Mixed choir

SKU: ST.B874

Composed by Andrew Pratt. Hymns & Relgious Drama. Choral Score. Stainer & Bell Ltd. #B874. Published by Stainer & Bell Ltd. (ST.B874).

ISBN 9780852498743.

The 135 hymns and songs in Whatever Name or Creed are texts for today, reflections by Andrew Pratt on a variety of contemporary topics, illuminated in the searchlight of his insistent and uncompromising questioning.

A major theme, regarded from the author's own Christian viewpoint, is the relationship between faiths, especially as witnessed in their heritage of shared insights.

The introduction is by Geoffrey Duncan. New musical settings by composers including Peter Cutts, Hal H. Hopson, John R. Kleinheksel Sr and Ian Sharp complement many of the texts, while others are indexed with tunes suggested from a number of standard British and American hymnals.

SKU: HP.8180

What if your art is part of a bigger picture, part of a daily grace God has in mind for someone else? -Emily P. Freeman. Andrew Pratt Hymn Collection. General Worship, Sacred. Book. 166 pages. Hope Publishing Company #8180. Published by Hope Publishing Company (HP.8180).

ISBN 9780852498743. Andrew Pratt.

A new collection of hymns by the British author, Andrew Pratt, whose work encourages people to relate to their own community, to the wider society and to our global situation. This is a wide-ranging, down-to-earth collection that will help people to bring in the Kingdom where it should be, right here on earth.

SATB choir, assembly, organ accompaniment, 2 trumpets in B-flat, horn in f, trombone, timpani

SKU: GI.G-008704

Composed by Johann Crüger & Ralph Vaughan Williams. Arranged by Robert W Schaefer. Easter 6 Year C, easter 6 Year A. Tune Name: Graefenburg, Down Ampney. Sacred. Octavo. 12 pages. GIA Publications #008704. Published by GIA Publications (GI.G-008704).

UPC: 641151087047. Translation: Richard Littledale. Text by Andrew Reed.

Composed by Normand Gouin. Cathedral Series. Ordination, Pentecost, Confirmation, Ordination/Installation, 21st Century. Choral score. Published by MorningStar Music Publishers (MN.60-6015).

Concert band - Grade 2

SKU: CL.011-4220-01

March. Composed by King. Arranged by Glover. Young Band, closer. Command Series. Audio recording available separately (item CL.WFR380). Extra full score. Composed 2013. Duration 2 minutes, 14 seconds. C.L. Barnhouse #011-4220-01. Published by C.L. Barnhouse (CL.011-4220-01).

Karl King's Hosts of Freedom March has been one of the most popular easier marches in the Barnhouse catalog for generations, and it's now available in this wonderful Command series edition by Andrew Glover. Unbeatable as a concert opener or closer, or for performance at contests and festivals. Your band will sound like a million dollars on this classic King-tune! Exceptional!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

How About You? arranged by Doug Andrews. For SATB Choir (SATB). Shawnee Press. Choral. 12 pages. Shawnee Press #A2166. Published by Shawnee Press

March. By Karl L. King. Arranged by Andrew Glover. Concert Band. Heritage of the March. Level: Grade 4. Score and set of parts. Composed 2003. Duration 0:02:37. Published by C.L. Barnhouse.

(March). Composed by Karl L. King. Arranged by Andrew Glover. For concert band. Young Band. Command Series. Grade 2. Score and set of parts. Duration 2 minutes, 14 seconds. Published by C.L. Barnhouse

March. By Karl L. King. Arranged by Andrew Glover. Concert Band. Extra full score. Composed 2003. Published by C.L. Barnhouse.

By Carroll Thomas Andrews. For SATB, Unison, or 2 Equal Voice Chorus and Organ accompaniment. Mass. Sacred. Level: easy. Text language: English. Published by GIA Publications.

Instrumental Parts Choral

SKU: HL.35009229

Composed by Donald Miller. Instrumental parts. Shawnee Press. Patriotic. Parts. Shawnee Press #MP0273. Published by Shawnee Press (HL.35009229).

UPC: 888680940713. 8.5x11.0x0.064 inches.

Chosen as the 2009 recipient of the George Washington Medal of Honor awarded by the Freedoms Foundation of Valley Forge, this composition is the only musical setting of the inscription on the Tomb of the Unknot Soldier in Arlington Cemetery. Here Rests in Honored Glory exemplifies the essence of the National Awards by promoting an understanding and appreciation for our country's rich heritage and unique freedoms. Beginning in 2010, according to the Curator of the Normandy France Museum, a CD of the work is played each June 6th in honor of D-Day. On December 28, 2018, Governor Andrew Cuomo signed into law a bill making Here Rests in Honored Glory the Official New York State Hymn of Remembrance for all American Veterans.

Ssax. SSax/Asax. 2 Asax. 2 Tsax. Tsax/Bsax. Bsax (soprano saxophone, soprano/alto saxophone, 2 alto saxophones, 2 tenor saxophones, tenor/baritone saxophone, baritone saxophone) - Intermediate-Advanced

SKU: FT.FM552

Composed by Liz Sharma. Saxophone Ensemble - Soprano, Sop/Alto, 2 Altos, 2 Tenors, Tenor/Baritone, Baritone. Score and parts. Forton Music #FM552. Published by Forton Music (FT.FM552).

ISBN 9790570484515.

Perm utations was originally written for the Hampshire Double Reed Ensemble, then directed by Andrew Knights, and it's first performance was at a double reed day at Trinity College of Music. Since then, other versions have been produced as it is effective for several combinations of wind instruments. The title refers to the fact that the various instruments perform with each other in different combinations at different times - in other words, in different permutations. There are also passagess where everyone plays, but the musical themes are passed around, and varied as the piece progresses, and all parts get an equal share of the action. The last movement, the Samba, is supposed to be an enjoyable romp, with light hearted passages for duets and trios amongst the tutti sections.

2fl. 2ob. 2cl. 2bsn - Intermediate

SKU: FT.FM476

Composed by Liz Sharma. Double Wind Quartet. Score and parts. Forton Music #FM476. Published by Forton Music (FT.FM476).

ISBN 9790570483754.

Perm utations was originally written as a piece for Hampshire Double Reed ensemble  directed by Andrew Knights. They first performed it at a Double Reed Society Day at Trinity College of Music. Later I wrote the clarinet choir version for a wind course in Scotland, & there are also a saxophone ensemble version, and mixed wind ensemble versions. The title 'Permutations' describes a piece in which all the parts are of equal importance, and play together in various different combinations, or 'Permutations'.  The first movement contains some quite dynamic themes, the 2nd is more calm and pensive, but both contain contrasting passages. The 3rd movement - the 'Salsa' is full of exuberance and fun, but with some short contrasting passages in which the various instruments strut their stuff.

4ob. 2ca. 2bsn. Cbsn - Intermediate-Advanced

SKU: FT.FM488

Composed by Liz Sharma. Double Reed Quartet. Score and parts. Forton Music #FM488. Published by Forton Music (FT.FM488).

ISBN 9790570483877.

'The Forest' was originally written for the Hampshire Double Reed ensemble, then under the tuition of Andrew Knights, so I had the New Forest in mind. The first movement describes a misty dawn as the forest creatures awake. The second movement - 'Memories of an Ancient Tree' - refers to the passing of many generations of people, whose daily lives and celebrations unfold while the tree stands in the forest. The third movement - 'Insects' - is a fun and slightly jazzy representation of the many insects buzzing around in the forest.

Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Double Bass, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1, Percussion 2 and more. - Grade 3.5

SKU: CF.CPS225

Composed by Larry Clark. Concert Band (CPS). Set of Score and Parts. With Standard notation. 12+12+6+12+24+24+6+4+6+6+ 6+6+8+8+8+4+4+6+6+6+8+2+1 +6+2+4+10+32+4 pages. Duration 6 minutes, 9 seconds. Carl Fischer Music #CPS225. Published by Carl Fischer Music (CF.CPS225).

ISBN 9781491152515. UPC: 680160910014.

Tarta n Tapestries is an original piece that sets out to emulate Scottish folk music. Composer Larry Clark has created a concert overture in triple meter to capture the essence of music from Scotland. After a lilting first section,  lush and beautiful moments weave a tapestry of sounds with the lyrical, middle section of the piece. There is an optional part for bagpipes, and an optional ending should you chose to use this instrument as part of the piece. Alert your contest music committee about this strong new piece for advancing groups.
Tartan Tapestries was commissioned by Friends of the Arts for the Saint Andrew's School Band in Boca Raton, Florida. The band program at Saint Andrew’s School is under the direction of Andrea Wolgin. The premiere took place on November 29, 2017.When I was asked by their conductor Ms. Wolgin to write a piece for the Saint Andrew’s School, I asked her what kind of involvement she wanted the students to have in the process. We discussed several options for having the students involved in the process of creating with the type of piece they wanted.  We set up a “Skype” meeting with members of the band to discuss the piece. During this discussion, the consensus of the students was that they wanted a piece depicting the Scottish influence to the school. They also wanted a piece that would challenge all sections of the band and to include bagpipes if possible. I asked that the students be involved in helping to name the piece once it was completed, for which they agreed and were very helpful. Armed with this information, I set out to compose a piece for them, and Tartan Tapestries is the result.The piece begins with a fanfare gesture based upon rhythms and harmonies that appear throughout the piece. I chose the lilting triple feel to the piece, to bring about the Scottish flavor. I wanted the fanfare to be bardic sounding, to depict the strength of the Scottish people and for the piece to have a dynamic opening. The fanfare contains material that alludes to the main theme and with a bit of dissonance and tension that is resolved in the main body of the piece.The main theme is a lilting original melody, but one that I hope with have the essence of Scottish folk songs. The main idea is followed by a more modal and dark sounding secondary theme, first stated in the horns. This material is later used in the development section of the piece. The main theme returns several times, with different and varied orchestrations and harmonic treatments. This is followed by a short transition leading to the more lyrical and slower second section of the piece. A transparent presentation of the lyrical theme, which is based on aspects of the main theme, is presented first by a solo flute. This section is a nod to famous composer Malcom Arnold’s wonderful works for orchestra in its style and orchestration. After a transition or bridge section with a solo euphonium, the piece builds to a dramatic climax of the lyrical theme by the full band. This subsides to a return of the solo flute to end this second section of the piece, followed by a transition back the main theme.The solo bagpipes play a central role in the return of the main theme and take center stage after being heard in the distance earlier in the work. The piece brings back a shortened version of the darker secondary theme, followed by a hint of the fanfare material that builds to one last statement of the main theme by the full band, before leading to a dramatic coda to complete the work.It has been my pleasure to have been given the opportunity to compose this piece for the Saint Andrew’s School Band! I thank Andrea Wolgin for making it happen, and I hope that you enjoy it as much as I have enjoyed bringing the piece to life.–Larry ClarkLakeland, Florida 2017.

Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Double Bass, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1, Percussion 2 and more. - Grade 3.5

SKU: CF.CPS225F

Composed by Larry Clark. Concert Band (CPS). Full score. With Standard notation. 32 pages. Carl Fischer Music #CPS225F. Published by Carl Fischer Music (CF.CPS225F).

ISBN 9781491153192. UPC: 680160910694.

Tarta n Tapestries is an original piece that sets out to emulate Scottish folk music. Composer Larry Clark has created a concert overture in triple meter to capture the essence of music from Scotland. After a lilting first section,  lush and beautiful moments weave a tapestry of sounds with the lyrical, middle section of the piece. There is an optional part for bagpipes, and an optional ending should you chose to use this instrument as part of the piece. Alert your contest music committee about this strong new piece for advancing groups.
Tartan Tapestries was commissioned by Friends of the Arts for the Saint Andrew's School Band in Boca Raton, Florida. The band program at Saint Andrew’s School is under the direction of Andrea Wolgin. The premiere took place on November 29, 2017.When I was asked by their conductor Ms. Wolgin to write a piece for the Saint Andrew’s School, I asked her what kind of involvement she wanted the students to have in the process. We discussed several options for having the students involved in the process of creating with the type of piece they wanted.  We set up a “Skype” meeting with members of the band to discuss the piece. During this discussion, the consensus of the students was that they wanted a piece depicting the Scottish influence to the school. They also wanted a piece that would challenge all sections of the band and to include bagpipes if possible. I asked that the students be involved in helping to name the piece once it was completed, for which they agreed and were very helpful. Armed with this information, I set out to compose a piece for them, and Tartan Tapestries is the result.The piece begins with a fanfare gesture based upon rhythms and harmonies that appear throughout the piece. I chose the lilting triple feel to the piece, to bring about the Scottish flavor. I wanted the fanfare to be bardic sounding, to depict the strength of the Scottish people and for the piece to have a dynamic opening. The fanfare contains material that alludes to the main theme and with a bit of dissonance and tension that is resolved in the main body of the piece.The main theme is a lilting original melody, but one that I hope with have the essence of Scottish folk songs. The main idea is followed by a more modal and dark sounding secondary theme, first stated in the horns. This material is later used in the development section of the piece. The main theme returns several times, with different and varied orchestrations and harmonic treatments. This is followed by a short transition leading to the more lyrical and slower second section of the piece. A transparent presentation of the lyrical theme, which is based on aspects of the main theme, is presented first by a solo flute. This section is a nod to famous composer Malcom Arnold’s wonderful works for orchestra in its style and orchestration. After a transition or bridge section with a solo euphonium, the piece builds to a dramatic climax of the lyrical theme by the full band. This subsides to a return of the solo flute to end this second section of the piece, followed by a transition back the main theme.The solo bagpipes play a central role in the return of the main theme and take center stage after being heard in the distance earlier in the work. The piece brings back a shortened version of the darker secondary theme, followed by a hint of the fanfare material that builds to one last statement of the main theme by the full band, before leading to a dramatic coda to complete the work.It has been my pleasure to have been given the opportunity to compose this piece for the Saint Andrew’s School Band! I thank Andrea Wolgin for making it happen, and I hope that you enjoy it as much as I have enjoyed bringing the piece to life.–Larry ClarkLakeland, Florida 2017.

(Easy violin pieces). By Kathy Blackwell; David Blackwell. For violin. Fiddle Time. Easy. Method book and CD. 24 pages. Published by Oxford University Press

Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

(Easy cello pieces). By Kathy Blackwell; David Blackwell. For cello. Cello Time. Easy. Method book and CD. 24 pages. Published by Oxford University Press

By Kathy Blackwell; David Blackwell. For Piano accompaniment. Fiddle Time. 56 pages. Published by Oxford University Press

Fiddle, Violin - Difficulty: medium

SKU: HL.235

By Various. Fiddle. Folk. Solo fiddle songbook. With performance notes, introductory text and standard notation. 96 pages. Published by Centerstream Publications (HL.235).

ISBN 9781574240566. UPC: 073999567786. 9x12 inches.

This comprehensive collection of fabulous fiddle tunes includes reels, hornpipes, strathspeys, jigs, waltzes and slow airs.

By Kathy Blackwell; David Blackwell. For Piano Accompaniment. Cello Time. 44 pages. Published by Oxford University Press

(A stockingful of 32 easy pieces). By Kathy Blackwell; David Blackwell. Arranged by Caroline Hobbs-Smith. For flute. Flute. Flute Time. Easy. Collection with CD. 24 pages. Published by Oxford University Press

By Kathy Blackwell; David Blackwell. Arranged by Caroline Hobbs-Smith. For Piano Accompaniment. Piano. Flute Time. 48 pages. Published by Oxford University Press

By Kathy Blackwell; David Blackwell. For viola. Viola. Viola Time. Viola Time. Easy. Collection with CD. 24 pages. Published by Oxford University Press

Organ - Late Intermediate

SKU: MN.10-568

Composed by Andrew Clarke. Preludes. MorningStar Music Publishers #10-568. Published by MorningStar Music Publishers (MN.10-568).

UPC: 688670105685.

A quiet, six-minute composition of four variations on the German chorale tune MUNICH, adapted by Mendelssohn, that is commonly associated with the text O Word of God Incarnate. Written in D Major, the melody is first presented on a soft solo reed in meter. A chromatic variation without pedal in B minor is next, followed by one in which each phrase is repeated an octave higher, and finally by a return to the solo stop that augments and embellishes the melody. The harmonies are pleasing and the tune easy to follow.

Mixed choir

SKU: ST.B891

Composed by Andrew Pratt. Hymns & Relgious Drama. Hymns from a Spiritual Journey. Choral Score. Stainer & Bell Ltd. #B891. Published by Stainer & Bell Ltd. (ST.B891).

ISBN 9780852498910.

Hymn s from a Spiritual Journey
In Reclaiming Praise, Andrew Pratt has charted a spiritual journey of hope and renewal that will inspire all those who sing his hymns to re-examine the roots of their faith or doubt.

Following on from his two previous collections, Blinded by the Dazzle and Whatever Name or Creed, the 150 new texts gathered here bring a personal and 21st-century perspective to a range of themes including covenant, creativity, faith and science, justice, lament and persecution, enfolding time past and time future in a pertinent message for the present.