The Lord Is My
Shepherd; Restore My
Soul; Lead Me on the
Paths of Righteousness;
Though I Walk through the
Valley; You Comfort Me;
My Cup Overflows; We Are
Not Alone (reprise);
Surely Goodness and
Mercy. Score and Parts
(fl 1-2, ob, cl 1-2, bn,
tpt 1-3, hn 1-2, tbn 1-2,
tbn 3/tba, perc 1-2,
timp, hp, pno, vn 1-2,
va, vc, db) available as
a Printed Edition and as
a digital download. $64.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Carol of the Snow Chorale SATB SATB, Piano Alfred Publishing
Choir Secular. SATB choir. Choral Octavo. Choral Designs. Christmas; Folk; Secul...(+)
Choir Secular. SATB
choir. Choral Octavo.
Choral Designs.
Christmas; Folk; Secular;
Winter. 12 pages.
Published by Alfred Music
$1.85 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jazz Songs of Innocence Chorale 3 parties SSA, Piano [Partie séparée] Oxford University Press
By Bob Chilcott. For SSA choir, piano, optional bass and drum kit. Double Bass. ...(+)
By Bob Chilcott. For SSA
choir, piano, optional
bass and drum kit. Double
Bass. Pieces and Studies.
Bass and drum kit part.
12 pages. Duration 16'.
Published by Oxford
University Press
$14.99 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| E-Z Play Today #291. The Tony Awards! Songbook Orgue, Piano (duo) [Partition] Hal Leonard
By Various Artists. E-Z Play Today (Easy big-note right-hand-only arrangements f...(+)
By Various Artists. E-Z
Play Today (Easy big-note
right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Softcover. 218
pages. Published by Hal
Leonard.
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Willow Tree Orchestre d'harmonie - Intermédiaire Hal Leonard
Concert Band (Score) - Grade 3 SKU: HL.4005122 Composed by Pá, Uall...(+)
Concert Band (Score) -
Grade 3 SKU:
HL.4005122 Composed
by Pá,
Uallachá,
draigí, in, and n
Ní. Arranged by
Michael Sweeney.
MusicWorks Grade 3.
Concert. Softcover.
Duration 190 seconds.
Published by Hal Leonard
(HL.4005122). UPC:
888680687694.
9.0x12.0x0.048
inches. Although
this haunting tune has
the flavor and sentiment
of a traditional Irish
folk song, it was
composed in 1995 by
multifaceted artist
Padraigin Ni Uallachain.
Her inspiration for the
song was the idea that
when we are happy or sad,
the elements and the
natural world are aligned
with our feelings. From
the wistful lyrics of the
song; Down by the river
there's a tall willow
tree, who weeps all night
for you and me. This
evocative setting for
band follows this
sentiment through peaks
and valleys of sound and
emotion. Dur: 3:10. $7.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Whisper! Whisper! (Baby Born Today) Chorale TTBB TTBB A Cappella [Octavo] Alfred Publishing
By Jay Althouse. For Choir. (TTBB, a cappella). Choral Octavo. Choral Designs. ...(+)
By Jay Althouse. For
Choir. (TTBB, a
cappella). Choral Octavo.
Choral Designs.
Spiritual, Christmas.
Choral Octavo. 8 pages.
Published by Alfred
Publishing.
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Whisper! Whisper! (Baby Born Today) Chorale SSAA SSAA A Cappella [Octavo] Alfred Publishing
By Jay Althouse. For Choir. (SSAA, a cappella). Choral Octavo. Choral Designs. ...(+)
By Jay Althouse. For
Choir. (SSAA, a
cappella). Choral Octavo.
Choral Designs.
Spiritual, Christmas.
Choral Octavo. 8 pages.
Published by Alfred
Publishing.
(1)$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Psalm 23 Brookfield Press
SplitTrax CD Choral (Split Trax) SKU: HL.195821 A Journey with the She...(+)
SplitTrax CD Choral
(Split Trax) SKU:
HL.195821 A
Journey with the
Shepherd. Composed by
Pepper Choplin.
Brookfield Choral Series.
Cantata, Christ The Good
Shepherd, General
Worship, Psalm, Sacred.
CD. Duration 2280
seconds. Published by
Brookfield Press
(HL.195821). UPC:
888680642648.
5.0x5.0x0.16
inches. This major
work is an affirmation of
assurance that takes us
on a musical and
spiritual pilgrimage
through the beloved 23rd
Psalm. Singers and
listeners will be carried
from peaceful meadows to
the shadowed valleys, and
from the fragile hope of
faith, to life
everlasting. A work of
scope and substance,
Psalm 23 - A Journey with
the Shepherd gives
directors a wonderful
opportunity to program
outside the seasonal box.
A glorious orchestration
by Michael Lawrence
decorates the expressive
choral writing with color
and a theatrical sweep.
Songs include: We Are Not
Alone; The Lord Is My
Shepherd; Restore My
Soul; Lead Me on the
Paths of Righteousness;
Though I Walk through the
Valley; You Comfort Me;
My Cup Overflows; We Are
Not Alone (reprise);
Surely Goodness and
Mercy. Score and Parts
(fl 1-2, ob, cl 1-2, bn,
tpt 1-3, hn 1-2, tbn 1-2,
tbn 3/tba, perc 1-2,
timp, hp, pno, vn 1-2,
va, vc, db) available as
a Printed Edition and as
a digital download. $89.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hills and Valleys - Orchestration Word Music
SKU: WD.080689415081 Composed by Cliff Duren. Orchestration. Word Music #...(+)
SKU:
WD.080689415081
Composed by Cliff Duren.
Orchestration. Word Music
#080689415081. Published
by Word Music
(WD.080689415081).
UPC:
080689415081. $79.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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