Performed by Van Halen. Guitar Sheet. With notes and tablature. Size 9x12 inches. 6 pages. Published by Hal Leonard.

By Russell Nagy. For Unison/2-Part Choir. (2-part). Sacred Octavos. Octavo. Published by Beckenhorst Press.

Concert Band Symphonic Band - Grade 5

SKU: FJ.B1577S

Score Only. Composed by Brian Balmages. Concert Band. FJH Symphonic Band. Score. Duration 8:15. The FJH Music Company Inc #98-B1577S. Published by The FJH Music Company Inc (FJ.B1577S).

English.

Drawing on some of the composer's early influences including John Barnes Chance and Ottorino Respighi, this mature and powerful work explores the dark and mystical while adding elements of intensity and relentless energy. Composed in three sections, an underlying sense of tension is present throughout before the final minutes erupt triumphantly in a fury of aggression and sound. Not for the faint of heart!

About FJH Symphonic Band

Appro priate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5

SSAA with Ipu, piano reduction, ipu (drum) - Intermediate

SKU: GI.WW1961

Composed by Jace Kaholokula Saplan. Walton Choral. Classical. 20 pages. Walton Music #WW1961. Published by Walton Music (GI.WW1961).

UPC: 785147044161. Hawaiian. Text Source: Traditional Hawaiian Chant.

In Hawaii, Pele is embodied by the lava and pehnomena associated with eruptions. While volcanic eruptions are typically seen through the lens of destruction to the western eye, Hawaiian knowledge leaves room for wonder, awe, regrowth, and regeneration. This work uses a traditional Hawaiian chant and original music by composer Jace Kaholokula Saplan. Tremendously dynamic for more advanced treble choirs.

By Steven Reineke. Concert Band. Level: Grade 4.5. Score and set of parts. Composed 2006. Duration 0:09:59. Published by C.L. Barnhouse.

Guitar Play-Along Volume 93. By Various. Guitar Play-Along. Rock. Softcover Audio Online. With guitar tablature. 72 pages. Published by Hal Leonard

Concert Band Concert Band - Grade 2.5

SKU: FJ.B1769

Composed by Brian Balmages. Concert Band. FJH Young Band. Score and Part(s). Duration 3:15. The FJH Music Company Inc #98-B1769. Published by The FJH Music Company Inc (FJ.B1769).

UPC: 241444399392. English.

Everyone is still. The countdown begins. And in a single moment, adrenaline surges in an eruption of energy and power. This intense closer does not let go, keeping the audience and performer on the edge of their seats throughout. Very playable - just make sure you find time to catch your breath (or does that refer to the audience?. . .). Ready, set. . .

About FJH Young Band

Appro priate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5

36 voices (12S12Mez12A/12T12Bar12B)

SKU: BR.PB-5411-07

Study score. Composed by Adriana Holszky. Stapled. Partitur-Bibliothek (Score Library).

World premiere: Graz (Steirischer Herbst), October 10, 1991

Music post-1945; New music (post-2000). Study Score. Composed 1989/90. 48 pages. Duration 14'. Breitkopf and Haertel #PB 5411-07. Published by Breitkopf and Haertel (BR.PB-5411-07).

ISBN 9790004209837. 8.5 x 21.5 inches.

Getraumt wurde 1989/90 im Auftrag des Deutschen Musikrates komponiert und kann entweder von 36 Frauenstimmen oder 36 Mannerstimmen aufgefuhrt werden. Die Komposition verwendet isolierte Fragmente, die dem Gedicht ,,Nachtflug von Ingeborg Bachmann entnommen sind.Der Gedanke der kompositorischen Verwendung eines homogenen vokalen Klangapparats von vielen solistischen Stimmen, der ahnlich einem ,,Tausendfussler funktionieren sollte, d.h. trotz maximaler Individualisierung der einzelnen Glieder die Scharfe der zentralen Integration nicht verliert, war grundlegend fur dieses Werk. Nicht die Semantik, sondern die Klanglichkeit der Worter, deren Atomisierung, die assoziativen Verbindungen unterschiedlicher Partikel die Isolation und Hervorhebung einzelner Phoneme, standen bei der Komposition im Vordergrund. Die ,,ecriture der im Kreis um den Horer platzierten 36 Stimmen (in der Partitur auf 9 Gruppen zu je 4 Stimmen verteilt) versucht die auskomponierten Raume und die entsprechenden Klangwanderungen wie in einem ,,pulsierenden Ozean schwebender Klange maximal zu differenzieren. So gibt es z. B. in den Takten 50-53 der Partitur elf verschiedene Farbflachenarten, die sich verzahnen: 1) Farbmischung von: gesungen und geflustert auf ,,R 2) knarrende Stimme 3) Sprechgesang-Impulse in den extremen Lagen, so schnell wie moglich 4) Mischung von: a) Schnalzen in Richtung Gaumen, Mundstellung offen/zu, b) Lippengerausch ahnlich dem Gerausch eines Korkenziehers, c) Schnalzen in Richtung vordere Zahne, Mundstellung offen/zu, und d) knarrende Stimme 5) Pfeifimpulse 6) Pfeifen mit gleichzeitigem Sprechgesang, glissando 7) Pfeifen mit gleichzeitiger Singstimme, glissando 8) rhythmisiertes Alternieren von Schnalzen in Richtung vordere Zahne, Mundstellung offen/zu 9) Flustern mit Handvibrato 10) Singstimme auf ,,a 11) ,,Einatmen-Ausatmen-Impul se Das Schleudern der Gerauschpartikel durch den 36kopfigen Klangapparat beruht auch auf Kategorien visueller Dimension: dem Einbeziehen von Nahe und Weite, Linie und Flache, Oszillation und Stillstand, Richtungsanderung oder Pendeln der Klange. In letzter Konsequenz will die Komposition die Illusion eines expandierenden Klangraumes mit migrierenden Punkten und Figuren schaffen. So wird die Partitur zu einer ,,Landkarte der in Raum beweglichen ,,Klanglandschaft, die aus dem Zusammen- und Wechselspiel vieler filigranartiger, in sich geschlossener Klangfelder entstanden ist. Auch wenn grossere Blocke oder Flachen im Werk sich entfalten, deuten sie immer auf die Fluchtigkeit, die Instabilitat und Zerbrechlichkeit des Moments.CDs:ORF-Chor, cond. Erwin OrtnerCD cpo 999 290-2ORF-Chor, cond. Erwin OrtnerCD ORF MP 30/4 (30 Jahre Musikprotokoll Moderne in Osterreich 1968-1997)Bibliography:Hi nterberger, Julia: Zwischen Sprachzertrummerung und Textkonservierung. Schlaglichter auf Adriana Holszkys Umgang mit literarischen Texten, in: Adriana Holszky, hrsg. von Ulrich Tadday (Musik-Konzepte, Neue Folge Heft 160/161), Munchen: edition text+kritik 2013, pp. 25-42.Kostakeva, Maria: Metamorphose und Eruption. Annaherung an die Klangwelten Adriana Holszkys, Hofheim: wolke 2013 (pp. 101f, 141-143).Petersen, Peter: ... getraumt von Adriana Holszky. Versuch uber ein Vokalstuck nach Ingeborg Bachmann, in: Adriana Holszky, hrsg. von Eva-Maria Houben, Saarbrucken 2000, pp. 44-54.

World premiere: Graz (Steirischer Herbst), October 10, 1991.

Performed by Van Halen. Guitar tablature songbook for guitar and voice. 88 pages. Published by Alfred Publishing.

Orchestra

SKU: FG.042-08465-6

Composed by Erik Valdemar Bergman. Score. Published by Fennica Gehrman (FG.042-08465-6).

ISBN 979-0-042-08465-6.

In Poseidon, commissioned by the National Symphony Orchestra of Washington and Mstislav Rostropovich, Bergman turns to the Greek god of the sea and lord of the earthquake as a symbol for primaeval power and the wellspring of creativity. In the ocean depths - the subconscious - power stirs and rises to the threshold of consciousness. It projects itself into the second movement's eruption of energy, after which follows recovery and calm. Composed in 1992.

Chamber Ensemble

SKU: FG.55011-656-6

Composed by Tiina Myllarinen. Study score. Fennica Gehrman #55011-656-6. Published by Fennica Gehrman (FG.55011-656-6).

ISBN 9790550116566.

Squa rcio has the explosive energy typical of Tiina Myllarinen's (b. 1979) music and grows in overlapping crescendos. It may be divided into two parts, the expansive first leading to a denser, more layered second. The music is marked off by strong, polyrhythmic eruptions and everdenser crescendos that carry the piece to its close. There is, however, one more surprise in store just before the final build-up. Duration: 8 minutes Instrumentation: 1110-0110-pf-str(11111) The performance material available for hire.

By Various. For Guitar. Guitar Collection. Softcover. Guitar tablature. 256 pages. Published by Hal Leonard

2 pianos (4 hands) - difficult

SKU: HL.49019723

For two pianos. Composed by Peteris Vasks. This edition: Saddle stitching. Sheet music. Piano. Softcover. Composed 1977. 32 pages. Duration 10'. Schott Music #ED21404. Published by Schott Music (HL.49019723).

ISBN 9790001188074. UPC: 888680039219. 9.25x12.0x0.107 inches.

This piece dates back to Vasks' Sturm and Stress period and was premiered in 1977. Freely notated over long passages, it uses both commonly notated passages and symbols as well as clusters. Vasks uses this wide range of modern piano technique for an expressive performance of both pianists. The performers have to cope with eruptions of powerful sounds and passages of great softness, while excitement alternates with contemplation.

Alto Flute (Flute), Cor Anglais (Oboe), Bass clarinet in B flat, Horn in F, Percussion (Marimba, 5 Temple Blocks, 4 medium Tom-Toms, 1 Floor Tom, Snare Drum, Bass Drum, Tam-Tam), Harp, Violin, Viola, Cello, Double Bass

SKU: AP.12-0571539327

Concerto for Piano and Ten Players. Composed by Tansy Davies. 5 or More; Masterworks; Mixed Instruments - Miscellaneous Ensemble; Solo Small Ensembles. Faber Edition. Form: Concerto. 20th Century; Masterwork. Score. Faber Music #12-0571539327. Published by Faber Music (AP.12-0571539327).

ISBN 9780571539321. English.

Nature, Tansy Davies' gloriously offbeat concerto for piano and ten instruments from 2012, teems with invention. This 20-minute work was inspired by shamanic rituals and the supernatural, and Davies describes the piano as 'part moth, part Maenad'. There is a feral quality to much of the tumultuous solo writing---all hyperactive trills and gutsy bass eruptions, shot through with rare and unexpected moments of calm. Brilliantly imaginative, and packed full of glistening, ever-changing ensemble textures, this remarkable reimagining of the concerto form sees Davies craft yet another thrilling and wholly distinctive soundworld.

Choir Secular (SAB choir/3-Part choir Mixed)

SKU: AP.46559

Composed by Cole Porter. Arranged by Jay Althouse. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Broadway; Secular. Choral Octavo. 12 pages. Alfred Music #00-46559. Published by Alfred Music (AP.46559).

UPC: 038081531342. English.

There's nothing quite like the excitement of opening night, captured brilliantly here in the showstopper from Cole Porter's Kiss Me, Kate. Anticipation gradually builds as the bubbly tune passes from voice to voice in a crescendo, eventually erupting into the title line of the song. A terrific selection for staging or choreography, smartly arranged for developing choirs!

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

For Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Joanna Cobb Biermann. Henle Music Folios. Softcover. G. Henle #HN1456. Published by G. Henle

Choir Secular (2-Part choir)

SKU: AP.46560

Composed by Cole Porter. Arranged by Jay Althouse. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Broadway; Secular. Choral Octavo. 12 pages. Alfred Music #00-46560. Published by Alfred Music (AP.46560).

UPC: 038081531359. English.

There's nothing quite like the excitement of opening night, captured brilliantly here in the showstopper from Cole Porter's Kiss Me, Kate. Anticipation gradually builds as the bubbly tune passes from voice to voice in a crescendo, eventually erupting into the title line of the song. A terrific selection for staging or choreography, smartly arranged for developing choirs!

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Voice(s) with various inst. (Mez(harmonica) - A-fl(picc.fl).ob.clar.bsn .hn)

SKU: BR.KM-2420

Flaechenspiel. Composed by Adriana Holszky. Voice; Softbound. Kammermusik-Bibliothek (Chamber Music Library).

World premiere of the complete version: Heidelberg, March 2, 1990

Music post-1945; New music (post-2000). Score. Composed 1989/90. 98 pages. Duration 12'. Breitkopf and Haertel #KM 2420. Published by Breitkopf and Haertel (BR.KM-2420).

ISBN 9790004501900. 16.5 x 11.5 inches.

...composed with a scalpel. Adriana Holszky dissects the text into its phonetic components, spells it out thoroughly, scrutinizes it for references to musical associations. Beneath the voice, the instrumental ensemble functions like a layer of commentary. (DIE ZEIT)CDs:Roswitha Sperber (Mezzo-soprano), Stuttgarter BlaserquintettCD Mediaphon MED 72 115Renate Brosch (soprano), Common Wealth Winds, cond. Kay George RobertsCD cpo 999 290-2Bibliography:Diehl, Gunther: ... eine Reise ins Innere des Wortes .... Didaktisch gerichtete Anmerkungen zu zwei textgebundenen Werken der Komponistin Adriana Holszky (Floten des Lichts; Message), in: Musik und Unterricht, Heft 64, 3. Quartal 2001, pp. 4-11.Hiekel, Jorn Peter: Emphatisch offenes Denken. Zu den Textkompositionen von Adriana Holszky, in: Ankommen: Gehen. Adriana Holszkys Textkompositionen, hrsg. von Wolfgang Gratzer und Jorn Peter Hiekel, Mainz: Schott 2007, pp. 11-26.Kostakeva, Maria: Metamorphose und Eruption. Annaherung an die Klangwelten Adriana Holszkys, Hofheim: wolke 2013 (p. 90f).

World premiere of the complete version: Heidelberg, March 2, 1990.

(1950s - 1970s (Guitar TAB)). For Guitar. Book; Guitar Mixed Folio; Guitar TAB. Rock. 264 pages. Published by Alfred Music Publishing

Voice and piano (Soli: SBar(T) - 1(picc.A-fl).1(cor ang).1(Ebclar.Bclar).0. - 1.1.2.0. - perc - hp - pno - str: 1.1.1.1.1.)

SKU: BR.DV-6140

Scenes for 2 Singers and 15 Instrumentalists. Composed by Udo Zimmermann. Voice; Softbound. Deutscher Verlag. World premiere: Hamburg, February 27, 1986DV 1140 awarded the German Music Edition Prize. Opera; Music theatre; Music post-1945; New music (post-2000). Piano/Vocal Score. Composed 1984/85. 140 pages. Duration 75'. Deutscher Verlag fur Musik #DV 6140. Published by Deutscher Verlag fur Musik (BR.DV-6140).

ISBN 9790200460230. 13.5 x 10.5 inches.

Translation : Engl. (S. Wadsworth) (1988) / (Norbert Rubesaat) (1993); French (Jean-Pierre Wurtz) (1997) Place and time: Jail Munchen-Stadelheim, in the hour before the execution on 22nd February 1943 Characters: Sophie Scholl (soprano) / Hans Scholl (baritone or tenor) >>Weisse Rose<< (White Rose) was the name of the resistance group to which Hans and Sophie Scholl belonged. Udo Zimmermann's composition is characterized by the varying structure of its scenes: dramatic, visionary scenes, e.g. the remembered wartime experiences on the front, Sophie's anxiety about the removal of the children and the wish to see her parents one last time, contrast with contemplative monologues that are intended to provide insights into the individual's particular situation. The composer interweaves into the structure of the piece dream sequences with sudden bursts of anxiety that are not triggered by the execution that is about to take place but by the consequences of one's own actions. The result is a deliberate fusion of the various parts into one another. More than 100 different productions prove that the topic is as important as ever and that the work is both artistically rewarding and practicable. Udo Zimmermann About the piece Two young people, the siblings Sophie and Hans Scholl, are in a prison cell, one hour before they are to be put to death by their fascist executioners. Their christian convictions and sense of responsibility gave them the courage to put up resistance, resistance against the lies, the contempt for humanity and all human values. Sophie and Hans Scholl took their stand in the full knowledge that they were taking a deadly risk. They would simply not have been able to live with their feelings of shame had they not grasped the chance of fighting for what they believed in, even though it was a dangerous thing to do. Memories of past events, doubts, hopes and fears, justification of deeds and an acceptance of death, all these things happen and move in, and between, these two people during this representation of the hour before death. The orchestra provides a psycho-physical shorthand of their inner mental state. Musical effects and gestures search for their identity in human behaviour. The moments of stillness and silence provide moments of musical tension, which are just as powerful as the eruptions of fear and desperation. CDs: Gabriele Fontana (soprano), Lutz-Michael Harder (tenor), Instrumentalensemble, cond. Udo Zimmermann CD Orfeo C 162 871 Grazyna Szklarecka (soprano), Frank Schiller (tenor), musica viva-ensemble dresden, cond. Udo Zimmermann CD Berlin Classics Eterna BC 0120 060-2 CD (excerpts): Gabriele Fontana (soprano), Lutz-Michael Harder (tenor), Ein Instrumentalensemble, cond. Udo Zimmermann CD BMG 74321 73628 2 Bibliography : Kornel , Attila: ,,Tief unter uns nur Schweigen - Die Asthetik der Stille in Udo Zimmermanns Kammeroper ,,Weisse Rose, in: Die Tonkunst 11 (2017), pp. 368-377. Rheinlander , Matthias: Im Osten nichts Neues? Ostalgie ohne Kitsch am Beispiel von Udo Zimmermanns Oper Die weisse Rose, in: Musik und Unterricht, Heft 73 (2003), pp. 34-40.

World premiere: Hamburg, February 27, 1986DV 1140 Awarded the German Music Edition Prize.

Choir Secular (SATB choir)

SKU: AP.48462

Composed by Andy Beck. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Secular. Choral Octavo. 12 pages. Alfred Music #00-48462. Published by Alfred Music (AP.48462).

UPC: 038081552859. English.

A jubilant antiphonal exposition extends an invitation to music-making, before erupting into a truly fresh concert and contest opener! Exploring a wide variety of choral sounds and textures including unison, call-and-response, and buoyant counterpoint, this piece invites artistry and engagement in every phrase. Add the optional timpani and snare drum parts to heighten the experience.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Band Concert Band - Grade 3.5

SKU: CF.CPS122

Composed by Alan Lee Silva. Collate - FS SWS - spine: 1/2 or .5. Carl Fischer Concert Performance Series. Set of Score and Parts. With Standard notation. 8+8+4+8+8+8+4+4+4+4+4+4+8 +8+8+4+4+6+6+4+6+8+4+2+4+ 10+24 pages. Duration 3:30. Carl Fischer Music #CPS122. Published by Carl Fischer Music (CF.CPS122).

ISBN 9780825885075. UPC: 798408085070. 9 x 12 inches. Key: C minor.

It’s time to run! Erupting from the outset, Escape the Lost City drives forward with wild intensity. With all the thrilling qualities of an action movie score, this work’s quick ensemble figures, played with precision and passion, conclude this whirlwind journey. Hang on tight and wow the judges with this one!

Composed by Cole Porter. Arranged by Jay Althouse. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Broadway; Secular. Choral Octavo. 12 pages. Alfred Music #00-46558. Published by Alfred Music (AP.46558).

Accordion and 1 or more inst.

SKU: BR.EB-9134

1996-1998. Composed by Adriana Holszky. Solo instruments; Folder. Edition Breitkopf.

World premiere of the first version: Salzburg, August 5, 1997World premiere of the version for orchestra: Saarbrucken, November 10, 2006

Music post-1945; New music (post-2000). Score. Composed 1996-2006. 50 pages. Duration 11'. Breitkopf and Haertel #EB 9134. Published by Breitkopf and Haertel (BR.EB-9134).

ISBN 9790004182499. 16.5 x 11.5 inches.

Das Stuck nimmt Bezug auf ein Gedicht des chinesischen Zen-Meisters Mummon. Der Titel weist, wie in den Versen ausgedruckt, auf die Nicht-Zweiheit und ihre Verwirklichung hin. Wolke und Mond, beide das gleiche. Taler und Berge, jedes verschieden. Sind es nun eins oder zwei? Wunderbar! Herrlich! Entsprechend dem Gedanken der Einheit zweiter Objekte scheinen in Holszkys Komposition die beiden Stimmen strukturell und klanglich miteinander zu verschmelzen: Das Cello wirkt wie ein zusatzliches Register des Akkordeons. Ausserst kurze, schnelle Gesten sind minutios ineinander verzahnt, liegende Klange werden durch Tremoli und Triller, Vibrato und Impulsrepetitionen, Vierteltonmodifikationen und Glissandi belebt und zum Pulsieren gebracht. Beide Instrumente erzeugen so gemeinsam eine schwerelose, quecksilbrige Klangatmosphare. Dazu die Komponistin: Die Mobilitat und Verschmelzung (sowohl klanglich als auch strukturell) der beiden solistischen Klangebenen (Violoncello und Akkordeon) ist maximal und findet im hochsten Frequenzbereich statt. Durch die Multiplikation von Bewegungsmustern bei den symmetrisch angeordneten Violinblocken (zwei Zwolfergruppen) und durch die Metallfarben bei den vier Schlagzeugern entsteht ein leuchtend-filigraner Klangraum, der die Solisten wie eine bewegliche Wolkenschicht umhullt eine ineinander verschachtelte, durchsichtig schwebende Klanggalaxie mit einem pulsierend-vibrierenden Doppelkern: Violoncello und Akkordeon. (Adriana Holszky, Text zur Urauffuhrung der Orchesterfassung, 10. November 2006) CDs: Klangwerkstatt Weimar, Christina Meissner (violoncello), Claudia Buder (accordeon) CD Animato ACD6065 Julius Berger (violoncello), Stefan Hussong (accordeon) CD Wolke und Mond, wergo WER 6803 2 Bibliography : Kostakeva , Maria: Metamorphose und Eruption. Annaherung an die Klangwelten Adriana Holszkys, Hofheim: wolke 2013 (p. 57f). Moller , Hartmut: Komplementaritaten im Komponieren Adriana Holszkys, in: Vernetzungen. Neue Musik im Spannungsfeld von Wissenschaft und Technik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung, Band 49), Mainz: Schott 2009, pp. 68-82. dies .: Kraftfelder aus komplementaren Energien. Die Arbeitsskizzen zur Oper Der gute Gott von Manhattan im Kontext, in: Adriana Holszky, hrsg. von Ulrich Tadday (Musik-Konzepte, Neue Folge Heft 160/161), Munchen: edition text+kritik 2013, pp. 128-150.

World premiere of the original version: Salzburg, August 6, 1997 World premiere of the version for vl and acc: Braunschweig, November, 21 1998 World premiere of the version for orchestra: Saarbrucken, November 10, 2006.

(Piano). By Peteris Vasks (1946-). Schott. Softcover. 20 pages. Schott Music #ED20914. Published by Schott Music