(For C Instruments). By Various. For C Instruments. Fake Book. Softcover. 576 pages. Published by Hal Leonard

(4th Edition ) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Pop rock, rock and pop. Series: Hal Leonard Fake Books. 584 pages. 9x12 inches. Published by Hal Leonard.

Over 500 Songs For All C Instruments. By Various. Fake Book. Love, Wedding. Softcover. 456 pages. Published by Hal Leonard

C Edition. Fake Book (Includes melody line and chords). Book only. Size 9x12 inches. 352 pages. Published by Hal Leonard.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Randb and classic soul. Series: Hal Leonard Fake Books. 437 pages. 9x12 inches. Published by Hal Leonard.

C Instruments. Composed by Various. Fake Book. Pop. Softcover. Published by Hal Leonard

By Various Artists. Easy Piano Songbook (Easy arrangements for piano and voice). Softcover. 480 pages. Published by Hal Leonard.

Composed by Chilly Gonzales. Book Only. Composed 2018. Editions Bourges #EBR532. Published by Editions Bourges

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 6:30. Published by Manhattan Beach Music.

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor Full Score. Duration 6:30. Published by Manhattan Beach Music.

By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover Audio Online. 432 pages. Published by Hal Leonard

By Aaron David Miller. For 2-part mixed choir and organ. Pentecost. Augsburg Choral Library. Anthem. Published by Augsburg Fortress.

All the Best Songs of Praise and Worship 2 (More Contemporary Favorites). Edited by George Baldwin, Ken Bible, and Marty Parks. Lillenas Publications. Sacred. Book. 304 pages. Lillenas Publishing Company #MB939. Published by Lillenas Publishing Company

Easy Piano Piano/Keyboard

SKU: HL.282482

The New Decade Series. Composed by Various. Easy Piano Songbook. Pop, Rock. Softcover. 400 pages. Published by Hal Leonard (HL.282482).

ISBN 9781540034397. UPC: 888680789268. 9.0x12.0x0.923 inches.

70 songs from the new millenium arranged for easy piano, including: Beautiful * Before He Cheats * Bye Bye Bye * Chasing Pavements * Don't Know Why * Drive * Fallin' * Hey There Delilah * I Gotta Feeling * I'm Yours * Just Dance * Love Story * Mercy * Only Time * The Reason * Rehab * This Love * A Thousand Miles * Umbrella * Viva La Vida * Waiting on the World to Change * With Arms Wide Open * You Raise Me Up * and more.

Composed by William Bay. For trumpet. Intermediate. Book. 58 pages. Published by Mel Bay Publications, Inc

Deluxe Box Set. By Pearl Jam. Transcribed Score. Hardcover. With guitar tablature. 816 pages. Published by Hal Leonard

E-Z Play�® Today Volume 370. Composed by Various. E-Z Play Today. Softcover. 352 pages. Published by Hal Leonard (HL.159576).

Commissioned by American Composers Forum. Composed by Alice Parker. ChoralQuest. Concert. Octavo. 40 pages. Published by American Composers Forum

Choral (ShowTrax CD)

SKU: HL.299900

Discovery Level 2. Arranged by Roger Emerson. Discovery Choral. Jazz, Medley. CD. Duration 285 seconds. Published by Hal Leonard (HL.299900).

UPC: 888680959173. 5.0x5.0x0.185 inches.

The Andrews Sisters were a popular '40s-era close-harmony singing group whose stylistic compositions and arrangements made them the top-selling female group of all time. Emerson stuffs in the swing and the sass--and breathes in new life to a musical decade worth a second look!

Chamber Music Cornet

SKU: CF.O88X

Composed by Narcisse Bousquet. Edited by Joey Tartell Edwin Franko Goldman. SWS. Softcover. With Standard notation. 44 pages. Carl Fischer Music #O88X. Published by Carl Fischer Music (CF.O88X).

ISBN 9781491153406. UPC: 680160910908. 9 X 12 inches.

These studies are a staple of the advanced trumpet method repertoire. Each etude is an exploration of a wide variety of registers, articulations and tonalities. While going through these 36 etudes the trumpeter will develop an even sound in all registers while tackling the musical and melodic challenges that lie within.
IntroductionTi ps on Musical PracticeStarting a new study can be overwhelming. Using Etude No. 1, here’s an example of how to approach working on these etudes with both musicality and technique in mind.Bousquet’s first study can be broken down into three large musical sections:Section 1: from the beginning to the downbeat of m. 26.Section 2: from the upbeat of 2 in m. 26 to the downbeat of m. 51.Section 3: from the downbeat of m. 51 to the end.Each one of those sections can be broken down into two smaller sections:Section 1a: from the beginning to the downbeat of m. 16.Section 1b: from the downbeat of m. 16 to the downbeat of m. 26.Section 2a: from the upbeat of 2 in m. 26 to the end of m. 35.Section 2b: from m. 36 to the downbeat of m. 51.Section 3a: from the downbeat of m. 51 to the downbeat of m. 59.Section 3b: from the downbeat of m. 59 to the end.To get started playing, choose a slow tempo that allows you to play Section 1 all the way through without stopping. If that is problematic, just play through 1a.Remember to focus on the music. Section 1a is light, moving in four-measure phrases to the ninth measure, where it cadences in G. From there, retain the lightness through the arpeggiation that concludes with the trill that brings an arrival point at Section 1b. Here the style changes completely, alternating two measures of fluid, connected sixteenth notes with two measures of scalar staccato sixteenths before finally cadencing on the downbeat of m. 26.Section 2 begins with a melodic line of eighth notes, punctuated by sixteenths in the third full measure before returning to the original line for only a measure before driving forward with a flourish to finish Section 2a. Section 2b starts back in C with four-measure phrases in which the line moves up for two measures, then down for two measures, ending in G. The last seven measures of Section 2 stay light as they work their way back to C.Section 3 is very exciting, starting with a fiery cornet solo-like passage in 3a. 3b brings the piece to a dramatic conclusion outlining C major for the first four measures before arpeggiating C major and G dominant for two measures, finally finishing with the C-major scale.The next step is to isolate any of the parts that proved troublesome. Examples could include missed notes or figuring out where to breathe. Once you have practiced the troublesome sections in isolation, play the section all the way through without stopping again. Even if there are still problems, you are now practicing in a way that is preparing you to perform musically.The next day, play through Section 1 again, at a tempo that allows you to do this without stopping. Now go on to Section 2, and follow the same three steps:Play all the way through, at a tempo that allows you to do so without stopping,Isolate and practice the troublesome passages, thenPlay all the way through, at a tempo that allows you to do so without stopping.Now play from the beginning to the end of Section 2.The next day, play Section 1. Now play Section 2. Then play Section 3 and apply the same three steps outlined above.Now play the whole study. At this point you have spent time on each section, making musical decisions and correcting mistakes. Increase the tempo as you gain confidence and control of the material. As you work towards performing the entire study as a piece of music, record yourself playing the entire study as a performance each day. Review the recordings to reveal what still needs work. Be honest with yourself! When you are happy with the recording of your performance, it’s time to move on to the next study.About the Goldman PrefaceThese studies will be an excellent practice, especially for the lower register of the Cornet, which is somewhat neglected in other instruction books. It is recommended that the pupil should practice one of this series of Studies now and then to repose his lips, and acquire facility in difficult fingering.— Edwin Franko GoldmanIn his original preface, Edwin Franko Goldman is absolutely correct that these studies are excellent practice and will help with the dexterity demanded of today’s player. Although the low register is certainly explored throughout the book, it does not appear to be the focus of these studies. There are many books available now that concentrate on the low register. The suggested fingerings have been removed. Using alternate fingerings was more common to cornet players to aid in the fluidity of a passage. This practice is not nearly as common today, especially with trumpet players, as the difference in timbre caused by the alternate fingerings is disruptive to the musical line. Published for cornet, as it was the solo instrument of choice in the 1920s, these etudes are just as useful to today’s trumpet player. When playing these studies on trumpet, the performer should strive for a fluid line while maintaining a full and clear sound. Because of the musicianship and technique demanded, this book remains as useful today as it has ever been.— Joey TartellAbout Narcisse Bousquet and the 36 EtudesNarcisse Bousquet (c. 1800–1869) was French by birth, active as a composer, editor and arranger in both France and England in the early nineteenth century. Bousquet was respected as an accomplished performer of the French flageolet, a high-pitched woodwind instrument much like a recorder, although later outfitted with the Boehm key system like the modern flute. Although obsolete in modern times, the instrument once enjoyed great popularity with a variety of composers and performers, both amateur and professional. Purcell and Handel composed for the instrument, and Berlioz was purportedly an accomplished amateur performer of the flageolet. The Scottish author Robert Louis Stevenson, likewise, was a proficient performer of the instrument and composed a number of pieces for it.Little is known today of Bousquet’s life. He composed a large variety of music, including works specifically for the flageolet, which were widely appreciated in their day. The 36 Etudes for flageolet are undoubtedly the most well known of his works. Published in 1851, the Etudes explore a variety of techniques, such as scales, arpeggios, ornamentation, breath control and expressive playing, and their technically demanding writing confirms Bousquet’s prowess as a flageolet performer. However, the date of the arrangement of the etudes for cornet and their arranger remain speculative. Edwin Franko Goldman is credited as the arranger of the 1890 publication by Carl Fischer, although Goldman would have been only twelve years old at the time; his work on these pieces surely came at a later time. Bousquet himself may have arranged these pieces for cornet at the request of an accomplished cornet player at some point after their publication.

Deluxe Guitar Play-Along Volume 11. By Pink Floyd. Deluxe Guitar Play-Along. Rock. Softcover Audio Online. With guitar tablature. 128 pages. Published by Hal Leonard

Unison voices, 2-part equal voices, 2-part mixed voices, SATB choir, assembly, keyboard accompaniment - Beginning

SKU: GI.G-6854

Composed by Evelyn Brokish, OSF. Pentecost Vigil, Pentecost, Pentecost A, Pentecost B, Pentecost C. Choral. Sacred. Octavo. 8 pages. GIA Publications #6854. Published by GIA Publications (GI.G-6854).

UPC: 785147685401. English. Text by Edwin Hatch.

This refrain and verses are in a chantlike free meter. Though scored for SATB voices, it can be sung unison or two-part with accompaniment, and the assembly may sing the refrain. The two-part verses can be sung by any combination of two voices. For Pentecost or any occasion that calls for invoking the Holy Spirit. Keyboard and assembly parts are optional

For Pentecost or any occasion that calls for invoking the Holy Spirit.

Arranged by Jason W. Krug. For handbell choir - 12 bells (F5 to C7). Grade 2/2 . Reproducible collection. Published by Chorister's Guild

In the Heights * Breathe * Carnaval del Barrio. Composed by Lin-Manuel Miranda (1980-). Arranged by Lisa DeSpain. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Form: Medley. Broadway; Secular. Choral Octavo. Alfred Music #00-48968. Published by Alfred Music

Keyboard Style Series. Performed by Various. Keyboard instruction. Book and CD Package. Size 9x12 inches. 80 pages. Published by Hal Leonard.