| Come, Christians, Join to Sing - Intermédiaire SoundForth
By Coleman, Campbell. For string instruments(s). Instrumental. Level: Intermedia...(+)
By Coleman, Campbell. For
string instruments(s).
Instrumental. Level:
Intermediate. Published
by SoundForth.
(1)$26.95 - Voir plus => Acheter | | |
| Debbie Campbell: Ocean Commotion (Pupil's Book) Music Sales
Music Sales America. Musicals. Music Sales #NOV072470. Published by Music Sales ...(+)
Music Sales America.
Musicals. Music Sales
#NOV072470. Published by
Music Sales
$5.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praise...With Stringed Instruments
Violon et Piano [Partition + CD] Exaltation Publications
By Kristin Campbell; Ruth Coleman. For violin and piano. General, Eastertide, Ch...(+)
By Kristin Campbell; Ruth
Coleman. For violin and
piano. General,
Eastertide, Christmas.
Sacred instrumental.
Published by Exaltation
Publications.
(6)$32.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Winter's Snow Violon SoundForth
By Campbell. For violin. Instrumental collection. Intermediate. Published by Sou...(+)
By Campbell. For violin.
Instrumental collection.
Intermediate. Published
by SoundForth
$32.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rocket Surgery - Intermédiaire Carl Fischer
Band Agogo Bells, Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cra...(+)
Band Agogo Bells, Bass
Clarinet, Bass Drum,
Bassoon, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Timpani,
Triangle, Trombone,
Trumpet, Tuba and more. -
Grade 3 SKU:
CF.CPS256F Composed
by Chris Campbell. Full
score. 21 pages. Carl
Fischer Music #CPS256F.
Published by Carl Fischer
Music (CF.CPS256F).
ISBN 9781491159729.
UPC:
680160918317. As
the title suggests, there
should be a
tongue-in-cheek aspect to
the performance of this
piece with the idea that
it doesn't take itself
too seriously. Close
attention should be paid
to staccato notes, making
sure not to play them too
short and clipped,
keeping in mind that a
staccato quarter note
should have the length of
an eighth note and not
the length of a sixteenth
note. Although the piece
is a march, it needn't
conform to any strict
interpretation of what a
march should be. Some of
the tongued eighth-note
passages may need to be
double-tongued, depending
on tempo, using the
Dig-A-Duck method. For
instance at m. 34 the
repeated eighth notes
might be tongued
dig-a-da-duck,
dig-a-duck, da dot dot.
Slurred eighth-note
passages should follow
the curve of the line,
getting slightly louder
as notes ascend and
slightly softer as they
descend. Measure 39
through m. 51 will have a
somewhat chaotic feel, so
go with the flow! The
sparsely orchestrated
passage at m. 68 is
understated--perhaps a
little spacey in keeping
with our theme--and not
to be overplayed until
the crescendo at m. 88,
when we return to
business as usual.
Trumpets show off again
(rarely a problem for
trumpet players) on the
D. S. back to m. 6. On
the Coda, another
disjointed-sounding
theme, again departing
from any strict
interpretation of a
march--again, making sure
that the staccatos are
not too clipped--is
followed by a repeat of
the main theme, this time
layered. Care should be
taken to balance the
entrances of the layered
instrument groups as they
enter. An exuberant final
four measures puts the
cherry on top. Percussion
can play out for the most
part, very little
subtlety required.
Overall, this piece is
meant to be FUN, for both
the performers and the
audience!. As the
title suggests, there
should be a
tongue-in-cheek aspect to
the performance of this
piece with the idea that
it doesn't take itself
too seriously. Close
attention should be paid
to staccato notes, making
surenot to play them too
short and clipped,
keeping in mind that a
staccato quarter note
should have the length of
an eighth note and not
the length of a sixteenth
note. Although the piece
is a march, it needn't
conform toany strict
interpretation of what a
march should be. Some of
the tongued eighth-note
passages may need to be
double-tongued, depending
on tempo, using the
Dig-A-Duck method. For
instance at m. 34the
repeated eighth notes
might be tongued
dig-a-da-duck,
dig-a-duck, da dot dot.
Slurred eighth-note
passages should follow
the curve of the line,
getting slightly louder
as notes ascend and
slightly softeras they
descend. Measure 39
through m. 51 will have a
somewhat chaotic feel, so
go with the flow!The
sparsely orchestrated
passage at m. 68 is
understated—perhap
s a little spacey in
keeping with our
theme—and not to
be overplayed until the
crescendo at m. 88, when
we return to business as
usual. Trumpets show off
again (rarely a problem
for trumpet players) on
the D. S. back to m. 6.
On the Coda, another
disjointed-sounding
theme, again departing
from any strict
interpretation of a
march—again,
making sure that the
staccatos are not too
clipped—is
followed by a repeat of
the main theme, this time
layered. Care should be
taken to balance the
entrances of the layered
instrument groups as they
enter.An exuberant final
four measures puts the
cherry on top. Percussion
can play out for the most
part, very little
subtlety required.
Overall, this piece is
meant to be FUN, for both
the performers and the
audience! $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rocket Surgery - Intermédiaire Carl Fischer
Band Agogo Bells, Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cra...(+)
Band Agogo Bells, Bass
Clarinet, Bass Drum,
Bassoon, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Timpani,
Triangle, Trombone,
Trumpet, Tuba and more. -
Grade 3 SKU:
CF.CPS256 Composed by
Chris Campbell. Set of
Score and Parts.
21+8+8+4+8+8+4+4+10+4+4+1
6+8+12+6+4+8+2+4+14
pages. Duration 2
minutes, 36 seconds. Carl
Fischer Music #CPS256.
Published by Carl Fischer
Music (CF.CPS256).
ISBN 9781491159712.
UPC:
680160918300. As
the title suggests, there
should be a
tongue-in-cheek aspect to
the performance of this
piece with the idea that
it doesn't take itself
too seriously. Close
attention should be paid
to staccato notes, making
sure not to play them too
short and clipped,
keeping in mind that a
staccato quarter note
should have the length of
an eighth note and not
the length of a sixteenth
note. Although the piece
is a march, it needn't
conform to any strict
interpretation of what a
march should be. Some of
the tongued eighth-note
passages may need to be
double-tongued, depending
on tempo, using the
Dig-A-Duck method. For
instance at m. 34 the
repeated eighth notes
might be tongued
dig-a-da-duck,
dig-a-duck, da dot dot.
Slurred eighth-note
passages should follow
the curve of the line,
getting slightly louder
as notes ascend and
slightly softer as they
descend. Measure 39
through m. 51 will have a
somewhat chaotic feel, so
go with the flow! The
sparsely orchestrated
passage at m. 68 is
understated--perhaps a
little spacey in keeping
with our theme--and not
to be overplayed until
the crescendo at m. 88,
when we return to
business as usual.
Trumpets show off again
(rarely a problem for
trumpet players) on the
D. S. back to m. 6. On
the Coda, another
disjointed-sounding
theme, again departing
from any strict
interpretation of a
march--again, making sure
that the staccatos are
not too clipped--is
followed by a repeat of
the main theme, this time
layered. Care should be
taken to balance the
entrances of the layered
instrument groups as they
enter. An exuberant final
four measures puts the
cherry on top. Percussion
can play out for the most
part, very little
subtlety required.
Overall, this piece is
meant to be FUN, for both
the performers and the
audience!. As the
title suggests, there
should be a
tongue-in-cheek aspect to
the performance of this
piece with the idea that
it doesn't take itself
too seriously. Close
attention should be paid
to staccato notes, making
surenot to play them too
short and clipped,
keeping in mind that a
staccato quarter note
should have the length of
an eighth note and not
the length of a sixteenth
note. Although the piece
is a march, it needn't
conform toany strict
interpretation of what a
march should be. Some of
the tongued eighth-note
passages may need to be
double-tongued, depending
on tempo, using the
Dig-A-Duck method. For
instance at m. 34the
repeated eighth notes
might be tongued
dig-a-da-duck,
dig-a-duck, da dot dot.
Slurred eighth-note
passages should follow
the curve of the line,
getting slightly louder
as notes ascend and
slightly softeras they
descend. Measure 39
through m. 51 will have a
somewhat chaotic feel, so
go with the flow!The
sparsely orchestrated
passage at m. 68 is
understated—perhap
s a little spacey in
keeping with our
theme—and not to
be overplayed until the
crescendo at m. 88, when
we return to business as
usual. Trumpets show off
again (rarely a problem
for trumpet players) on
the D. S. back to m. 6.
On the Coda, another
disjointed-sounding
theme, again departing
from any strict
interpretation of a
march—again,
making sure that the
staccatos are not too
clipped—is
followed by a repeat of
the main theme, this time
layered. Care should be
taken to balance the
entrances of the layered
instrument groups as they
enter.An exuberant final
four measures puts the
cherry on top. Percussion
can play out for the most
part, very little
subtlety required.
Overall, this piece is
meant to be FUN, for both
the performers and the
audience! $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
(10)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concerto in F Piano et Orchestre Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - picc.2.2.Eh.2.Bcl.2 - 4.3.3.1 - tim...(+)
Piano/harpsichord and
orchestra (solo: pno -
picc.2.2.Eh.2.Bcl.2 -
4.3.3.1 - timp.perc -
str) SKU:
BR.PB-15140
Urtext. Composed
by George Gershwin.
Edited by Norbert
Gertsch. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Early modern;
Music post-1945. Full
score. 136 pages.
Duration 36'. Breitkopf
and Haertel #PB 15140.
Published by Breitkopf
and Haertel
(BR.PB-15140). ISBN
9790004214763. 10 x 12.5
inches. After
achieving sensational
success with the musical
Lady, be good!, with
evergreens such as
Fascinating Rhythm and
The Man I love, as well
as with his Rhapsody in
Blue, Gershwin premiered
his Concerto in F for
piano and orchestra as a
soloist at Carnegie Hall
in 1925. Now, the new
superstar of Broadway had
also arrived at the
center of New York's
classical music scene. In
its eventful history, the
work went through
numerous changes,
cuttings, arrangements,
many of which doubtful
and unauthorized. Even
the first and so far only
printed orchestral score,
edited by Frank
Campbell-Watson,
published in 1942 five
years after Gershwin's
death, contains many
unauthorized
interventions. Through
years of research, editor
Norbert Gertsch has
succeeded in ridding the
work of all unauthorized
additions and alterations
and thus reconstructing
an Urtext in its original
literal sense from the
complex source material -
from autograph sketches
to early recordings. The
first text-critical
edition of the work is a
joint production of
Breitkopf
(score/orchestral parts)
and G. Henle Verlag
(piano reduction). $130.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concerto in F Piano et Orchestre Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - picc.2.2.Eh.2.Bcl.2 - 4.3.3.1 - tim...(+)
Piano/harpsichord and
orchestra (solo: pno -
picc.2.2.Eh.2.Bcl.2 -
4.3.3.1 - timp.perc -
str) SKU:
BR.EB-10859
Urtext. Composed
by George Gershwin.
Orchestra; Softbound.
Edition Breitkopf. Solo
concerto; Early modern;
Music post-1945. Piano
reduction. 88 pages.
Duration 36'. Breitkopf
and Haertel #EB 10859.
Published by Breitkopf
and Haertel
(BR.EB-10859). ISBN
9790201808598. 9.5 x 12
inches. After
achieving sensational
success with the musical
Lady, be good! , with
evergreens such as
Fascinating Rhythm and
The Man I love, as well
as with his Rhapsody in
Blue , Gershwin premiered
his Concerto in F for
piano and orchestra as a
soloist at Carnegie Hall
in 1925. Now, the new
superstar of Broadway had
also arrived at the
center of New York's
classical music scene. In
its eventful history, the
work went through
numerous changes,
cuttings, arrangements,
many of which doubtful
and unauthorized. Even
the first and so far only
printed orchestral score,
edited by Frank
Campbell-Watson,
published in 1942 five
years after Gershwin's
death, contains many
unauthorized
interventions. Through
years of research, editor
Norbert Gertsch has
succeeded in ridding the
work of all unauthorized
additions and alterations
and thus reconstructing
an Urtext in its original
literal sense from the
complex source material -
from autograph sketches
to early recordings. The
first text-critical
edition of the work is a
joint production of
Breitkopf
(score/orchestral parts)
and G. Henle Verlag
(piano reduction). $37.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Fake Book Of The World's Favorite Songs - C Instruments - 4th Edition
Instruments en Do [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
(14)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Celtic Folksongs for all ages Flûte à bec Soprano - Intermédiaire Curnow Music
Soprano Recorder - late intermediate SKU: BT.CMP-1065-05-400 Book with CD...(+)
Soprano Recorder - late
intermediate SKU:
BT.CMP-1065-05-400
Book with CD. Composed
2005. 52 pages. Curnow
Music #CMP 1065-05-400.
Published by Curnow Music
(BT.CMP-1065-05-400).
ISBN 9789043124027.
9x12 inches.
English. Celtic
Folk Songs for All
Ages is a delightful
collection of rich tunes
and ballads specifically
distinctive to the
cultures of Scotland,
Newfoundland, Ireland,
and England. The
accompaniment CD
(included in the solo
book) provides two tracks
for each tune. The first
track includes a sample
performance of the solo
with the accompaniment.
The second track is just
the accompaniment,
allowing the soloist to
play along. There is also
a separate Piano
accompaniment
available.
Een
rijke verzameling van
Keltische liederen en
balladen uit Schotland,
Newfoundland, Ierland en
Engeland met kleurrijke
begeleidingen. Op de
bijgevoegde cd staan
voorbeeld- en
meespeeltracks. De
pianobegeleiding is
afzonderlijk
verkrijgbaar.Inhoud:
Aiken Drum • The
Ash Grove • The
Bluebells of Scotland
• Loch Lomond
• When Irish Eyes
Are Smiling • Molly
Malone • We'll Rant
and We'll Roar
e.a.
Eine
reichhaltige Sammlung von
keltischen Liedern und
Balladen aus Schottland,
Neufundland, Irland und
England. Die
ursprünglich im Alltag
gesungenen,
eingängigen Lieder
wurden mit
klangfarbenreichen
Begleitungen versehen.
Auf der beiliegenden CD
erklingen die Lieder
einmal komplett mit Solo
und Begleitung und einmal
nur als Begleitversion
zum Mitspielen. Die
Klavierbegleitungen sind
ebenfalls enthalten.
Celtic
Folksongs for All
Ages rassemble des
airs et des ballades aux
riches tonalités des
cultures écossaise,
irlandaise, anglaise et
terre-neuvienne. Sur le
compact disc, vous
trouverez une version
intégrale de chaque
oeuvre ainsi
qu’une version
où ne subsiste que
l’accompagnement
au piano. (Une version
papier des
accompagnements de piano
est jointe au recueil)
Affrontate un
viaggio musicale
attraverso la musica
celtica. James Curnow e
Timothy Campbell
arrangiano ballate e
melodie provenienti dalla
Scozia,
dall’Inghilterra e
dall’Irlanda. Il
CD incluso contiene
l’accompagnamento
al pianoforte come anche
una versione demo
eseguita da vari
strumenti. Ascoltando le
registrazioni complete vi
farete un’idea di
come meglio raggiungere
la giusta
interpretazione. Con
Celtic Folksongs for
All Ages allargherete
sicuramente gli orizzonti
musicali e culturali del
vostro repertorio, e
potrete stupire il
pubblico con uno
spumeggiante ed insolito
bis. Le parti del
pianoforte sono vendute
separatamente. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Elven Eleven - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Crash Cy...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Claves,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Tambourine,
Timpani, Triangle and
more. - Grade 2 SKU:
CF.YPS220F Composed
by Chris Campbell. Sws.
Yps. With a nod toward
Western movie theme
songs, The Elven Eleven
is a quirky look at a
troop of pony-riding
elves on a quest for
adventure. Join them as
they romp through the
countryside in search of
treasures, conquests, and
revelry! Full score. 20
pages. Duration 3. Carl
Fischer Music #YPS220F.
Published by Carl Fischer
Music (CF.YPS220F).
ISBN 9781491156599.
UPC: 680160915132. 9 x 12
inches. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Elven Eleven - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Crash Cy...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Claves,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Tambourine,
Timpani, Triangle and
more. - Grade 2 SKU:
CF.YPS220 Composed by
Chris Campbell. Folio.
Yps. With a nod toward
Western movie theme
songs, The Elven Eleven
is a quirky look at a
troop of pony-riding
elves on a quest for
adventure. Join them as
they romp through the
countryside in search of
treasures, conquests, and
revelry! Set of Score and
Parts.
8+8+4+8+8+4+10+4+4+8+8+8+
4+6+2+12+6+2+2+10+4+20
pages. Duration 3. Carl
Fischer Music #YPS220.
Published by Carl Fischer
Music (CF.YPS220).
ISBN 9781491156582.
UPC: 680160915125. 9 x 12
inches. $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ocean Commotion Cassette Music Sales
Piano, Vocal & Guitar SKU: HL.14006043 Shows & Cantatas. Music Sales Amer...(+)
Piano, Vocal & Guitar
SKU: HL.14006043
Shows & Cantatas. Music
Sales America. Musicals.
Music Sales #NOV072469.
Published by Music Sales
(HL.14006043).
Debbie
Campbell. A wonderful
environmental musical
with 12 memorable songs
telling the tale of
Bottlenose the dolphin
who is taken into
captivity. The sea
creatures, including the
'Godfather' Great White
Shark and his godson
Hammerhead join together
with some caring humans
and succeed in getting
Bottlenose released back
into the sea. Songs
include 'Look Out For The
Hook', 'On With The Show'
and 'Stranger In The Sea'
and are in a wide range
of styles from country
and western to rock 'n'
roll and rap. $15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Songs Between The Soul And The Bridegroom - Satb Vocal Score Chorale SATB Chester
SATB Choir SKU: HL.14041435 Composed by Geoffrey Burgon. Large Choral. Cl...(+)
SATB Choir SKU:
HL.14041435 Composed
by Geoffrey Burgon. Large
Choral. Classical. Book
[Softcover]. Composed
2010. Chester Music
#CH74250. Published by
Chester Music
(HL.14041435). UPC:
884088915070.
6.75x9.75x0.257
inches. Features
five songs, also known as
St John Of The Cross
(Canciones Entre El Alma
Y El
Esposo).
- Where
can your hiding be
- But
have been found
again
- Of flowers and
emeralds sheen
- Now, as
she
longaspired
- Rejoice,
my love, with
me
Cancion
es entre el alma y el
esposo is a poem
consisting of forty
verses, reproduced below.
Havingpreviously set two
sections of it as
separate a cappella
choruses and one fortwo
countertenors andstrings,
I've long wanted to make
a complete setting of the
work and, by arranging
the countertenorpiece for
a cappella chorus and
setting the remaining
verses as two more
anthems for the same
forces,I'vecompleted the
task. The five pieces can
of course still be
performed separately, or
brought togetheras a
twenty-five minute
setting of Roy Campbell's
translation from the
original Spanish of this
vivid andintense
poem.Geoffrey Burgon,
May 2008. $9.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
1 |