SKU: GI.G-4099

GIA Monograph Series. Composed by Edwin E. Gordon. Music Learning Theory (MLT). Instructional. 48 pages. GIA Publications #4099. Published by GIA Publications (GI.G-4099).

English.

A Comparison of Scores on the 1971 and 1993 Editions of the Iowa Tests of Music Literacy: Implications for Music Education and Selecting an Appropriate String Instrument for Study Using the Instrument Timbre Preference Test. .

Organ (solos: ATB - choir: SATB - 0.3(ob d'am).0.0 - 0.3.0.0 - timp - str - bc)

SKU: BR.OB-4690-11

New Year's Day - Circumcision of Christ. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Cantata; Baroque. Part. 20 pages. Duration 20'. Breitkopf and Haertel #OB 4690-11. Published by Breitkopf and Haertel (BR.OB-4690-11).

ISBN 9790004332245. 9 x 12 inches.

Since it has come down to us in an incomplete form, the score had to be subjected to a comprehensive reconstruction in 1995. Diethard Hellmann's painstaking work was the third reconstruction following those of Bernhard Todt and Walter Reinhart. Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Violin 1 (solos: ATB - choir: SATB - 0.3(ob d'am).0.0 - 0.3.0.0 - timp - str - bc)

SKU: BR.OB-4690-15

New Year's Day - Circumcision of Christ. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Cantata; Baroque. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 4690-15. Published by Breitkopf and Haertel (BR.OB-4690-15).

ISBN 9790004332252. 9 x 12 inches.

Since it has come down to us in an incomplete form, the score had to be subjected to a comprehensive reconstruction in 1995. Diethard Hellmann's painstaking work was the third reconstruction following those of Bernhard Todt and Walter Reinhart. Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Basso (cello/double bass) (solos: ATB - choir: SATB - 0.3(ob d'am).0.0 - 0.3.0.0 - timp - str - bc)

SKU: BR.OB-4690-26

New Year's Day - Circumcision of Christ. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Cantata; Baroque. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 4690-26. Published by Breitkopf and Haertel (BR.OB-4690-26).

ISBN 9790004332283. 9 x 12 inches.

Since it has come down to us in an incomplete form, the score had to be subjected to a comprehensive reconstruction in 1995. Diethard Hellmann's painstaking work was the third reconstruction following those of Bernhard Todt and Walter Reinhart. Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Woodwinds (solos: ATB - choir: SATB - 0.3(ob d'am).0.0 - 0.3.0.0 - timp - str - bc)

SKU: BR.OB-4690-30

New Year's Day - Circumcision of Christ. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Choir; Folder. Orchester-Bibliothek (Orchestral Library).

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Cantata; Baroque. Set of parts. 42 pages. Duration 20'. Breitkopf and Haertel #OB 4690-30. Published by Breitkopf and Haertel (BR.OB-4690-30).

ISBN 9790004332290. 9 x 12 inches.

Since it has come down to us in an incomplete form, the score had to be subjected to a comprehensive reconstruction in 1995. Diethard Hellmann's painstaking work was the third reconstruction following those of Bernhard Todt and Walter Reinhart. Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Chorus (with soloists) and piano (solos: ATB - choir: SATB - 0.3(ob d'am).0.0 - 0.3.0.0 - timp - str - bc)

SKU: BR.EB-7190

New Year's Day - Circumcision of Christ. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Arranged by Ulrich Haverkampf. Choir; stapled. Edition Breitkopf.

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Cantata; Baroque. Piano/Vocal Score. 32 pages. Duration 20'. Breitkopf and Haertel #EB 7190. Published by Breitkopf and Haertel (BR.EB-7190).

ISBN 9790004173442. 7.5 x 10.5 inches.

Since it has come down to us in an incomplete form, the score had to be subjected to a comprehensive reconstruction in 1995. Diethard Hellmann's painstaking work was the third reconstruction following those of Bernhard Todt and Walter Reinhart. Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Viola (solos: ATB - choir: SATB - 0.3(ob d'am).0.0 - 0.3.0.0 - timp - str - bc)

SKU: BR.OB-4690-19

New Year's Day - Circumcision of Christ. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Cantata; Baroque. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 4690-19. Published by Breitkopf and Haertel (BR.OB-4690-19).

ISBN 9790004332276. 9 x 12 inches.

Since it has come down to us in an incomplete form, the score had to be subjected to a comprehensive reconstruction in 1995. Diethard Hellmann's painstaking work was the third reconstruction following those of Bernhard Todt and Walter Reinhart. Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Chorus (with soloists) and orchestra (solos: ATB - choir: SATB - 0.3(ob d'am).0.0 - 0.3.0.0 - timp - str - bc)

SKU: BR.PB-4690

New Year's Day - Circumcision of Christ. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Choir; stapled. Partitur-Bibliothek (Score Library).

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Cantata; Baroque. Full score. 52 pages. Duration 20'. Breitkopf and Haertel #PB 4690. Published by Breitkopf and Haertel (BR.PB-4690).

ISBN 9790004210024. 10 x 12.5 inches.

Since it has come down to us in an incomplete form, the score had to be subjected to a comprehensive reconstruction in 1995. Diethard Hellmann's painstaking work was the third reconstruction following those of Bernhard Todt and Walter Reinhart. Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

by J. S. Bach arranged by Stanley Yates. For classic guitar. Stanley Yates Gtr. Classic, Baroque. Level: Intermediate. Book. Solos. Size 8.75x11.75. 192 pages. Published by Mel Bay Pub., Inc.

Viola (3(picc).3(ob.d'am.cor angl.).3(Eb-clar.B-clar). S-Sax,T-Sax(S-Sax).3(dble bsn) - 4.4.3.1 - timp.perc(4) - hp - cel - str)

SKU: BR.OB-5299-19

Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. This edition: viola part. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Dances/marches; Early modern. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 5299-19. Published by Breitkopf and Haertel (BR.OB-5299-19).

ISBN 9790004339312. 10 x 12.5 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Violin 1 (3(picc).3(ob.d'am.cor angl.).3(Eb-clar.B-clar). S-Sax,T-Sax(S-Sax).3(dble bsn) - 4.4.3.1 - timp.perc(4) - hp - cel - str)

SKU: BR.OB-5299-15

Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. This edition: violin 1 part. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Dances/marches; Early modern. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 5299-15. Published by Breitkopf and Haertel (BR.OB-5299-15).

ISBN 9790004339299. 10 x 12.5 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Violoncello (3(picc).3(ob.d'am.cor angl.).3(Eb-clar.B-clar). S-Sax,T-Sax(S-Sax).3(dble bsn) - 4.4.3.1 - timp.perc(4) - hp - cel - str)

SKU: BR.OB-5299-23

Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. This edition: cello part. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Dances/marches; Early modern. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 5299-23. Published by Breitkopf and Haertel (BR.OB-5299-23).

ISBN 9790004339329. 10 x 12.5 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Violin 2 (3(picc).3(ob.d'am.cor angl.).3(Eb-clar.B-clar). S-Sax,T-Sax(S-Sax).3(dble bsn) - 4.4.3.1 - timp.perc(4) - hp - cel - str)

SKU: BR.OB-5299-16

Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. This edition: violin 2 part. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Dances/marches; Early modern. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 5299-16. Published by Breitkopf and Haertel (BR.OB-5299-16).

ISBN 9790004339305. 10 x 12.5 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Double bass (3(picc).3(ob.d'am.cor angl.).3(Eb-clar.B-clar). S-Sax,T-Sax(S-Sax).3(dble bsn) - 4.4.3.1 - timp.perc(4) - hp - cel - str)

SKU: BR.OB-5299-27

Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. This edition: double bass part. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Dances/marches; Early modern. Part. 4 pages. Duration 16'. Breitkopf and Haertel #OB 5299-27. Published by Breitkopf and Haertel (BR.OB-5299-27).

ISBN 9790004339336. 10 x 12.5 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Woodwinds (3(picc).3(ob.d'am.cor angl.).3(Eb-clar.B-clar). S-Sax,T-Sax(S-Sax).3(dble bsn) - 4.4.3.1 - timp.perc(4) - hp - cel - str)

SKU: BR.OB-5299-30

Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. This edition: wind parts. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. Dances/marches; Early modern. Set of parts. 134 pages. Duration 16'. Breitkopf and Haertel #OB 5299-30. Published by Breitkopf and Haertel (BR.OB-5299-30).

ISBN 9790004339343. 10 x 12.5 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Orchestra (3(picc).3(ob.d'am.cor angl.).3(Eb-clar.B-clar). S-Sax,T-Sax(S-Sax).3(dble bsn) - 4.4.3.1 - timp.perc(4) - hp - cel - str)

SKU: BR.PB-5524

Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Dances/marches; Early modern. Study Score. Duration 16'. Breitkopf and Haertel #PB 5524. Published by Breitkopf and Haertel (BR.PB-5524).

ISBN 9790004212134. 6.5 x 9 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Chorus (with soloists) and orchestra (solos: STB - choir: SATB - 0.2(2ob d'am) ob da cac.0.0 - 0.3.0.0 - timp - str - bc)

SKU: BR.PB-4519

At St Michael and All Angels - Urtext. Composed by Johann Sebastian Bach. Edited by Eva-Maria Hodel. Choir; Softcover. Partitur-Bibliothek (Score Library). After a thorough revision and comparison with the autographic sources, the Performance material of Johann Sebastian Bach's well-known and often performed Cantata is now offered for sale. Cantata; Baroque. Full score. Duration 22'. Breitkopf and Haertel #PB 4519. Published by Breitkopf and Haertel (BR.PB-4519).

ISBN 9790004204184. 9 x 12 inches.

After a thorough revision and comparison with the autographic sources, the Performance material of Johann Sebastian Bach's well-known and often performed Cantata is now offered for sale. The score and orchestral Parts were newly engraved especiallyfor this edition.

After a thorough revision and comparison with the autographic sources, the Performance material of Johann Sebastian Bach's well-known and often performed Cantata is now offered for sale.

New Strategies and Techniques for Success. By David Newell. Instructional. Textbook. 215 pages. Published by Neil A. Kjos Music Company.

Woodwinds (solos: ATB - choir: SATB - 0.2.0.0 - 2.0.0.0 - str - bc)

SKU: BR.OB-4540-30

2nd Day of Christmas [St. Stefanus Day] - Urtext. Composed by Johann Sebastian Bach. Edited by Eva-Maria Hodel. Choir; Folder. Orchester-Bibliothek (Orchestral Library).

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

Cantata; Baroque. Set of parts. 24 pages. Duration 20'. Breitkopf and Haertel #OB 4540-30. Published by Breitkopf and Haertel (BR.OB-4540-30).

ISBN 9790004314258. 9 x 12 inches.

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

Viola (solos: STB - choir: SATB - 0.2(2ob d'am) ob da cac.0.0 - 0.3.0.0 - timp - str - bc)

SKU: BR.OB-4519-19

At St Michael and All Angels - Urtext. Composed by Johann Sebastian Bach. Edited by Eva-Maria Hodel. Stapled. Orchester-Bibliothek (Orchestral Library). After a thorough revision and comparison with the autographic sources, the Performance material of Johann Sebastian Bach's well-known and often performed Cantata is now offered for sale. Cantata; Baroque. Part. 8 pages. Duration 22'. Breitkopf and Haertel #OB 4519-19. Published by Breitkopf and Haertel (BR.OB-4519-19).

ISBN 9790004313060. 9 x 12 inches.

After a thorough revision and comparison with the autographic sources, the Performance material of Johann Sebastian Bach's well-known and often performed Cantata is now offered for sale. The score and orchestral Parts were newly engraved especiallyfor this edition.

1 or 2 Violins and continuo

SKU: FZ.5390

Amsterdam, 1744. Composed by Pietro Antonio Locatelli. Edited by Nicolas Fromageot. This edition: Facsimile. Collection Dominantes. Score. Published by Anne Fuzeau Productions - France (FZ.5390).

ISBN 9790230653909. 24.00 x 33.00 cm inches.

This facsimile of an original by Pietro Antonio Locatelli is part of our Dominantes collection. X Sonate, VI a violino solo e basso, e IV a tre. Opera Ottava. Edition: Amsterdam, l'Auteur, undated (=1744). Presentation by Nicolas Fromageot: Bibliography - Comparison of the first and second editions - Hints about the score. A copy deposited at the University of Leiden by the composer himself. The preface contains a comparison with the second Dutch edition and the French edition. Facsimile of the copy preserved at the library of the university of Leiden. Edition in separated parts: first violin part, with the bass, in full score for the first six sonatas and without the bass for sonatas VII to X - second violin part (sonatas VII to X) - continuo bass (sonatas VII to X). Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the Library of the University of Leiden (Netherlands). Anne Fuzeau Classique propose period copies of classical music scores.

Viola (solos: ATB - choir: SATB - 0.2.0.0 - 2.0.0.0 - str - bc)

SKU: BR.OB-4540-19

2nd Day of Christmas [St. Stefanus Day] - Urtext. Composed by Johann Sebastian Bach. Edited by Eva-Maria Hodel. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

Cantata; Baroque. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 4540-19. Published by Breitkopf and Haertel (BR.OB-4540-19).

ISBN 9790004314234. 9 x 12 inches.

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

Chorus (with soloists) and orchestra (solos: ATB - choir: SATB - 0.2.0.0 - 2.0.0.0 - str - bc)

SKU: BR.PB-4540

2nd Day of Christmas [St. Stefanus Day] - Urtext. Composed by Johann Sebastian Bach. Edited by Eva-Maria Hodel. Choir; Softcover. Partitur-Bibliothek (Score Library).

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

Cantata; Baroque. Full score. 56 pages. Duration 20'. Breitkopf and Haertel #PB 4540. Published by Breitkopf and Haertel (BR.PB-4540).

ISBN 9790004204375. 9 x 12 inches.

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

Basso (cello/double bass) (solos: ATB - choir: SATB - 0.2.0.0 - 2.0.0.0 - str - bc)

SKU: BR.OB-4540-26

2nd Day of Christmas [St. Stefanus Day] - Urtext. Composed by Johann Sebastian Bach. Edited by Eva-Maria Hodel. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

Cantata; Baroque. Part. 12 pages. Duration 20'. Breitkopf and Haertel #OB 4540-26. Published by Breitkopf and Haertel (BR.OB-4540-26).

ISBN 9790004314241. 9 x 12 inches.

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

Violin 1 (solos: STB - choir: SATB - 0.2(2ob d'am) ob da cac.0.0 - 0.3.0.0 - timp - str - bc)

SKU: BR.OB-4519-15

At St Michael and All Angels - Urtext. Composed by Johann Sebastian Bach. Edited by Eva-Maria Hodel. Stapled. Orchester-Bibliothek (Orchestral Library). After a thorough revision and comparison with the autographic sources, the Performance material of Johann Sebastian Bach's well-known and often performed Cantata is now offered for sale. Cantata; Baroque. Part. 8 pages. Duration 22'. Breitkopf and Haertel #OB 4519-15. Published by Breitkopf and Haertel (BR.OB-4519-15).

ISBN 9790004313046. 9 x 12 inches.

After a thorough revision and comparison with the autographic sources, the Performance material of Johann Sebastian Bach's well-known and often performed Cantata is now offered for sale. The score and orchestral Parts were newly engraved especiallyfor this edition.

Woodwinds (solos: STB - choir: SATB - 0.2(2ob d'am) ob da cac.0.0 - 0.3.0.0 - timp - str - bc)

SKU: BR.OB-4519-30

At St Michael and All Angels - Urtext. Composed by Johann Sebastian Bach. Edited by Eva-Maria Hodel. Folder. Orchester-Bibliothek (Orchestral Library). After a thorough revision and comparison with the autographic sources, the Performance material of Johann Sebastian Bach's well-known and often performed Cantata is now offered for sale. Cantata; Baroque. Set of parts. 30 pages. Duration 22'. Breitkopf and Haertel #OB 4519-30. Published by Breitkopf and Haertel (BR.OB-4519-30).

ISBN 9790004313084. 9 x 12 inches.

After a thorough revision and comparison with the autographic sources, the Performance material of Johann Sebastian Bach's well-known and often performed Cantata is now offered for sale. The score and orchestral Parts were newly engraved especiallyfor this edition.

Organ (solos: ATB - choir: SATB - 0.2.0.0 - 2.0.0.0 - str - bc)

SKU: BR.OB-4540-11

2nd Day of Christmas [St. Stefanus Day] - Urtext. Composed by Johann Sebastian Bach. Edited by Eva-Maria Hodel. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

Cantata; Baroque. Part. 20 pages. Duration 20'. Breitkopf and Haertel #OB 4540-11. Published by Breitkopf and Haertel (BR.OB-4540-11).

ISBN 9790004314203. 9 x 12 inches.

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

Violin 1 (solos: ATB - choir: SATB - 0.2.0.0 - 2.0.0.0 - str - bc)

SKU: BR.OB-4540-15

2nd Day of Christmas [St. Stefanus Day] - Urtext. Composed by Johann Sebastian Bach. Edited by Eva-Maria Hodel. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

Cantata; Baroque. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 4540-15. Published by Breitkopf and Haertel (BR.OB-4540-15).

ISBN 9790004314210. 9 x 12 inches.

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

By Michel Blavet (1700-1768). Edited by Philippe Lescat, Jean Saint-Arroman. For Flute, Continuo. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Chamber Music. Score. 80 pages. Published by Anne Fuzeau Productions - France