A Must-Have Collection of Well-Known Songs, Including Many Horn Features!. If you've been taking horn lessons for a little while, you're probably eager to put your new skills to use and learn to play some familiar songs. The First 50 Songs You Should Play on the Horn includes a wide variety of favorite songs, from pop hits and movie themes to classical melodies and folk songs. Titles include: All of Me · All You Need Is Love · Fight Song · God Bless America® · The Godfather (Love Theme) · Hallelujah · Hello · I Will Always Love You · I'm Yours · Just Give Me a Reason · Just the Way You Are · Let It Go · My Heart Will Go On (Love Theme from 'Titanic') · Pure Imagination · Raiders March · Roar · Rolling in the Deep · Satin Doll · Shake It Off · Stand by Me· The Star-Spangled Banner · This Is Me · Uptown Funk · and more. / Pop and rock / Date parution : 2020-04-11/ Recueil / Cor

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Allegro (Handel) * Andante (Telemann) * Andantino (Diabelli) * Appalachian Folk Song (American Traditional) * Aria (Speer) * Ballad (Tennessee Folk Tune) (Traditional) * Chorale (Speer) * Concert Duet in Four Movements (Snell) * Elizabethan Dance (Farnaby) * Etude (Snell) * Gavotte (Handel) * March (Anonymous) * March from Judas Maccabeus (Handel) * Minuet (Handel) * Mourish Dance (Susato) * Musette from English Suite No. 2 (Bach) * New England Chanty (American Traditional) * Old Tin Cans (American Folk Song) * Processional (Snell) * Renaissance Dance (Anonymous) * Ronde (Susato) * Toccata (Snell) * Waltz (Snell) * Wildwood Flower (American Folk Song).

Par HARRIS PAUL / JOHNSON E.. Concert Repertoire for Clarinet combines imaginative arrangements with original pieces, all carefully selected and written for the Grade 4-7 player. From George Gershwin's jazz classic I Got Rhythm and Alec Templeton's Bach Goes To Town to Arnold, Reger, Puccini, Mozart and Penderecki, the pieces are guaranteed to give variety to your playing and to be a real hit on the concert platform. Paul Harris is one of the leading figures in music education, with many varied publications to his name. Emma Johnson has established herself as one of the world's foremost clarinet soloists, performing regularly in the USA, the Far East, and throughout Europe. / Niveau : Elémentaire / Date parution : 2003-03-20/ Répertoire / Clarinette et Piano

Six concertos in six parts for violins and flutes viz. A fifth, sixth and consort flute.Edition : - London, Walsh, s.d. (=1729).Présentation par Susi Möhlmeier et Frédérique Thouvenot : Choix d'oeuvres écrites explicitement pour la flûte à bec - la facture de la flûte à bec en Europe de 1650 à 1750 - lecture de la partition (articulation, dynamique, ornementation, rythme, notation générale, suggestions).Publication en parties séparées : fluto (a consort flute : concertos I, III - a fifth flute : VI - a sixth flute : II, IV, V) - violino primo - violino secondo - violino primo repiano (ripieno) - tenore (alto) - basso continuo.Consort flute : flûte à bec alto en fa.Fifth flute : flûte à bec soprano en ut.Sixth flute : flûte à bec soprano en ré. / Flûte A Bec Et Instruments Divers, Flûte A Bec (Soprano En Do, Soprano En Ré Ou Alto), 2 Violons Soli, 1 Violon Ripieno, Alto, Basse Continue / 79 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Violin Duets. Par IGUDESMAN ALEKSEY. There is no doubt about Aleksey Igudesman's admiration for Mozart and his music and these 'Igudesmanised' pieces for two violins would most likely have Mozart himself laughing, were he to hear them. The 10 pieces for two violins such as 'A Very Little Night Music' through to 'Loud Date and Domino' will be enjoyed by all including two inspired by Mozart but composed by Igudesman himself. There is also a free bonus piece, 'Concertino in G', as a digital sheet music download included. 'Whether the pieces in this book are unmistakably 'Igudesman' is for you to judge, but I am quite convinced that Mozart, were he alive, would have had a laugh if he heard them... before he sued me for copyright infringement!' Aleksey Igudesman Mozart ? Igudesman-style for two violins Performance pieces full of humour and quirkiness for the stage or even for busking Background notes for each piece are provided / Niveau : Intermédiaire / Recueil / 2 Violons

Béla Bartók Complete Critical Edition Volume 38. Par BARTOK BELA. The third volume in the Complete Edition contains Bartók's works for piano solo composed between 1914 and 1920. Bartók's pianistic oeuvre from the years of World War I span a broadly varied spectrum; in addition to simple arrangements of folk music (15 Hungarian Peasant Songs, Sonatina) and original pieces for the concert podium (Suite, op. 14), we find Bartók's audaciously innovative Etudes (op. 18) inspired by Liszt, as well as Improvisations (op. 20), perhaps his most abstract and original folk music adaptations. The appendix of the volume reproduces movements originally intended for, but eventually discarded from, Suite and 15 Hungarian Peasant Songs, as well as all original sources for the folk-inspired pieces. The introductory essays in English, Hungarian, and German not only explore the genesis and reception of the works more thoroughly than ever before, but also orient the reader in issues of notation and performance. The critical commentary presents all manuscript and print sources of the works in detail (including folk music sources), it documents the compositional processes and surveys the range of textual variants and problems. / Somfai, László / Répertoire / Piano

Memorable tribute from one musical genius to another, reproduced from authoritative editions, reveals Liszt's remarkable capacity for translating orchestral effects into pianistic terms. An astonishing, brilliant, and sensitive tribute to the master by the 19th-century's greatest piano virtuoso. Content :
Preface: Liszt's handwritten note
Preface: English translation
Introduction
Glossary
Symphony No. 1 in C Major, Op. 21
I. Adagio molto-Allegro con brio
II. Andante cantabile con moto
III. Menuetto: Allegro molto e vivace
IV. Adagio-Allegro molto vivace
Symphony No. 2 in D Major, Op. 36
I. Adagio molto-Allegro con brio
II. Larghetto
III. Scherzo: Allegro
IV. Allegro molto
Symphony No. 3 in E-flat Major ( Eroica ), Op. 55
I. Allego con brio
II. Marche funèbre: Adagio assai
III. Scherzo: Allegro vivace
IV. Finale: Allegro molto
Symphony No. 4 in B-flat Major, Op. 60
I. Adagio-Allegro vivace
II. Adagio
III. Allegro vivace
IV. Allegro, ma non troppo
Symphony No. 5 in C Minor, Op. 67
I. Allegro con brio
II. Andante con moto
III. Scherzo: Allegro
IV. Allegro

111 short and very easy original classical piano pieces Piano Piccolo has been designed as a beginner's introduction to the successful collection Für Elise (ED 20044) in the Pianissimo series. This collection of 111 very easy original classical piano pieces includes popular repertoire pieces as well as many rarer finds that are not widely known. Works by over sixty composers from the Baroque, Classical, Romantic and Modern eras here offer a rich treasure trove for and are a valuable addition to imaginative and varied tuition for beginners. Piano Piccolo offers excellent opportunities for introducing beginners, returning students and amateur musicians to classical music with pieces suitable for auditions at music schools and playing to family and friends. Piano Piccolo has been designed as a beginner's introduction to the successful collection Für Elise (ED 20044) in the Pianissimo series. This collection of 111 very easy original classical piano pieces includes popular repertoire pieces as well as many rarer finds that are not widely known. Works by over sixty composers from the Baroque, Classical, Romantic and Modern eras here offer a rich treasure trove for and are a valuable addition to imaginative and varied tuition for beginners. Piano Piccolo offers excellent opportunities for introducing beginners, returning students and amateur musicians to classical music with pieces suitable for auditions at music schools and playing to family and friends. Contenu - M. Praetorius: Old German Dance C major- J. Krieger: Minuet A minor - J. Krieger: Bourrée A minor - H. Purcell: Air D minor - G. Böhm: Minuet G major - C. Graupner: Bourrée E minor GWV 827 - J.S. Bach: Aria D minor BWV 515 - G.F. Händel: Minuet G major - G.F. Händel: Passepied C major HWV 559 - Anon.: Minuet F major No. 2 - Anon.: Minuet F major No. 6 - L. Mozart: Minuet D minor - J. Haydn: German Dance D major Hob.IX:22/2 - J. Haydn: German Dance G major Hob.IX:22/3 - W. Duncombe: Minuet C major - W. Duncombe: Gavot C major - S. Arnold: Gavot C major S. Arnold: Giga C major - J. Hook: Minuet D major - J. Hook: Gavotta D major - J.W. Häßler: Poco Allegro, op. 38/3 - J.W. Häßler: Tempo di Minuetto, op. 38/4 - J.W. Häßler: Moderato, op. 38/12 - D.G. Türk: Carefree Jack - D.G. Türk: Lullaby - D.G. Türk: I feel so sick and faint - D.G. Türk: Arioso - J.G. Witthauer: Dance C major - J.G. Witthauer: Allegretto F major - J.G. Witthauer: Gavotte A minor - M. Clementi: Arietta C major, op. 42/5 - A. Reinagle: Allegro, op. 1/4 - A. Reinagle: Allegretto, op. 1/5 - A. Reinagle: Allegretto, op. 1/9 - A. Reinagle: Allegretto op. 1/11 - W.A. Mozart: Allegro KV 1b - W.A. Mozart: Allegro DV 1c - N.-J. Hüllmandel: Minuetto, op. 5/1 - N.-J. Hüllmandel: Allegro, op. 5/5 - C.H. Wilton: Little Sonata C major - J.J. Ryba: Two Little Inventions No. 1 C major, No. 2 A minor - D.G. Steibelt: Adagio A minor - A.E. Müller: Andantino, Handstück No. 5 - A.E. Müller: Andante, Handstück No. 9 - L.v. Beethoven: German Dance WoO 8/1 - L.v. Beethoven: Russian Folk Song, op. 107/3 - A. Diabelli: Allegretto, op. 125/3 - A. Diabelli: Vivace, op. 125/7 - C.M.v. Weber: Allemande, op. 4/2 - M. Szymanowska: Mazurka - C. Czerny: Allegro, op. 777/3 - C. Czerny: Allegretto, op. 823/7 - C.T. Brunner: Andante, op. 487/38 - C.T. Brunner: Andantino, op. 487/41 - H. Wohlfahrt: Moderato A minor - F. Schubert: Ländler B-flat major D 378/2 - R. Schumann: Little Piece, op. 68/5 - F.de Couppey: Melody No. 14 - F. de Couppey: Arabian Air - F. Spindler: Song without Words - L. Kühler: Piano Piece, op. 190/27 - L. Köhler: Piano Piece, op. 190/30 - L. Köhler: Piano Piece, op. 190/31 - C. Gurlitt: Going to School, op. 117/14 - C. Gurlitt: Consolation, op. 179/12 - C. Gurlitt: Waltz, op. 179/17 - C. Gurlitt: Gavotte, op. 210/9 - I. Bartalus: Two Hungarian Melodies No. 1 and No. 2 - H. Henkel: Piano Piece No. 13 - C. Reinecke: Scherzino, op. 136/1 - C. Reinecke: Elegy E minor op. 183/2 - E. Breslaur: Cuckoo, op. 46/21 - E. Breslaur: Waltz, op. 46/25 - O. Bolck: Sonatine C major op. 30/4, 1st movement - F. Scotson Clark: Tarantella - M.W. Vogel: Brave Knight - M.W. Vogel: Waltz - R. Fuchs: Proud Horseman, op. 47/2 - R. Fuchs: Sad at Heart, op. 47/5 - A. Sartorio: On Tip-Toe, op. 783/8 - A. Gretchaninoff: Farewell, op. 98/4 - A. Gretchaninoff: Elephant's Dance - E. Satie: Menus propos enfantins No. 2 - E. Satie: Enfantillages pittoresques No. 2- E. Satie: Peccadilles importunes No. 3 - C. Scott: Teddy-bear's Headache - I. Strawinsky: Andantino - G.F. Humbert: The Chocolate Automat - G.F. Humbert: Tarantella - G.F. Humbert: The Music Box - G.F. Humbert: Sad Song - G.F. Humbert: Walzer - P. Hindemith: Song - C. Orff: Two Pieces from the Piano Exercises No. 1 and No. 2 - D. Kabalevsky: Dance, op. 39/9 - D. Kabalevsky: Waltz, op. 39/13 - D. Shostakovich: March, op. 69/1 - D. Shostakovich: Waltz, op. 69/2 - H. Badings: Sarabande - H. Badings: Country Dance - G. Kretschmer: Little Waltz - G. Kretschmer: Little Minuet - G. Kretschmer: Little Prelude - B. Heller: The Melody in the Box - B. Heller: Waves - H.-G. Heumann: PreludeC major - H.-G. Heumann: Mazurka D minor - H.-G. Heumann: Minuet G major

Piano Sonata C major K. 309 (284b) Editor: Ernst Herttrich Fingering: Hans-Martin Theopold I wish to do it to reflect the character of Mad:selle Rose, Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannabich in Mannheim and during her lessons immediately introduced her to the Sonata K. 309 that he had composed for her. Indeed, in December 1777 according to her teacher she was already able to perform it excellently. So that a great many other pupils might follow in her footsteps, we are now publishing this small gem that shows Mozart‘s great skill in composing for the piano as a single edition with a new preface by the editor; it was previously only available in the complete volumes (HN 1 and 3). FIRST MOVEMENT The first movement of the C major Sonata K 309 is a model teaching sonata form structure. With sonata forms, as with Bach fugues, no formal dogmas underlie the process of composition, but each sonata varies anew a basic principle. For Mozart, this entailed strict adherence to certain fundamental patterns without his creative freedom. In his sonata movements in major keys, for example he favoured a distinct second subject in the dominant as most contemporary composers did. Haydn, on the other hand, reveled in experiment at this point. A brief analysis may help to demonstrate Mozart's standard sonata allegro form and the first movement of it is an ideal example for such an investigation. The first subject is a distinctive, marcato opening followed by a five-bar response. The falling fourth and rising sixth of the opening is one of Mozart's favourite motifs, his common melodic device. He often uses it in the minor as well as the major, and many of his themes start with this motif (e.g. the second movement of the A major Sonata K 331, the Adagio in B minor K 540, and subjects in the Symphonies K 114, 124, 319/II and 551/II). The seven measures of the main theme are repeated, slightly varied. Measures 15 to 21 conclude the first subject group with an answering phrase (3+3 bars). The transition consists of new material and then, in measure 35 (after two measures of preparation comes a second cantabile theme, in the dominant (G major) comprising 2x4 bars, which is also repeated and proceeds to a spirited closing theme (concluding group) using passage-work (m. 43) and incorporating a delightful diminuation of measures 35 36 in measure 45. The exposition ends with a codetta of five bars. The development presents the opening motif first in g minor, and then the various ideas of the first subject are worked out. With this procedure Mozart is keeping much more closely to textbook principles than he usually does. Two further statements of the opening motif lead back to the recapitulation in measure 94. The second subject, now in the tonic, has surprisingly changed place with its accompaniment. The opening is recalled again in an effectively assertive coda. SECOND MOVEMENT The second movement of this sonata is an introspective Andante un poco adagio. In a letter Mozart stated his desire to make this Andante match the character of the young pianist Rosa Cannabich for whom he wrote it: ...she is a sweet, pretty girl, just like the andante. For her age she is sensible and level-headed; she is serious, and doesn't talk too much, though what she says is pleasing and sympathetic. THIRD MOVEMENT An elegant and smoothly flowing Rondo of unusually large proportions concludes this Sonata. Paul and Eva Badura-Skoda

INSTRUMENTATION : STRING QUARTET VERSION : STUDY SCORE CONTENU : PREFACE/VORWORT - I. ADAGIO, MA NON TROPPO E MOLTO ESPRESSIVO - II. ALLEGRO MOLTO VIVACE - III. ALLEGRO MODERATO - IV. ANDANTE, MA NON TROPPO E MOLTO CANTABILE-PIÙ MOSSO-ANDANTE MODERATO E LUSINGHIERO-ADAGIO-ALLEGRETTO-ADAGIO, MA NON TROPPO E SEMPLICE-ALLEGRETTO - V. PRESTO - VI. ADAGIO, QUASI UN POCO ANDANTE - VII. ALLEGRO NOMBRE DE PAGES : 56 COLLECTION : EULENBURG MINIATURE SCORES FORMAT : ETP SMALL

Partition pour violoncelle et basse continue. Edition : Paris, 1774 La préface donne une biographie de Jean-Baptiste Janson et une explication détaillée de sa notation. Présentation de :
Philippe Lescat : Biographie de Jean-Baptiste Janson
Jean Saint-Arroman : Lecture de la partition Compositeur : JANSON Jean-Baptiste
Auteur : LESCAT Philippe - SAINT-ARROMAN Jean
Collection : Musique Française classique de 1650 à 1800 Titres :
Sonata I en sol majeur : allegro, adagio, tempo di minuetto - Sonata II en ré majeur : allegro, adagio, rondo - Sonata III en ut majeur : allegro moderato, andante, aria con variatione - Sonata IV en sol majeur : allegro moderato, adagio, rondo - Sonata V en si b majeur : andante, allegretto - Sonata VI en ré majeur : allegro moderato, adagio, aria con variatione. Nombre de pages : 38
Format : 24,5 x 33,5
Parution : 02/2000