Performed by Roy Orbison. For guitar and voice. Format: easy guitar tablature so...(+)
Performed by Roy Orbison.
For guitar and voice.
Format: easy guitar
tablature songbook. With
guitar tablature,
standard notation, vocal
melody, lyrics, chord
names, guitar chord
diagrams and strum and
pick patterns. Rock 'n'
roll and rockabilly. 64
pages. 9x12 inches.
Published by Hal Leonard.
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Roy Orbison. For voice, piano and guitar chords. Format: piano/voca...(+)
Performed by Roy Orbison.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Rock 'n'
roll and rockabilly. 176
pages. 9x12 inches.
Published by Hal Leonard.
Roy Orbison Paroles et Accords [Partition] - Facile Hal Leonard
Guitar Chord Songbook (6 inch. X 9 inch.). Performed by Roy Orbison. Guitar Chor...(+)
Guitar Chord Songbook (6
inch. X 9 inch.).
Performed by Roy Orbison.
Guitar Chord Songbook.
Softcover. Size 6x9
inches. 88 pages.
Published by Hal Leonard.
Royal David's City Chorale Unison Unison/2-parties, Piano Harold Flammer Music
Composed by Joseph M. Martin. Harold Flammer WorshipSongs Jr. Children, Childr...(+)
Composed by Joseph M.
Martin.
Harold Flammer
WorshipSongs
Jr. Children, Children's
Choir, Christmas,
Concert,
Festival, Sacred. Octavo.
8
pages. Published by
Harold
Flammer Music
Ross Roy Fanfare - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0971085-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0971085-020
Composed by Jacob De
Haan. Inspiration Series.
Festive and Solemn Music.
Set (Score & Parts).
Composed 1997. De Haske
Publications #DHP
0971085-020. Published by
De Haske Publications
(BT.DHP-0971085-020).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy
is de naam van de
monumentale villa in
Brisbane (Australië)
waar in 1945 het St.
Peters Lutheran College
is gesticht. In opdracht
van het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen. De structuur
en discipline van de
school horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een schertsende,
humoristische versie van
het hoofdthema ontbreekt
niet: op school moet
immers ook tijd zijn voor
vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke apotheose.
Ross Roy
ist der Name einer
monumentalen Villa in
Brisbane, Australien, in
der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Ross Roy Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0971085-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0971085-010
Composed by Jacob De
Haan. Inspiration Series.
Festive and Solemn Music.
Set (Score & Parts).
Composed 1997. De Haske
Publications #DHP
0971085-010. Published by
De Haske Publications
(BT.DHP-0971085-010).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy is de
naam van de monumentale
villa in Brisbane
(Australië) waar in
1945 het St. Peters
Lutheran College is
gesticht. In opdracht van
het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen.De structuur en
discipline van de school
horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een
schertsende,humoristische
versie van het hoofdthema
ontbreekt niet: op school
moet immers ook tijd zijn
voor vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke
apotheose.
Ross
Roy ist der Name
einer monumentalen Villa
in Brisbane, Australien,
in der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Commissionato
dalla St. Peter’s
Wind Symphony Orchestra
di Brisbane, è
dedicato alla monumentale
villa tardo-ottocentesca
dove il collegio
dell’orchestra ha
avuto la sua storica
sede. Metafora degli anni
della formazione, è
caratterizzato da un
finale in stile
ouverture, come se gli
anni della scuola
rappresentassero una
sorta di ouverture al
resto della vita.
Ross Roy Fanfare - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0971085-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0971085-120
Composed by Jacob De
Haan. Inspiration Series.
Concert Piece. Score
Only. Composed 1997. De
Haske Publications #DHP
0971085-120. Published by
De Haske Publications
(BT.DHP-0971085-120).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy
is de naam van de
monumentale villa in
Brisbane (Australië)
waar in 1945 het St.
Peters Lutheran College
is gesticht. In opdracht
van het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen. De structuur
en discipline van de
school horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een schertsende,
humoristische versie van
het hoofdthema ontbreekt
niet: op school moet
immers ook tijd zijn voor
vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke apotheose.
Ross Roy
ist der Name einer
monumentalen Villa in
Brisbane, Australien, in
der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Baritone B.C. Solo with Piano Accompaniment - 1-2 SKU: KN.10315 Composed ...(+)
Baritone B.C. Solo with
Piano Accompaniment - 1-2
SKU: KN.10315
Composed by Various.
Edited by Carl Strommen.
Arranged by Donald M.
Sherman. Solo Collection.
Kendor Solo Series. Solo
book with online audio.
Kendor Music Inc #10315.
Published by Kendor Music
Inc (KN.10315).
UPC:
822795103151.
Desig
ned for a first contest
or recital performance,
this grade 1-2
collections contain 14
pieces that have been
carefully edited by
baritone specialist
Donald Sherman, and
edited by Carl Strommen.
The free downloadable
piano accompaniment MP3s
will be an invaluable
tool for students. Piano
accompaniment book sold
separately (#10316).
Available in SmartMusic.
Contents: Ches
ter (Billings); The
Dancing Master (Turk);
Minuet (Telemann);
Wedding Madrigal
(Sullivan); The
Nightingale's Secret
(Grieg); Ah, Leave Me Not
To Pine (Sullivan);
Remember Provence
(Verdi); The Thief's
Regret (traditional
Catalan folk song); Danse
Du Roy (Susato); In The
Steppes Of Central Asia
(Borodin); Sunlight On
The Ganges (Scarlatti);
March Of The Priests
(Mozart); Neapolitan
Serenade (Meglio);
Plaisir D'Amour
(Martini).
Baritone T.C. Solo with Piano Accompaniment - 1-2 SKU: KN.KEN10314 Compos...(+)
Baritone T.C. Solo with
Piano Accompaniment - 1-2
SKU: KN.KEN10314
Composed by Various.
Edited by Carl Strommen.
Arranged by Donald M.
Sherman. Solo. Kendor
Solo Series. Solo book
with online audio. Kendor
Music Inc #KEN10314.
Published by Kendor Music
Inc (KN.KEN10314).
UPC:
822795103144.
Desig
ned for a first contest
or recital performance,
this grade 1-2
collections contain 14
pieces that have been
carefully edited by
baritone specialist
Donald Sherman and edited
by Carl Strommen. The
free downloadable piano
accompaniment MP3s will
be an invaluable tool for
students. Piano
accompaniment book sold
separately (#10316).
Available in
SmartMusic.
Conten
ts: Chester
(Billings); The Dancing
Master (Turk); Minuet
(Telemann); Wedding
Madrigal (Sullivan); The
Nightingale's Secret
(Grieg); Ah, Leave Me Not
To Pine (Sullivan);
Remember Provence
(Verdi); The Thief's
Regret (traditional
Catalan folk song); Danse
Du Roy (Susato); In The
Steppes Of Central Asia
(Borodin); Sunlight On
The Ganges (Scarlatti);
March Of The Priests
(Mozart); Neapolitan
Serenade (Meglio);
Plaisir D'Amour
(Martini).
Troja (Troy) Fake Book [Conducteur] - Facile Hal Leonard
Fanfare Band (Score) - Grade 2 SKU: HL.4008028 For Fanfare Band. C...(+)
Fanfare Band (Score) -
Grade 2
SKU:
HL.4008028
For
Fanfare Band.
Composed by Otto M.
Schwarz. Duration 135
seconds. Hal Leonard
#SDP129-22-101. Published
by Hal Leonard
(HL.4008028).
The Greek poet
Homer wrote about Troy
and the Trojan War -
which probably took place
in what is now Asia Minor
- in his Iliad in the 8th
century B.C. Nowadays,
the term 'Trojan'
generally refers to a
malware program that is
used to gain unauthorized
access to computers. This
use comes from the
legendary Trojan Horse,
which saw the turning
poing in the battle
between Greeks and
Trojans through the
cunning of Odysseus. Let
us return to the
beginning of the story:
Paris, son of the king of
Troy, is tasked by Zeus
with judging the beauty
of the three goddesses
Aphrodite, Pallas Athena,
and Hera. Aphrodite, the
goddess of love, flatters
Paris by promising him
the most beautiful woman
in the world. Soon
afterwards, on a journey
to Greece, Paris meets
the beautiful Helen, who
immediately falls in love
with him. Since however
she is the wife of
Spartan king Menelaus,
she eventually lets
herself be kidnapped by
Paris voluntarily. The
Greeks then form a large
army and go to war
against Troy to retrieve
Helen, leading to a
ten-year siege of the
city. The city is
eventually conquered not
through combat, however,
but through Odysseus'
cunning ploy. He has the
idea of building an
enormous wooden horse
with warriors hidden
inside. The horse is
placed at the gates of
the city. Thus, the
Trojans are tricked into
giving up the siege when,
despite various warnings,
they bring the horse into
the city to dedicate it
to the goddess Athena. At
night, the soldiers climb
out of the horse and open
the gate for the Greek
army. The troops storm
the city and raze it to
the ground. The royal
family and all the Trojan
warriors are killed -
only Aeneas, the son of
Aphrodite, escapes.
Later, following many
years' wanderings he and
his acolytes will become
known as the founders of
the Roman people.
Troja (Troy) Orchestre d'harmonie - Facile Hal Leonard
Concert Band; Concert Band Set (Score) - Grade 2 SKU: HL.4008026 For C...(+)
Concert Band; Concert
Band Set (Score) - Grade
2
SKU: HL.4008026
For Concert Band,
Grade 2 6:00 Score.
Composed by Otto M.
Schwarz. Concert.
Softcover. Duration 360
seconds. Hal Leonard
#SDP1282201. Published by
Hal Leonard (HL.4008026).
The Greek poet
Homer wrote about Troy
and the Trojan War -
which probably took place
in what is now Asia Minor
- in his Iliad in the 8th
century B.C. Nowadays,
the term 'Trojan'
generally refers to a
malware program that is
used to gain unauthorized
access to computers. This
use comes from the
legendary Trojan Horse,
which saw the turning
poing in the battle
between Greeks and
Trojans through the
cunning of Odysseus. Let
us return to the
beginning of the story:
Paris, son of the king of
Troy, is tasked by Zeus
with judging the beauty
of the three goddesses
Aphrodite, Pallas Athena,
and Hera. Aphrodite, the
goddess of love, flatters
Paris by promising him
the most beautiful woman
in the world. Soon
afterwards, on a journey
to Greece, Paris meets
the beautiful Helen, who
immediately falls in love
with him. Since however
she is the wife of
Spartan king Menelaus,
she eventually lets
herself be kidnapped by
Paris voluntarily. The
Greeks then form a large
army and go to war
against Troy to retrieve
Helen, leading to a
ten-year siege of the
city. The city is
eventually conquered not
through combat, however,
but through Odysseus'
cunning ploy. He has the
idea of building an
enormous wooden horse
with warriors hidden
inside. The horse is
placed at the gates of
the city. Thus, the
Trojans are tricked into
giving up the siege when,
despite various warnings,
they bring the horse into
the city to dedicate it
to the goddess Athena. At
night, the soldiers climb
out of the horse and open
the gate for the Greek
army. The troops storm
the city and raze it to
the ground. The royal
family and all the Trojan
warriors are killed -
only Aeneas, the son of
Aphrodite, escapes.
Later, following many
years' wanderings he and
his acolytes will become
known as the founders of
the Roman people.
Score and Parts Fanfare Band (Score & Parts) - Grade 2 SKU: HL.4008029 (+)
Score and Parts Fanfare
Band (Score & Parts) -
Grade 2
SKU:
HL.4008029
For
Fanfare Band.
Composed by Otto M.
Schwarz. Duration 135
seconds. Hal Leonard
#SDP129-22-102. Published
by Hal Leonard
(HL.4008029).
The Greek poet
Homer wrote about Troy
and the Trojan War -
which probably took place
in what is now Asia Minor
- in his Iliad in the 8th
century B.C. Nowadays,
the term 'Trojan'
generally refers to a
malware program that is
used to gain unauthorized
access to computers. This
use comes from the
legendary Trojan Horse,
which saw the turning
poing in the battle
between Greeks and
Trojans through the
cunning of Odysseus. Let
us return to the
beginning of the story:
Paris, son of the king of
Troy, is tasked by Zeus
with judging the beauty
of the three goddesses
Aphrodite, Pallas Athena,
and Hera. Aphrodite, the
goddess of love, flatters
Paris by promising him
the most beautiful woman
in the world. Soon
afterwards, on a journey
to Greece, Paris meets
the beautiful Helen, who
immediately falls in love
with him. Since however
she is the wife of
Spartan king Menelaus,
she eventually lets
herself be kidnapped by
Paris voluntarily. The
Greeks then form a large
army and go to war
against Troy to retrieve
Helen, leading to a
ten-year siege of the
city. The city is
eventually conquered not
through combat, however,
but through Odysseus'
cunning ploy. He has the
idea of building an
enormous wooden horse
with warriors hidden
inside. The horse is
placed at the gates of
the city. Thus, the
Trojans are tricked into
giving up the siege when,
despite various warnings,
they bring the horse into
the city to dedicate it
to the goddess Athena. At
night, the soldiers climb
out of the horse and open
the gate for the Greek
army. The troops storm
the city and raze it to
the ground. The royal
family and all the Trojan
warriors are killed -
only Aeneas, the son of
Aphrodite, escapes.
Later, following many
years' wanderings he and
his acolytes will become
known as the founders of
the Roman people.
SKU: HL.194637 The Secret Language of Film Music. Music Pro Guides...(+)
SKU: HL.194637
The Secret Language of
Film Music. Music Pro
Guides. Composition,
Musicals Reference,
Songwriting. Softcover.
424 pages. Published by
Hal Leonard (HL.194637).
ISBN 9781495073731.
UPC: 888680641528.
7.0x10.0x1.071 inches.
Andy Hill Music Pro
Guides.
Today,
musical composition for
films is more popular
than ever. In
professional and academic
spheres, media music
study and practice are
growing; undergraduate
and postgraduate programs
in media scoring are
offered by dozens of
major colleges and
universities. And
increasingly, pop and
contemporary classical
composers are expanding
their reach into cinema
and other forms of screen
entertainment. Yet a
search on Amazon reveals
at least 50 titles under
the category of film
music, and, remarkably,
only a meager few
actually allow readers to
see the music itself,
while none of them
examine landmark scores
like Vertigo, To Kill a
Mockingbird, Patton, The
Untouchables, or The
Matrix in the detail
provided by Scoring the
Screen: The Secret
Language of Film Music.
This is the first book
since Roy M.
Prendergast's 1977
benchmark, Film Music: A
Neglected Art, to treat
music for motion pictures
as a compositional style
worthy of serious study.
Through extensive and
unprecedented analyses of
the original concert
scores, it is the first
to offer both aspiring
composers and music
educators with a view
from the inside of the
actual process of
scoring-to-picture. The
core thesis of Scoring
the Screen is that music
for motion pictures is
indeed a language,
developed by the masters
of the craft out of a
dramatic and commercial
necessity to communicate
ideas and emotions
instantaneously to an
audience. Like all
languages, it exists
primarily to convey
meaning. To quote
renowned orchestrator
Conrad Pope (who has
worked with John
Williams, Howard Shore,
and Alexandre Desplat,
among others): “If
you have any interest in
what music 'means' in
film, get this book. Andy
Hill is among the handful
of penetrating minds and
ears engaged in film
music today.â€.
Composed by Various. Edited by Frederick M. Noad. Music Sales America. Classical...(+)
Composed by Various.
Edited by Frederick M.
Noad. Music Sales
America. Classical,
Renaissance. Softcover
Audio Online. 120 pages.
Music Sales #AM968066.
Published by Music Sales
Composed by Various. Edited by Carl Strommen. Arranged by Donald M. Sherman. Bar...(+)
Composed by Various.
Edited by Carl Strommen.
Arranged by Donald M.
Sherman. Baritone Solo.
Piano accompaniment book.
Kendor Music Inc #10316.
Published by Kendor Music
Inc (KN.10316).
0.52