| Extreme Make-Over Orchestre d'harmonie [Conducteur] Amstel Music
Metamorphoses on a Theme by Tchaikovsky for Brass Band. By Johan De Meij. (Scor...(+)
Metamorphoses on a Theme
by Tchaikovsky for Brass
Band. By Johan De Meij.
(Score). Amstel Concert
Bands. 90 pages.
Published by Amstel
Music.
$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Extreme Make-Over Orchestre d'harmonie [Conducteur et Parties séparées] Amstel Music
Metamorphoses on a Theme by Tchaikovsky for Wind Orchestra. By Johan De Meij. (...(+)
Metamorphoses on a Theme
by Tchaikovsky for Wind
Orchestra. By Johan De
Meij. (Score and Parts).
Amstel Concert Bands.
Published by Amstel
Music.
(1)$192.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Peter Maxwell Davies: Strathclyde Concerto No. 8 (Bassoon/Piano) Basson, Piano (duo) Chester
Bassoon and Piano SKU: HL.14020992 Composed by Sir Peter Maxwell Davies. ...(+)
Bassoon and Piano SKU:
HL.14020992 Composed
by Sir Peter Maxwell
Davies. Music Sales
America. 20th Century.
Book [Softcover].
Composed 1999. 60 pages.
Chester Music #CH60945.
Published by Chester
Music (HL.14020992).
ISBN 9780711936805.
9.0x12.0x0.185
inches. Unusually
for him, Davies starts
his Bassoon Concerto not
with slow music but with
speed and brilliance: the
opening is a Presto,
initiated by the strings,
and only at the entry of
the soloist does the
tempo relax to that of a
real introduction. Out of
this grow a big dancing
Allegro. The slow
movement begins and ends
with a simple song,
around fantastical
ornamentation from the
soloist. The finale is
again a recitative and
dance, with a slow coda.
The whole work is an
immense show of stamina,
poetry and athleticism
for the bassoon, set
against an orchestra
coloured by low wind
(alto flute, clarinet in
A, bass clarinet,
contrabassoon, horns).
Bassoon part with piano
reduction of the
orchestral score. $33.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| McCabe: Postcards For Wind Quintet (Parts) Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor Music Sales
Wind Quintet SKU: HL.14019938 Composed by John McCabe. Music Sales Americ...(+)
Wind Quintet SKU:
HL.14019938 Composed
by John McCabe. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV360094.
Published by Music Sales
(HL.14019938).
Post
cards was
written in 1991 for the
Vega Wind Quintet, who
first performed it at the
Huddersfield Festival in
the same year. It is a
reworking of a set of
eight Bagatelles written
in 1965: each movement
has been rewritten and
enlarged to a greater or
lesser extent. The title
was chosen to emphasise
the nature of the pieces,
which are in a sense
brief postcards from
different genres (fugato,
dance, etc).
John
McCabe (1939-2015)
was a British composer,
pianist and music
administrator. He studied
at the Royal Manchester
College of Music and
built a career as a
virtuoso pianist.
However, he also wrote
several hundred musical
compositions,ranging from
large-scale orchestral
works to chamber music
and solo instrumental
pieces - it is said the
only classical genre he
did not write for was
opera. $45.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Il Signore Fagotto Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Bassoon Solo - Grade 5 SKU: BT.DHP-1084489-010 ...(+)
Concert Band/Harmonie and
Bassoon Solo - Grade 5
SKU:
BT.DHP-1084489-010
For bassoon and
concert band.
Composed by Maxime Aulio.
Solo Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2008. De
Haske Publications #DHP
1084489-010. Published by
De Haske Publications
(BT.DHP-1084489-010).
9x12 inches.
English-German-French-Dut
ch. Il Signore
Fagotto begint met
een briljante orkestrale
introductie. Dan
introduceert de fagot het
hoofdthema van het werk.
De uitgebreide toepassing
van een onregelmatige
maatsoort (7/8) geeft de
fagot de mogelijkheid om
zijncharmante en schalkse
kenmerken te
onderstrepen. Dit spreekt
tot onze verbeelding: we
stellen ons voor hoe het
beschreven karakter (Il
Signore Fagotto)
ondeugende streken
levert. Kortom: een
bijzonder boeiende
compositie voor
harmonieorkest,met als
basis een prachtige
hoofdrol voor de
fagot!
Die
Vielseitigkeit des
Fagotts erkannten schon
viele große
Komponisten, wie z.B.
Vivaldi oder
Rimski-Korsakow. Es kann
von melancholisch,
klagend bis hin zu
komisch und grotesk
klingen. Letztere
Eigenschaft war der
Grund, warum in der
commedia dell’arte
im Italien der 1550er
Jahre eine Figur namens
Signor Fagotto,
die das Fagott
verkörperte, eine der
wichtigsten komischen
Rollen spielte. Maxime
Aulio benannte nach ihm
dieses Werk, in dem das
Fagott seine schalkhafte,
charmante Seite voll
ausleben und auch das
übrige
Blasorchester brillieren
kann.
Nicola
Rimski-Korsakov disait du
basson qu’il
était « sénile
et fourbe en Majeur,
souffrant et triste en
mineur ». Dans le
grave et en
staccato, il est
indéniablement
comique, grotesque et
bouffon. Cette
diversité de
caractère avait déj
inspiré la Commedia
dell’arte qui
confia Signor Fagotto
l’un des rôles
comiques essentiels. Au
XVIIIe siècle, selon
l’usage de
l’opéra-comique
italien (opera
buffa), la voix
était doublée par
un instrument vent. De
Signor Fagotto au basson,
l’instrument qui
allait le seconder, il
n’y avait
qu’un pas.
C’est aussi cette
époque que le basson
devient un instrument
soliste part entière.
Vivaldi lui consacrera
près de40 concertos.
Sans doute a-t-il
été conquis par sa
personnalité
généreuse, comme
bien d’autres
compositeurs dont Maxime
Aulio. Il Signore
Fagotto débute
avec une introduction
orchestrale brillante. Le
soliste expose ensuite le
thème premier de
l’œuvre.
L’utilisation
presque constante
d’un chiffrage de
mesure irrégulier
(7/8) permet au basson
d’accentuer son
caractère espiègle
et charmant, tout en
laissant
l’auditeur un
espace de liberté
suffisant pour imaginer
les facéties du
personnage. Il Signore
Fagotto est une
œuvre captivante
pour
l’accompagnement
orchestral et qui offre
au basson une superbe
partie soliste.Il
Signore Fagotto a
été donné en
création mondiale le
24 avril 2002 par Laurent
Le Chenadec (basson)
accompagné de
l’Orchestre
d’Harmonie du
Conservatoire National de
Région de
Toulouse. $236.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Il Signore Fagotto Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Bassoon Solo - Grade 5 SKU: BT.DHP-1084489-140 ...(+)
Concert Band/Harmonie and
Bassoon Solo - Grade 5
SKU:
BT.DHP-1084489-140
For bassoon and
concert band.
Composed by Maxime Aulio.
Solo Spectrum. Solo &
Concerto. Score Only.
Composed 2008. 53 pages.
De Haske Publications
#DHP 1084489-140.
Published by De Haske
Publications
(BT.DHP-1084489-140).
9x12 inches.
English-German-French-Dut
ch. Il Signore
Fagotto begint met
een briljante orkestrale
introductie. Dan
introduceert de fagot het
hoofdthema van het werk.
De uitgebreide toepassing
van een onregelmatige
maatsoort (7/8) geeft de
fagot de mogelijkheid om
zijncharmante en schalkse
kenmerken te
onderstrepen. Dit spreekt
tot onze verbeelding: we
stellen ons voor hoe het
beschreven karakter (Il
Signore Fagotto)
ondeugende streken
levert. Kortom: een
bijzonder boeiende
compositie voor
harmonieorkest,met als
basis een prachtige
hoofdrol voor de
fagot!
Die
Vielseitigkeit des
Fagotts erkannten schon
viele große
Komponisten, wie z.B.
Vivaldi oder
Rimski-Korsakow. Es kann
von melancholisch,
klagend bis hin zu
komisch und grotesk
klingen. Letztere
Eigenschaft war der
Grund, warum in der
commedia dell’arte
im Italien der 1550er
Jahre eine Figur namens
Signor Fagotto,
die das Fagott
verkörperte, eine der
wichtigsten komischen
Rollen spielte. Maxime
Aulio benannte nach ihm
dieses Werk, in dem das
Fagott seine schalkhafte,
charmante Seite voll
ausleben und auch das
übrige
Blasorchester brillieren
kann.
Nicola
Rimski-Korsakov disait du
basson qu’il
était « sénile
et fourbe en Majeur,
souffrant et triste en
mineur ». Dans le
grave et en
staccato, il est
indéniablement
comique, grotesque et
bouffon. Cette
diversité de
caractère avait déj
inspiré la Commedia
dell’arte qui
confia Signor Fagotto
l’un des rôles
comiques essentiels. Au
XVIIIe siècle, selon
l’usage de
l’opéra-comique
italien (opera
buffa), la voix
était doublée par
un instrument vent. De
Signor Fagotto au basson,
l’instrument qui
allait le seconder, il
n’y avait
qu’un pas.
C’est aussi cette
époque que le basson
devient un instrument
soliste part entière.
Vivaldi lui consacrera
près de40 concertos.
Sans doute a-t-il
été conquis par sa
personnalité
généreuse, comme
bien d’autres
compositeurs dont Maxime
Aulio. Il Signore
Fagotto débute
avec une introduction
orchestrale brillante. Le
soliste expose ensuite le
thème premier de
l’œuvre.
L’utilisation
presque constante
d’un chiffrage de
mesure irrégulier
(7/8) permet au basson
d’accentuer son
caractère espiègle
et charmant, tout en
laissant
l’auditeur un
espace de liberté
suffisant pour imaginer
les facéties du
personnage. Il Signore
Fagotto est une
œuvre captivante
pour
l’accompagnement
orchestral et qui offre
au basson une superbe
partie soliste.Il
Signore Fagotto a
été donné en
création mondiale le
24 avril 2002 par Laurent
Le Chenadec (basson)
accompagné de
l’Orchestre
d’Harmonie du
Conservatoire National de
Région de
Toulouse. $52.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Wind in the Reeds Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie and Bassoon Solo - Grade 3 SKU: BT.AMP-450-140 F...(+)
Concert Band/Harmonie and
Bassoon Solo - Grade 3
SKU:
BT.AMP-450-140 For
Bassoon (or Baritone
Saxophone) and Concert
Band. Composed by
Philip Sparke. Anglo
Music Midway Series. Solo
& Concerto. Score Only.
Composed 2017. 28 pages.
Anglo Music Press #AMP
450-140. Published by
Anglo Music Press
(BT.AMP-450-140).
English-German-French-
Dutch. Wind in
the Reeds was
commissioned by Deena
Draycott in memory of
John Watson, an army
bandsman, teacher and
bassoonist. Wind in
the Reeds is both a
tribute and lasting
memorial to John. The
piece is largely pastoral
in nature, evoking images
conjured up by the
‘play on
words’ in the
title, but includes a
faster central section
which exploits other
aspects of the character
of the bassoon.
Transitions between the
various sections of the
piece are achieved
through a series of
accompanied cadenzas for
the
soloist.
Wind
in the Reeds werd
geschreven in opdracht
van Deena Draycott, ter
nagedachtenis aan John
Watson, muzikant in een
militaire band,
muziekdocent en
fagottist. Het werk is
grotendeels pastoraal van
karakter; het roept
beelden op die de
woordspeling in de titel
(Wind in het riet)
met zich meebrengt, maar
het bevat een sneller
middengedeelte dat andere
aspecten van het karakter
van de fagot in de
schijnwerpers zet. De
overgangen tussen de
verschillende gedeelten
van het werk worden
gerealiseerd middels een
reeks begeleide cadensen
voor de
solist.
Wind in
the Reeds wurde von
Deena Draycott in
Erinnerung an John
Watson, einen
Militärmusiker, Lehrer
und Fagottisten, in
Auftrag gegeben. Wind
in the Reeds ist
sowohl ein Tribut an John
Watson als auch ein
bleibendes Andenken an
ihn. Das Stück hat
einen größtenteils
pastoralen Charakter und
ruft Bilder hervor, die
durch das Wortspiel im
Titel heraufbeschworen
werden. Es enthält
jedoch auch einen
schnelleren Hauptteil,
der andere
Charaktereigenschaften
des Fagotts eines der
Lieblingsinstrumente des
Komponisten erkundet.
Eine Reihe von
Solo-Kadenzen bilden die
Übergänge zwischen
den verschiedenen
Abschnitten des
Stückes.
Win
d in the Reeds est
une commande de Deena
Draycott en mémoire de
John Watson musicien dans
l’armée,
enseignant et bassoniste.
L’œuvre est la
fois un hommage et une
commémoration la
mémoire de John. Elle
est principalement
pastorale, évoquant
des images en lien avec
le jeu de mots du titre
avec une partie centrale
plus rapide mettant en
lumière
d’autres aspects
du basson. Les
transitions entre les
différentes sections
se font par une
succession de cadences
accompagnées pour le
soliste.
Wind
in the Reeds fu
commissionato da Deena
Draycott in memoria di
John Watson, un bandista
dell’esercito,
insegnante e fagottista.
Wind in the Reeds
è sia un tributo che
un ultimo memoriale per
John. Il brano ha per lo
più le caratteristiche
di una pastorale, che
evoca immagini richiamate
dal gioco di parole del
titolo, ma include una
sezione centrale più
veloce che sfrutta le
caratteristiche del
fagotto. I passaggi tra
le varie sezioni del
pezzo sono realizzati
tramite una serie di
cadenze accompagnate per
il solista. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto for Bassoon KV 191 Basson, Orchestre [Conducteur et Parties séparées] - Intermédiaire Baton Music
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Marc Koninkx. For B...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Marc Koninkx. For Bassoon
and Wind Ensemble. Grade
4. Full score and set of
parts. Duration 18:00.
Published by Baton Music
$189.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Five Sacred Trees: Concerto for Bassoon and Orchestra Basson, Piano (duo) - Intermédiaire Hal Leonard
Bassoon, Piano Accompaniment - Difficulty: medium SKU: HL.841055 Basso...(+)
Bassoon, Piano
Accompaniment -
Difficulty: medium
SKU: HL.841055
Bassoon with Piano
Reduction. Composed
by John Williams. John
Williams Signature
Edition - Woodwinds.
Movies and 20th Century.
Instrumental solo/piano
accompaniment set. With
solo part and piano
accompaniment (orchestral
reduction). 40 pages.
Published by Hal Leonard
(HL.841055). ISBN
9780793557943. UPC:
073999773705. 9x12
inches. For bassoon
and orchestra (piano
reduction). $24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Carl Maria von Weber : Concerto for Bassoon and Orchestra Basson, Orchestre [Conducteur et Parties séparées] - Intermédiaire Baton Music
By Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). Arrang...(+)
By Carl Maria von Weber
(1786-1826) and Carl
Maria von Weber
(1786-1826). Arranged by
Roger Niese. For Bassoon
and Concert Band. Grade
4. Full score and set of
parts. Duration 20:00.
Published by Baton Music
. Full score and set of
parts.
$233.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sonata for bassoon and piano op. 122 (2009-2010) Basson, Piano (duo) Fennica Gehrman
Bassoon, piano SKU: FG.55011-438-8 Composed by Paavo Heininen. Fennica Ge...(+)
Bassoon, piano SKU:
FG.55011-438-8
Composed by Paavo
Heininen. Fennica Gehrman
#55011-438-8. Published
by Fennica Gehrman
(FG.55011-438-8). ISBN
9790550114388. All
of Heininen's sonatas
have different characters
that are informed by the
force fields created by
classic solos and
melodies in orchestral
repertoire. There is also
a certain encyclopaedic
nature to the sonata
cycle; many have been
composed to various
instruments. The
character of the bassoon
sonata is serious and
classical, somewhat
solemn. $36.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Treach'rous world, I do not trust you (Falsche Welt, dir trau ich nicht) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Ba...(+)
Solo Soprano voice, SATB
Choir, 3 Oboes, basson, 2
trumpets, 2 Violin,
Viola, Basso continuo
SKU: CA.3105219
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts.
Cantatas, End of the
church year, Trinity. Set
of Orchestra Parts.
Composed 1726. BWV 52.
Duration 18 minutes.
Carus Verlag #CV
31.052/19. Published by
Carus Verlag
(CA.3105219). ISBN
9790007206352. Language:
German/English. Text:
Birkmann,
Christoph. It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and parts available
separately - see item
CA.3105200. $121.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Treach'rous world, I do not trust you (Falsche Welt, dir trau ich nicht) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Ba...(+)
Solo Soprano voice, SATB
Choir, 3 Oboes, basson, 2
trumpets, 2 Violin,
Viola, Basso continuo
SKU: CA.3105209
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger. 1x
31.052/21 oboe 1, 1x
31.052/22 oboe 2, 1x
31.052/23 oboe 3, 1x
31.052/24 bassoon, 1x
31.052/31 horns 1 and 2,
1x 31.052/32 horn 2.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Cantatas, End of
the church year, Trinity.
Set of Orchestra Parts.
Composed 1726. BWV 52.
Duration 18 minutes.
Carus Verlag #CV
31.052/09. Published by
Carus Verlag
(CA.3105209). ISBN
9790007206307. Language:
German/English. Text:
Birkmann,
Christoph. It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and parts available
separately - see item
CA.3105200. $30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Music for Three, Volume 2, Part 3 - Cello/Bassoon Basson, Violoncelle [Partie séparée] Last Resort Music Publishing
Mixed Trios. By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Trios....(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Cello or
Bassoon. Trios. Music for
Three. Classical /
Baroque. Level:
Intermediate/Advanced.
Part 3. Published by Last
Resort Music Publishing.
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto No. 2 Bb major RWV C 69 Basson, Orchestre Amadeus Verlag
Composed by Antonio Rosetti (Roesler). Edited by Johannes Moesus. For bassoon an...(+)
Composed by Antonio
Rosetti (Roesler). Edited
by Johannes Moesus. For
bassoon and orchestra.
Piano reduction with solo
part. Published by
Amadeus Verlag
$21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Concerto in F Major RWV C75 Basson, Orchestre Amadeus Verlag
Composed by Antonio Rosetti (Roesler). Edited by Johannes Moesus. For Bassoon an...(+)
Composed by Antonio
Rosetti (Roesler). Edited
by Johannes Moesus. For
Bassoon and Orchestra.
Piano reduction with solo
part. Published by
Amadeus Verlag
$24.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Treach'rous world, I do not trust you (Falsche Welt, dir trau ich nicht) Chorale SATB Carus Verlag
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Ba...(+)
Solo Soprano voice, SATB
Choir, 3 Oboes, basson, 2
trumpets, 2 Violin,
Viola, Basso continuo
SKU: CA.3105223
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Oboe 3.
Cantatas, End of the
church year, Trinity.
Single Part, Oboe 3.
Composed 1726. BWV 52. 8
pages. Duration 18
minutes. Carus Verlag #CV
31.052/23. Published by
Carus Verlag
(CA.3105223).
Language:
German/English. Text:
Birkmann,
Christoph. It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and part available
separately - see item
CA.3105200. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Treach'rous world, I do not trust you (Falsche Welt, dir trau ich nicht) Chorale SATB Carus Verlag
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Ba...(+)
Solo Soprano voice, SATB
Choir, 3 Oboes, basson, 2
trumpets, 2 Violin,
Viola, Basso continuo
SKU: CA.3105214
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Cantatas, End
of the church year,
Trinity. Single Part,
basso continuo. Composed
1726. BWV 52. 12 pages.
Duration 18 minutes.
Carus Verlag #CV
31.052/14. Published by
Carus Verlag
(CA.3105214). ISBN
9790007206345. Language:
German/English. Text:
Birkmann,
Christoph. It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and part available
separately - see item
CA.3105200. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Treach'rous world, I do not trust you (Falsche Welt, dir trau ich nicht) Chorale SATB Carus Verlag
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Ba...(+)
Solo Soprano voice, SATB
Choir, 3 Oboes, basson, 2
trumpets, 2 Violin,
Viola, Basso continuo
SKU: CA.3105224
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Bassoon.
Cantatas, End of the
church year, Trinity.
Single Part, Bassoon.
Composed 1726. BWV 52. 12
pages. Duration 18
minutes. Carus Verlag #CV
31.052/24. Published by
Carus Verlag
(CA.3105224).
Language:
German/English. Text:
Birkmann,
Christoph. It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and part available
separately - see item
CA.3105200. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Treach'rous world, I do not trust you (Falsche Welt, dir trau ich nicht) Chorale SATB Carus Verlag
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Ba...(+)
Solo Soprano voice, SATB
Choir, 3 Oboes, basson, 2
trumpets, 2 Violin,
Viola, Basso continuo
SKU: CA.3105249
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Organ.
Cantatas, End of the
church year, Trinity.
Single Part, Organ.
Composed 1726. BWV 52. 16
pages. Duration 18
minutes. Carus Verlag #CV
31.052/49. Published by
Carus Verlag
(CA.3105249). ISBN
9790007206369. Language:
German/English. Text:
Birkmann,
Christoph. It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and part available
separately - see item
CA.3105200. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Treach'rous world, I do not trust you (Falsche Welt, dir trau ich nicht) Chorale SATB Carus Verlag
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Ba...(+)
Solo Soprano voice, SATB
Choir, 3 Oboes, basson, 2
trumpets, 2 Violin,
Viola, Basso continuo
SKU: CA.3105231
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Horns 1 and
2. Cantatas, End of the
church year, Trinity.
Single Part, Horn 1 and
2. Composed 1726. BWV 52.
4 pages. Duration 18
minutes. Carus Verlag #CV
31.052/31. Published by
Carus Verlag
(CA.3105231).
Language:
German/English. Text:
Birkmann,
Christoph. It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and part available
separately - see item
CA.3105200. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Treach'rous world, I do not trust you (Falsche Welt, dir trau ich nicht) Chorale SATB Carus Verlag
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Ba...(+)
Solo Soprano voice, SATB
Choir, 3 Oboes, basson, 2
trumpets, 2 Violin,
Viola, Basso continuo
SKU: CA.3105213
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Viola.
Cantatas, End of the
church year, Trinity.
Single Part, Viola.
Composed 1726. BWV 52. 4
pages. Duration 18
minutes. Carus Verlag #CV
31.052/13. Published by
Carus Verlag
(CA.3105213). ISBN
9790007206338. Language:
German/English. Text:
Birkmann,
Christoph. It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and part available
separately - see item
CA.3105200. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Treach'rous world, I do not trust you (Falsche Welt, dir trau ich nicht) Chorale SATB Carus Verlag
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Ba...(+)
Solo Soprano voice, SATB
Choir, 3 Oboes, basson, 2
trumpets, 2 Violin,
Viola, Basso continuo
SKU: CA.3105205
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Cantatas, End
of the church year,
Trinity. Choral Score.
Composed 1726. BWV 52. 2
pages. Duration 18
minutes. Carus Verlag #CV
31.052/05. Published by
Carus Verlag
(CA.3105205). ISBN
9790007187385. Language:
German/English. Text:
Birkmann,
Christoph. It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score available
separately - see item
CA.3105200. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Treach'rous world, I do not trust you (Falsche Welt, dir trau ich nicht) Chorale SATB Carus Verlag
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Ba...(+)
Solo Soprano voice, SATB
Choir, 3 Oboes, basson, 2
trumpets, 2 Violin,
Viola, Basso continuo
SKU: CA.3105211
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Cantatas, End of the
church year, Trinity.
Single Part, Violin 1.
Composed 1726. BWV 52. 8
pages. Duration 18
minutes. Carus Verlag #CV
31.052/11. Published by
Carus Verlag
(CA.3105211). ISBN
9790007206314. Language:
German/English. Text:
Birkmann,
Christoph. It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and part available
separately - see item
CA.3105200. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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