| Pairs for Cellos 2 Violoncelles (duo) Boosey and Hawkes
Easy duets for cello groups to play. By Sheila Nelson. (Cello). Boosey and Hawk...(+)
Easy duets for cello
groups to play. By Sheila
Nelson. (Cello). Boosey
and Hawkes Chamber Music.
Book only. Size
9.25x12.25 inches. 8
pages. Published by
Boosey and Hawkes.
(2)$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Pairs for Violins Violon Boosey and Hawkes
By Sheila Nelson. (Violin). Boosey and Hawkes Chamber Music. Size 9x12 inches. ...(+)
By Sheila Nelson.
(Violin). Boosey and
Hawkes Chamber Music.
Size 9x12 inches. 8
pages. Published by
Boosey & Hawkes.
$18.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Microjazz for Recorder Group Ensemble De Flûte à bec Boosey and Hawkes
Score and Parts. By Christopher Norton. (Recorder). Boosey and Hawkes Chamber M...(+)
Score and Parts. By
Christopher Norton.
(Recorder). Boosey and
Hawkes Chamber Music.
Size 8.25x11.75 inches.
Published by Boosey and
Hawkes.
$27.99 - Voir plus => Acheter | | |
| The Lovely Sirens Orchestre d'harmonie Theodore Presser Co.
Band Concert Band SKU: PR.11540239L I. from Mythology Suite. Compo...(+)
Band Concert Band SKU:
PR.11540239L I.
from Mythology Suite.
Composed by Stacy Garrop.
Large Score. Duration
5:30. Theodore Presser
Company #115-40239L.
Published by Theodore
Presser Company
(PR.11540239L). UPC:
680160680221. The
Sirens were sea nymphs,
usually pictured as part
woman and part bird, who
lived on a secluded
island surrounded by
rocks. Their enchanting
song was irresistible to
passing sailors, who were
lured to their deaths as
their ships were
destroyed upon the rocks.
The Lovely Sirens
presents three ideas: the
Sirens' beautiful song,
an unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their
demise. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise. $50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Lovely Sirens Orchestre d'harmonie [Conducteur] Theodore Presser Co.
Band Concert Band SKU: PR.11540239S I. from Mythology Suite. Compo...(+)
Band Concert Band SKU:
PR.11540239S I.
from Mythology Suite.
Composed by Stacy Garrop.
Full score. Duration
5:30. Theodore Presser
Company #115-40239S.
Published by Theodore
Presser Company
(PR.11540239S). UPC:
680160680214. The
Sirens were sea nymphs,
usually pictured as part
woman and part bird, who
lived on a secluded
island surrounded by
rocks. Their enchanting
song was irresistible to
passing sailors, who were
lured to their deaths as
their ships were
destroyed upon the rocks.
The Lovely Sirens
presents three ideas: the
Sirens' beautiful song,
an unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their
demise. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise. $28.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mythology Suite Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Cl...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Clarinet 3, Clarinet 4,
Clarinet 5, Clarinet 6,
Contrabassoon, English
Horn, Euphonium, Flute 1,
Flute 2, Flute 3, Flute
4, Flute 5, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1 and more. SKU:
PR.415411560 Composed
by Stacy Garrop. Study
Score. With Standard
notation. 66 pages.
Duration 19 minutes.
Theodore Presser Company
#415-41156. Published by
Theodore Presser Company
(PR.415411560). UPC:
680160642946. 9 x 12
inches. The
Mythology Suite consists
of three movements of my
Mythology Symphony, which
I arranged for large wind
ensemble. The
arrangements of The
Lovely Sirens and
Penelope Waits were
commissioned by James
Ripley and Carthage
College for the Carthage
Wind Orchestra's 2017
Japan tour. I added
Pandora Undone to
complete the set; Stephen
Squires and the Chicago
College of Performing
Arts gave the premiere of
the entire Suite in
February 2017. Movement
1: The Lovely Sirens The
Sirens were sea nymphs,
usually pictured as part
woman and part bird, who
lived on a secluded
island surrounded by
rocks. Their enchanting
song was irresistible to
passing sailors, who were
lured to their deaths as
their ships were
destroyed upon the rocks.
The Lovely Sirens
presents three ideas: the
Sirens' beautiful song,
an unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.
Movement 2: Penelope
Waits This quiet movement
represents Queen
Penelope, the faithful
wife of Odysseus, as she
patiently waits twenty
years for her husband's
return from fighting the
Trojan Wars. Penelope
herself is represented as
an oboe. She is
accompanied by the
ensemble as she keeps at
bay the suitors who wish
to marry her and inherit
her riches. Movement 3:
Pandora Undone This
movement is, in turns,
both lighthearted and
serious. The music
depicts a young, naive
Pandora who, while
dancing around her house,
spies a mysterious box.
She tries to resist
opening it, but her
curiosity ultimately gets
the best of her. When she
cracks the lid open and
looks inside, all evils
escape into the world.
Dismayed by what she has
done, she looks inside
the box once more. She
discovers hope still in
the box and releases it
to temper the escaped
evils and assuage
mankind's new
burden. The Mytholo
gy Suite consists of
three movements of
my Mythology
Symphony, which I
arranged for large wind
ensemble. The
arrangements of The
Lovely
Sirens and Penelope
Waits were
commissioned by James
Ripley and Carthage
College for the Carthage
Wind Orchestra’s
2017 Japan tour. I
added Pandora
Undone to complete the
set; Stephen Squires and
the Chicago College of
Performing Arts gave the
premiere of the entire
Suite in February
2017.Movement 1:Â The
Lovely
SirensThe Sirens were
sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.Movement
2:Â Penelope WaitsThis
quiet movement represents
Queen Penelope, the
faithful wife of
Odysseus, as she
patiently waits twenty
years for her husband's
return from fighting the
Trojan Wars. Penelope
herself is represented as
an oboe. She is
accompanied by the
ensemble as she keeps at
bay the suitors who wish
to marry her and inherit
her riches.Movement
3:Â Pandora UndoneThis
movement is, in turns,
both lighthearted and
serious. The music
depicts a young, naïve
Pandora who, while
dancing around her house,
spies a mysterious box.
She tries to resist
opening it, but her
curiosity ultimately gets
the best of her. When she
cracks the lid open and
looks inside, all evils
escape into the world.
Dismayed by what she has
done, she looks inside
the box once more. She
discovers hope still in
the box and releases it
to temper the escaped
evils and assuage
mankind's new burden. $47.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mythology Suite Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Cl...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Clarinet 3, Clarinet 4,
Clarinet 5, Clarinet 6,
Contrabassoon, English
Horn, Euphonium, Flute 1,
Flute 2, Flute 3, Flute
4, Flute 5, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1 and more. SKU:
PR.41541156L Composed
by Stacy Garrop. Large
Score. With Standard
notation. 66 pages.
Duration 19 minutes.
Theodore Presser Company
#415-41156L. Published by
Theodore Presser Company
(PR.41541156L). UPC:
680160642953. 11 x 17
inches. The
Mythology Suite consists
of three movements of my
Mythology Symphony, which
I arranged for large wind
ensemble. The
arrangements of The
Lovely Sirens and
Penelope Waits were
commissioned by James
Ripley and Carthage
College for the Carthage
Wind Orchestra's 2017
Japan tour. I added
Pandora Undone to
complete the set; Stephen
Squires and the Chicago
College of Performing
Arts gave the premiere of
the entire Suite in
February 2017. Movement
1: The Lovely Sirens The
Sirens were sea nymphs,
usually pictured as part
woman and part bird, who
lived on a secluded
island surrounded by
rocks. Their enchanting
song was irresistible to
passing sailors, who were
lured to their deaths as
their ships were
destroyed upon the rocks.
The Lovely Sirens
presents three ideas: the
Sirens' beautiful song,
an unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.
Movement 2: Penelope
Waits This quiet movement
represents Queen
Penelope, the faithful
wife of Odysseus, as she
patiently waits twenty
years for her husband's
return from fighting the
Trojan Wars. Penelope
herself is represented as
an oboe. She is
accompanied by the
ensemble as she keeps at
bay the suitors who wish
to marry her and inherit
her riches. Movement 3:
Pandora Undone This
movement is, in turns,
both lighthearted and
serious. The music
depicts a young, naive
Pandora who, while
dancing around her house,
spies a mysterious box.
She tries to resist
opening it, but her
curiosity ultimately gets
the best of her. When she
cracks the lid open and
looks inside, all evils
escape into the world.
Dismayed by what she has
done, she looks inside
the box once more. She
discovers hope still in
the box and releases it
to temper the escaped
evils and assuage
mankind's new
burden. The Mytholo
gy Suite consists of
three movements of
my Mythology
Symphony, which I
arranged for large wind
ensemble. The
arrangements of The
Lovely
Sirens and Penelope
Waits were
commissioned by James
Ripley and Carthage
College for the Carthage
Wind Orchestra’s
2017 Japan tour. I
added Pandora
Undone to complete the
set; Stephen Squires and
the Chicago College of
Performing Arts gave the
premiere of the entire
Suite in February
2017.Movement 1:Â The
Lovely
SirensThe Sirens were
sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.Movement
2:Â Penelope WaitsThis
quiet movement represents
Queen Penelope, the
faithful wife of
Odysseus, as she
patiently waits twenty
years for her husband's
return from fighting the
Trojan Wars. Penelope
herself is represented as
an oboe. She is
accompanied by the
ensemble as she keeps at
bay the suitors who wish
to marry her and inherit
her riches.Movement
3:Â Pandora UndoneThis
movement is, in turns,
both lighthearted and
serious. The music
depicts a young, naïve
Pandora who, while
dancing around her house,
spies a mysterious box.
She tries to resist
opening it, but her
curiosity ultimately gets
the best of her. When she
cracks the lid open and
looks inside, all evils
escape into the world.
Dismayed by what she has
done, she looks inside
the box once more. She
discovers hope still in
the box and releases it
to temper the escaped
evils and assuage
mankind's new burden. $95.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Super Studies Euphonium Ou Saxhorn Et Piano [Partition + CD] Anglo Music
Baritone. By Philip Sparke. Anglo Music Press Play-Along. Play Along. 94 pages. ...(+)
Baritone. By Philip
Sparke. Anglo Music Press
Play-Along. Play Along.
94 pages. Published by
Anglo Music.
$15.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Super Studies Clarinette [Partition + CD] Anglo Music
Clarinet. By Philip Sparke. Anglo Music Press Play-Along. Play Along. Size 9x12 ...(+)
Clarinet. By Philip
Sparke. Anglo Music Press
Play-Along. Play Along.
Size 9x12 inches. 48
pages. Published by Anglo
Music.
$15.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Lovely Sirens Theodore Presser Co.
Orchestra Orchestra SKU: PR.416416210 III. from Mythology Symphony...(+)
Orchestra Orchestra
SKU: PR.416416210
III. from Mythology
Symphony. Composed by
Stacy Garrop. Study
Score. With Standard
notation. Duration 5:30.
Theodore Presser Company
#416-41621. Published by
Theodore Presser Company
(PR.416416210). UPC:
680160642908. 9 x 12
inches. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens'
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their
demise. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise. $28.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Lovely Sirens Theodore Presser Co.
Orchestra Orchestra SKU: PR.41641621L III. from Mythology Symphony...(+)
Orchestra Orchestra
SKU: PR.41641621L
III. from Mythology
Symphony. Composed by
Stacy Garrop. Large
Score. With Standard
notation. Duration 5:30.
Theodore Presser Company
#416-41621L. Published by
Theodore Presser Company
(PR.41641621L). UPC:
680160642915. 11 x 17
inches. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens'
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their
demise. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto in C major K. 299 (297c) Breitkopf & Härtel
Trio (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.EB-10768 Urtext<...(+)
Trio (solos: fl.hp -
0.2.0.0 - 2.0.0.0 - str)
SKU: BR.EB-10768
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Andras
Adorjan. Arranged by Jan
Philip Schulze. Chamber
music; Softbound. Edition
Breitkopf. In Cooperation
with G. Henle Verlag.
Solo concerto; Classical.
Piano reduction. 106
pages. Duration 27'.
Breitkopf and Haertel #EB
10768. Published by
Breitkopf and Haertel
(BR.EB-10768). ISBN
9790201807683. 9.5 x 12
inches. Mozart
excitedly reported to his
father that the Comte de
Guines played the flute
incomparably, while his
daughter was magnifique
at the harp. He
apparently had no
reservations about
writing a double concerto
for this unusual scoring
in Paris in 1778 and even
though he had just
admitted to his father
that he couldnt stand the
flute. It is surprising,
then, that Mozart
produced a singular,
fairly easily performable
work. Could it be that he
exaggerated their
technical abilities for
some reason or other when
he described his patrons
to his father?The source
situation is clear: An
autograph has survived
which is definitive in
every respect, and can be
incontestably included in
a modern Urtext edition,
down to the distinction
between staccato dots and
dashes.Cadenzas in the
piano reduction by Robert
D. Levin. $35.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concerto in C major K. 299 (297c) Breitkopf & Härtel
Woodwinds (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.OB-15134-30 (+)
Woodwinds (solos: fl.hp -
0.2.0.0 - 2.0.0.0 - str)
SKU:
BR.OB-15134-30
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Andras
Adorjan. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag Solo
concerto; Classical. Set
of parts. 16 pages.
Duration 27'. Breitkopf
and Haertel #OB 15134-30.
Published by Breitkopf
and Haertel
(BR.OB-15134-30). ISBN
9790004341513. 10 x 12.5
inches. Mozart
excitedly reported to his
father that the Comte de
Guines played the flute
incomparably, while his
daughter was magnifique
at the harp. He
apparently had no
reservations about
writing a double concerto
for this unusual scoring
in Paris in 1778 and even
though he had just
admitted to his father
that he couldnt stand the
flute. It is surprising,
then, that Mozart
produced a singular,
fairly easily performable
work. Could it be that he
exaggerated their
technical abilities for
some reason or other when
he described his patrons
to his father?The source
situation is clear: An
autograph has survived
which is definitive in
every respect, and can be
incontestably included in
a modern Urtext edition,
down to the distinction
between staccato dots and
dashes.Cadenzas in the
piano reduction by Robert
D. Levin. $23.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concerto in C major K. 299 (297c) Breitkopf & Härtel
Violin 1 (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.OB-15134-15 ...(+)
Violin 1 (solos: fl.hp -
0.2.0.0 - 2.0.0.0 - str)
SKU:
BR.OB-15134-15
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Andras
Adorjan. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag Solo
concerto; Classical.
Part. 12 pages. Duration
27'. Breitkopf and
Haertel #OB 15134-15.
Published by Breitkopf
and Haertel
(BR.OB-15134-15). ISBN
9790004341476. 10 x 12.5
inches. Mozart
excitedly reported to his
father that the Comte de
Guines played the flute
incomparably, while his
daughter was magnifique
at the harp. He
apparently had no
reservations about
writing a double concerto
for this unusual scoring
in Paris in 1778 and even
though he had just
admitted to his father
that he couldnt stand the
flute. It is surprising,
then, that Mozart
produced a singular,
fairly easily performable
work. Could it be that he
exaggerated their
technical abilities for
some reason or other when
he described his patrons
to his father?The source
situation is clear: An
autograph has survived
which is definitive in
every respect, and can be
incontestably included in
a modern Urtext edition,
down to the distinction
between staccato dots and
dashes.Cadenzas in the
piano reduction by Robert
D. Levin. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concerto in C major K. 299 (297c) Breitkopf & Härtel
Double concerto (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.PB-15135-07<...(+)
Double concerto (solos:
fl.hp - 0.2.0.0 - 2.0.0.0
- str) SKU:
BR.PB-15135-07
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Andras
Adorjan. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag Solo concerto;
Classical. Study Score.
60 pages. Duration 27'.
Breitkopf and Haertel #PB
15135-07. Published by
Breitkopf and Haertel
(BR.PB-15135-07). ISBN
9790004214718. 6.5 x 9
inches. Mozart
excitedly reported to his
father that the Comte de
Guines played the flute
incomparably, while his
daughter was magnifique
at the harp. He
apparently had no
reservations about
writing a double concerto
for this unusual scoring
in Paris in 1778 and even
though he had just
admitted to his father
that he couldnt stand the
flute. It is surprising,
then, that Mozart
produced a singular,
fairly easily performable
work. Could it be that he
exaggerated their
technical abilities for
some reason or other when
he described his patrons
to his father?The source
situation is clear: An
autograph has survived
which is definitive in
every respect, and can be
incontestably included in
a modern Urtext edition,
down to the distinction
between staccato dots and
dashes.Cadenzas in the
piano reduction by Robert
D. Levin. $17.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concerto in C major K. 299 (297c) Breitkopf & Härtel
Basso (cello/double bass) (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.OB...(+)
Basso (cello/double bass)
(solos: fl.hp - 0.2.0.0 -
2.0.0.0 - str) SKU:
BR.OB-15134-26
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Andras
Adorjan. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag Solo
concerto; Classical.
Part. 8 pages. Duration
27'. Breitkopf and
Haertel #OB 15134-26.
Published by Breitkopf
and Haertel
(BR.OB-15134-26). ISBN
9790004341506. 10 x 12.5
inches. Mozart
excitedly reported to his
father that the Comte de
Guines played the flute
incomparably, while his
daughter was magnifique
at the harp. He
apparently had no
reservations about
writing a double concerto
for this unusual scoring
in Paris in 1778 and even
though he had just
admitted to his father
that he couldnt stand the
flute. It is surprising,
then, that Mozart
produced a singular,
fairly easily performable
work. Could it be that he
exaggerated their
technical abilities for
some reason or other when
he described his patrons
to his father?The source
situation is clear: An
autograph has survived
which is definitive in
every respect, and can be
incontestably included in
a modern Urtext edition,
down to the distinction
between staccato dots and
dashes.Cadenzas in the
piano reduction by Robert
D. Levin. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concerto in C major K. 299 (297c) Breitkopf & Härtel
Violin 2 (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.OB-15134-16 ...(+)
Violin 2 (solos: fl.hp -
0.2.0.0 - 2.0.0.0 - str)
SKU:
BR.OB-15134-16
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Andras
Adorjan. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag Solo
concerto; Classical.
Part. 8 pages. Duration
27'. Breitkopf and
Haertel #OB 15134-16.
Published by Breitkopf
and Haertel
(BR.OB-15134-16). ISBN
9790004341483. 10 x 12.5
inches. Mozart
excitedly reported to his
father that the Comte de
Guines played the flute
incomparably, while his
daughter was magnifique
at the harp. He
apparently had no
reservations about
writing a double concerto
for this unusual scoring
in Paris in 1778 and even
though he had just
admitted to his father
that he couldnt stand the
flute. It is surprising,
then, that Mozart
produced a singular,
fairly easily performable
work. Could it be that he
exaggerated their
technical abilities for
some reason or other when
he described his patrons
to his father?The source
situation is clear: An
autograph has survived
which is definitive in
every respect, and can be
incontestably included in
a modern Urtext edition,
down to the distinction
between staccato dots and
dashes.Cadenzas in the
piano reduction by Robert
D. Levin. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concerto in C major K. 299 (297c) Breitkopf & Härtel
Viola (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.OB-15134-19 Urt...(+)
Viola (solos: fl.hp -
0.2.0.0 - 2.0.0.0 - str)
SKU:
BR.OB-15134-19
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Andras
Adorjan. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag Solo
concerto; Classical.
Part. 8 pages. Duration
27'. Breitkopf and
Haertel #OB 15134-19.
Published by Breitkopf
and Haertel
(BR.OB-15134-19). ISBN
9790004341490. 10 x 12.5
inches. Mozart
excitedly reported to his
father that the Comte de
Guines played the flute
incomparably, while his
daughter was magnifique
at the harp. He
apparently had no
reservations about
writing a double concerto
for this unusual scoring
in Paris in 1778 and even
though he had just
admitted to his father
that he couldnt stand the
flute. It is surprising,
then, that Mozart
produced a singular,
fairly easily performable
work. Could it be that he
exaggerated their
technical abilities for
some reason or other when
he described his patrons
to his father?The source
situation is clear: An
autograph has survived
which is definitive in
every respect, and can be
incontestably included in
a modern Urtext edition,
down to the distinction
between staccato dots and
dashes.Cadenzas in the
piano reduction by Robert
D. Levin. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concerto in C major K. 299 (297c) [Conducteur] Breitkopf & Härtel
Double concerto (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.PB-15134 ...(+)
Double concerto (solos:
fl.hp - 0.2.0.0 - 2.0.0.0
- str) SKU:
BR.PB-15134
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Andras
Adorjan. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag Solo concerto;
Classical. Full score. 56
pages. Duration 27'.
Breitkopf and Haertel #PB
15134. Published by
Breitkopf and Haertel
(BR.PB-15134). ISBN
9790004214701. 10 x 12.5
inches. Mozart
excitedly reported to his
father that the Comte de
Guines played the flute
incomparably, while his
daughter was magnifique
at the harp. He
apparently had no
reservations about
writing a double concerto
for this unusual scoring
in Paris in 1778 and even
though he had just
admitted to his father
that he couldnt stand the
flute. It is surprising,
then, that Mozart
produced a singular,
fairly easily performable
work. Could it be that he
exaggerated their
technical abilities for
some reason or other when
he described his patrons
to his father?The source
situation is clear: An
autograph has survived
which is definitive in
every respect, and can be
incontestably included in
a modern Urtext edition,
down to the distinction
between staccato dots and
dashes.Cadenzas in the
piano reduction by Robert
D. Levin. $50.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Super Studies Hautbois [Partition + CD] Anglo Music
Oboe. By Philip Sparke. Anglo Music Press Play-Along. Play Along. Size 9x12 inch...(+)
Oboe. By Philip Sparke.
Anglo Music Press
Play-Along. Play Along.
Size 9x12 inches. 48
pages. Published by Anglo
Music.
$15.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Super Studies (Flute) Flûte traversière [Partition + CD] Anglo Music
Flute. By Philip Sparke. Anglo Music Press Play-Along. Play Along. Size 9x12 inc...(+)
Flute. By Philip Sparke.
Anglo Music Press
Play-Along. Play Along.
Size 9x12 inches. 48
pages. Published by Anglo
Music.
$15.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Die Meistersinger von Nurnberg WWV 96 Opéra [Vocal Score] Schott
(Vocal Score). Composed by Richard Wagner (1813-1883). Edited by Egon Voss. For ...(+)
(Vocal Score). Composed
by Richard Wagner
(1813-1883). Edited by
Egon Voss. For Vocal,
Piano Accompaniment
(Vocal Score). This
edition: Urtext edition.
Vocal Score. Vocal score.
672 pages. Schott Music
#ED20410. Published by
Schott Music
$80.99 - Voir plus => Acheter | | |
| Super Studies Tuba [Partition + CD] Anglo Music
Tuba. By Philip Sparke. Anglo Music Press Play-Along. Play Along. 94 pages. Publ...(+)
Tuba. By Philip Sparke.
Anglo Music Press
Play-Along. Play Along.
94 pages. Published by
Anglo Music.
$15.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Super Studies Trompette [Partition + CD] Anglo Music
Trumpet. By Philip Sparke. Anglo Music Press Play-Along. Play Along. 52 pages. P...(+)
Trumpet. By Philip
Sparke. Anglo Music Press
Play-Along. Play Along.
52 pages. Published by
Anglo Music.
$15.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Super Studies Cor [Partition + CD] Anglo Music
Horn. By Philip Sparke. Anglo Music Press Play-Along. Play Along. 52 pages. Publ...(+)
Horn. By Philip Sparke.
Anglo Music Press
Play-Along. Play Along.
52 pages. Published by
Anglo Music.
$15.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Super Studies Saxophone [Partition + CD] Anglo Music
Saxophone. By Philip Sparke. Anglo Music Press Play-Along. Play Along. Size 9x12...(+)
Saxophone. By Philip
Sparke. Anglo Music Press
Play-Along. Play Along.
Size 9x12 inches. 48
pages. Published by Anglo
Music.
$15.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Contemporary Virtuoso Piano seul [Partition] - Intermédiaire Alfred Publishing
By Robert Starer. Keyboard. Level: Intermediate (4/5). Published by Alfred Publi...(+)
By Robert Starer.
Keyboard. Level:
Intermediate (4/5).
Published by Alfred
Publishing.
$5.99 - Voir plus => AcheterDélais: 4 to 6 business days | | |
1 |