| The Hymn Fake Book - C Edition
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
(3)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ultimate Pop Instrumental Solos Cor [Partition + CD] - Intermédiaire Alfred Publishing
(Horn in F). For Horn in F. Book; CD; Instrumental Series; Play-Along. Ultimate ...(+)
(Horn in F). For Horn in
F. Book; CD; Instrumental
Series; Play-Along.
Ultimate Pop Instrumental
Solos Series. Pop. Grade
2; Grade 3. 88 pages.
Published by Alfred Music
Publishing
$18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wake Me Up Before You Go Go Handelsware
7 melody instruments, percussion, mallet percussion - intermediate SKU: M7.NO...(+)
7 melody instruments,
percussion, mallet
percussion - intermediate
SKU:
M7.NOR-1301345-45
Shuffle/Swing.
Composed by George
Michael and Wham.
Arranged by Idar
Torskangerpoll. Sheet
music. Score and parts,
Flex 7. Duration 3'.
Handelsware #NOR
1301345-45. Published by
Handelsware
(M7.NOR-1301345-45).
Der Pop-Hit von
Wham! aus dem Jahr 1984
gesetzt für flexible
Bläserbesetzung.
1. Stimme: Klarinette in
B oder Es 2. Stimme:
Klarinette,
Flügelhorn 3.
Stimme: Trompete,
Flöte 4. Stimme:
Trompete, Horn,
Altsaxophon 5.
Stimme: Posaune, Horn,
Saxophon 6. Stimme:
Euphonium, Posaune,
Tenorsaxophon 7.
Stimme: Tuba,
Baritonsaxophon,
Bass-Klarinette
Rhythmusgruppe:
Kontrabass (mit
Akkordsymbolen),
Schlagzeug, Perkussion
und Stabspiele
Zusätzlich sind
sogenannte Superparts
(Stimmen für Anfänger
in C, B, Es, F und
Bassschlüssel) im Set
enthalten. $111.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Acoustic Metal Guitare notes et tablatures [Partition + CD] Hal Leonard
Guitar Play-Along Series, Volume 37. Performed by Various. Guitar Play-Along. Bo...(+)
Guitar Play-Along Series,
Volume 37. Performed by
Various. Guitar
Play-Along. Book and CD
Package. With notes and
tablature. Size 9x12
inches. 56 pages.
Published by Hal Leonard.
(1)$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The King's Singers: The King's Singers Book of Rounds, Canons and Partsongs
Chorale 3 parties 3 parties Mixtes [Vocal Score] - Intermédiaire Hal Leonard
(Songbook). By The King's Singers. Arranged by The King's Singers. For choir (on...(+)
(Songbook). By The King's
Singers. Arranged by The
King's Singers. For choir
(one, two, or three-part
voices) (Songbook).
King's Singer's Choral.
Pop Vocal, Traditional
Folk, Baroque and
Classical Period.
Difficulty: easy-medium.
Vocal score (one, two and
three part rounds). Vocal
melody, harmony part and
leadsheet notation. 80
pages. Published by Hal
Leonard
(5)$10.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Child's Garden of Jazz for Brass Quintet Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Conducteur et Parties séparées] - Avancé Cherry Classics
By Henry Wolking. For Brass Quintet. Contemporary jazz. Advanced. Score and part...(+)
By Henry Wolking. For
Brass Quintet.
Contemporary jazz.
Advanced. Score and
parts. Published by
Cherry Classics
$32.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Chorbuch Advent Chorale SATB SATB [Partition] Carus Verlag
By Various. Edited by Kreuels, Matthias / Bretschneider, Wolfgang / Geismann, Wi...(+)
By Various. Edited by
Kreuels, Matthias /
Bretschneider, Wolfgang /
Geismann, Wilm /
Mailander, Richard. This
edition: paperbound.
Sacred, Hymns, Unison
hymns, Hymn settings,
Magnificat, Mass
Sections, Motets, Psalms,
German; Choral
Collections, SAM Choir,
Choral Collections,
Women's Choir, Choral
Collections, Mixed Choir;
Occasions: Prayer, Praise
and thanks, Psalms, Daily
hours; Us. Choral
collection. 192 pages
$28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Paul, Op. 36 Chorale SATB Serenissima
By Felix Bartholdy Mendelssohn (1809-1847). Edited by Alfred Dorffel. Arranged b...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Alfred Dorffel.
Arranged by August Horn.
Choir and piano. For Solo
voices, SATB Choir,
Piano. This edition:
Paperback. Oratorio
(complete),
Transcriptions, Original
Works, Choral. Romantic
Period; Sacr. Large Vocal
Score. Romantic Period;
Sacred/Hymns, German.
$16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Fun With the Fife Flûte irlandaise [Partition] - Facile Mel Bay
by Mizzy McCaskill and Dona Gilliam. For fife. method. Fun With. All styles. Lev...(+)
by Mizzy McCaskill and
Dona Gilliam. For fife.
method. Fun With. All
styles. Level: Beginning.
Book. Size 8.75x11.75. 32
pages. Published by Mel
Bay Publications, Inc.
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Eden: Out of Time and Out of Space Theodore Presser Co.
Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello SKU: ...(+)
Chamber Music Clarinet,
Flute, Guitar, Horn,
Viola, Violin,
Violoncello SKU:
PR.114420410
Chamber Concerto for
Guitar and Ensemble.
Composed by George
Rochberg. Set of Score
and Parts.
30+10+8+10+12+10+10+10
pages. Duration 20
minutes. Theodore Presser
Company #114-42041.
Published by Theodore
Presser Company
(PR.114420410). UPC:
680160687015. In
one of the dedicatory
poems to his verse play
The Shadowy Waters
(1906), William Butler
Yeats asks: Is Eden far
away...? Do our woods and
winds and verponds cover
more quiet woods, More
shining winds, more
star-glimmering ponds? Is
Eden out of time and out
of space? How do you
answer such questions? We
have only the vague
elusive promptings of our
own mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
- what is most painful to
admit - that it is closed
to us in the form in
which we live and
breathe, even if at times
we do have
intimations..., Yeats is
telling us that this
paradise, this Eden we
yearn for is here -
present even if
invisible, palpable even
if intangible. In his
Second Symphony, Mahler
meets an angel who tells
him he can't get into
heaven, he's locked out.
The news is shattering.
What follows is an
inconsolable sorrowing,
the same sorrowing that
comes when we wake to the
realization that we too
are locked out of Eden.
Eden is the heaven of our
longing and desire for
release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes -because it is not
a place. It is a state of
soul which answers none
of the illusory,
hampering conditions that
shape and bind us to the
real world of our bodies,
our appetites, our
passions, and our
beliefs. I have turned
Yeats' question Is Eden
out of time and out of
space? into its own
answering. However near
we may sense its presence
at times, Eden remains
unreachable, ungraspable,
unknowable, unthinkable.
It forever eludes us. I
wrote this music the way
I did to shut out -with
quietness and
otherworldliness - the
clamor and clang of the
raucous Garish Day, to
turn away its tumult and
noise, to negate its
stridency and chaos.
Perhaps in the cleansing
stillness and blessing of
this emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. In one of the
dedicatory poems to his
verse play “The
Shadowy Watersâ€
(1906), William Butler
Yeats asks:“Is Eden
far away…?Do our
woods and windsand
verponds cover morequiet
woods,More shining
winds,more
star-glimmeringponds?Is
Eden out of timeand out
of space?â€How do
you answer such
questions? We have only
the vague elusive
promptings of our own
mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
– what is most
painful to admit –
that it is closed to us
in the form in which we
live and breathe, even if
at times we do have
intimations…, Yeats
is telling us that this
paradise, this Eden we
yearn for is here
– present even if
invisible, palpable even
if intangible.In his
Second Symphony, Mahler
meets an angel who tells
him he can’t get
into heaven, he’s
locked out. The news is
shattering. What follows
is an inconsolable
sorrowing, the same
sorrowing that comes when
we wake to the
realization that we too
are locked out of
Eden.Eden is the heaven
of our longing and desire
for release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes –because it
is not a place. It is a
state of soul which
answers none of the
illusory, hampering
conditions that shape and
bind us to the real world
of our bodies, our
appetites, our passions,
and our beliefs.I have
turned Yeats’
question “Is Eden
out of time and out of
space?†into its
own answering. However
near we may sense its
presence at times, Eden
remains unreachable,
ungraspable, unknowable,
unthinkable. It forever
eludes us.I wrote this
music the way I did to
shut out –with
quietness and
otherworldliness –
the clamor and clang of
the raucous “Garish
Day,†to turn away
its tumult and noise, to
negate its stridency and
chaos. Perhaps in the
cleansing stillness and
blessing of this
emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. $50.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Eden: Out of Time and Out of Space Theodore Presser Co.
Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello SKU: ...(+)
Chamber Music Clarinet,
Flute, Guitar, Horn,
Viola, Violin,
Violoncello SKU:
PR.11442041L
Chamber Concerto for
Guitar and Ensemble.
Composed by George
Rochberg. Large Score. 30
pages. Duration 20
minutes. Theodore Presser
Company #114-42041L.
Published by Theodore
Presser Company
(PR.11442041L). UPC:
680160687039. In
one of the dedicatory
poems to his verse play
The Shadowy Waters
(1906), William Butler
Yeats asks: Is Eden far
away...? Do our woods and
winds and verponds cover
more quiet woods, More
shining winds, more
star-glimmering ponds? Is
Eden out of time and out
of space? How do you
answer such questions? We
have only the vague
elusive promptings of our
own mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
- what is most painful to
admit - that it is closed
to us in the form in
which we live and
breathe, even if at times
we do have
intimations..., Yeats is
telling us that this
paradise, this Eden we
yearn for is here -
present even if
invisible, palpable even
if intangible. In his
Second Symphony, Mahler
meets an angel who tells
him he can't get into
heaven, he's locked out.
The news is shattering.
What follows is an
inconsolable sorrowing,
the same sorrowing that
comes when we wake to the
realization that we too
are locked out of Eden.
Eden is the heaven of our
longing and desire for
release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes -because it is not
a place. It is a state of
soul which answers none
of the illusory,
hampering conditions that
shape and bind us to the
real world of our bodies,
our appetites, our
passions, and our
beliefs. I have turned
Yeats' question Is Eden
out of time and out of
space? into its own
answering. However near
we may sense its presence
at times, Eden remains
unreachable, ungraspable,
unknowable, unthinkable.
It forever eludes us. I
wrote this music the way
I did to shut out -with
quietness and
otherworldliness - the
clamor and clang of the
raucous Garish Day, to
turn away its tumult and
noise, to negate its
stridency and chaos.
Perhaps in the cleansing
stillness and blessing of
this emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. In one of the
dedicatory poems to his
verse play “The
Shadowy Watersâ€
(1906), William Butler
Yeats asks:“Is Eden
far away…?Do our
woods and windsand
verponds cover morequiet
woods,More shining
winds,more
star-glimmeringponds?Is
Eden out of timeand out
of space?â€How do
you answer such
questions? We have only
the vague elusive
promptings of our own
mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
– what is most
painful to admit –
that it is closed to us
in the form in which we
live and breathe, even if
at times we do have
intimations…, Yeats
is telling us that this
paradise, this Eden we
yearn for is here
– present even if
invisible, palpable even
if intangible.In his
Second Symphony, Mahler
meets an angel who tells
him he can’t get
into heaven, he’s
locked out. The news is
shattering. What follows
is an inconsolable
sorrowing, the same
sorrowing that comes when
we wake to the
realization that we too
are locked out of
Eden.Eden is the heaven
of our longing and desire
for release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes –because it
is not a place. It is a
state of soul which
answers none of the
illusory, hampering
conditions that shape and
bind us to the real world
of our bodies, our
appetites, our passions,
and our beliefs.I have
turned Yeats’
question “Is Eden
out of time and out of
space?†into its
own answering. However
near we may sense its
presence at times, Eden
remains unreachable,
ungraspable, unknowable,
unthinkable. It forever
eludes us.I wrote this
music the way I did to
shut out –with
quietness and
otherworldliness –
the clamor and clang of
the raucous “Garish
Day,†to turn away
its tumult and noise, to
negate its stridency and
chaos. Perhaps in the
cleansing stillness and
blessing of this
emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. $44.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Eden: Out of Time and Out of Space [Conducteur] Theodore Presser Co.
Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello SKU: ...(+)
Chamber Music Clarinet,
Flute, Guitar, Horn,
Viola, Violin,
Violoncello SKU:
PR.11442041S
Chamber Concerto for
Guitar and Ensemble.
Composed by George
Rochberg. Full score. 30
pages. Duration 20
minutes. Theodore Presser
Company #114-42041S.
Published by Theodore
Presser Company
(PR.11442041S). UPC:
680160687022. In
one of the dedicatory
poems to his verse play
The Shadowy Waters
(1906), William Butler
Yeats asks: Is Eden far
away...? Do our woods and
winds and verponds cover
more quiet woods, More
shining winds, more
star-glimmering ponds? Is
Eden out of time and out
of space? How do you
answer such questions? We
have only the vague
elusive promptings of our
own mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
- what is most painful to
admit - that it is closed
to us in the form in
which we live and
breathe, even if at times
we do have
intimations..., Yeats is
telling us that this
paradise, this Eden we
yearn for is here -
present even if
invisible, palpable even
if intangible. In his
Second Symphony, Mahler
meets an angel who tells
him he can't get into
heaven, he's locked out.
The news is shattering.
What follows is an
inconsolable sorrowing,
the same sorrowing that
comes when we wake to the
realization that we too
are locked out of Eden.
Eden is the heaven of our
longing and desire for
release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes -because it is not
a place. It is a state of
soul which answers none
of the illusory,
hampering conditions that
shape and bind us to the
real world of our bodies,
our appetites, our
passions, and our
beliefs. I have turned
Yeats' question Is Eden
out of time and out of
space? into its own
answering. However near
we may sense its presence
at times, Eden remains
unreachable, ungraspable,
unknowable, unthinkable.
It forever eludes us. I
wrote this music the way
I did to shut out -with
quietness and
otherworldliness - the
clamor and clang of the
raucous Garish Day, to
turn away its tumult and
noise, to negate its
stridency and chaos.
Perhaps in the cleansing
stillness and blessing of
this emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. In one of the
dedicatory poems to his
verse play “The
Shadowy Watersâ€
(1906), William Butler
Yeats asks:“Is Eden
far away…?Do our
woods and windsand
verponds cover morequiet
woods,More shining
winds,more
star-glimmeringponds?Is
Eden out of timeand out
of space?â€How do
you answer such
questions? We have only
the vague elusive
promptings of our own
mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
– what is most
painful to admit –
that it is closed to us
in the form in which we
live and breathe, even if
at times we do have
intimations…, Yeats
is telling us that this
paradise, this Eden we
yearn for is here
– present even if
invisible, palpable even
if intangible.In his
Second Symphony, Mahler
meets an angel who tells
him he can’t get
into heaven, he’s
locked out. The news is
shattering. What follows
is an inconsolable
sorrowing, the same
sorrowing that comes when
we wake to the
realization that we too
are locked out of
Eden.Eden is the heaven
of our longing and desire
for release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes –because it
is not a place. It is a
state of soul which
answers none of the
illusory, hampering
conditions that shape and
bind us to the real world
of our bodies, our
appetites, our passions,
and our beliefs.I have
turned Yeats’
question “Is Eden
out of time and out of
space?†into its
own answering. However
near we may sense its
presence at times, Eden
remains unreachable,
ungraspable, unknowable,
unthinkable. It forever
eludes us.I wrote this
music the way I did to
shut out –with
quietness and
otherworldliness –
the clamor and clang of
the raucous “Garish
Day,†to turn away
its tumult and noise, to
negate its stridency and
chaos. Perhaps in the
cleansing stillness and
blessing of this
emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 15 Intermediate Christmas Carols Cor et Piano [Partition + CD] - Intermédiaire Anglo Music
Horn and Piano - intermediate SKU: BT.AMP-434-400 Arranged by Philip Spar...(+)
Horn and Piano -
intermediate SKU:
BT.AMP-434-400
Arranged by Philip
Sparke. Anglo Music
Play-Along Series. Book
with CD. Composed 2015.
40 pages. Anglo Music
Press #AMP 434-400.
Published by Anglo Music
Press (BT.AMP-434-400).
ISBN 9789043148658.
English-German-French-Dut
ch. Part of the
Anglo Music Play-Along
Series, Philip
Sparke’s 15
Intermediate Christmas
Carols is aimed
at the young
instrumentalist who can
play about an octave and
a half and follows on
from Sparke’s
15 Easy
ChristmasCarols.
Specifically tailored to
suit the individual
instrument, this book
introduces the developing
player to the
world’s most
popular Christmas tunes
by selecting simple yet
attractive melodies that
fit their limited range.
The book willprovide
invaluable additional
material to complement
any teaching method and
includes both piano
accompaniment and a
demo/play-along
CD.
Philip Sparkes
15 Intermediate
Christmas Carols
sind Teil der Reihe Anglo
Music Play-Along und
richten sich an junge
Instrumentalisten, die
einen Tonumfang von
ungefähr eineinhalb
Oktaven beherrschen. Die
Ausgabe schließt sich
anSparkes 15 Easy
Christmas Carols
an. Für diesen Band
wurden einfache und
zugleich ansprechende
Melodien ausgewählt,
die genau auf das
jeweilige Instrument
zugeschnitten sind, sich
für dessen begrenzten
Tonumfang eignen, und den
soSchüler an die
weltweit beliebtesten
Weihnachtslieder
heranführen. 15
Intermediate Christmas
Carols bietet
damit wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschulepasst
und sowohl eine
Klavierbegleitung als
auch einePlay-Along-CD
enthält.
Faisan
t partie de
l’Anglo Music
Play-Along Series,
les 15
Intermediate Christmas
Carols(15
chants de Noël de
niveau
intermédiaire) de
Philip Sparke visent les
instrumentistes qui
arrivent jouer environ
une octave etdemi.
Adapté pour convenir
chaque instrument
spécifique, ce recueil
introduit le musicien de
niveau moyen aux chants
de Noël les plus
populaires en
sélectionnant les
mélodies simples les
plus intéressantes qui
correspondent leur
registre limité.Ce
livre fournit du
matériel
supplémentaire
indispensable qui
complète
n’importe quelle
méthode pédagogique
et inclut un
accompagnement pour piano
ainsi qu’une
version sur CD avec
démos. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Wake Up For Christmas Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Concert Band Alto Saxophone, Baritone (Bass Clef), Baritone Saxophone, Bass Clar...(+)
Concert Band Alto
Saxophone, Baritone (Bass
Clef), Baritone
Saxophone, Bass Clarinet,
Bassoon, Clarinet I,
Clarinet II, Flute, Horn,
Mallet Percussion I,
Mallet Percussion II,
Oboe, Percussion I,
Percussion II, Tenor,
Tenor Saxophone, Timp,
Trumpet I, Trumpet II,
Tuba - Grade 1.5 SKU:
CF.FPS58F
Reveille, Jingle
Bells, Hark! The Herald
Angels Sing. Composed
by Traditional. Arranged
by Joseph Compello. SWS.
Carl Fischer First Plus
Performance Series.
Classical. Full score.
With Standard notation.
Carl Fischer Music
#FPS58F. Published by
Carl Fischer Music
(CF.FPS58F). ISBN
9780825864407. UPC:
798408064402. 9 X 12
inches. Designed to
showcase the percussion
and trumpet sections of
the band, Wake Up for
Christmas has an
inherently funny premise:
that kids need to be
awakened on Christmas!
Mixing bits of Reveille
with settings of two
familiar Christmas time
songs, Jingle Bells and
Hark! the Herald Angels
Sing, as well as
fragments of assorted
other seasonal tunes,
this selection should
bring a smile to the face
of even the most
committed Scrooge. The
combining of all the
elements at the climax is
an inspired touch that
ends this cheerful
seasonal novelty with a
bang! $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wach Auf, Mein Herzens Schone! Quatuor de cuivres: 4 cors - Facile Imagine Music
(Wake Up, My Heart's Pretty One!). By Johannes Brahms (1833-1897). Arranged by B...(+)
(Wake Up, My Heart's
Pretty One!). By Johannes
Brahms (1833-1897).
Arranged by Bill
Schuetter. For horn
quartet. Level 3.
Duration 1 minute 15
seconds. Published by
Imagine Music
$10.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| More of the Best Acoustic Rock Songs Ever Piano, Voix et Guitare [Partition] - Facile Hal Leonard
By Various Artists. Piano/Vocal/Chords Songbook (Arrangements for piano and voic...(+)
By Various Artists.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. 376 pages.
Published by Hal Leonard.
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Downshifting Theodore Presser Co.
Band Bass Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Eup...(+)
Band Bass Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Euphonium,
Flute 1, Flute 2, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3,
Percussion 4, Percussion
5, Piccolo, String Bass
and more. SKU:
PR.165000970 For
Band. Composed by Dan
Welcher. Folder.
Premiered by the
University of Texas
Symphony Band, Scott S.
Hanna, conductor, at
Butler School of Music,
UT/Austin, Austin, Texas.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 14-Sep. 40
pages. Duration 7
minutes. Theodore Presser
Company #165-00097.
Published by Theodore
Presser Company
(PR.165000970). ISBN
9781491100462. UPC:
680160626717. 9x12
inches. Commissione
d by a consortium of 20
high school and
university bands
coordinated by Scott
Hanna of the University
of Texas at Austin,
Downshifting is inspired
by Welcher’s joy
of bicycle riding.
Welcher explains in the
program note: When I
decided to write a piece
for band that was
basically entertaining
and uplifting, it made
perfect sense to call it
Downshifting... With
three gears on the front
sprocket and seven on the
rear, it’s
possible to keep
one’s legs going
at a constant speed (for
me, q = 126) while the
bike itself may be moving
very slowly or very
quickly. I determined to
capitalize on this in
writing Downshifting,
which keeps the same
mathematical inner pulse,
‘shifting’
(with a ratchet) as the
terrain changes.. One
of the joys of life for
me is riding my 21-speed
bicycle. As a
basically non-athletic
person who nonetheless
likes to stay in shape, I
have found that riding my
bike provides just the
exercise I need. The
workout is strenuous, but
pleasant—and the
infinite variety of
scenery I pass keeps me
alert and wide awake.Â
When I decided to write a
piece for band that was
basically entertaining
and uplifting, it made
perfect sense to call it
Downshifting.With three
gears on the front
sprocket and seven on the
rear, it’s
possible to keep ones
legs going at a constant
speed (for me,
that’s 126 to the
quarter note) while the
bike itself may be moving
very slowly or very
quickly. I determined
to capitalize on this in
writing the music, which
manages to keep the same
mathematical inner pulse,
“shiftingâ€
(with a ratchet) as the
terrain changes. So
Downshifting begins with
that steady pulse, on a
grid of eighth notes in
2/4 to propel the little
vehicle forward.Â
There’s a joyous
little tune in our heads
as we begin our ride.Â
As the initial thrill of
riding on the flat gives
way to monotony, we stay
in that pulse for the
first minute or so of the
ride. Then, as the
first hill becomes
visible, we shift the
bike down: even though
the eighths are equal,
the pulse feels slower
(and we’re now in
6/8 time). Ultimately
the compound meter shifts
again as the climb
begins, and we’re
now plodding doggedly up
the hill. (The music
reflects all of these
changes, with subtitles
such as “Working
harder—Seeing the
climb, aheadâ€,
“Steady and
committed…the climb
begins!â€,
“Straining against
the gradeâ€,
etc.).There are two
hills, and two long
climbs (but in different
keys, reflecting the
change in scenery).Â
When at last the summit
of the second hill is
reached (“Flying,
Over the Topâ€), we
coast at last down the
other side at breakneck
speed. The initial
joyous melody returns,
but now in a spread-out
coasting pulse. At
the end of the ride, we
slow to a
stop—then take one
last sprint (shifting
five times in the
process) in order to end
on a biker’s
high.Downshifting was
commissioned by a
consortium of fourteen
high school and college
bands, overseen by my
longtime colleague at the
University of Texas,
Scott Hanna. The
piece is dedicated to him
(and to all bicycle
enthusiasts). $175.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 15 Intermediate Christmas Carols [Partition + CD] - Intermédiaire Anglo Music
Tenor Horn [Eb] and Piano - intermediate SKU: BT.AMP-435-400 Tenor Hor...(+)
Tenor Horn [Eb] and Piano
- intermediate SKU:
BT.AMP-435-400
Tenor Horn [Eb] and
Piano. Arranged by
Philip Sparke. Anglo
Music Play-Along Series.
Book with CD. Composed
2015. 40 pages. Anglo
Music Press #AMP 435-400.
Published by Anglo Music
Press (BT.AMP-435-400).
ISBN 9789043148665.
English-German-French-Dut
ch. Part of the
Anglo Music Play-Along
Series, Philip
Sparke’s 15
Intermediate Christmas
Carols is aimed
at the young
instrumentalist who can
play about an octave and
a half and follows on
from Sparke’s
15 Easy
ChristmasCarols.
Specifically tailored to
suit the individual
instrument, this book
introduces the developing
player to the
world’s most
popular Christmas tunes
by selecting simple yet
attractive melodies that
fit their limited range.
The book willprovide
invaluable additional
material to complement
any teaching method and
includes both piano
accompaniment and a
demo/play-along
CD.
Philip Sparkes
15 Intermediate
Christmas Carols
sind Teil der Reihe Anglo
Music Play-Along und
richten sich an junge
Instrumentalisten, die
einen Tonumfang von
ungefähr eineinhalb
Oktaven beherrschen. Die
Ausgabe schließt sich
anSparkes 15 Easy
Christmas Carols
an. Für diesen Band
wurden einfache und
zugleich ansprechende
Melodien ausgewählt,
die genau auf das
jeweilige Instrument
zugeschnitten sind, sich
für dessen begrenzten
Tonumfang eignen, und den
soSchüler an die
weltweit beliebtesten
Weihnachtslieder
heranführen. 15
Intermediate Christmas
Carols bietet
damit wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschulepasst
und sowohl eine
Klavierbegleitung als
auch einePlay-Along-CD
enthält.
Faisan
t partie de
l’Anglo Music
Play-Along Series,
les 15
Intermediate Christmas
Carols(15
chants de Noël de
niveau
intermédiaire) de
Philip Sparke visent les
instrumentistes qui
arrivent jouer environ
une octave etdemi.
Adapté pour convenir
chaque instrument
spécifique, ce recueil
introduit le musicien de
niveau moyen aux chants
de Noël les plus
populaires en
sélectionnant les
mélodies simples les
plus intéressantes qui
correspondent leur
registre limité.Ce
livre fournit du
matériel
supplémentaire
indispensable qui
complète
n’importe quelle
méthode pédagogique
et inclut un
accompagnement pour piano
ainsi qu’une
version sur CD avec
démos. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O Love That Wilt Not Let Me Go Chorale 2 parties 2 parties, Piano [Octavo] MorningStar Music Publishers
By Susan Borwick (1946-). For Two-Part Mixed Voices and Piano. General. Sacred. ...(+)
By Susan Borwick (1946-).
For Two-Part Mixed Voices
and Piano. General.
Sacred. Easy. Octavo. 8
pages
$2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| First 50 Songs You Should Play on Acoustic Guitar Guitare notes et tablatures - Facile Hal Leonard
By Various. For Guitar. Guitar Collection. Softcover. Guitar tablature. 104 page...(+)
By Various. For Guitar.
Guitar Collection.
Softcover. Guitar
tablature. 104 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Spirits Awake Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Gong, Horn,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal and
more. - Grade 2 SKU:
CF.YPS134F Composed
by Bill Calhoun. Young
Band. Full score. 24
pages. Duration 2
minutes, 37 seconds. Carl
Fischer Music #YPS134F.
Published by Carl Fischer
Music (CF.YPS134F).
ISBN 9780825896262.
UPC: 798408096267. 9 x 12
inches. This piece
cooks up images of
ghoulish things that go
bump in the night. It is
a serious piece, but one
that can also be used for
Halloween concerts. Bill
Calhoun's compositions
include rhythmic drive,
interesting harmonic
perspective, and quirky
melodic figures. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Arachnophobia and Fugue Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, E...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Newspaper,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Tuba and more. - Grade
2.5 SKU:
CF.YPS203F Composed
by James Meredith. Young
Band (YPS). Full score.
With Standard notation.
20 pages. Carl Fischer
Music #YPS203F. Published
by Carl Fischer Music
(CF.YPS203F). ISBN
9781491152911. UPC:
680160910410. Imagi
ne Bach trying to compose
in his studio while being
pestered by a spider!
Arachnophobia and Fugue
exposes students to the
Baroque style of music
using dramatic contrasts,
light articulation,
chorale-style sections,
and multiple references
to Bach's works. The
spider is represented by
the xylophone and/or
marimba supported by the
flutes. As a humorous
bonus, auxiliary
percussion includes
rolled-up newspapers to
swat the pesky spider
throughout the
piece. Good music
played well inspires the
imagination. Imagine Bach
trying to compose in his
studio while being
pestered by a spider!
First and foremost this
is educational music
exposing kids to the
Baroque style of music.
Dramatic dynamic
contrasts, light
articulation,
chorale-style, and
multiple references to
Bach’s works form
the basis for the work.
Toccata and Fugue in D
Minor, Sleepers Wake,
Little Fugue in G Minor,
Sheep May Safely Graze,
Dies Irae, and Come Sweet
Death are the basis for
this look into an
imaginary situation with
the Great Baroque Master.
The spider is represented
by either a solo
xylophone or multiple
xylophones and/or marimba
(supported by the
flutes.) As a humorous
bonus auxiliary
percussion use rolled up
newspapers to swat the
pesky spider throughout
the piece in rhythm with
the music. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Arachnophobia and Fugue Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, E...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Newspaper,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Tuba and more. - Grade
2.5 SKU: CF.YPS203
Composed by James
Meredith. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
16+4+8+4+4+10+4+4+8+8+12+
6+6+2+1+2+20+8+8+4+4
pages. Duration 3
minutes, 55 seconds. Carl
Fischer Music #YPS203.
Published by Carl Fischer
Music (CF.YPS203).
ISBN 9781491152232.
UPC: 680160909735. Key: D
minor. Imagine Bach
trying to compose in his
studio while being
pestered by a spider!
Arachnophobia and Fugue
exposes students to the
Baroque style of music
using dramatic contrasts,
light articulation,
chorale-style sections,
and multiple references
to Bach's works. The
spider is represented by
the xylophone and/or
marimba supported by the
flutes. As a humorous
bonus, auxiliary
percussion includes
rolled-up newspapers to
swat the pesky spider
throughout the
piece. Good music
played well inspires the
imagination. Imagine Bach
trying to compose in his
studio while being
pestered by a spider!
First and foremost this
is educational music
exposing kids to the
Baroque style of music.
Dramatic dynamic
contrasts, light
articulation,
chorale-style, and
multiple references to
Bach’s works form
the basis for the work.
Toccata and Fugue in D
Minor, Sleepers Wake,
Little Fugue in G Minor,
Sheep May Safely Graze,
Dies Irae, and Come Sweet
Death are the basis for
this look into an
imaginary situation with
the Great Baroque Master.
The spider is represented
by either a solo
xylophone or multiple
xylophones and/or marimba
(supported by the
flutes.) As a humorous
bonus auxiliary
percussion use rolled up
newspapers to swat the
pesky spider throughout
the piece in rhythm with
the music. $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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