SKU: FH.WCE1

ISBN 978-1-55440-588-6.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Level 7:
De Hebriden, op. 26: Overture - Felix Mendelssohn
Symphony No. 39, K 543: II, III, IV - Wolfgang Amadeus Mozart
Symphony No. 5, op. 64: I, II - Pyotr Il'yich Tchaikovsky
Symphony No. 2, op. 36: II - Ludwig van Beethoven
Piano Concerto No. 2, op. 18: II - Sergei Rachmaninoff
Symphony No. 6 (Pastoral), op. 68: I - Ludwig van Beethoven
Level 8:
Prince Igor: Polovtsian Dance No. 8, Polovtsian Dance No. 17 - Aleksandr Borodin
Il barbiere di Siviglia: Overture - Gioachino Rossini
Symphony No. 4 (Italian), op. 90: IV - Felix Mendelssohn
Symphony No. 4, op. 98: II - Johannes Brahms
Ouverture zu Offenbach's Orpheus in der Unterwelt - Carl Binder
Symphony No. 8 (Unfinished), D 759: II - Franz Schubert
Symphonie fantastique: III - Hector Berlioz
Level 9:
Symphony No. 6 (Pastoral), op. 68 : I, II, III - Ludwig van Beethoven
Symphony No. 3, op. 90: I, II - Johannes Brahms
Symphony No. 4, op. 60: II - Ludwig van Beethoven
Semiramide: Overture - Gioachino Rossini
Symphony No. 3 (Scottish), op. 56: II - Felix Mendelssohn
Prelude a l'apres midi d'un faune - Claude Debussy
Symphony no. 9, op. 125: II - Ludwig van Beethoven
Level 10:
Symphony No. 2, op. 27: III - Sergei Rachmaninoff
Violin Concerto, op. 61: II - Ludwig van Beethoven
Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Felix Mendelssohn
Symphony No. 1, op. 39: I, III - Jean Sibelius
Variations on a Theme by Haydn, op. 56a: Variation II, Variation IV, Variation V - Johannes Brahms
Symphony No. 8, op. 93: III - Ludwig van Beethoven
Sheherazade, op. 35: II, III, IV - Nicolai Rimsky-Korsakov
Associ ate: B_, A, C Clarinet:
Capriccio espagnole, op. 34: I, III, IV - Nicolai Rimsky-Korsakov
Dances of Galanta - Zoltan Kodaly
Pini di Roma: III - Ottorino Respighi
Suite de l'oiseau de feu: Variation de l'oiseau de feu - Igor Stravinsky
Symphony No. 6 (Pathetique), op. 74: I - Pyotr Il'yich Tchaikovsky
Symphony No. 9, op. 70: II, III - Dmitri Shostakovich
Don Juan, op. 20 - Richard Strauss
Symphonie fantastique: V - Hector Berlioz
Peter and the Wolf, op. 67: Nervoso - Sergei Prokofiev
Prince Igor: Polovtsian Dance No. 17 - Aleksandr Borodin
Associate: E_ Clarinet:
Symphony no. 5, op 100: IV - Sergei Prokofiev
Till Eulenspiegels lustige Streiche, op. 28 - Richard Strauss
Symphony no. 5, op. 47: II - Dmitri Shostakovich
Symphonie fantastique: V - Hector Berlioz
Bolero - Maurice Ravel
Associate: Bass Clarinet:
Les Huguenots: Trio from act 5 - Giacomo Meyerbeer
Violin Concerto no. 1, op. 77: II - Dmitri Shostakovich
Grand Canyon Suite: III - Ferde Grofe
Don Quixote, op. 35: Sancho Panza, Variation X - Richard Strauss.

SKU: FH.WC7

ISBN 978-1-55440-583-1.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Level 7:
De Hebriden, op. 26: Overture - Felix Mendelssohn
Symphony No. 39, K 543: II, III, IV - Wolfgang Amadeus Mozart
Symphony No. 5, op. 64: I, II - Pyotr Il'yich Tchaikovsky
Symphony No. 2, op. 36: II - Ludwig van Beethoven
Piano Concerto No. 2, op. 18: II - Sergei Rachmaninoff
Symphony No. 6 (Pastoral), op. 68: I - Ludwig van Beethoven
Level 8:
Prince Igor: Polovtsian Dance No. 8, Polovtsian Dance No. 17 - Aleksandr Borodin
Il barbiere di Siviglia: Overture - Gioachino Rossini
Symphony No. 4 (Italian), op. 90: IV - Felix Mendelssohn
Symphony No. 4, op. 98: II - Johannes Brahms
Ouverture zu Offenbach's Orpheus in der Unterwelt - Carl Binder
Symphony No. 8 (Unfinished), D 759: II - Franz Schubert
Symphonie fantastique: III - Hector Berlioz
Level 9:
Symphony No. 6 (Pastoral), op. 68 : I, II, III - Ludwig van Beethoven
Symphony No. 3, op. 90: I, II - Johannes Brahms
Symphony No. 4, op. 60: II - Ludwig van Beethoven
Semiramide: Overture - Gioachino Rossini
Symphony No. 3 (Scottish), op. 56: II - Felix Mendelssohn
Prelude a l'apres midi d'un faune - Claude Debussy
Symphony no. 9, op. 125: II - Ludwig van Beethoven
Level 10:
Symphony No. 2, op. 27: III - Sergei Rachmaninoff
Violin Concerto, op. 61: II - Ludwig van Beethoven
Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Felix Mendelssohn
Symphony No. 1, op. 39: I, III - Jean Sibelius
Variations on a Theme by Haydn, op. 56a: Variation II, Variation IV, Variation V - Johannes Brahms
Symphony No. 8, op. 93: III - Ludwig van Beethoven
Sheherazade, op. 35: II, III, IV - Nicolai Rimsky-Korsakov
Associ ate: B_, A, C Clarinet:
Capriccio espagnole, op. 34: I, III, IV - Nicolai Rimsky-Korsakov
Dances of Galanta - Zoltan Kodaly
Pini di Roma: III - Ottorino Respighi
Suite de l'oiseau de feu: Variation de l'oiseau de feu - Igor Stravinsky
Symphony No. 6 (Pathetique), op. 74: I - Pyotr Il'yich Tchaikovsky
Symphony No. 9, op. 70: II, III - Dmitri Shostakovich
Don Juan, op. 20 - Richard Strauss
Symphonie fantastique: V - Hector Berlioz
Peter and the Wolf, op. 67: Nervoso - Sergei Prokofiev
Prince Igor: Polovtsian Dance No. 17 - Aleksandr Borodin
Associate: E_ Clarinet:
Symphony no. 5, op 100: IV - Sergei Prokofiev
Till Eulenspiegels lustige Streiche, op. 28 - Richard Strauss
Symphony no. 5, op. 47: II - Dmitri Shostakovich
Symphonie fantastique: V - Hector Berlioz
Bolero - Maurice Ravel
Associate: Bass Clarinet:
Les Huguenots: Trio from act 5 - Giacomo Meyerbeer
Violin Concerto no. 1, op. 77: II - Dmitri Shostakovich
Grand Canyon Suite: III - Ferde Grofe
Don Quixote, op. 35: Sancho Panza, Variation X - Richard Strauss.

SKU: HL.49045386

ISBN 9781847614193. UPC: 888680671457. 9.0x12.0x0.25 inches. English.

The 50 most popular classical pieces in easy arrangements. This new collection presents 50 popular classical pieces in easy arrangements for piano. Taking the concept of the 'playlist' from the world of digital music streaming this book presents a carefully chosen collection of the world's favorite classical pieces for today's student and amateur musicians. Featuring many of the most popular works from the classical repertoire, this offers hours of enjoyable music making. Contents: Adagietto, from Symphony No. 5 (Mahler) • Air, BWV 1068 (Bach) • Piano Concerto No. 23, Andante (Mozart) • The Blue Danube (J Strauss II) • Canon (Pachelbel) • Clair de Lune (Debussy) • Chanson de Matin (Elgar) • Chorus of the Hebrew Slaves (Verdi) • The Dance of the Little Swans (Tchaikovsky) • Dance of the Blessed Spirits (Gluck) • Danse Macabre (Saint-Saens) • The Pearl Fishers' Duet (Bizet) • Emperor Concerto, 2nd mvt. (Beethoven) • Flower Duet (Delibes) • Gavotte (Grieg) • Gymnopedie No. 1 (Satie) • Habanera (Bizet) • Halleluja Chorus (Handel) • Hornpipe, Water Music (Handel) • Impromptu, Op. 90, No. 3 (Schubert) • Intermezzo (Mascagni) • Jerusalem (Parry) • Jupiter (Holst) • Intermezzo (Sibelius) • Liebestraume No. 3 (Liszt) • Menuet (Ravel) • Menuetto, Symphony No. 104 (Haydn) • Meditation (Massenet) • Morning (Grieg) • Ode to Joy (Beethoven) • Nessun Dorma (Puccini) • Nimrod (Elgar) • Nocturne, Op. 9, No. 2 (Chopin) • Non piu andrai (Mozart) • O Mio Babbino Caro (Puccini) • Dance of the Sugar Plum Fairy (Tchaikovsky) • Prelude to the Afternoon of a Faun (Debussy) • Ride of the Valkyries (Wagner) • Spring, from the Four Seasons (Vivaldi) • Symphony No. 1, 4th mvt. (Brahms) • The Old Castle (Mussorgsky) • The Swan (Saint-Saens) • The Trout (Schubert) • Traumerei (Schumann) • Toreador Song (Bizet) • Violin Concerto, Andante (Mendelssohn) • Vltava (Smetana) • Waltz from Coppelia (Delibes) • When I Am Laid in Earth (Purcell) • Waltz in A-flat, Op. 39, No. 15 (Brahms).

SKU: BT.DHP-1114946-140

9x12 inches. English-German-French-Dut ch.

Fascinated by the expressive power and spirit of the gypsy music from Hungary, Brahms used mainly traditional melodies in his Hungarian Dances as well as themes from compositions in similar musical styles. No. 5 and No. 6 are the most well-known of his Hungarian Dances and are popular as encores at the New Year’s Concert of the Vienna Philharmonic.

Fasziniert von der Ausdruckskraft und Lebendigkeit der Zigeunermusik“ aus Ungarn, verwendete Brahms für die meisten seiner Ungarischen Tänze traditionelle Melodien und Themen aus Kompositionen in diesem Stil. Besonders die Tänze Nr. 5 und Nr. 6 sind heute noch weit über die Grenzen der klassischen Musik hinaus bekannt und beliebte Zugabenummern bei den Neujahrskonzerten der Wiener Philharmoniker.

Johannes Brahms a composé ses Danses hongroises entre 1858 et 1869. Des vingt-et-une danses qu’il écrivit pour piano quatre mains, il n’en orchestra lui-même que quelques-unes ; les autres ayant été transcrites par d’autres compositeurs, dont Anton n Dvoøák. Fasciné par la puissance expressive et la fougue de la musique tzigane hongroise, Brahms lui emprunta quelques airs et mélodies, qu’il noua dans ses danses. Parmi les plus connues, on citera les Danses hongroises n° 5 & 6, magistralement arrangées pour Orchestre d’Harmonie par Tohru Takahashi.

Aff ascinato dal grande potere espressivo e dallo spirito della musica gitana ungherese, nelle Danze Ungheresi Brahms utilizzò soprattutto melodie tradizionali e temi tratti da composizioni scritte in uno stile musicale simile. La numero 5 e 6 sono le Danze Ungheresi più note e sono spesso eseguite come bis nel Concerto di Capodanno dei Wiener Philarmoniker.

SKU: BT.DHP-1114946-010

9x12 inches. English-German-French-Dut ch.

Fascinated by the expressive power and spirit of the gypsy music from Hungary, Brahms used mainly traditional melodies in his Hungarian Dances as well as themes from compositions in similar musical styles. No. 5 and No. 6 are the most well-known of his Hungarian Dances and are popular as encores at the New Year’s Concert of the Vienna Philharmonic.

Fasziniert von der Ausdruckskraft und Lebendigkeit der Zigeunermusik“ aus Ungarn, verwendete Brahms für die meisten seiner Ungarischen Tänze traditionelle Melodien und Themen aus Kompositionen in diesem Stil. Besonders die Tänze Nr. 5 und Nr. 6 sind heute noch weit über die Grenzen der klassischen Musik hinaus bekannt und beliebte Zugabenummern bei den Neujahrskonzerten der Wiener Philharmoniker.

Johannes Brahms a composé ses Danses hongroises entre 1858 et 1869. Des vingt-et-une danses qu’il écrivit pour piano quatre mains, il n’en orchestra lui-même que quelques-unes ; les autres ayant été transcrites par d’autres compositeurs, dont Anton n Dvoøák. Fasciné par la puissance expressive et la fougue de la musique tzigane hongroise, Brahms lui emprunta quelques airs et mélodies, qu’il noua dans ses danses. Parmi les plus connues, on citera les Danses hongroises n° 5 & 6, magistralement arrangées pour Orchestre d’Harmonie par Tohru Takahashi.

Aff ascinato dal grande potere espressivo e dallo spirito della musica gitana ungherese, nelle Danze Ungheresi Brahms utilizzò soprattutto melodie tradizionali e temi tratti da composizioni scritte in uno stile musicale simile. La numero 5 e 6 sono le Danze Ungheresi più note e sono spesso eseguite come bis nel Concerto di Capodanno dei Wiener Philarmoniker.