|
| I Am the Lord of the Dance
Chorale SATB
SATB, Piano [Vocal Score]
Hope Publishing Company
By Joel Raney. For SATB choir and piano. This edition: Complete. Choral score. 6...(+)
By Joel Raney. For SATB
choir and piano. This
edition: Complete. Choral
score. 62 pages.
Published by Hope
Publishing Company
$12.95 - Voir plus => AcheterDélais: 4 to 6 business days | | | |
| I Am the Lord of the Dance
Chorale SATB
SATB, Piano
Hope Publishing Company
By Joel Raney. For SATB choir and piano (flute, oboe, violin, cello). This editi...(+)
By Joel Raney. For SATB
choir and piano (flute,
oboe, violin, cello).
This edition: Complete.
Conductor's score and
instrumental parts.
Published by Hope
Publishing Company
$79.95 - Voir plus => AcheterDélais: 4 to 6 business days | | | |
| Prophesies [Conducteur et Parties séparées]
Theodore Presser Co.
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114419030 Score...(+)
Chamber Music Cello,
Viola, Violin 1, Violin 2
SKU: PR.114419030
Score and Parts.
Composed by Mohammed
Fairouz. Sws. Score and
parts. With Standard
notation. 68 pages.
Duration 25 minutes.
Theodore Presser Company
#114-41903. Published by
Theodore Presser Company
(PR.114419030). ISBN
9781491114124. UPC:
680160669851. 9 x 12
inches. A
fascination with
polycultural synergy
between diverse literary
textsdrives the
inspiration for much of
Mohammed Fairouz’s
prodigiouscreative
output, including
instrumental music as
well as vocal. Inhis
profound and extensive
essay preceding the
score, Fairouz shedslight
on how Edgar Allen
Poe’s “Israfel”
relates to the
prophetsand prophesies of
the Quran, Old Testament,
and New Testament.The
eight-movement quartet
may be heard as a
dramatic galleryof
portraits and of
story-telling,
flourishing in a
post-traditionallanguage
that is at once
vernacular and spiritual,
Middle Easternand
Western. The complete set
of score and parts is
included in
thispublication.
(See
pages 2-3 of score for
clear distinction of
paragraphs,
etc.)Prophesies, by
Mohammed FairouzEdgar
Allen Poe’s rendition
of Israfel was the point
of departure for the
final movement of my
previous stringquartet
which is titled The Named
Angels. At the opening of
his poem, Poe evokes the
Quran:“And the angel
Israfel, whose
heartstrings are a lute,
and who has the sweetest
voice of all God’s
creatures.”This informs
the first lines of the
poem that, in turn, gave
me the title for the
final movement of The
Named
Angels,“Israfel’s
Spell”:In Heaven a
spirit doth dwell“Whose
heartstrings are a
lute”None sing so
wildly wellAs the angel
Israfel,And the giddy
stars (so legends
tell),Ceasing their
hymns, attend the spellOf
his voice, all mute.It is
the end of that poem,
however, that is the
starting point for the
current quartet,
Prophesies, which
concernsitself with
mortal prophets rather
than eternal Angelic
spirits.If I could
dwellWhere IsrafelHath
dwelt, and he where I,He
might not sing so wildly
wellA mortal melody,While
a bolder note than this
might swellFrom my lyre
within the sky.Islamic
thought has asked us to
look at the example of
the prophets. That’s
significant because of
the fact thatJoseph and
all the prophets were
human beings with the
flaws of human beings. No
prophet was perfect,
andIslamic tradition has
never asked its followers
to aspire to the example
of the Angels, the
perfected ones. Instead
weare given the gift of
our prophets. While The
Named Angels drew on the
motion and energy of
everlasting
spirits,Prophesies is a
depiction of the
movements within our own
mortal coil.This quartet
is a continuation of a
long tradition of Muslim
artists telling their
stories and singing their
songs.Many of these
renditions are, in fact,
figurative and (contrary
to popular belief) the
Quran contains no
“Islamicedict”
prohibiting figurative
renditions of the figures
described in the Old
Testament, New Testament,
or Quran.The majority of
artists, however, have
preferred eternal and
abstract forms such as
words and their
calligraphicrepresentatio
ns, poems (Yusuf and
Zuleikha or the
Conference of Birds come
immediately to mind),
architecture,and many
other non-figurative art
forms to the
representation of man.
These cold, ancient, and
everlasting shapesof
unending time flourished,
and the divine infinity
of representing geometric
forms gained favor over
the placementof the
explicit representation
of mankind and our own
likeness at the center of
the universes.Adding the
string quartet to these
forms which express the
recursive spheres of
heavens and earth
abstractly shouldexplain
why I have chosen to
render higher things
through the use of music
without the addition of
words or anyother
art-form. It is the
abstract art of pure
form, in which all is
form and all is content,
which compels me.
Thisquartet should be
seen as no more
programmatic than the
arches of the Great
Mosque at Cordoba.The
first movement, Yāqub
(Jacob), is slow, quiet
and prayerful. It evokes
the patient sorrow of a
slow choraledeveloping
over time as it coaxes
our pulse out of the
ticking of a clock-like
meter that defines our
day-to-day livesand into
a divine eternity.The
second, Saleh, imagines
the spirit of that
desert-prophet through
the use of a Liwa; the
dance-sequence that
hasbeen such a prevalent
form of expression in the
Arabian Peninsula for
much of our recorded
history.The third
movement is titled
Dawoōd, and it is
emblematic of the beloved
Prophet, King, and
Psalmist, David.Though it
has no lyrics, the
movement functions as a
dabkeh (an ancient dance
native to the Levant) and
also “sets”the
opening of Psalm 100
(Make a joyful noise unto
the Lord, all ye lands).
This line is never set to
music or sung inthe
quartet but is evoked
through the rhythmic
shape of the violin part
which imitates the
phonology and rhythmof my
speaking the opening line
in the Hebrew and
develops the contours of
that line incessantly
throughout
themovement.3The fourth
movement is an ode to
Yousef (Joseph) and
relates to the first
movement in tempo and
tone just as
Josephrelates to Jacob,
his father. Together, the
first and fourth
movements provide a sort
of Lamentation and
relief.Joseph had the
appearance of a noble
angel, but he was very
much a human being. And
the story of this
particularprophet had
tragic beginnings many
years before he found
himself in a position of
power in Egypt. Back in
his youth,still among the
Israelites, Joseph
experienced a series of
revelations through his
dreams that spoke of his
impendingcareer in
prophecy. He confided his
dreams to his father, the
Prophet Jacob, who told
his son of the greatness
thatawaited him in his
future only to have his
brothers throw him into a
well and leave him for
dead. Joseph
eventuallyfound his way
from Israel to Egypt and
rose out of slavery into
a position of power.
Meanwhile, famine engulfs
Israel.Forty years pass,
and back in the land of
Jacob and Rachel, of
Joseph’s brothers and
Abraham’s tribe, Israel
wasnot spared the effects
of the famine. They
sorely lacked Joseph’s
prophecy and his vision.
The Qur’an then tells
usthat Jacob, sensing
Joseph, sends the other
brothers to Egypt
instructing them to come
back with food and
grain.Arriving in Egypt,
they unwittingly appear
before Joseph. They
don’t recognize their
little brother who has
risen toa position of
might, dressed in his
Egyptian regalia. They
ask for the food and the
grain.After some
conversation, Joseph is
no longer able to contain
his emotion. Overcome, he
reveals himself to his
nowterrified brothers. He
embraces them. He asks
them eagerly, “How is
our father?” Joseph
gives them the gift of
thefood and the grain
that they came in search
of. He relieves them from
hunger and alleviates
their fear. He sendsthem
back with proof that he
is alive, and it is this
joyful proof from the
miraculous hands of a
prophet that bringsback
the ancient Jacob’s
vision after 40 years of
blindness.In this story,
I am struck by the fact
that Joseph may not have
made the decision to
forgive his brothers on
thespot, but that
something inside the
prophet’s soul found
forgiveness and peace for
the brothers who had so
gravelywronged him at
some point along his
journey. I would suspect
this point to have been
present at Joseph’s
inception,even before he
had ever been
wronged.This is proof, if
we needed it, that
Joseph’s angel-like
beauty was not only
physical and external,
but also internalas well:
Joseph possessed a
profound loveliness of
spirit that bound his
appearance and his soul.
In Joseph, formand soul
are one.Time is to
musicians what light is
to a painter. In this
way, the story of Joseph
also shows us that time
can affectour perception
of even the most tragic
wounds. In fact, the most
common Arabic word for
“human being” is
insaan,which shares its
roots with the word
insaa, “to forget.”
While our ability to
remember is essential to
how we learnabout
ourselves, our capacity
to “forgive and
forget” may also be one
of our great gifts as
human beings.The fifth
movement follows my ode
to Joseph with a
structural memory of
Mūsa (Moses). The
movement consistsentirely
of descending motifs
which I constructed as an
indication of Moses’
descending movement as he
emergedto his people from
the heights of Mt. Sinai.
The music is constructed
in five phrases which
function as a
formalreference to the
five books of Moses, the
Pentateuch. The movement
is placed as the fifth of
the quartet for the
samereason.While Joseph
is always evoked as
supremely beautiful in
the Books of Judaism,
Christianity, and Islam,
Suleiman(Solomon) is
described as surpassing
in his quicksilver
intelligence. This
movement is composed of a
seven-partriddle which
passes by in an instant
but can be caught by the
attentive listener. From
Solomon, we work our
wayback to Yishak (Isaac)
in a seventh movement
that evokes Isaac’s
literal meaning in Arabic
and Hebrew: laughter.The
eighth and final movement
of this quartet is named
for the Patriarch of the
entire Book: Ibrahim
(Abraham). Itrelates to
Isaac just as Joseph
relates to Jacob; they
are father and son. The
lines are prayerful and
contemplative;the form of
the music evolves from a
fugue joining together
many different forms of
prayer into a single
tapestry ofcounterpoint,
to the cyclical form of
this entire quartet which
is rendered through the
motion of pilgrims
circling theKaaba (cube)
in Mecca — a structure
which was built by
Abraham for Hagaar and
their son Ismail.These
are just some of the
figures that are
cherished by all three of
the Middle Eastern
monotheisms
(Judaism,Christianity,
and Islam) that the
Qur’an refers to
collectively as Ahl
Al-Kitab. This Arabic
phrase is most
commonlytranslated as
“The People of the
Book,” but here the
most common translation
is a flawed one: the
Arabic word“ahl”
means “family” and
not just “people.” A
better translation would
be “Family of the
Book.” Each of the
eightmovements of
Prophesies grows from a
single musical cell.This
quartet is a family
album.—Mohammed Fairouz
(2018. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| The Lord of the Dance
Instrumentation Flexible [Conducteur et Parties séparées] - Facile
Hal Leonard
By Ronan Hardiman. Arranged by Johnnie Vinson. Score and Parts. FlexBand. Grade ...(+)
By Ronan Hardiman.
Arranged by Johnnie
Vinson. Score and Parts.
FlexBand. Grade 2-3.
Published by Hal Leonard
$60.00 $57 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Hobbits Dance and Hymn
Orchestre d'harmonie [Conducteur et Parties séparées]
Amstel Music
From The Lord of the Rings. By Johan De Meij. Arranged by Paul Lavender. Amstel ...(+)
From The Lord of the
Rings. By Johan De Meij.
Arranged by Paul
Lavender. Amstel Concert
Bands. Size 9x12 inches.
Published by Amstel
Music.
$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Easter Carol Book
Chorale
Schott
Choral SKU: HL.49003005 Performance Score. Edited by Mervyn Horder...(+)
Choral SKU:
HL.49003005
Performance Score.
Edited by Mervyn Horder.
Arranged by Mervyn
Horder. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical.
Playing score. 46 pages.
Schott Music #ED12072.
Published by Schott Music
(HL.49003005). ISBN
9780901938787. UPC:
073999922370.
6.5x10.0x0.214 inches.
English. Alleluia
(Mozart) * Alleluia
(Boyce) * Cedit Hiems
Eminus * Christ is Risen
Again * Death and
Darkness * Early Morning
* Easter Eggs * Easter
Morning * Good Christian
Men * Good Joseph had a
Garden * Hail, Easter
Bright * Hilariter * I
Danced in the Morning *
Jesus Christ is Risen
Today * Jesus, Life and
Comfort Given * Let the
Merry Church Bells Ring *
Let the Song be Begun *
Let us Sing this Easter
Morning * Lord of the
Dance * Now the Green
Blade Riseth * O Sons and
Daughters * Ring the
Bell, Ring it Well *
Slowly Winter Fades Away
* The Angel rolles the
Stone away * The Drums of
Calvary * The Glory of
our King * The Lamb's
High Banquet * The Whole
Bright World * They were
Beating as he dragged
himself * The World
itself keeps Easter day *
This joyful Eastertide *
Tomorrow shall be my
dancing day * While
Christ lay dead * Ye
choirs of New
Jerusalem. $26.95 - Voir plus => Acheter | | | |
| Lord of the Dance. Solo, SATB & Org arr Ashley Grote
Stainer and Bell
Solo, SATB choir & Org SKU: ST.W228 Composed by Sydney Carter. Arranged b...(+)
Solo, SATB choir & Org
SKU: ST.W228
Composed by Sydney
Carter. Arranged by
Ashley Grote. Vocal
Score. Soprano Solo, SATB
and Organ. Octavo.
Stainer & Bell Ltd.
#W228. Published by
Stainer & Bell Ltd.
(ST.W228). ISBN
9790220223600. Ashl
ey Grote's arrangement of
this much-loved song
releases the energy of
the words and music in a
modern style that
reflects the compelling
appeal of the piece for
contemporary audiences
and worshippers. Already
widely available in hymn
collections, as an anthem
Lord of the
Dance may now be
sung by church choirs in
this winning new version
which embraces the
musical freedoms of our
time, while drawing on
the rich tradition of
cathedral music and the
enthusiasm of Gloucester
Cathedral Youth Choir for
whom it was written. $4.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | | |
| Lord of the Dance (I Danced in the Morning) (Choral Score)
Chorale SATB
SATB, Piano
MorningStar Music Publishers
Composed by Neil Harmon. Easter, 21st Century. MorningStar Music Publishers #...(+)
Composed by Neil Harmon.
Easter, 21st Century.
MorningStar Music
Publishers
#50-4365. Published by
MorningStar Music
Publishers
$2.65 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Lord of the Dance
Chorale SATB
Hope Publishing Company
Vocal, Duet, Solo SATB choir; orchestra; vocal solo/duet SKU: HP.8708 Com...(+)
Vocal, Duet, Solo SATB
choir; orchestra; vocal
solo/duet SKU:
HP.8708 Composed by
Sydney Carter. Arranged
by Don Hart. Piano
Accompaniment with
Optional Orchestra. Vocal
Solo Sheet Music Series.
Hymntune, Holy Week,
Easter Sunday, Kingdom,
Sacred. Vocal score. Hope
Publishing Company #8708.
Published by Hope
Publishing Company
(HP.8708). UPC:
763628187088. Matthew
11:16, Matthew 11:17,
Matthew 11:18, Matthew
11:19, Ecclesiastes 3:4,
Mark 1:19, Matthew
4:21. 19th Century
Shaker Tune. $7.95 - Voir plus => AcheterDélais: 4 to 6 business days | | | |
| The King's Singers: The King's Singers Book of Rounds, Canons and Partsongs
Chorale 3 parties
3 parties Mixtes [Vocal Score] - Intermédiaire
Hal Leonard
(Songbook). By The King's Singers. Arranged by The King's Singers. For choir (on...(+)
(Songbook). By The King's
Singers. Arranged by The
King's Singers. For choir
(one, two, or three-part
voices) (Songbook).
King's Singer's Choral.
Pop Vocal, Traditional
Folk, Baroque and
Classical Period.
Difficulty: easy-medium.
Vocal score (one, two and
three part rounds). Vocal
melody, harmony part and
leadsheet notation. 80
pages. Published by Hal
Leonard
(5)$10.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| 60 Easy Hymn Settings for Piano
Piano seul [Conducteur] - Facile
Hope Publishing Company
Arranged by Joel Raney. Score. Hope Publishing Company #9114. Published by Hop...(+)
Arranged by Joel Raney.
Score.
Hope Publishing Company
#9114.
Published by Hope
Publishing
Company
$69.95 - Voir plus => AcheterDélais: 4 to 6 business days | | | |
| Reflections for Worship for 4-Hand Piano
1 Piano, 4 mains [Conducteur]
Hope Publishing Company
Arranged by Mark Hayes. Score. Hope Publishing Company #9115. Published by Hop...(+)
Arranged by Mark Hayes.
Score.
Hope Publishing Company
#9115.
Published by Hope
Publishing
Company
$23.95 - Voir plus => AcheterDélais: 4 to 6 business days | | | |
| English Country Dance Tunes
Schott
2 recorders Recorder SKU: HL.49002231 2 Recorders (SS/TT). Edited ...(+)
2 recorders Recorder
SKU: HL.49002231
2 Recorders
(SS/TT). Edited by
Edgar Hubert Hunt.
Arranged by Edgar Hubert
Hunt. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Playing score.
Composed 1650. 16 pages.
Schott Music #ED 10017.
Published by Schott Music
(HL.49002231). ISBN
9790220100352. UPC:
073999361070.
8.25x6.0x0.063
inches. $15.99 - Voir plus => Acheter | | | |
| Lord of the Rings, The (Symphony No. 1) - Hobbits - Mvt. V
Orchestre d'harmonie [Conducteur et Parties séparées]
Amstel Music
Score and Parts. By Johan De Meij. Amstel Concert Bands. Size 10.7x14 inches. Pu...(+)
Score and Parts. By Johan
De Meij. Amstel Concert
Bands. Size 10.7x14
inches. Published by
Amstel Music.
$165.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Lord of the Dance
Cloches - Facile
Hope Publishing Company
2-3 Octave Handbells - Level 2 SKU: HP.3043 Handbell score. Hope Publishi...(+)
2-3 Octave Handbells -
Level 2 SKU:
HP.3043 Handbell
score. Hope Publishing
Company #3043. Published
by Hope Publishing
Company (HP.3043).
UPC: 763628130435.
Jason
Krug. Favorite hymn
tune Join the celebration
with this fresh
arrangement of Sydney
Carter's enchanting hymn
based on Simple Gifts.
Written for 3-5 octaves
of handbells, this
accessible setting is
rich with fun rhythms and
stopped techniques; a
sure winner for the
Easter season. $6.25 - Voir plus => AcheterDélais: 4 to 6 business days | | | |
| Lord of the Dance
Cloches - Facile
Hope Publishing Company
Handbells 3-5 Octave handbells - Level 2 SKU: HP.2997 Composed by Jason W...(+)
Handbells 3-5 Octave
handbells - Level 2
SKU: HP.2997
Composed by Jason W.
Krug. Hymn Arrangements,
Festival, Lent, Holy
Week, Easter Sunday,
General Worship,
Adoration & Praise.
Handbell score. 8 pages.
Hope Publishing Company
#2997. Published by Hope
Publishing Company
(HP.2997). UPC:
763628129972. Jason
Krug. Favorite hymn
tune Join the celebration
with this fresh
arrangement of Sydney
Carter's enchanting hymn
based on Simple Gifts.
Written for 3-5 octaves
of handbells, this
accessible setting is
rich with fun rhythms and
stopped techniques; a
sure winner for the
Easter season. $6.25 - Voir plus => AcheterDélais: 4 to 6 business days | | | |
| Song of Thanksgiving
Chorale SATB
SATB, Piano
Brookfield Press
Lord, to You Immortal Praise. Composed by Conrad Kocher. Arranged by John Leav...(+)
Lord, to You Immortal
Praise.
Composed by Conrad
Kocher.
Arranged by John Leavitt.
Brookfield Choral Series.
General Worship, Sacred,
Thanksgiving. Octavo. 8
pages. Published by
Brookfield Press
$2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Small-ER But Mighty, Vol. 4
Cloches
Hope Publishing Company
Handbell Ensemble SKU: HP.2959 Arranged by Joel Raney. Come Thou Fount of...(+)
Handbell Ensemble SKU:
HP.2959 Arranged by
Joel Raney. Come Thou
Fount of Every Blessing;
Be Still My Soul; I Am
Bound for the Promised
Land; Lord of the Dance;
O Sacred Head Now
Wounded; Joyful, Joyful,
We Adore Thee; The First
Noel; Promised Land
Calypso (On Jordan's
Stormy Banks); My County
'Tis of Thee. Small(er)
But Mighty. Hymntune,
Hymn Arrangements,
Christmas, Lent, Holy
Week, Easter Sunday,
Thanksgiving, General
Worship, Faith &
Faithfulness,
Forgiveness, God, Grace,
Gratefulness, Heaven &
Eternal Life, Hope, Joy,
Love, Mercy, Adoration &
Praise, Worship. Handbell
score. 20 pages. Hope
Publishing Company #2959.
Published by Hope
Publishing Company
(HP.2959). UPC:
763628129590. Volum
e 4 in the Smaller But
Mighty Series These 8
arrangements for 8 bells
are accessible and
beautiful. The piano
fills out the harmonies
and give a large breadth
of sound. The handbell
parts contain only 8
bells and can be rung
without tables. An
accompaniment CD is also
available. $49.95 - Voir plus => AcheterDélais: 4 to 6 business days | | | |
| The Peasant Cantata
Chorale SATB
Music Sales
Choral (SATB) SKU: HL.14002980 SATB Score. Composed by Johann Seba...(+)
Choral (SATB) SKU:
HL.14002980 SATB
Score. Composed by
Johann Sebastian Bach.
Music Sales America.
Baroque, Cantata. Vocal
Score. Composed 2006.
Music Sales #PAT0190002.
Published by Music Sales
(HL.14002980).
English. The
Peasant Cantata was
written and performed in
1742 as an act of homage
to Carl Heinrich Von
Dieskau on his becoming
'Lord Of Thee Manor'. The
libretto, supplied by
Picander, deals with the
rejoicing of villagers
and their congratulations
and good wishes to the
new laird and his wife.
Many folk melodies are
introduced, and most of
the numbers are based on
merry country dance
tunes. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Lord of Life
Chorale SATB
SATB, Orgue - Facile
GIA Publications
SATB choir, cantor, assembly, organ accompaniment, flute, trumpet 1, trumpet 2, ...(+)
SATB choir, cantor,
assembly, organ
accompaniment, flute,
trumpet 1, trumpet 2,
trombone 1, trombone 2,
bass, percussion - Early
intermediate SKU:
GI.G-2402 Composed by
C. Alexander Peloquin.
Mass. Mass. Sacred.
Choral score. 82 pages.
GIA Publications #2402.
Published by GIA
Publications (GI.G-2402).
Scripture: Psalm
95:1–2,
6–7,
8–9. $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Music from By the Shores of Silver Lake [Conducteur]
A-R Editions
Edited by Dale Cockrell. Laura's Music: Songs from Laura Ingalls Wilder's Books....(+)
Edited by Dale Cockrell.
Laura's Music: Songs from
Laura Ingalls Wilder's
Books. Score. Published
by A-R Editions
(A2.LM004).
$20.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Small But Mighty Vol 1 for 12 Bells
Cloches
Hope Publishing Company
HB Small Ensemble handbells SKU: HP.2963 Arranged by Jason W. Krug. A Mig...(+)
HB Small Ensemble
handbells SKU:
HP.2963 Arranged by
Jason W. Krug. A Mighty
Fortress Is Our God;
Jesus Loves Me; Lord of
the Dance; God of Grace
and God of Glory; The
Gift of Love; Praise to
the Lord, the Almighty;
Stand Up, Stand Up for
Jesus; Leaning on the
Everlasting Arms.
Small(er) But Mighty.
Handbell score. Hope
Publishing Company #2963.
Published by Hope
Publishing Company
(HP.2963). UPC:
763628129637. Eight
Settings for 12 Bells
Intended for the small
ensemble, this collection
includes 8 arrangements
that have been written
for the treble clef,
F5-C7. They can be used
for 3 to 6 ringers. $39.95 - Voir plus => AcheterDélais: 4 to 6 business days | | | |
| Simple Gifts
Chorale 3 parties
SAB, Piano [Octavo]
Faber Music Limited
Arranged by Alexander L'Estrange. Choir Secular. For with Piano (SAB). Choral Oc...(+)
Arranged by Alexander
L'Estrange. Choir
Secular. For with Piano
(SAB). Choral Octavo.
Faber Choral Singles.
Secular. Published by
Faber Music
$1.99 $1.8905 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Blue Horizons - Intermédiaire
Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
English Horn, Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Piccolo, Trumpet
1, Trumpet 2, Trumpet 3,
alto Saxophone 1 and
more. - Grade 5 SKU:
CF.SPS85 Composed by
Jeremy Martin. Folio.
Sps. Set of Score and
Parts.
4+28+28+14+14+4+14+14+7+2
4+28+28+8+4+8+8+14+8+9+12
+12+8+8+8+8+12+12+9+12+8+
16+4+3+2+6+6+6+7+44
pages. Duration 7
minutes, 8 seconds. Carl
Fischer Music #SPS85.
Published by Carl Fischer
Music (CF.SPS85). ISBN
9781491156421. UPC:
680160914968. 9 x 12
inches. Blue
Horizons is a spirited
tribute to the musical
heritage of the United
States Air Force. The
main theme is a variation
of the U.S. Air Force
Song (Off We Go), with a
secondary theme based on
A Toast to the Host (the
bridge of The Air Force
Song). Throughout the
work, fragments of other
Air Force-related songs
appear: Lord, Guard and
Guide (the Air Force
Hymn), Air Force Blue,
and Those Magnificent Men
in Their Flying Machines.
The original request for
this work was a daunting
task: I was asked to
create an Air Force
companion piece to Robert
Jager's Esprit de Corps
that would mirror the
style and spirit of that
landmark work. The goal
was to use elements of
our various Air Force
tunes in the same way
that Jager incorporated
The Marine's Hymn into
his work - that is, to
weave a musical tapestry
of the Air Force's
musical heritage without
ever becoming a mere
arrangement of the
original material. As a
former student of Robert
Jager at Tennessee
Technological University,
I discussed my plans for
the piece with him,
shared my progress along
the way, and sought his
guidance as I had done so
many times in the past.
He was delighted that I
managed to incorporate a
few Jager-isms into the
music, including one
direct quote from Esprit
de Corps. Although Blue
Horizons was conceived as
a dedication to the Air
Force's musical legacy,
it is also a personal
homage to my teacher and
friend, Robert Jager.
Performance Notes * If
only two flutists are
available, omit the
piccolo part and have
them play Flute 1 and 2;
in this case, Flute 1
should switch over to
piccolo (still playing
from the Flute 1 part) at
m. 81 and back to regular
flute at m. 114. If only
covering the Flute 1 and
2 parts, Flute 2 should
ignore indications to
switch to piccolo and
just play the entire work
on regular flute. * Oboe
1 and 2 parts should be
covered before adding the
English Horn part. * The
clarinet in Eb part
should not be covered
unless there are a
sufficient number of
players on the clarinet
in Bb parts. * The
trumpet cues in mm. 77-80
are only necessary if the
horns need assistance
finishing their soli
phrase with enough
strength to be heard. If
you can hear them without
extra support, leave the
trumpets out. * From mm.
89-95, be sure the wind
players with static
eighth notes do not cover
up the players with
moving lines. * There is
a strong tendency to rush
m. 121. * During the oboe
solo from mm. 157-168,
ensure that the
suspension/resolution
lines in the bassoon and
clarinet parts are heard;
emphasize the importance
of growing into the
suspension with a slight
crescendo. * In the
scherzo section that
begins at m. 217, be sure
that each player knows
how his/her part fits
into the overall sound. I
recommend isolating
different textural items
so the players can hear
those parts on their own.
(The bass line from mm.
243-260, for example, or
the moving inner-voice
line from mm. 251-260.) *
In this same scherzo
section, care should be
taken to not play too
loud and save a little
strength for the climax
fanfare at m. 279. * If
you have an abundance of
tubas, I would recommend
having one or two of them
play up an octave from
mm. 243-271 if the lower
part seems too
heavy.
Blue Horizons
is a spirited tribute to
the musical heritage of
the United States Air
Force. The main theme is
a variation of the U.S.
Air Force Song (Off We
Go), with a secondary
theme based on A Toast to
the Host (the bridge of
The Air Force Song).
Throughout the work,
fragments of other Air
Force-related songs
appear: Lord, Guard and
Guide (the Air Force
Hymn), Air Force Blue,
and Those Magnificent Men
in Their Flying
Machines.The original
request for this work was
a daunting task: I was
asked to create an Air
Force “companion
piece†to Robert
Jager’s Esprit de
Corps that would mirror
the style and spirit of
that landmark work. The
goal was to use elements
of our various Air Force
tunes in the same way
that Jager incorporated
The Marine’s Hymn
into his work –
that is, to weave
amusical tapestry of the
Air Force’s
musical heritage without
ever becoming a mere
arrangement of the
original material. As a
former student of Robert
Jager at Tennessee
Technological University,
I discussed my plans for
the piece with him,
shared my progress along
the way, and sought his
guidance as I had done so
many times in the past.
He was delighted that I
managed to incorporate a
few
“Jager-ismsâ€
into the music, including
one direct quote from
Esprit de Corps. Although
Blue Horizons was
conceived asa dedication
to the Air Force’s
musical legacy, it is
also a personal homage to
my teacher and friend,
Robert Jager.Performance
Notes• If only two
flutists are available,
omit the piccolo part and
have them play Flute 1
and 2; in this case,
Flute 1 should switch
over to piccolo (still
playing from the Flute 1
part) at m. 81 and back
to regular flute at m.
114. If only covering the
Flute 1 and 2 parts,
Flute 2 should ignore
indications to switch to
piccolo and just play the
entire work on regular
flute.• Oboe 1 and
2 parts should be covered
before adding the English
Horn part.• The
clarinet in Eb part
should not be covered
unless there are a
sufficient number of
players on the clarinet
in Bb parts.• The
trumpet cues in mm. 77-80
are only necessary if the
horns need assistance
finishing their soli
phrase with enough
strength to be heard. If
you can hear them without
extra support, leave the
trumpets out.• From
mm. 89-95, be sure the
wind players with static
eighth notes do not cover
up the players with
moving lines.•
There is a strong
tendency to rush m.
121.• During the
oboe solo from mm.
157-168, ensure that the
suspension/resolution
lines in the bassoon and
clarinet parts are heard;
emphasize the importance
of growing into the
suspension with a slight
crescendo.• In the
scherzo section that
begins at m. 217, be sure
that each player knows
how his/her part fits
into the overall sound. I
recommend isolating
different textural items
so the players can hear
those parts on their own.
(The bass line from mm.
243-260, for example, or
the moving inner-voice
linefrom mm.
251-260.)• In this
same scherzo section,
care should be taken to
not play too loud and
save a little strength
for the climax fanfare at
m. 279.• If you
have an abundance of
tubas, I would recommend
having one or two of them
play up an octave from
mm. 243-271 if the lower
part seems too heavy. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Fragments of Your Ancient Name
Voix et Flûte - Intermédiaire
Howard J. Buss Publications
Composed by Roger Vogel (1947-). Edited by Howard J. Buss. For high voice and fl...(+)
Composed by Roger Vogel
(1947-). Edited by Howard
J. Buss. For high voice
and flute. 21st Century.
Grade 4-5. 2 scores.
English text. Composed
2015. Duration 12
minutes, 30 seconds.
Published by Howard J.
Buss Publications
$20.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | | |
| Celtic celebrations [Conducteur]
Noten Roehr
SKU: NR.111028 Suite für Orgel, 2021. Composed by Christoph Brüc...(+)
SKU: NR.111028
Suite für Orgel,
2021. Composed by
Christoph Brückner.
Keyboard instruments.
Score. Noten Roehr
#111028. Published by
Noten Roehr (NR.111028).
Lord of the
dance, Christ the Lord is
risen today, Choral
Tambourin, Morning has
broken, Ihr Freunde
Gottes allzugleich,
Choral ad libitum,
Eventide Abide with me,
Celtic Alleluja, Ostern
in Irland. $27.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
|
