Piano (Solo Piano) - Elementary SKU: FJ.FJH2309 2. Composed by Mar...(+)
Piano (Solo Piano) -
Elementary
SKU:
FJ.FJH2309
2.
Composed by Mary Leaf.
Piano Collection; Piano
Supplemental. Composers
in Focus. Classical.
Book. The FJH Music
Company Inc #98-FJH2309.
Published by The FJH
Music Company Inc
(FJ.FJH2309).
ISBN
9781619282230. UPC:
241444387276.
English.
This
creative collection
provides a variety of
musical experiences.
Keys, modes, and moods
combine with imagery that
sparks the imagination!
Students will rock with
dinosaurs, watch meteors
and comets racing in the
night sky, and even ride
a zip line! Some pieces
have lyrics; all have an
optional teacher (or
sibling!) duet that is
easy to play.
Organ SKU: SU.80101437 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101437
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101437.
Published by Zimbel Press
(SU.80101437).
Night Sky Hymn
(2018) and Day Sky Hymn
(2018) can be played
together or separately
and form two musical
skyscapes. An Oasis
Remembered was written in
memory of the Australian
composer Robert Allworth
(1943-2017).
Instrumentation: Organ
Duration: 2017/18
Composed: 10' Published
by: Zimbel Press.
String quartet and marimba - difficult SKU: HL.49018066 For marimba an...(+)
String quartet and
marimba - difficult
SKU: HL.49018066
For marimba and string
quartet. Composed by
Steve Martland. This
edition: Folder. Sheet
music. Ensemble. Van
Gogh's visionary painting
The Starry Night provides
the title, if not the
stimulus, for this music.
Rather, personal memories
of Africa are recalled
and in particular the
sound of music and
dancing both near and in
the distance all taking
place under. Set of
parts. Composed
2007-2008. Duration 20'.
Schott Music #ED13276-10.
Published by Schott Music
(HL.49018066).
ISBN
9790220131592. UPC:
884088567309.
9.0x12.0x0.339
inches.
A virtuoso
work for an increasingly
popular instrumental
combination, the title
(after Van Gogh's
visionary painting The
Starry Night) gives a
sense of the intensity of
this music. Personal
memories of Africa are
recalled and in
particular the sound of
music and dancing both
near and in the distance
all taking place under
the vivid starry night
sky.
Van Gogh's
visionary painting The
Starry Night provides the
title, if not the
stimulus, for this music.
Rather, personal memories
of Africa are recalled
and in particular the
sound of music and
dancing both near and in
the distance all taking
place under the vivid
starry night sky. So this
music is dance music and
maybe it tries to emulate
the dancing of Van Gogh's
gigantic stars. Steve
Martland.
Fire in the Night Sky Orchestre d'harmonie [Conducteur et Parties séparées] - Facile FJH
By Rob Grice. Intermediate Wind Band/Ensemble. FJH Developing Band. During the w...(+)
By Rob Grice.
Intermediate Wind
Band/Ensemble. FJH
Developing Band. During
the war of 1812 after
much of Washington had
been destroyed, the
British army proceeded
toward the Baltimore
harbor, which was guarded
by Fort McHenry. To block
the ensuing army,
American troops had sunk
several ships to
barricade the entry into
the harbor. This forced
the British to bombard
Fort McHenry from a great
distance. On the night of
September 13, American
prisoners on a British
ship watched the fire in
the night sky as the
British army bombarded
Fort McHenry. After many
hours of continuous
bombing, the British
decided to leave, unable
to destroy the fort.
Score for this title:
B1304S. Extra part for
this title: B1304P.
Concert Band. Level: 1.5.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Recorder and Piano - Intermediate-Advanced SKU: FP.FZZ26 Composed by Vari...(+)
Recorder and Piano -
Intermediate-Advanced
SKU: FP.FZZ26
Composed by Various.
Edited by John Turner.
Sheet Music and Books.
This fourth volume in the
Forsyth series of Recital
Pieces for recorder and
piano provides 8 superb
concert pieces for the
intermediate to advanced
recorder player. Edited
by recorder virtuosi John
Turner, it includes works
by Jim Parker and Peter
Hope. N. Classical.
Collection. Forsyths
Publications #FZZ26.
Published by Forsyths
Publications (FP.FZZ26).
ISBN
9790570504046.
This
new collection is
bookended by beguiling
and moderately easy works
by two of
Britain’s most
distinguished composers
of light music, Peter
Hope and Jim Parker,
whose music has been
heard by millions of
listeners and viewers.
Sandwiched between these
are several no less
attractive concert
pieces, including an
evocation of the night
sky in East Anglia, a
gentle meditative view
from a college window,
and some finger-testing
sparklers to entertain
and test the virtuoso
player’s
technique.
Inspired
by an incredible display
of stars the composer
experienced in Hawaii,
this piece portrays the
ponderous and expansive
beauty of the night sky.
Broad, sustained notes
make extensive use of
full bows, ideal for
reinforcing bow control
and purity of tone. A
stunning work with
gorgeous harmonies and
colors sure to charm your
audience.
About FJH
Developing
Strings
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5
Inspire
d by an incredible
display of stars the
composer experienced in
Hawaii, this piece
portrays the ponderous
and expansive beauty of
the night sky. Broad,
sustained notes make
extensive use of full
bows, ideal for
reinforcing bow control
and purity of tone. A
stunning work with
gorgeous harmonies and
colors sure to charm your
audience.
About FJH
Developing
Strings
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5
Jewels in a Night Sky 2 Pianos, 4 mains [Feuillet] - Intermédiaire Alfred Publishing
By Kathleen Massoud. For Piano. This edition: 2 copies included. Piano Duo (Two ...(+)
By Kathleen Massoud. For
Piano. This edition: 2
copies included. Piano
Duo (Two Pianos, Four
Hands). Level:
Intermediate. 4 pages.
Published by Alfred
Publishing.
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and
C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 856
pages. 9x12 inches.
Published by Hal Leonard.
String quartet and marimba - difficult SKU: HL.49018033 For marimba an...(+)
String quartet and
marimba - difficult
SKU: HL.49018033
For marimba and string
quartet. Composed by
Steve Martland. This
edition: Saddle
stitching. Sheet music.
Ensemble. Van Gogh's
visionary painting The
Starry Night provides the
title, if not the
stimulus, for this music.
Rather, personal memories
of Africa are recalled
and in particular the
sound of music and
dancing both near and in
the distance all taking
place under. Score.
Composed 2007-2008. 64
pages. Duration 20'.
Schott Music #ED13276.
Published by Schott Music
(HL.49018033).
ISBN
9790220131240. UPC:
884088567286.
9.0x12.0x0.266
inches.
Van Gogh's
visionary painting The
Starry Night provides the
title, if not the
stimulus, for this music.
Rather, personal memories
of Africa are recalled
and in particular the
sound of music and
dancing both near and in
the distance all taking
place under the vivid
starry night sky. So this
music is dance music and
maybe it tries to emulate
the dancing of Van Gogh's
gigantic stars. Steve
Martland.
Night Flight Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band Concert band - Grade 1.5 SKU: CF.FPS96F Composed by Bill Calhoun. SW...(+)
Band Concert band - Grade
1.5
SKU: CF.FPS96F
Composed by Bill Calhoun.
SWS. First Plus
Performance Series. Full
score. With Standard
notation. 16 pages.
Duration 1 minute, 57
seconds. Carl Fischer
Music #FPS96F. Published
by Carl Fischer Music
(CF.FPS96F).
ISBN
9780825887628. UPC:
798408087623. 9x12
inches.
Bill
Calhoun is quickly
becoming one of the best
composers in this
business. He has a way of
writing pieces that are
exciting, well-scored,
interesting and
different. Night Flight
shows his aggressive side
with a piece that starts
strong, right out of the
gate. The
fearless-sounding melody
lifts up players and
audience, grabs hold of
them and takes them on
the musical journey of a
flight into the night
sky. A perfect selection
to showcase your
developing band at a
contest or festival
performance.
Night Flight Orchestre d'harmonie - Débutant Carl Fischer
Band Concert band - Grade 1.5 SKU: CF.FPS96 Composed by Bill Calhoun. SWS...(+)
Band Concert band - Grade
1.5
SKU: CF.FPS96
Composed by Bill Calhoun.
SWS FS. First Plus
Performance Series. Set
of Score and Parts. With
Standard notation.
8+2+4+4+2+5+2+2+4+4+4+6+2
+3+1+1+2+4+16 pages.
Duration 1 minute, 57
seconds. Carl Fischer
Music #FPS96. Published
by Carl Fischer Music
(CF.FPS96).
ISBN
9780825887611. UPC:
798408087616. 9x12
inches.
Bill
Calhoun is quickly
becoming one of the best
composers in this
business. He has a way of
writing pieces that are
exciting, well-scored,
interesting and
different. Night Flight
shows his aggressive side
with a piece that starts
strong, right out of the
gate. The
fearless-sounding melody
lifts up players and
audience, grabs hold of
them and takes them on
the musical journey of a
flight into the night
sky. A perfect selection
to showcase your
developing band at a
contest or festival
performance.
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Pian...(+)
Orchestra Violin I,
Violin II, Violin III
(Viola T.C.), Viola,
Cello, Bass, Piano -
Grade 1.5
SKU:
CF.FAS70F
16.
Composed by Bill Calhoun.
SWS. Carl Fischer First
Plus String Orchestra
Series. Full score. 60
pages. Carl Fischer Music
#FAS70F. Published by
Carl Fischer Music
(CF.FAS70F).
ISBN
9780825888885. UPC:
798408088880. 8.5 x 11
inches.
Bill
Calhoun’s
popularity as a composer
is growing quickly; and
no wonder, given his
knack for writing
exciting, elegant and
well-scored works for
young performance groups.
Night Flight’s
fearless melody takes the
players and audience on a
musical journey of flight
into the night sky. A
perfect selection to
showcase your developing
string orchestra at a
contest or festival
performance.
Night Chorale SATB SATB divisi, A Cappella Gentry Publications
SATB divisi a cappella Choral (SATB a cappella) SKU: HL.1428119 Composed ...(+)
SATB divisi a cappella
Choral (SATB a cappella)
SKU: HL.1428119
Composed by Patrick Vu.
Gentry Publications.
Octavo. Gentry
Publications #JG2714.
Published by Gentry
Publications
(HL.1428119).
UPC:
196288202257.
Full
of close harmonies and
lush chords, this piece
vividly illustrates and
captures the scene in
Donald Jeffrey Hayes's
poem: a beautiful night
sky descending over the
nearby town. Scored for
SATB divisi choir, this
intimate composition will
stir the imaginations of
all singers and
listeners.
Concert Band Symphonic Band - Grade 4 SKU: FJ.B1787S Score Only. C...(+)
Concert Band Symphonic
Band - Grade 4
SKU:
FJ.B1787S
Score
Only. Composed by
Anthony O'Toole. Concert
Band. FJH Symphonic Band.
Form: Chorale. Score.
Duration 6:30. The FJH
Music Company Inc
#98-B1787S. Published by
The FJH Music Company Inc
(FJ.B1787S).
English.
This
beautiful lyrical work
portrays the vivid
imagery and yearning
emotions described in
John Keats' poem Bright
Star, which captures the
longing for stability
amidst a world in
constant flux. A lonely
theme evolves through
several reharmonizations,
key changes, and
contrapuntal settings
before ending
contemplatively, as if
appearing in the night
sky among millions of
celestial bodies.
About FJH
Symphonic
Band
Appro
priate for accomplished
high school, college, and
professional groups.
Includes expanded
instrumentation and
ranges. Grades 4 - 5
Many Moons [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet in Bb, Bass Drum), Bassoon, Clarinet 1 in Bb, Clarinet 2 in B...(+)
Band Bass Clarinet in Bb,
Bass Drum), Bassoon,
Clarinet 1 in Bb,
Clarinet 2 in Bb,
Clarinet 3 in Bb, Crash
Cymbals), Euphonium,
Euphonium T.C. in Bb,
Flute 1, Flute 2, Horn 1
in F, Horn 2 in F, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe and more. - Grade
3.5
SKU:
CF.CPS242F
Composed
by Peter Sciaino. Sws.
Cps. Full score. 16
pages. Duration 4
minutes, 10 seconds. Carl
Fischer Music #CPS242F.
Published by Carl Fischer
Music (CF.CPS242F).
ISBN 9781491157947.
UPC: 680160916542. 9 x 12
inches.
All of us
have experienced unique
moments in our lives that
create unforgettable
mental snapshots. These
images can often provide
comfort, a moment of
humor, or can be a source
of inspiration. Years ago
while traveling with (who
are now) old friends, I
witnessed a New Mexico
night sky for the very
first time. We were so
taken with the view that
we pulled our rental car
to the side of the
highway just to stand and
stare skyward. The
clarity and size of the
stars redefined my
understanding of our
place in this vast
universe. To my eye, I
was staring at hundreds
of little moons. In
writing this piece, I
wanted to capture a sense
of beauty, wonder and
humility. The euphonium
solo presents the theme
as a wistful offering to
things beyond our
understanding. Throughout
the selection this theme
is passed throughout the
ensemble, and thicker
textures evolve. The
mallet percussion plays a
vital role in providing
harmonic stability early
in the selection.
Non-pitched percussion is
essential in building
tension and generating
effective impacts at
louder dynamic levels.
Ideally, the two
triangles found in the
Percussion 2 part should
be mounted and of two
distinctly different
pitches. Both should be
played with light beaters
if possible. I sincerely
hope Many Moons provides
years of inspiration for
you and your ensemble
just as that southwestern
sky did for me amany
moonsa ago. All of us
have experienced unique
moments in our lives that
create unforgettable
mental snapshots. These
images can often provide
comfort, a moment of
humor, or can be a source
of inspiration. Years ago
while traveling with (who
are now) old friends, I
witnessed a New Mexico
night sky for the very
first time. We were so
taken with the view that
we pulled our rental car
to the side of the
highway just to stand and
stare skyward. The
clarity and size of the
stars redefined my
understanding of our
place in this vast
universe. To my eye, I
was staring at hundreds
of little moons. In
writing this piece, I
wanted to capture a sense
of beauty, wonder and
humility. The euphonium
solo presents the theme
as a wistful offering to
things beyond our
understanding. Throughout
the selection this theme
is passed throughout the
ensemble, and thicker
textures evolve. The
mallet percussion plays a
vital role in providing
harmonic stability early
in the selection.
Non-pitched percussion is
essential in building
tension and generating
effective impacts at
louder dynamic levels.
Ideally, the two
triangles found in the
Percussion 2 part should
be mounted and of two
distinctly different
pitches. Both should be
played with light beaters
if possible. I sincerely
hope Many Moons provides
years of inspiration for
you and your ensemble
just as that southwestern
sky did for me many moons
ago. All of us have
experienced unique
moments in our lives that
create unforgettable
mental snapshots. These
images can often provide
comfort, a moment of
humor, or can be a source
of inspiration. Years ago
while traveling with (who
are now) old friends, I
witnessed a New Mexico
night sky for the very
first time. We were so
taken with the view that
we pulled our rental car
to the side of the
highway just to stand and
stare skyward. The
clarity and size of the
stars redefined my
understanding of our
place in this vast
universe. To my eye, I
was staring at hundreds
of little moons. In
writing this piece, I
wanted to capture a sense
of beauty, wonder and
humility.The euphonium
solo presents the theme
as a wistful offering to
things beyond our
understanding. Throughout
the selection this theme
is passed throughout the
ensemble, and thicker
textures evolve. The
mallet percussion plays a
vital role in providing
harmonic stability early
in the selection.
Non-pitched percussion is
essential in building
tension and generating
effective impacts at
louder dynamic levels.
Ideally, the two
triangles found in the
Percussion 2 part should
be mounted and of two
distinctly different
pitches. Both should be
played with light beaters
if possible.I sincerely
hope Many Moons provides
years of inspiration for
you and your ensemble
just as that southwestern
sky did for me
“many moonsâ€
ago.
Composed by
Peter Sciaino. Folio.
Cps. Set of Score and
Parts.
4+4+2+4+4+4+2+2+2+2+2+2+4
+4+4+2+2+3+3+3+2+4+1+1+1+
2+1+16 pages. Duration 4
minutes, 10 seconds. Carl
Fischer Music #CPS242.
Published by Carl Fischer
Music (CF.CPS242).
ISBN 9781491157930.
UPC: 680160916535. 9 x 12
inches.
All of us
have experienced unique
moments in our lives that
create unforgettable
mental snapshots. These
images can often provide
comfort, a moment of
humor, or can be a source
of inspiration. Years ago
while traveling with (who
are now) old friends, I
witnessed a New Mexico
night sky for the very
first time. We were so
taken with the view that
we pulled our rental car
to the side of the
highway just to stand and
stare skyward. The
clarity and size of the
stars redefined my
understanding of our
place in this vast
universe. To my eye, I
was staring at hundreds
of little moons. In
writing this piece, I
wanted to capture a sense
of beauty, wonder and
humility. The euphonium
solo presents the theme
as a wistful offering to
things beyond our
understanding. Throughout
the selection this theme
is passed throughout the
ensemble, and thicker
textures evolve. The
mallet percussion plays a
vital role in providing
harmonic stability early
in the selection.
Non-pitched percussion is
essential in building
tension and generating
effective impacts at
louder dynamic levels.
Ideally, the two
triangles found in the
Percussion 2 part should
be mounted and of two
distinctly different
pitches. Both should be
played with light beaters
if possible. I sincerely
hope Many Moons provides
years of inspiration for
you and your ensemble
just as that southwestern
sky did for me amany
moonsa ago. All of us
have experienced unique
moments in our lives that
create unforgettable
mental snapshots. These
images can often provide
comfort, a moment of
humor, or can be a source
of inspiration. Years ago
while traveling with (who
are now) old friends, I
witnessed a New Mexico
night sky for the very
first time. We were so
taken with the view that
we pulled our rental car
to the side of the
highway just to stand and
stare skyward. The
clarity and size of the
stars redefined my
understanding of our
place in this vast
universe. To my eye, I
was staring at hundreds
of little moons. In
writing this piece, I
wanted to capture a sense
of beauty, wonder and
humility. The euphonium
solo presents the theme
as a wistful offering to
things beyond our
understanding. Throughout
the selection this theme
is passed throughout the
ensemble, and thicker
textures evolve. The
mallet percussion plays a
vital role in providing
harmonic stability early
in the selection.
Non-pitched percussion is
essential in building
tension and generating
effective impacts at
louder dynamic levels.
Ideally, the two
triangles found in the
Percussion 2 part should
be mounted and of two
distinctly different
pitches. Both should be
played with light beaters
if possible. I sincerely
hope Many Moons provides
years of inspiration for
you and your ensemble
just as that southwestern
sky did for me many moons
ago. All of us have
experienced unique
moments in our lives that
create unforgettable
mental snapshots. These
images can often provide
comfort, a moment of
humor, or can be a source
of inspiration. Years ago
while traveling with (who
are now) old friends, I
witnessed a New Mexico
night sky for the very
first time. We were so
taken with the view that
we pulled our rental car
to the side of the
highway just to stand and
stare skyward. The
clarity and size of the
stars redefined my
understanding of our
place in this vast
universe. To my eye, I
was staring at hundreds
of little moons. In
writing this piece, I
wanted to capture a sense
of beauty, wonder and
humility.The euphonium
solo presents the theme
as a wistful offering to
things beyond our
understanding. Throughout
the selection this theme
is passed throughout the
ensemble, and thicker
textures evolve. The
mallet percussion plays a
vital role in providing
harmonic stability early
in the selection.
Non-pitched percussion is
essential in building
tension and generating
effective impacts at
louder dynamic levels.
Ideally, the two
triangles found in the
Percussion 2 part should
be mounted and of two
distinctly different
pitches. Both should be
played with light beaters
if possible.I sincerely
hope Many Moons provides
years of inspiration for
you and your ensemble
just as that southwestern
sky did for me
“many moonsâ€
ago.
Chamber Music English Horn, Piano SKU: PR.114422630 Composed by Stacy Gar...(+)
Chamber Music English
Horn, Piano
SKU:
PR.114422630
Composed
by Stacy Garrop. Sws. Set
of Score and Parts. 8+2
pages. Duration 5
minutes. Theodore Presser
Company #114-42263.
Published by Theodore
Presser Company
(PR.114422630).
UPC:
680160684793. 9 x 12
inches.
In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont, Wyoming.
Ucross is an artist
colony that gives
writers, composers, and
visual artists
the gift of time,
space, and support to
follow their artistic
pursuits; we are provided
with studio space,
housing, and meals so
that we can work
continuously on our
projects. I have been
in residence at numerous
artist colonies; however,
nothing in my
previous experiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on
a 20,000-acre cattle
ranch at nearly 4,000
feet in elevation with
fewer than 150
people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming
to offer three glimpses
of what I found to be the
most striking aspects
of my residence. The
Solitude of Stars, the
third and final movement
of the original
sextet, was inspired
by the stunning nightly
display of the heavens
above. Without city
lights dimming the
night sky, countless
stars shone brightly over
the vast expanse of the
prairie. This edition
is part of The Solitude
of Stars Project that I
undertook during the
2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
continuously on our
projects. I have been in
residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming to
offer three glimpses of
what I found to be the
most striking aspects of
my residence. The
Solitude of Stars, the
third and final movement
of the original sextet,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
This edition is part of
The Solitude of Stars
Project that I undertook
during the 2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont,Wyoming. Ucross
is an artist colony that
gives writers, composers,
and visual artists
thegift of time, space,
and support to follow
their artistic pursuits;
we are provided
withstudio space,
housing, and meals so
that we can work
continuously on our
projects. I havebeen in
residence at numerous
artist colonies; however,
nothing in my
previousexperiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on a20,000-acre
cattle ranch at nearly
4,000 feet in elevation
with fewer than 150
peopleliving within the
town. But what Clearmont
lacks in population, it
makes up forabundantly
and spectacularly in
wilderness and wildlife.
I composed the sextet
Postcardsfrom Wyoming to
offer three glimpses of
what I found to be the
most striking aspects
ofmy residence. The
Solitude of Stars, the
third and final movement
of the original
sextet,was inspired by
the stunning nightly
display of the heavens
above. Without city
lightsdimming the night
sky, countless stars
shone brightly over the
vast expanse of the
prairie.This edition is
part of The Solitude of
Stars Project that I
undertook during the
2020COVID-19 pandemic,
which consists of a
series of arrangements
that I made forcolleagues
and friends.
Chamber Music Cello, Piano, Violin SKU: PR.114422690 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114422690
Composed
by Stacy Garrop. Sws. Set
of Score and Parts. 8+2+2
pages. Duration 5
minutes. Theodore Presser
Company #114-42269.
Published by Theodore
Presser Company
(PR.114422690).
UPC:
680160684809. 9 x 12
inches.
In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont, Wyoming.
Ucross is an artist
colony that gives
writers, composers, and
visual artists
the gift of time,
space, and support to
follow their artistic
pursuits; we are provided
with studio space,
housing, and meals so
that we can work
continuously on our
projects. I have been
in residence at numerous
artist colonies; however,
nothing in my
previous experiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on
a 20,000-acre cattle
ranch at nearly 4,000
feet in elevation with
fewer than 150
people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming
to offer three glimpses
of what I found to be the
most striking aspects
of my residence. The
Solitude of Stars, the
third and final movement
of the original
sextet, was inspired
by the stunning nightly
display of the heavens
above. Without city
lights dimming the
night sky, countless
stars shone brightly over
the vast expanse of the
prairie. This edition
is part of The Solitude
of Stars Project that I
undertook during the
2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
continuously on our
projects. I have been in
residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming to
offer three glimpses of
what I found to be the
most striking aspects of
my residence. The
Solitude of Stars, the
third and final movement
of the original sextet,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
This edition is part of
The Solitude of Stars
Project that I undertook
during the 2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont,Wyoming. Ucross
is an artist colony that
gives writers, composers,
and visual artists
thegift of time, space,
and support to follow
their artistic pursuits;
we are provided
withstudio space,
housing, and meals so
that we can work
continuously on our
projects. I havebeen in
residence at numerous
artist colonies; however,
nothing in my
previousexperiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on a20,000-acre
cattle ranch at nearly
4,000 feet in elevation
with fewer than 150
peopleliving within the
town. But what Clearmont
lacks in population, it
makes up forabundantly
and spectacularly in
wilderness and wildlife.
I composed the sextet
Postcardsfrom Wyoming to
offer three glimpses of
what I found to be the
most striking aspects
ofmy residence. The
Solitude of Stars, the
third and final movement
of the original
sextet,was inspired by
the stunning nightly
display of the heavens
above. Without city
lightsdimming the night
sky, countless stars
shone brightly over the
vast expanse of the
prairie.This edition is
part of The Solitude of
Stars Project that I
undertook during the
2020COVID-19 pandemic,
which consists of a
series of arrangements
that I made forcolleagues
and friends.
Composed
by Stacy Garrop. Full
score. With Standard
notation. 40 pages.
Duration 13:15. Theodore
Presser Company
#114-41930S. Published by
Theodore Presser Company
(PR.11441930S).
UPC:
680160673537. 9 x 12
inches.
Written
during a residence at an
artist community in the
isolation of Wyoming,
Postcards from Wyoming is
an impression of the
wilderness and beauty of
the surrounding landscape
and its inhabitants.
Written for Pierre
ensemble with percussion,
Postcards includes High
Plains Prairie (a harsh
landscape which reveals
glimpses of beauty upon
closer examination), Call
of the Wild (animals from
snakes to horses and cows
populate the
environment), and The
Solitude of Stars
(capturing the infinite
awe of the night
sky). In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
almost continuously on
our projects. I have been
in residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
Postcards from Wyoming
presents three glimpses
of what I found to be the
most striking aspects of
my residence. The first
movement, High Plains
Prairie, represents the
conundrum that is a high
elevation landscape: from
afar, the eye sees little
else than an unending and
threadbare horizon. But
as one inspects the land
up close, the prairie
bursts with color
provided by sagebrush,
grasses, insects, and
creeks. The second
movement, Call of the
Wild, is a tribute to the
wide range of animals
that reside in the area.
Deer, turkeys, and
rabbits frequently passed
outside of my studio
window; cows and sheep
lived in fields close by.
Snakes, raccoons, and
field mice also made
guest appearances. While
I'm thankful that I
didn't see any predators
(such as wolves), I
became increasingly aware
of the wildness of the
animal population that
surrounded my studio. The
Solitude of Stars, the
third and final movement,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
Postcards from Wyoming
was commissioned by the
2016 Utah Arts Festival.
-S.G. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
almost continuously on
our projects. I have been
in residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and
wildlife.Postcards from
Wyoming presents three
glimpses of what I found
to be the most striking
aspects of my residence.
The first movement, High
Plains Prairie,
represents the conundrum
that is a high elevation
landscape: from afar, the
eye sees little else than
an unending and
threadbare horizon. But
as one inspects the land
up close, the prairie
bursts with color
provided by sagebrush,
grasses, insects, and
creeks. The second
movement, Call of the
Wild, is a tribute to the
wide range of animals
that reside in the area.
Deer, turkeys, and
rabbits frequently passed
outside of my studio
window; cows and sheep
lived in fields close by.
Snakes, raccoons, and
field mice also made
guest appearances. While
I’m thankful that
I didn’t see any
predators (such as
wolves), I became
increasingly aware of the
wildness of the animal
population that
surrounded my studio. The
Solitude of Stars, the
third and final movement,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the
prairie.Postcards from
Wyoming was commissioned
by the 2016 Utah Arts
Festival.-S.G.
Composed
by Stacy Garrop. Set of
Score and Parts. With
Standard notation.
40+12+12+12+12+12+20
pages. Duration 13:15.
Theodore Presser Company
#114-41930. Published by
Theodore Presser Company
(PR.114419300).
UPC:
680160673513. 9 x 12
inches.
Written
during a residence at an
artist community in the
isolation of Wyoming,
Postcards from Wyoming is
an impression of the
wilderness and beauty of
the surrounding landscape
and its inhabitants.
Written for Pierre
ensemble with percussion,
Postcards includes High
Plains Prairie (a harsh
landscape which reveals
glimpses of beauty upon
closer examination), Call
of the Wild (animals from
snakes to horses and cows
populate the
environment), and The
Solitude of Stars
(capturing the infinite
awe of the night
sky). In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
almost continuously on
our projects. I have been
in residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
Postcards from Wyoming
presents three glimpses
of what I found to be the
most striking aspects of
my residence. The first
movement, High Plains
Prairie, represents the
conundrum that is a high
elevation landscape: from
afar, the eye sees little
else than an unending and
threadbare horizon. But
as one inspects the land
up close, the prairie
bursts with color
provided by sagebrush,
grasses, insects, and
creeks. The second
movement, Call of the
Wild, is a tribute to the
wide range of animals
that reside in the area.
Deer, turkeys, and
rabbits frequently passed
outside of my studio
window; cows and sheep
lived in fields close by.
Snakes, raccoons, and
field mice also made
guest appearances. While
I'm thankful that I
didn't see any predators
(such as wolves), I
became increasingly aware
of the wildness of the
animal population that
surrounded my studio. The
Solitude of Stars, the
third and final movement,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
Postcards from Wyoming
was commissioned by the
2016 Utah Arts Festival.
-S.G. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
almost continuously on
our projects. I have been
in residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and
wildlife.Postcards from
Wyoming presents three
glimpses of what I found
to be the most striking
aspects of my residence.
The first movement, High
Plains Prairie,
represents the conundrum
that is a high elevation
landscape: from afar, the
eye sees little else than
an unending and
threadbare horizon. But
as one inspects the land
up close, the prairie
bursts with color
provided by sagebrush,
grasses, insects, and
creeks. The second
movement, Call of the
Wild, is a tribute to the
wide range of animals
that reside in the area.
Deer, turkeys, and
rabbits frequently passed
outside of my studio
window; cows and sheep
lived in fields close by.
Snakes, raccoons, and
field mice also made
guest appearances. While
I’m thankful that
I didn’t see any
predators (such as
wolves), I became
increasingly aware of the
wildness of the animal
population that
surrounded my studio. The
Solitude of Stars, the
third and final movement,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the
prairie.Postcards from
Wyoming was commissioned
by the 2016 Utah Arts
Festival.-S.G.
Chamber Music solo piano - Difficulty: medium SKU: CF.ATF123 Transcrip...(+)
Chamber Music solo piano
- Difficulty: medium
SKU: CF.ATF123
Transcriptions,
Arrangements, and
Cadenzas. Arranged by
Leopold Godowsky. This
edition: Volume 2. Smythe
Sewn. The Masters
Collection. Baroque and
Classical Period.
Collection. With standard
notation, fingerings and
introductory text (does
not include words to the
songs). 464 pages. Carl
Fischer Music #ATF123.
Published by Carl Fischer
Music (CF.ATF123).
ISBN 9780825811319.
UPC: 798408011314. 9 X 12
inches. Transcribed by
Leopold
Godowsky.