| Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308). ISBN
9782898522253. Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
FRANCE
SCO BIRAGHI
Au
lendemain d'une
récente
expérience au sein
du jury d'un concours de
guitare, j'ai
constaté avec
grand plaisir que Giorgio
Mirto, avec qui j'avais
partagé le
rôle de
juré, souhaitait
célébrer
l'expérience du
concours - au cours de
laquelle nous avons
découvert que nous
avions eu un grand
affinité de
pensée - avec
quelque chose qui
pourrait perdurer dans le
temps et ne pas
s'évaporer comme
cela arrive souvent lors
de rencontres courtes et
occasionnelles entre
musiciens. Il l'a fait en
véritable
compositeur, ce qu'il
est, et m'a
dédié une
Suite d'une très
belle facture ÃÂ
laquelle je me suis
permis de collaborer au
moins formellement, en
suggérant des
titres pour les quatre
mouvements. C'est ainsi
qu'est née la
Suite n.1, une
pièce qui ne
respecte pas strictement
les règles
formelles de
l'époque baroque,
mais les
réinterprèt
e et les réutilise
dans une nouvelle
tonalité.
L'inspiration
évidente du
baroque tardif de
l'Ã
Âuvre m'a
amené ÃÂ
trouver des titres qui
invitaient
l'interprète
ÃÂ approfondir
l'inspiration
esthétique de
l'Ã
Âuvre. J'ai donc
suggéré
ÃÂ Giorgio de
titrer les quatre
mouvements avec quelque
chose qui reliait leur
contenu ÃÂ quatre
grands du XVIIIe
siècle.
Maîtres allemands.
Le prélude est
ainsi devenu d'Eisenach
en raison de son
atmosphère parfois
improvisée
ÃÂ la Bach, le
deuxième
mouvement, vaguement
toccata, parle un langage
d'orgue ÃÂ la
manière de
Buxtehude (qui vivait
àLübeck),
le mouvement lent a un
Qualité
haendélienne - et
Haendel est né
ÃÂ Halle - et le
dernier mouvement, loin
d'être une
véritable
Chaconne, a sans doute le
goût de cette
dernière pour la
variation et l'ostinato,
traits typiques de
Telemann qui vivait
ÃÂ Magdebourg. Les
villes qui apparaissent
dans les titres sont donc
indélébiles
aux auteurs cités.
De plus, il ne faut pas
penser que le style de
l'Ã
Âuvre soit en
aucune façon
allemand, étant
donné que Giorgio
Mirto s'exprime dans un
langage très
joyeux qui
synthétise la
modalité avec le
minimalisme, le tout
assaisonné d'un
clin d'Ã
Âil au rock
progressif Floyd de Pink.
ou un Mike Oldfield... Le
résultat de ce
mélange
d'idées,
d'inspirations et de
styles est un ouvrage que
personnellement je ne me
lasse pas de lire et de
relire, pour la
fraîcheur qui s'en
dégage et pour le
climat expressif qui
monte, se nourrissant de
plein efficacité.
On ne peut finalement pas
ignorer que la note B,
celle qui marque de
manière mineure
certaines des
Ã
Âuvres les plus
expressives du
répertoire de
guitare, depuis
l'étude de Sor qui
a fait tomber amoureux de
la guitare des
générations
d'étudiants,
jusqu'ÃÂ celle de
Frank Martin Quatre
Pièces via La
Catedral di Barrios, est
le point d'appui modal de
toute la Suite : il est
vrai que le
Prélude commence
par un accord clair en mi
mineur et s'attarde sur
une fin ouverte en la
mineur, mais il semble
presque que le mi initial
sert de une rampe de
lancement pour une suite
de l'Ã
Âuvre dans
laquelle la dominante,
c'est-ÃÂ -dire le B,
est le véritable
Nord musical,
l'étoile polaire
qui nous guide dans les
trois autres mouvements
jusqu'ÃÂ la fin de
la Chaconne de
Magdebourg. Je souhaite
ÃÂ Giorgio et
àë notre
û Suite une grande
longévité
et un destin favorable
dans le monde complexe et
complexe de la
composition contemporaine
pour guitare. Et je le
remercie encore,
flatté de son
très aimable
dévouement.
FRANCESCO BIRAGHI. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mastering the Violin A Comprehensive Study for the Adult Learner Violon [Partition + Accès audio] Mel Bay
Celtic / Irish, Perfect binding, World. Sacred. Book and online audio. 108 pag...(+)
Celtic / Irish, Perfect
binding, World. Sacred.
Book
and online audio. 108
pages.
Mel Bay Publications, Inc
#31036M. Published by Mel
Bay
Publications, Inc
$22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Arpalinea Guitare Gehrmans Musikforlag
Guitar solo SKU: GH.GE-11464 Composed by Benjamin Staern. Duration 15 min...(+)
Guitar solo SKU:
GH.GE-11464 Composed
by Benjamin Staern.
Duration 15 minutes.
Gehrmans Musikforlag #GE
11464. Published by
Gehrmans Musikforlag
(GH.GE-11464). ISBN
979-0-070-11464-6. A4
inches. Work note
by the composer:
When I received the news
of this commission, I had
no idea what it would
lead to. Writing for
guitar solo is not the
same as composing for
orchestra where you have
forty voices where you
can easily mask an entire
section. Here you are
very naked to the
bone. The starting
point for this work was
from J.S. Bach's Chaconne
in D-minor that Johannes
had performed in concert,
originally written for
violin but there is a
version transcribed for
guitar and piano made by
Ferruccio Busoni. When I
went to Cortona (in
Tuscany, Italy) completed
the southern mentality of
this work.
Arpalineais
actually a merged word in
Italian language.
Arpa means
harp, however in a
musical context it's more
or less resembled with
the word arpeggio,
which means broken
chords. Lineameans
line. The
work is divided in three
parts. I. Arpeggio:
It starts with an opening
chaconne-like sequence
and is marked with a
certain depth in which
the chords starts to
separate from the organum
note in the bass and it
culminates into a section
called with rhythmical
focus. These sections
alternates, variates
which each other. The
middle section has a
playful and childish
atmosphere where the
guitarist knocks on the
body of the guitar
resembling a Spanish folk
instrument cajon. This is
leading to a section
which tends more to a
very aggressive
fusion-like riff that
loses control and reaches
its climax at the
end. II. Linea:
The static rhytmical
pulse is now
disintegrated and it
forms more or less sort
of a free,
improvisational state in
a rubatolike tempo. The
character is described as
a very hot day with
temperatures rising above
37! C (or 100! F) where
you can hardly do
anything just sitting
dozed off and pespiring
because of the extreme
heat watching a huge fog
coming up in the evening
that spreads around the
Tuscan atmosphere.
III. Finale: It
starts off with fast
one-note ostinati then
more and more notes pop
up like a gradual rain
storm with thunder
strikes! And eventually
it leads to that is a
large flood through the
streets of an medieval
Southern town. The work
ends with a short circuit
slapped strings along
with extremely fast
tremolos that reaches
higher and louder as
possible!
Benjamin
Staern $26.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Chaconne Piano seul Schott
Transcription from Partita No. 1 in D Minor BWV1004 Piano Solo. Composed by ...(+)
Transcription from
Partita
No. 1 in D Minor BWV1004
Piano Solo. Composed by
Martin Stadtfeld. Piano
Solo.
Classical. Softcover. 24
pages. Schott Music
#ED23299.
Published by Schott Music
$21.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| String Quartet No. 4 "chaconne" - Score And Parts Quatuor à cordes: 2 violons, alto, violoncelle Schott
String quartet SKU: HL.49045639 Chaconne. Composed by Fred Lerdahl...(+)
String quartet SKU:
HL.49045639
Chaconne. Composed
by Fred Lerdahl. This
edition: Saddle
stitching. Sheet music.
String Ensemble.
Softcover. Composed 2016.
108 pages. Duration 990
seconds. Schott Music #ED
30174. Published by
Schott Music
(HL.49045639). ISBN
9781540004796. UPC:
888680710774.
9.5x12.0x0.37
inches. Chaconne
(2016), for string
quartet, was commissioned
by the Daedalus Quartet
to celebrate its 15th
anniversary. The
commission was supported
by New Music USA, made
possible by annual
program support and/or
endowment gifts from
Pennsylvania Council on
the Arts, Helen F.
Whitaker Fund, and Aaron
Copland Fund for Music.My
music has a substantial
history with Daedalus. I
composed the Third String
Quartet (2008) for them,
and subsequently they
performed my three string
quartets on several
occasions and recorded
them brilliantly on
Bridge Records (Bridge
9352: Music of Fred
Lerdahl, vol. 3).
Chaconne is in one
movement lasting 19
minutes. It is
effectively my fourth
string quartet. Quartets
1-3 form a unified cycle
lasting 70 minutes. When
I finished the cycle, I
thought I would never
write again for the
medium; yet I could not
resist the opportunity of
working again with
Daedalus. The issue was
how to compose another
string quartet unrelated
to the earlier cycle. The
solution came from my
solo cello piece There
and Back Again (2010),
which was based on a
four-bar variation
pattern from a
17th-century chaconne.
Unlike the asymmetrical
phrases and expanding
variations of much of my
music, the chaconne form
requires symmetrical
phrases and strictly
periodic variations. I
wished to work again with
these symmetries but on a
larger scale. Chaconne
also differs in character
and expression from the
three-quartet cycle. The
cycle is inward and
intense, a kind of
psychological excavation.
Chaconne is, for the most
part, transparent and
playful. Many of its
textures emerge from
little canons, not
completely unlike the
rounds that children
sing. Any composer who
writes in chaconne form
(one thinks above all of
the last movement of
Bach's D minor violin
partita and the finale of
Brahms's Fourth Symphony)
is confronted with the
challenge of how to
create a larger form out
of a constantly repeating
pattern.My Chaconne grows
from paired
antecedent-consequent
phrases, each variation
lasting eight bars. The
50 variations group into
three large rotations,
forming three arcs of
tension and relaxation,
with subtle parallel
connections across the
rotations.
Notwithstanding my
attraction to chaconne
form, I purposefully
disguised its symmetries
and periodicities in
order to build an overall
dramatic shape. Fred
Lerdahl. $118.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Chaconne in E Minor Orchestre à Cordes - Intermédiaire Shawnee Press
Composed by Dietrich Buxtehude (1637-1707). Arranged by Robert Hause. For Orches...(+)
Composed by Dietrich
Buxtehude (1637-1707).
Arranged by Robert Hause.
For Orchestra, String
Orchestra (Score and
Parts). Music for String
Orchestra. Grade 3.
Shawnee Press #J0142.
Published by Shawnee
Press
$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Keyboard Works For Solo Instruments Dover Publications
By George Frideric Handel (1685-1759). For solo keyboard. Piano Collection. Dove...(+)
By George Frideric Handel
(1685-1759). For solo
keyboard. Piano
Collection. Dover
Edition. Baroque.
Collection. Introductory
text (does not include
words to the songs). 169
pages. Published by Dover
Publications collection
Baroque
$22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Free Organ Works. Introduction and Passacaglia in A minor - Prelude and Double Fugue in D minor - Introduction, Chaconne and Choral in E minor Barenreiter
Three Organ Composositions composed during 1913-1919. No. 3 in three versions, t...(+)
Three Organ
Composositions composed
during 1913-1919. No. 3
in three versions, two of
which include brass.
Part. By Mauersberger,
Rudolf. Edited by
Lehmann, Christian. For
Brass. Brass / Wind
Score. Published by
Baerenreiter-Ausgaben
(German import). (BA8062
51)
$5.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Pieces Quatuor de Clarinettes: 4 clarinettes [Conducteur et Parties séparées] Alea Publishing
Composed by Elisbeth Jacquet de la Guerre. For 3 clarinets, bass clarinet. Score...(+)
Composed by Elisbeth
Jacquet de la Guerre. For
3 clarinets, bass
clarinet. Score and
parts. 9 pages (score); 2
pages (each part).
Published by Alea
Publishing
$15.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Memorial Suite in C Minor Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band (Score) - Grade 3 SKU: HL.44011072 Concert Band Full Scor...(+)
Concert Band (Score) -
Grade 3 SKU:
HL.44011072
Concert Band Full
Score. Composed by
Jacob De Haan. De Haske
Concert Band. Classical.
Score Only. Composed
2009. De Haske
Publications #1094774140.
Published by De Haske
Publications
(HL.44011072). UPC:
884088646097. 9x12
inches.
English-German-French-Dut
ch. Diese Suite in
c-Moll zollt einem
berühmten
klassischen Blaserwerk
Tribut - der Ersten Suite
in Es-Dur von Gustav
Holst von 1909 - und
erscheint zu deren
100-jahrigem Jubilaum.
Die viersatzige Suite
erinnert an die Stilistik
von Holst, enthalt aber
auch charakteristische
Klangidiome sowie
Strukturmerkmale von
Jacob de Haan. Eine
erfrischende originale
Komposition, inspiriert
von einem durchaus nicht
angestaubten Klassiker.
En 1909, Gustav
Holst composa une
œuvre audacieuse et
novatrice, la Premiere
Suite en Mib Majeur, op.
28 ndeg1 (First Suite in
Eb major, Op. 28, No.
1), une suite
exclusivement ecrite pour
instruments a vent. A
l'occasion du centenaire
de cette piece, devenue
un classique du
repertoire pour Orchestre
d'Harmonie, Jacob de Haan
a compose la Memorial
Suite en Ut mineur.
Cette composition en
quatre mouvements fait
reference aux qualites
stylistiques de
l'œuvre de Holst,
tout en s'appuyant sur le
langage sonore et
l'ecriture
caracteristiques du style
de Jacob de Haan. Le
resultat est
original.Comme Gustav
Holst, Jacob de Haan a
choisi d'ouvrir sasuite
avec une chaconne, une
forme de variation
contrapuntique (a
l'origine une danse
espagnole a trois temps)
dans laquelle un theme
revient de facon
recurrente accompagne a
chaque fois par un
nouveau contre-chant. Ce
theme ostinato est
utilise de differentes
manieres tout au long des
quatre mouvements,
assurant ainsi l'unite de
l'œuvre. Le second
mouvement est un
scherzo. Par sa
progression et son
caractere, il s'apparente
a l'intermezzo
central de la suite de
Holst. Le troisieme
mouvement, Song
Without Words (Chanson
sans paroles), porte
le meme titre que le
second mouvement de la
Deuxieme Suite en Fa,
op. 28 ndeg 2 (Second
Suite in F, Op. 28, No.
1) composee par Holst
en 1911. A mi-chemin de
ce mouvement tres
expressif apparait un
solo de saxophone alto.
Jacob de Haan conclut son
œuvre par une
Marche comme le
fit jadis Gustav
Holst. $33.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Johann Sebastian Bach : Chaconne from Partita No. 2 in D Minor Piano seul G. Henle
(Piano Solo). By Johann Sebastian Bach (1685-1750). Edited by Norbert M&Atil...(+)
(Piano Solo). By Johann
Sebastian Bach
(1685-1750).
Edited by Norbert
Müllemann.
For Piano. Henle Music
Folios.
Softcover. 35 pages. G.
Henle
#HN557. Published by G.
Henle
$18.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Freiburger Orgelbuch Orgue [Partition] Carus Verlag
By Various. Edited by Meuser, Michael / Berning, Thomas / Kohlmann, Mathias / De...(+)
By Various. Edited by
Meuser, Michael /
Berning, Thomas /
Kohlmann, Mathias /
Degott, Matthias / Kolle,
Martin / Walter, Meinrad
/ Geismann, Wilm.
Occasions: Eucharist,
Communion, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Mourning,
Death; Use during church
year: Advent, Lent and
Passiontide, Easter and
Eastertide, Christmas.
Collection. 224 pages.
Published by Carus Verlag
(German import).
$81.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| An Anthology of Piano Music for the Left Hand Alone Piano seul Carl Fischer
Chamber Music Piano SKU: CF.PL1072 Edited by Ruby Morgan. Collection. 168...(+)
Chamber Music Piano
SKU: CF.PL1072
Edited by Ruby Morgan.
Collection. 168 pages.
Carl Fischer Music
#PL1072. Published by
Carl Fischer Music
(CF.PL1072). ISBN
9781491160244. UPC:
680160918836. An
Anthology of Piano Music
for the Left Hand Alone
marks a rare and
significant entry to the
piano literature as one
of the only collections
of the oft-neglected
left-hand piano
repertoire. Serious
literature for the left
hand alone has a long and
storied past. Contained
within this volume, the
serious advanced pianist
will find a wealth of
artistically satisfying
repertoire for the left
hand that will not only
strengthen the technical
development of the left
hand, but also make for
impressive showpieces on
the recital stage.This
volume includes hitherto
unpublished gems like
Earl Wild's Etude No. 3
for the Left Hand Alone
(Based on
Gershwin’s The Man
I Love) and Ruth Wylie's
Soliloquy for Piano, Left
Hand, Op. 23, as well as
established classics of
the repertoire like
Godowky's Chopin
arrangements, and even
modern and contemporary
additions like
Bartok’s Etude for
the Left Hand and
Corigliano's Etude No. 1
for the Left Hand
Alone. $39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 15 Classical Masterpieces with Added Second Piano Parts 2 Pianos, 4 mains [Partition] - Intermédiaire/avancé Alfred Publishing
By Sylvia Rabinof. For Piano. This edition: 2 copies required. Piano Duo (2 Pian...(+)
By Sylvia Rabinof. For
Piano. This edition: 2
copies required. Piano
Duo (2 Pianos, 4 Hands).
Alfred's Classic Musical
Editions. Masterwork.
Level: Intermediate /
Early Advanced. Book. 88
pages. Published by
Alfred Publishing.
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Solos for the Double-Bass Player Contrebasse, Piano (duo) [Partition + Accès audio] Schirmer
Double Bass and Piano. Composed by Various. Edited by Oscar Zimmerman. String So...(+)
Double Bass and Piano.
Composed by Various.
Edited by Oscar
Zimmerman. String Solo.
Collection, Classical.
Softcover Audio Online.
80 pages. Published by G.
Schirmer
$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Baroque Trios for Strings - Violin A [Part Book] Greenblatt and Seay
Arranged by Deborah Greenblatt. String Trio. For violin 1. This edition: spiral-...(+)
Arranged by Deborah
Greenblatt. String Trio.
For violin 1. This
edition: spiral-bound.
Trios for Strings. Part
book. 54 pages. Published
by Greenblatt & Seay
$9.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Complete Works of Gaspar Sanz - Volumes 1 and 2 Guitare notes et tablatures Guitare classique [Partition + Accès audio] - Intermédiaire/avancé Music Sales
Volume 1 and 2 - 2 Books and CD. By Jerry Willard. By Gaspar Sanz (1640-1710). E...(+)
Volume 1 and 2 - 2 Books
and CD. By Jerry Willard.
By Gaspar Sanz
(1640-1710). Edited by
Jerry Willard. Arranged
by Jerry Willard. Guitar.
Classical. Softcover
Audio Online. With guitar
tablature. 272 pages.
Amsco Publications
#AM948629. Published by
Amsco Publications
(2)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Baroque Keyboard Pieces Book III (intermediat Piano seul - Intermédiaire/avancé ABRSM Publishing
By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools o...(+)
By ABRSM. For piano.
Published by ABRSM
(Associated Board of the
Royal Schools of Music).
$19.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Solos for the Double-Bass Player
Contrebasse, Piano (duo) [Partition] Schirmer
(with Piano Accompaniment) Edited by Oscar Zimmerman. For double bass solo and p...(+)
(with Piano
Accompaniment) Edited by
Oscar Zimmerman. For
double bass solo and
piano accompaniment. May
also be used for Tuba and
Piano. Format: bass solo
book. With solo part,
standard notation and
piano accompaniment.
Classical. 80 pages. 9x12
inches. Published by G.
Schirmer, Inc.
(4)$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Alexander Siloti Collection Piano seul [Partition] Carl Fischer
Editions, Transcriptions and Arrangements for Piano Solo. By Alexander Scriabine...(+)
Editions, Transcriptions
and Arrangements for
Piano Solo. By Alexander
Scriabine; Anatoli
Liadov; Camille
Saint-Saens; Christophe
Von Gluck; Franz Liszt;
Frederic Chopin; Johann
Sebastian Bach; Nikolai
Rimsky-Korsakov; Peter
Ilyich Tchaikovsky;
Richard Strauss; Sergei
Rachmaninoff; Wolfgang
Amadeus Mozart. Edited by
Alexander Siloti. Text:
Dr. Charles Barber. Solo
piano. For Piano Solo.
Soft Cover. 288 pages.
Published by Carl
Fischer.
(3)$54.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Valentine: 6 Sonatas and a Chaconne [Conducteur et Parties séparées] Carus Verlag
By Robert Valentine (1680-1735). Edited by Gerhard Braun. Arranged by Siegfried ...(+)
By Robert Valentine
(1680-1735). Edited by
Gerhard Braun. Arranged
by Siegfried Petrenz.
This edition: paperbound.
Score with 2 parts. 36
pages. Published by Carus
Verlag
$46.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Chaconne in G Major, G229 Piano seul FJH
(with 21 Variations). Composed by George Frideric Handel (1685-1759). Edited by ...(+)
(with 21 Variations).
Composed by George
Frideric Handel
(1685-1759). Edited by
Edwin Mclean. For piano
solo. FJH Piano Solo
Series. Single. 11 pages.
Published by The FJH
Music Company Inc
$3.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Solos for the Double Bass Player Contre Basse [CD d'accompagnement] Schirmer
(Double Bass and Piano Accompaniment CD). By Various. Edited by Oscar Zimmerman....(+)
(Double Bass and Piano
Accompaniment CD). By
Various. Edited by Oscar
Zimmerman. String Solo.
CD only. 8 pages.
Published by G. Schirmer
$10.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| World Famous Piano Pieces Piano seul [Partition + CD] Music Sales
By Hugo Frey (Editor). For Piano. Romantic, Classical. Sheet Music. 164 pages. P...(+)
By Hugo Frey (Editor).
For Piano. Romantic,
Classical. Sheet Music.
164 pages. Published by
Music Sales.
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Baroque Trios for Strings - Cello A Greenblatt and Seay
Arranged by Deborah Greenblatt. This edition: spiral-bound. Trios for Strings. P...(+)
Arranged by Deborah
Greenblatt. This edition:
spiral-bound. Trios for
Strings. Part book.
Published by Greenblatt &
Seay (GS.BCO3BQTFSC-A).
$9.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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