26 Pieces for Guitar. Composed by Ferdinando Carulli (1770-1841). Edited by dé, Fré, and ric Zigante. Max Eschig. Softcover. Editions Max Eschig #DF16666. Published by Editions Max Eschig

Composed by Ferdinando Carulli (1770-1841). Arranged by Reno Brandoni. For Classical Guitar or Lute. Saddle-stitched. Classics. Book/DVD Set. 76 pages. Published by Mel Bay Publications, Inc

By Ferdinando Carulli. Arranged by Frank Nagel. Schott. Size 9x12 inches. 12 pages. Published by Schott.

Composed by Ferdinando Carulli (1770-1841). With Standard notation. 64 pages. Chanterelle #ZECH 2709. Published by Chanterelle

Guitar

SKU: UT.CH-77

Composed by Ludwig van Beethoven. Edited by Andrea Schiavina. Saddle stitching. Classical. Score and Parts. Ut Orpheus #CH 77. Published by Ut Orpheus (UT.CH-77).

ISBN 9790215307292. 9 x 12 inches. Transcribed by Ferdinando Carulli.

By Ferdinando Carulli. Arranged by Luc Levesque. For Guitar Ensemble. Level: 2. 13 pages. Published by Les Productions d'OZ. (DZ 494)

By Ferdinando Carulli. For 2 Guitars. Score and Parts. Published by Ut Orpheus. (CH 81)

CARULLI Two Guitar Concerti (E minor, op. 140 and A major, op. 8a) by Ferdinando Carulli (1770-1841). For guitar. Instrumental Solo Part and CD. Published by Music Minus One

Solo and Variations On Nel Cor Pi?, Op. 107 for Guitar, the Guit. By Ferdinando Carulli. For Guitar. Published by Editions Orphee.

For Classic Guitar. Composed by Francisco Tarrega and Ferdinando Carulli. Edited by Joseph Castle. Perfect binding. Book. 32 pages. Published by Mel Bay Publications, Inc (MB.30553).

Guitar Solo. By Ferdinando Carulli. Editions Durand. Size 8.75x12 inches. 18 pages. Published by Durand.

Guitar

SKU: UT.CH-387

Composed by Ferdinando Carulli. Edited by Romolo Calandruccio. Classical. Score. Ut Orpheus #CH 387. Published by Ut Orpheus (UT.CH-387).

ISBN 9790215328235. 9 x 12 inches.

Opus 114 is certainly one of Carulliâ??s most important didactic works, so much so that the author himself made a point of writing in the second edition of his famous Method op. 27 (1819): The student, when moving on to the second part, must continue to practise on the easy pieces which are to be found in opus nos. 50, 15, 35, 36, 93, 7 and above all in opus 114. He maintained this indication also in later editions of the Method itself, unlike what he did with other collections of studies which were no longer recommended.
The purpose of op. 114, in particular of the preludes, is clearly explained by the author himself in the preface of op. 265: I have already offered preludes in my opus nos. 71 and 114 to people, but they serve to study and learn to play all sorts of difficult passages, to practise modulating, and learn to improvise on the guitar. Carulli seems to want to provide his students with a large handbook of formulas typical of his musical writing and he does so by making use of the keys which, in his opinion, are most congenial to the guitar. In his Method he points out: Each instrument has its favourite keys: the guitar can be played in all keys, but the best ones are: A major and minor, D major and minor, E major and minor, C, G, F. The others are difficult; [â?¦]. However, some of the difficult ones are included but only in the fourth part. Of course, the easiness of a key essentially depends on the possibility of extensive use of the open strings, especially in the low notes, ensuring the accompaniment on the main degrees.
This edition has some unique features. First of all, it is the first complete modern edition of Carulliâ??s op. 114; it presents an important critical apparatus in which the Carullian technique is presented and analysed; finally, Carulli's original fingering is indicated in the score (including that of the thumb of the left hand) and the missing one was obtained from the comparison of his other fingerings present in other works. All this allows an easy and complete reading both for those who perform the pieces following the nineteenth-century performance practice with a historical instrument, and for those who play a modern instrument.

Saddle-stitched, Tunebooks. Classical. Book and online video. 40 pages. Mel Bay Publications, Inc #30998M. Published by Mel Bay Publications, Inc

By Harvey Vinson (Editor). For Guitar. Classical. Sheet Music. 96 pages. Published by Music Sales.

Guitar - Intermediate

SKU: MB.30989

Saddle-stitched, Solos. Sonatinas. Book. 152 pages. Mel Bay Publications, Inc #30989. Published by Mel Bay Publications, Inc (MB.30989).

ISBN 9781513466705. 8.75x11.75 inches.

In this book, guitarist and music historian David Grimes presents 20 â??small sonatasâ? or sonatinas, complete with detailed performance notes and bio sketches of each of the contributing composers: Leonhard von Call, Matteo Carcassi, Ferdinando Carulli, Mauro Giuliani, Francesco Molino, and Antonio Nava.  While flexible, the early 19th-century sonatina form usually consists of 2 - 4 contrasting movements, here in guitar-friendly keys, making these pieces ideal for performance by intermediate-level students. 

In all but the most challenging passages, Grimes has intentionally kept fingering to a minimum to allow students to form their own concept of this critical skill. Then, as many bass notes in these pieces are played on open strings, the player must develop a sense of when to selectively damp dissonant tones or observe a restâ?? exposing and overcoming yet another shortcoming in the education of many guitarists.  
Most classic guitar teachers are familiar with the easy didactic studies by Carcassi, Carulli and Giuliani; Favorite Sonatinas offers more highly developed, but not yet virtuoso pieces by the same Italian triumvirateâ?? plus three more composers in a similar veinâ?? promoting confident, enjoyable sight-reading by guitarists of all levels. .

By Frederick Noad. For Guitar. Baroque, Renaissance, Classical. Sheet Music. 164 pages. Published by Chester Music.

By Gioachino Rossini. For Violin (Flute) and Guitar. Score and Parts. Published by Ut Orpheus. (CH 87)

By Ferdinando Carulli. Arranged by Peter Danner. For guitar. Published by Tuscany.

Guitar (Guitar) - very easy

SKU: HL.49034646

Composed by Ferdinando Carulli. Edited by Walter Wilhelm Goetze. This edition: Folding. Sheet music. Gitarren-Archiv (Guitar Archive). Softcover. 2 pages. Schott Music #GA313. Published by Schott Music (HL.49034646).

ISBN 9790001096409. UPC: 888680702274. 9.25x12.0x0.047 inches.

Guitar - easy

SKU: HL.49007134

Guitar Solo. Composed by Ferdinando Carulli. Edited by Dieter Kreidler. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 4 pages. Schott Music #ED7314. Published by Schott Music (HL.49007134).

ISBN 9790001076395. UPC: 884088054724. 9.0x12.0x0.045 inches.

By Ferdinando Carulli (1770-1841). For 2 guitars or flute and guitar. Classical. Score. 3 pages (separate parts). Published by Editions Combre

By Ferdinando Carulli. For guitar. Op. 6 No. 1 (transcription for guitar solo by Siegfried Behrend). Published by Heinrichshofen Verlag.

By Gioachino Rossini (1792-1868). For Flute (2 Flutes) and Guitar. Score and Parts. 36 pages. Published by Ut Orpheus

Guitar Solo. By Ferdinando Carulli. Arranged by Walter Gotze. Schott. Size 9x12 inches. 16 pages. Published by Schott.

For Flute, Violin and Guitar. By Gioachino Rossini, Ferdinando Carulli. Arranged by Benko Pallagi. EMB. Size 9x12 inches. 28 pages. Published by Editio Musica Budapest.

Guitar

SKU: HL.49010925

Volume 2 - German Text. Composed by Ferdinando Carulli. Edited by Ernst Huelsen. Arranged by Ernst Huelsen. This edition: Paperback/Soft Cover. Sheet music. Gitarren-Archiv (Guitar Archive). Classical. 48 pages. Schott Music #GA 51. Published by Schott Music (HL.49010925).

ISBN 9790001095075. UPC: 073999191936. 9.0x12.0x0.157 inches. German.

Composed by Ferdinando Carulli (1770-1841). Arranged by Martin Bills. Score and part. Les Productions d'OZ #DZ 3383. Published by Les Productions d'OZ