Par SPARKE PHILIP. In Letter from Home Philip Sparke portrays the many feelings and emotions that a letter from home can evoke. This intimate work opens with a gentle woodwind melody, which gradually becomes more confused as new emotions are introduced. Finally resignation sets in, but a sense of peace and balance is restored with the final chorale. In this emotional work Philip Sparke truly captures the highs and lows of being away from home. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par SPARKE PHILIP. In Letter from Home Philip Sparke portrays the many feelings and emotions that a letter from home can evoke. This intimate work opens with a gentle woodwind melody, which gradually becomes more confused as new emotions are introduced. Finally resignation sets in, but a sense of peace and balance is restored with the final chorale. In this emotional work Philip Sparke truly captures the highs and lows of being away from home. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Description Pat Metheny Songbook A complete collection of Pat Metheny's work, which features 167 compositions spanning the guitarist's 25 year career. Songlist A Map Of The World Across The Sky Airstream Always And Forever American Garage And Then I Knew Antonia April Joy April Wind Are You Going With Me? As A Flower Blossoms As I Am Ballad Z Barcarole Beat 70 Better Days Ahead Bright Size Life Cathedral In A Suitcase Change Of Heart Chris Cool Nights Cross The Heartland Dancing Daulton Lee Daybreak Don't Forget Double Guatemala Dream Of The Return Eighteen End Of The Game Estupenda Graca Every Day I Thank You Every Summer Night Extradition Facing West Family Farmer's Trust First Circle Follow Me For A Thousand Years Forward March Get It Goin' Ahead Goodbye Grampa's Ghost Half Life Of Absolution Have You Heard Here To Stay Hermitage Holding Us Homecoming House On The Hill If I Could Imaginary Day In Her Family Inori It's For You Ivy Jaco James John Mckee Just Like The Day Kathelin Gray Lakes Language Of Time Last Train Home Letter From Home Lone Jack Long Ago Child Marta's Theme Mas Alla Message To A Friend Midwesten Nights Dream Minuano Missouri Uncompromised Mojave Nacada Naked Moon Never Too Far Away New Chautauqua Nine Over Reggae Not To Be Forgotten On The Night You Were Born Praise Pretty Scattered Quiet Rising Red Sky Resolution Sea Song See The World Seven Days Slip Away So Falls Wichita Falls Sometimes I See Story From A Stranger Take Another Look Tears Of Rain Tell Her You Saw Me Tell It All The Bat The Awakening The Calling The Chief The Epic The Fields, The Sky The Girls Next Door The Heat Of The Day The Last To Know The Longest Summer The Red One The Red Wind The Road To You The Search The Sun In Montreal The Whopper , This Is Not America To The End Of The World Too Soon Tomorrow Unity Village Watercolors We Had A Sister We Live Here What Do You Wan't

147 tunes from one of the most influential and groundbreaking jazz artists of the modern generation, arranged here for all C instruments in the favored Real Book style. Titles include: Afternoon AHMID-6 Always And Forever Another Life Antonia April Joy April Wind Are You Going With Me' Arena As I Am At Last You're Here Bachelors Three Back Arm and Blackcharge Back In Time Ballad Z The Bat Better Days Ahead Born Breakdealer Bright Size Life The Calling Calvin's Keys Change Of Heart The Chief Chris (from the Major Motion Picture Film FALCON AND THE SNOWMAN) Come And See Counting Texas Day Trip Daybreak Don't Forget (Renato's Theme) Don't Wait Dream Of The Return Dreaming Trees 80/81 Elucidation En La Tierra Que No Olvida Eternity and Beauty Every Day (I Thank You) Extradition Love Theme From 'The Falcon And The Snowman' Farmer's Trust Find Me In Your Dreams First Circle For A Thousand Years (Go) Get It The Good Life Goodbye H and H Half Life Of Absolution Have You Heard Hermitage House On The Hill If I Could In Her Family Inori Interval Waltz Is This America' (It's Just) Talk Jaco James John McKee Just Like The Day Kathelin Gray Kin KQU Lakes Last Train Home Leaving Town Let's Move Letter From Home Theme From 'Living Is Easy With Eyes Closed' Lone Jack Long Before Make Peace A Map Of The World Marta's Theme Mas Alla Maya's Theme Message To A Friend Midwestern Nights Dream Minuano (Six-Eight) Missouri Uncompromised Nacada Naked Moon Never Too Far Away New Year A Night Away The Night Becomes You Night Turns Into Day The Night You Were Born Offramp Omaha Celebration On Her Way Phase Dance Police People (The Art Of Love Is Happiness) Question and Answer Quiet Rising The Red One Ring Of Life River Quay The Road To You Roofdogs Say The Brother's Name S.C.O. Sea Song The Search Seven Days Silent Movie Sirabhorn Slip Away Snova So May It Secretly Begin Sometimes I See Son Of Thirteen Song For Bilbao Soul Cowboy Soul Search Spring Ain't Here Story From A Stranger Sueno Con Mexico Summer Day The Sun In Montreal Tears Of Rain Tell Her You Saw Me Then And Now Third Wind This Belongs To You Three Flights Up Timeline Too Soon Tomorrow Towards The Light Traveling Fast Travels Trigonometry Tromso The Truth Will Always Be Unity Village Unquity Road Wasn't Always Easy Watercolors We Had A Sister What Do You Want' Whatnot When We Were Free Whittlin' The Whopper You

The Daily Ukulele contains a super collection of 366 well-known songs arranged for ukulele from the 1950s through today.All songs feature melody, lyrics and ukulele chord grids in uke-friendly keys. A special 'Ukulele 101? section, chord chart, and vintage ukulele-themed photos makes the experiences of learning new songs much more fun and exciting.This Songbook contains a piece of sheet music for every day of the leap year, to keep you strumming for its entirety. Featuring songs from artists such as Elton John, the Bee Gees, Stevie Wonder and Michael Jackson plus many, many more. / Ukulélé

Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the 'child prodigy' Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Léonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)

Piano Reduction Of The Well-Known Late 1845 Version. Par MENDELSSOHN-BARTHOLDY FELIX. (replaces BA 9050-90) Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Répertoire / Violon et Piano

Early Version Of 1844 And Late Version Of 1845. Par MENDELSSOHN-BARTHOLDY FELIX. Replaces BA 9050- The orchestral parts are unchanged and continue to be available as BA 9050-65/-74/-75/-79/-82/-85 Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Répertoire / Violon et Orchestre

Par METHENY PAT. Une collection complète des travaux de Pat Metheny, qui comprend des 167 compositions couvrant du guitariste 25 ans de carrière. Ecrit en accords de style ' Real Book ', avec les symboles de la corde, cette folio comporte également des informations biographiques, une discographie et accompagnera sur chacune des chansons par Metheny lui-même. / Jazz / Recueil / Piano, Chant et Guitare

Artist Edition B-Flat Instruments. Par METHENY PAT. Pat Metheny is one of the most important voices in modern music. Through his writing, recordings and performances he has created a significant body of work that places him among the major musical figures of our time. With his recent induction as the youngest member of the Downbeat Hall of Fame, Metheny becomes only the fourth jazz guitarist to be chosen for that honor, joining Charlie Christian, Django Reinhardt and Wes Montgomery. He has won twenty Grammy' awards in twelve different categories, been named Best Guitarist in countless polls over four decades, and has sold millions of records worldwide. For all his accomplishments in music, his compositions have become modern standards, beloved by musicians all over the world. With this volume, Metheny has selected 147 of his most played tunes to create a new type of Real Book, approved and gig-tested by the composer himself! This edition is arranged for all B-flat instruments./ Recueil / Instruments en Sib