Piano - difficult SKU: HL.49043936 Six Schubert Reminiscences for Pian...(+)
Piano - difficult
SKU:
HL.49043936
Six
Schubert Reminiscences
for Piano. Composed
by Jorg Widmann. This
edition: Saddle
stitching. Sheet music.
Piano Solo. Softcover.
Composed 2009. 24 pages.
Duration 13'. Schott
Music #ED21181. Published
by Schott Music
(HL.49043936).
ISBN
9790001178679. UPC:
840126938609. 0.151
inches.
For solo piano. Piano Collection. Dover Edition. Classical and Opera. Difficulty...(+)
For solo piano. Piano
Collection. Dover
Edition. Classical and
Opera. Difficulty:
difficult. Collection.
Standard notation (does
not include words to the
songs). 247 pages.
Published by Dover
Publications
Orchestra Concert Band SKU: PR.44641256L For Orchestra. Composed b...(+)
Orchestra Concert Band
SKU: PR.44641256L
For Orchestra.
Composed by Ellen Taaffe
Zwilich. This edition:
Orchestra version.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
28 pages. Duration 12
minutes. Theodore Presser
Company #446-41256L.
Published by Theodore
Presser Company
(PR.44641256L).
UPC:
680160596010. 11 x 17
inches. Key: A
major.
Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall a each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall -- each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements.I. FanfareThe
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall — each
testing the capacities of
the other. I decided to
have the ensemble greet
and salute the new Ruby
Diamond Hall with a
Fanfare that includes
offstage brass players in
3 different locations in
the audience.II.
Reminiscence and
CelebrationThe 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future.
Orchestra Concert Band SKU: PR.446412560 For Orchestra. Composed b...(+)
Orchestra Concert Band
SKU: PR.446412560
For Orchestra.
Composed by Ellen Taaffe
Zwilich. This edition:
Orchestra version. Sws.
Contemporary. Full score.
With Standard notation.
Composed 2010. 28 pages.
Duration 12 minutes.
Theodore Presser Company
#446-41256. Published by
Theodore Presser Company
(PR.446412560).
ISBN
9781598063738. UPC:
680160596003. 9x12
inches. Key: A
major.
Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall a each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall -- each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements.I. FanfareThe
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall — each
testing the capacities of
the other. I decided to
have the ensemble greet
and salute the new Ruby
Diamond Hall with a
Fanfare that includes
offstage brass players in
3 different locations in
the audience.II.
Reminiscence and
CelebrationThe 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future.
Reminiscence Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Composed by Bill Calhoun. For Violin I, Violin II, Violin III, Viola, Cello, Bas...(+)
Composed by Bill Calhoun.
For Violin I, Violin II,
Violin III, Viola, Cello,
Bass, Piano. Carl Fischer
Young String Orchestra
Series. Grade 2-2.5.
Score and parts. 78
pages. Duration 2
minutes, 54 seconds.
Published by Carl Fischer
By Melody Bober. For Piano. Composers In Focus. From the smooth and lyrical Remi...(+)
By Melody Bober. For
Piano. Composers In
Focus. From the smooth
and lyrical Reminiscence
to the upbeat Summer
Samba, a full range of
styles provides students
with a variety of
artistic challenges.
Contents include: Summer
Samba; Reminiscence; The
Phantom; Hometown
Hoedown. Level:
Intermediate/Late
Intermediate. Book.
Published by The FJH
Music Company, Inc.
Reminiscence Orchestre d'harmonie - Facile Boosey and Hawkes
Concert Band (Score) - Grade 2 SKU: HL.48024522 Composed by Kathryn Salfe...(+)
Concert Band (Score) -
Grade 2
SKU:
HL.48024522
Composed
by Kathryn Salfelder.
Windependence Apprentice
Novice. Concert.
Softcover. 16 pages.
Boosey & Hawkes
#M051664078. Published by
Boosey & Hawkes
(HL.48024522).
UPC:
888680900434.
9.0x12.0x0.055
inches.
Composed
for the commission
project celebrating the
85th birthday of
legendary conductor,
Frank Battisti, this
beautiful lyric piece
from Kathryn Salfelder
offers a rewarding
emotional depth for young
bands. Evoking feelings
of nostalgia, yearning,
and growth, some of the
moments are peaceful,
while others are full of
angst. The music evolves
from a tone row provided
by Mr. Battisti himself,
and features shifting
tonal centers and
textures ranging from
lush full band passages
to lighter soloistic
passages. Recorded by the
New England Conservatory
Wind Ensemble –
Charles Peltz, conductor.
Dur: 3:45.
Piano - easy SKU: HL.49007768 9 Little Piano Pieces. Composed by B...(+)
Piano - easy
SKU:
HL.49007768
9
Little Piano Pieces.
Composed by Barbara
Heller. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Composed 1962.
28 pages. Schott Music
#ED 8092. Published by
Schott Music
(HL.49007768).
ISBN
9790001083201. UPC:
073999486865.
9.0x12.0x0.093
inches.
High
Spirits * As In a Dream *
The Surprise * Like a
Song * Cycling Around *
Waltz * Reminiscence *
Spite * Again and Again *
Church Modes. Piano
Workshop Series Book
2.
9X12 Band Score.
Composed by Ellen Taaffe
Zwilich. Sws. Wind Band
Select. Contemporary.
Full score. With Standard
notation. Composed 2010.
28 pages. Duration 12:30.
Theodore Presser Company
#145-40034F. Published by
Theodore Presser Company
(PR.14540034F).
ISBN
9781598063240. UPC:
680160595914. 9x12
inches. Key: G
major.
Originally
composed for orchestra
with 3 offstage brass
sextets, Fanfare;
Reminiscence and
Celebration has been
re-created by Ellen
Taaffe Zwilich for
symphonic band plus three
offstage brass sextets
for a dazzling
theater-in-the-round
concert experience. The
score is provided in
11x17 format for ease in
reading. For advanced and
university ensembles.
Duration: 12’.
Reminiscence Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS106 Composed by Bill Calhoun. SWS ...(+)
Band Concert Band - Grade
2
SKU: CF.YPS106
Composed by Bill Calhoun.
SWS FS. Young Performance
Series. Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+2+3+3+1+1+2+4+12 pages.
Duration 2 minutes, 47
seconds. Carl Fischer
Music #YPS106. Published
by Carl Fischer Music
(CF.YPS106).
ISBN
9780825887765. UPC:
798408087760. 9x12
inches. Key: Eb
major.
A lush and
musically expressive
ballad for band that
pulls at your heart
strings, Reminiscence is
tender and emotionally
charged with musical
tension that resolves
beautifully at the end.
Bill Calhoun has become a
composer you can trust to
write music of a very
high quality.
Reminiscence Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band concert band - Grade 2 SKU: CF.YPS106F Composed by Bill Calhoun. SWS...(+)
Band concert band - Grade
2
SKU: CF.YPS106F
Composed by Bill Calhoun.
SWS. Young Performance
Series. Full score. With
Standard notation. 12
pages. Duration 2
minutes, 47 seconds. Carl
Fischer Music #YPS106F.
Published by Carl Fischer
Music (CF.YPS106F).
ISBN 9780825887772.
UPC: 798408087777. 9x12
inches.
A lush and
musically expressive
ballad for band that
pulls at your heart
strings, Reminiscence is
tender and emotionally
charged with musical
tension that resolves
beautifully at the end.
Bill Calhoun has become a
composer you can trust to
write music of a very
high quality.
Tuba solo SKU: P2.90117 Composed by Wendy Wan-Ki Lee. 20th century. Publi...(+)
Tuba solo
SKU:
P2.90117
Composed by
Wendy Wan-Ki Lee. 20th
century. Published by
Potenza Music (P2.90117).
In composing
this work, I was very
much inspired by Eastern
philosophy. The idea of
life as an ongoing wheel,
as well as the Chinese
proverb, the beginning is
not the beginning, the
end is not the end, can
be related to the
Buddhist belief of
reincarnation. In this
piece, the three
movements represent faded
memories or reminiscence
of past lives. Although
inspired by Budhhist
ideas, the piece is
composed in the Western
style.
SKU: ST.B946 Composed by Herbert A Brewer. Edited by John Morehen. Books ...(+)
SKU: ST.B946
Composed by Herbert A
Brewer. Edited by John
Morehen. Books & Study
Scores. Edited by John
Morehen. Book. Stainer &
Bell Ltd. #B946.
Published by Stainer &
Bell Ltd. (ST.B946).
ISBN
9780852499467.
Orga
nist of Gloucester
Cathedral from 1896 till
his death in 1928, as
well as composer,
choir-trainer,
adjudicator and teacher,
Sir Herbert Brewer was
involved for over three
decades with the Three
Choirs Festival, and his
Memories of Choirs
and Cloisters offers
a vivid account of the
planning and execution of
the festivals in that
time, those at Gloucester
in particular.
Though his professional
life was spent
exclusively in the
provinces, his
championing of
contemporary music
brought him into wide
contact with composers
and other artistic
figures both from Britain
and the continent,
including Robert Bridges,
Elgar, Glazunov, Rider
Haggard, Parry,
Quiller-Couch, Ravel,
Saint-Saens and Sibelius
(whose Luonnotar
he premiered). John
Morehen's fine new
edition places Brewer's
lively and insightful
recollections of these
and other encounters and
connections in context
for the modern reader,
making the book an
important addition to our
fuller understanding of a
remarkable period in
British music.
Neither a conventional
autobiography nor a
diary, but a collection
of reminiscences compiled
towards the end of his
life, Brewer's
Memories reveals
a scrupulous and astute
musician of great
integrity, warm-hearted
with a devotion to social
justice and civic duty,
and with a mischievous
sense of humour.
Parts for String Quartet No.3 'Angel's Music' by Bent Sorensen (1988) Premiered ...(+)
Parts for String Quartet
No.3 'Angel's Music' by
Bent Sorensen (1988)
Premiered by the Arditti
String Quartet at the
Danish Radio Concert Hall
16 November 1988. Score
available: KP00250 The
composer writes: 'Even
when I was writing Adieu,
I knew that I wished to
write Angels Music. The
title existed in an
incomplete form in my
mind and gradually more
and more ideas and a few
outlines became clear.
The actual work on Angels
Music was started in
Rome, where I spent the
autumn of 1987 staying at
The Danish Academy.
Whether this stay has
influenced the quartet or
not is impossible to say.
however, it is true to
say that, in the Roman
churches I visited, I saw
countless angels playing
in the top of frescoes
and altars. Without these
angels, together with the
many crackled-gold
paintings in this city
and my general
fascination with the
Italian renaissance
painter Fra Angelico, (in
fact there are only a few
paintings by him in Rome,
but even his name..!) I
am not sure my quartet
would have been what it
is. Anyway I do feel that
there is a bit of Italy
in the piece. The angels
apart there are, in the
short rhythmic agitating
part of the quartet,
reminiscences of the
Italian medieval Trotto
dance, and in the most
expressive part ofthe
piece there are flashes
of Puccini-like music.
From the very beginning
of my work on the
quartet, the distant,
extremely muted sound in
the high register which
opens the piece, was on
my mind. A sound satiated
with a dense heterophonic
and polyphonic texture of
elegiac melody and
vibrating trills. I
imagined that little
songs (maybe angel songs)
could be created in this
density, these songs
constantly echoing
themselves. Gradually as
this sound got a more and
more concrete musical and
instrumental form, I
felt, that not only
should the little songs
be created, played and
die out in an echo, but
also that the general
pattern of the quartet
should give the feeling
of music which, from the
distance, is getting
closer and closer,
culminates and at last
disappears like an echo.
Related to this, the
general pattern of Angels
Music is divided into
three: a pre-echo,
culmination and echo..
The relationship between
the three part is 5: 6:
4. The reason why I can
say this precisely and
prosaically is that it
was necessary to me to
mark the overall
guidelines before I
started to compose. I had
to do this in order to
enable the relationships
to crawl from the small
cells into the general
pattern.'
From Ancient Times Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Concert Band (Score & Parts) - Grade 6 SKU: HL.44010846 Composed by Jan V...(+)
Concert Band (Score &
Parts) - Grade 6
SKU:
HL.44010846
Composed
by Jan Van der Roost. De
Haske Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2010.
De Haske Publications
#1094715010. Published by
De Haske Publications
(HL.44010846).
From Ancient
Times is a major work
for brass band, inspired
largely by the music of
the Franco-Flemish School
of the Renaissance. Hints
of Gregorian chant and
middle age dances pay
tribute to music from
even earlier times. The
foundation of this
spectacular work rests on
truly 'ancient times'
while the tonal language
is of a much more modern
nature!
From
Ancient Times is een
mijlpaal in het oeuvre
van Jan Van der Roost.
Doorgaans vinden zijn
werken hun oorsprong
veelal in de Vlaamse
vocaalpolyfonie uit de
renaissancetijd. Maar met
gregoriaans gezang en
middeleeuwse dansen
grijpthij nu terug naar
nog eerdere tijden. De
basis voor dit grootse
werk mag dan in 'ancient
times' liggen, de
toonspraak is dat zeer
zeker
niet..!
From
Ancient Times ist ein
Meilenstein in Jan Van
der Roosts Oeuvre, das
vor allem von der Musik
aus der Zeit der
flamischen
Vokalpolyphonie
inspiriert ist. Mit
gregorianischen
Reminiszenzen und einem
mittelalterlichen Tanz
wird jedoch auch auf noch
altere Musik
zuruckgegriffen:
Grundlage dieses
grossartigen Werkes sind
wahrlich alte Zeiten
(ancient times), die
Tonsprache hingegen ist
vorwiegend modern.
From Ancient
Times est une oeuvre de
grande envergure, qui
puise dans la musique
franco-flamande de la
Renaissance. La trame
s'appuie sur quelques
principes et techniques
d'ecriture
caracteristiques de cette
ecole qui a profondement
transforme la musique
occidentale. On y trouve
egalement des
reminiscences
gregoriennes et une danse
medievale, mais le
langage sonore reste
essentiellement moderne.
From Ancient Times est un
sublime hommage aux
maitres des temps
anciens.
From
Ancient Times e un brano
di grande impatto che
attinge nella musica
rinascimentale
franco-fiamminga. La
trama si appoggia su
principi e tecniche di
scrittura caratteristici
di questa scuola che ha
profondamente trasformato
la musica occidentale. Si
colgono anche
reminescenze gregoriane e
una danza medioevale, ma
il linguaggio sonoro
resta moderno. From
Ancient Times e un
omaggio ai grandi maestri
dei tempi antichi.
Flute and piano SKU: NR.105150 Fantaisie non difficile et brillante su...(+)
Flute and piano
SKU:
NR.105150
Fantaisie non
difficile et brillante
sur des airs les
plus. Composed by
Wilhelm Popp. Woodwind
music. Score. Noten Roehr
#105150. Published by
Noten Roehr (NR.105150).
Fantaisie non
difficile et brillante
sur des airs les
plus opus 226, 1874,
Partition+1partie.
Vocal and Piano, with Violin SKU: BT.EMBZ2132 Für eine Singstimme (...(+)
Vocal and Piano, with
Violin
SKU:
BT.EMBZ2132
Für
eine Singstimme (Violine)
mit
Klavierbegleitung.
Composed by Ferenc
Farkas. Folk Music. Book
Only. Composed 1957. 72
pages. Editio Musica
Budapest #EMBZ2132.
Published by Editio
Musica Budapest
(BT.EMBZ2132).
Hungarian-English-Germ
an-French.
'The
arrangements included in
the present volume
reflect the first musical
impressions of my
childhood. In their
harmonisations
reminiscences of some
turns heard at my
parent's home can be
detected sporadically...
The piano writing is
dance-like throughout but
tries to make the musical
material as varied as
possible. It attempts to
reproduce the typical
playing of the gypsy
orchestra, shaping it
into a little character
piece in some places.'
(Ferenc Farkas).
SKU: AP.74-0399172084 A Memoir of Life & Cars. Composed by Neil Yo...(+)
SKU:
AP.74-0399172084
A
Memoir of Life &
Cars. Composed by
Neil Young.
Artist/Personality;
Reference Textbooks;
Textbook - General. Rock.
Book. 384 pages. Alfred
Music #74-0399172084.
Published by Alfred Music
(AP.74-0399172084).
ISBN 9780399172083.
English.
Neil
Young's first memoir,
Waging Heavy Peace, was
an international
bestseller and critical
sensation. The Wall
Street Journal wrote that
it was terrific: modest,
honest, funny, and
frequently moving, while
The New York Times found
it as charismatically off
the wall as Mr. Young's
records. Now, in Special
Deluxe, Young has
fashioned a second work
of extraordinary
reminiscences about his
Canadian boyhood, his
musical influences, his
family, the rock 'n' roll
life, and one of his
deepest, most ebullient
passions: cars. Through
the framework of the many
vehicles he's collected
and driven, Young
explores his love for the
well-crafted vintage
automobile, and examines
his newfound awareness of
his hobby's negative
environmental impact.
With his ferocious
devotion to clean energy,
he recounts the saga of
Lincvolt, his specially
modified electric car,
and his efforts to
demonstrate to lawmakers
and consumers how viable
non-gas-guzzling vehicles
truly can be. Special
Deluxe captures Young's
singular lyrical, almost
musical, voice. Witty,
eclectic, and wonderfully
candid, Special Deluxe is
an unforgettable amalgam
of memories, artwork, and
political ponderings from
one of the most genuine
and enigmatic artists of
our time.
Piano SKU: HU.HN44 Composed by Robert Schumann. Edited by Ernst Herttrich. Pian...(+)
Piano
SKU: HU.HN44
Composed by Robert
Schumann. Edited by Ernst
Herttrich. Piano Solo,
Piano and Keyboard,
Repertoire, Collections.
Scenes from Childhood Op.
15. Classical, Romantic.
Softcover Book. 28 pages.
G. Henle #HN44. Published
by G. Henle