Flute and piano - easy

SKU: HL.49008199

Easy Jazz and Pop Pieces. Composed by Mike Schoenmehl. This edition: Saddle stitching. Sheet music with CD. Edition Schott. Classical. Edition with CD. 88 pages. Schott Music #ED 8881. Published by Schott Music (HL.49008199).

ISBN 9783795753818. 9.0x12.0x0.27 inches.

'Fun with Jazz Flute' is a series for beginners of any age, a way of complementing traditional teaching material with an introduction to the characteristics of pop and jazz. To help with practicing, the CD contains just the piano part as well as the complete track with both instruments for each piece. Walking by the sea * Two Note Blues * Dreaming of You * Up and Down Boogie * Try It! * The hurdy-gurdy * Singing' in the Church * Love Waltz * Sunset * Waltzin' * Happy reunion * Farewell-Gospel * Happy Talk * Holidays * Folksong * Looking back * Cuba Libre * Recollections of autumn * Hot Stuff * Song for Peace * French Evening * Gangster chase * Flight over the mountains * In the summer meadow * March of the old fogies * Agaric Rag * Notes on Interpretation, Commentary and Tips * Notes on the piano accompaniment * Even and Swing Quavers * Beat * CD-Index.

By Barbara Harry. For Piano. Piano Collection. Composer Spotlight Series. Level: Late Elementary. Book. Published by Alfred Publishing.

Piano

SKU: PO.ME06

Composed by Edwin Carr. Score - Softback score. Composed 1996. Promethean Editions #ME06. Published by Promethean Editions (PO.ME06).

ISBN 9780994114365.

The second of two books of piano works by Carr contains six varied pieces. Nocturne in A minor is a melancholic pas de deux, The Darkening evokes a summer sunset on Waiheke Island, while Poltergeist is a hectice scherzo. As with Book 1, all works have been selected for the Royal Schools alternative C list piano syllabus. Pastorale, The Darkening and A Legend are suitable for Grade 6, Nocturne in A minor and Poltergeist are suitable for Grade 7, while Seashore has been selected for Grade 8.

By Kevin Olson. For Piano. Composers In Focus. Seasons. Book. Published by The FJH Music Company, Inc.
Level: Intermediate.

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Eb Edition. By Various. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, chord names, leadsheet notation and guitar chord chart. Series: Hal Leonard Fake Books. 813 pages. Published by Hal Leonard.

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 3

SKU: CF.CAS117

Composed by Lauren Bernofsky. Concert String Orchestra (CAS). Set of Score and Parts. With Standard notation. 8+8+2+5+5+5+8 pages. Duration 3 minutes, 59 seconds. Carl Fischer Music #CAS117. Published by Carl Fischer Music (CF.CAS117).

ISBN 9781491153291. UPC: 680160910793. 9 x 12 inches. Key: A major.

Abendstern, composed by Lauren Bernofsky,?evokes an image of a sunset over the tree-covered hills of the Bavarian countryside with the Abendstern, or evening star, shining brightly over the scene. A hauntingly beautiful theme in falling thirds?evokes the treetops as they become darker and murkier. This piece is a wonderful addition to any concert program and can be used as a touching?tribute at a memorial service.
One summer night during a visit to Bavaria in southern Germany, I stood outside on a balcony overlooking the hills of the Bavarian forest, watching the beautiful early-evening sky. It was still light out, but I could make out one solitary star in the sky. As the sun slowly went down, the landscape became more and more dark and indistinct, and the star shone brighter and brighter. My mother-in-law stood there with me. I asked her the name of the star, and she answered, Abendstern (or Evening Star.) I was so moved by what I saw, I went inside and took out my manuscript paper and started to write down this piece. The tree-covered hills and tranquility of the evening are evoked by the theme, whose contour (with little bumps) mirrors the contour of the treetops on the hills. The star is represented by the sustained note E; at the beginning of the piece, it can be heard in a low register in the violas, and over the course of the piece, it is heard in higher and higher octaves, as the star shines ever more brightly. By the end, the landscape has disappeared into the darkness, and now all we see is the star, shining its brightest, and played by the upper strings, now harmonized to convey its brilliant light..
One summer night during a visit to Bavaria in southern Germany, I stood outside on a balcony overlooking the hills of the Bavarian forest, watching the beautiful early-evening sky. It was still light out, but I could make out one solitary star in the sky. As the sun slowly went down, the landscape became more and more dark and indistinct, and the star shone brighter and brighter. My mother-in-law stood there with me. I asked her the name of the star, and she answered, Abendstern (or Evening Star.) I was so moved by what I saw, I went inside and took out my manuscript paper and started to write down this piece. The tree-covered hills and tranquility of the evening are evoked by the theme, whose contour (with little bumps) mirrors the contour of the treetops on the hills. The star is represented by the sustained note E; at the beginning of the piece, it can be heard in a low register in the violas, and over the course of the piece, it is heard in higher and higher octaves, as the star shines ever more brightly. By the end, the landscape has disappeared into the darkness, and now all we see is the star, shining its brightest, and played by the upper strings, now harmonized to convey its brilliant light..
One summer night during a visit to Bavaria in southern Germany, I stood outside on a balcony overlooking the hills of the Bavarian forest, watching the beautiful early-evening sky. It was still light out, but I could make out one solitary star in the sky. As the sun slowly went down, the landscape became more and more dark and indistinct, and the star shone brighter and brighter. My mother-in-law stood there with me. I asked her the name of the star, and she answered, Abendstern (or Evening Star.) I was so moved by what I saw, I went inside and took out my manuscript paper and started to write down this piece. The tree-covered hills and tranquility of the evening are evoked by the theme, whose contour (with little bumps) mirrors the contour of the treetops on the hills. The star is represented by the sustained note E; at the beginning of the piece, it can be heard in a low register in the violas, and over the course of the piece, it is heard in higher and higher octaves, as the star shines ever more brightly. By the end, the landscape has disappeared into the darkness, and now all we see is the star, shining its brightest, and played by the upper strings, now harmonized to convey its brilliant light.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

366 More Great Songs for Better Living. Arranged by Jim Beloff, Liz Beloff. Fake Book. Country, Pop, Standards. Softcover. 416 pages. Published by Hal Leonard (HL.212971).

Fake Book (Includes melody line and chords). Size 6.7x10.5 inches. 640 pages. Published by Hal Leonard.

(366 More Songs for Better Living). By Various. Arranged by Jim Beloff and Liz Beloff. Fake Book. Softcover. 416 pages. Published by Hal Leonard

Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 3

SKU: CF.CAS117F

Composed by Lauren Bernofsky. Concert String Orchestra (CAS). Full score. With Standard notation. 8 pages. Carl Fischer Music #CAS117F. Published by Carl Fischer Music (CF.CAS117F).

ISBN 9781491153307. UPC: 680160910809. 9 x 12 inches.

Abendstern, composed by Lauren Bernofsky,?evokes an image of a sunset over the tree-covered hills of the Bavarian countryside with the Abendstern, or evening star, shining brightly over the scene. A hauntingly beautiful theme in falling thirds?evokes the treetops as they become darker and murkier. This piece is a wonderful addition to any concert program and can be used as a touching?tribute at a memorial service.
One summer night during a visit to Bavaria in southern Germany, I stood outside on a balcony overlooking the hills of the Bavarian forest, watching the beautiful early-evening sky. It was still light out, but I could make out one solitary star in the sky. As the sun slowly went down, the landscape became more and more dark and indistinct, and the star shone brighter and brighter. My mother-in-law stood there with me. I asked her the name of the star, and she answered, Abendstern (or Evening Star.) I was so moved by what I saw, I went inside and took out my manuscript paper and started to write down this piece. The tree-covered hills and tranquility of the evening are evoked by the theme, whose contour (with little bumps) mirrors the contour of the treetops on the hills. The star is represented by the sustained note E; at the beginning of the piece, it can be heard in a low register in the violas, and over the course of the piece, it is heard in higher and higher octaves, as the star shines ever more brightly. By the end, the landscape has disappeared into the darkness, and now all we see is the star, shining its brightest, and played by the upper strings, now harmonized to convey its brilliant light..
One summer night during a visit to Bavaria in southern Germany, I stood outside on a balcony overlooking the hills of the Bavarian forest, watching the beautiful early-evening sky. It was still light out, but I could make out one solitary star in the sky. As the sun slowly went down, the landscape became more and more dark and indistinct, and the star shone brighter and brighter. My mother-in-law stood there with me. I asked her the name of the star, and she answered, Abendstern (or Evening Star.) I was so moved by what I saw, I went inside and took out my manuscript paper and started to write down this piece. The tree-covered hills and tranquility of the evening are evoked by the theme, whose contour (with little bumps) mirrors the contour of the treetops on the hills. The star is represented by the sustained note E; at the beginning of the piece, it can be heard in a low register in the violas, and over the course of the piece, it is heard in higher and higher octaves, as the star shines ever more brightly. By the end, the landscape has disappeared into the darkness, and now all we see is the star, shining its brightest, and played by the upper strings, now harmonized to convey its brilliant light..
One summer night during a visit to Bavaria in southern Germany, I stood outside on a balcony overlooking the hills of the Bavarian forest, watching the beautiful early-evening sky. It was still light out, but I could make out one solitary star in the sky. As the sun slowly went down, the landscape became more and more dark and indistinct, and the star shone brighter and brighter. My mother-in-law stood there with me. I asked her the name of the star, and she answered, Abendstern (or Evening Star.) I was so moved by what I saw, I went inside and took out my manuscript paper and started to write down this piece. The tree-covered hills and tranquility of the evening are evoked by the theme, whose contour (with little bumps) mirrors the contour of the treetops on the hills. The star is represented by the sustained note E; at the beginning of the piece, it can be heard in a low register in the violas, and over the course of the piece, it is heard in higher and higher octaves, as the star shines ever more brightly. By the end, the landscape has disappeared into the darkness, and now all we see is the star, shining its brightest, and played by the upper strings, now harmonized to convey its brilliant light.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Fake Book (Includes melody line and chords). Size 9x12 inches. 640 pages. Published by Hal Leonard.

C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Standards. Softcover. 802 pages. Published by Hal Leonard

Over 400 Songs to Strum and Sing. Composed by Various. Ukulele. Folk, Standards. Softcover. 632 pages. Published by Hal Leonard

Over 400 Songs to Strum and Sing. By Various. Ukulele. Pop. Softcover. 632 pages. Published by Hal Leonard

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 448 pages. Published by Hal Leonard.

E-flat Edition. Composed by Various. Fake Book. Jazz. Softcover. 504 pages. Published by Hal Leonard (HL.175279).

Edited by Carol Cuellar. Piano/Vocal songbook (Piano/Vocal/Chords. Arrangements for piano and voice with guitar chords). 404 pages. Published by Alfred Publishing

For C instrument and voice. Format: fakebook (spiral bound). With chord names, vocal melody and lyrics. Jazz. Series: Hal Leonard Fake Books. 448 pages. 9x12 inches. Published by Hal Leonard.

Composed by Sammy Cahn. For Piano/Vocal/Guitar. P/V/G Composer Collection. Softcover. 320 pages. Cherry Lane Music #VF1567. Published by Cherry Lane Music

(The best in contemporary jazz from Europe). By Various. Edited by Chuck Sher. For C instruments. This edition: spiral-bound. Fake book. 423 pages. Published by Sher Music Company

B-flat Edition. Composed by Various. Fake Book. Softcover. 504 pages. Published by Hal Leonard

(C Edition). By Various. By Various. For C Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard

(The best in contemporary jazz from Europe). Composed by Various. Edited by Chuck Sher. For Bb instruments. This edition: spiral-bound. Fake book. 423 pages. Published by Sher Music Company

By William Bay and Mike Christiansen. For Guitar (All). Method. Mastering Guitar. All Styles. Level: Beginning-Intermediate. Book. Size 9x11.75. 168 pages. Published by Mel Bay Publications, Inc.