Choral (ShowTrax CD)

SKU: HL.210349

By Florida Georgia Line. By Nate Cyphert, William Wiik Larsen, and busbee. Arranged by Mark A. Brymer. Pop Choral Series. Country, Pop. CD. Published by Hal Leonard (HL.210349).

UPC: 888680659356. 5.0x5.0x0.18 inches.

The acronym H.O.L.Y. stands for high on loving you in this 2016 hit from Florida Georgia Line that topped the country charts and crossed over to strong positions on the Hot 100 and AC charts as well. A tender, acoustic ballad, it will be a fantastic selection for Valentine, homecoming, spring concerts and prom or any time you want to create a romantic moment!

Piano - Level 2

SKU: LM.23846

Composed by Henriette Puig-Roget. Method, studies. Score. Editions Henry Lemoine #23846. Published by Editions Henry Lemoine (LM.23846).

ISBN 9790230938464.

A... comme Apprendre - B...comme Berger - C...comme Carillon - D...comme Danser - E...comme Ecouter - F...comme Frere et soeur - G...comme Galoper - H...comme Horizons - I...comme Imiter - J...comme Jardiner - K...comme Kilometres - L...comme Loisirs - M...comme Marionnettes - N... comme Naviguer - O...comme Obstine - P...comme Prier - Q...comme Quatre par quatre - R... comme Rever - S...Saute-mouton - T...comme Trois et deux font cinq - U...comme Uniforme - V...comme Valser - W...comme Western - X...comme Xylophone - Y...comme Y es-tu, loup ? - Z...comme Zig-Zag.

Quintet (ob.clar.B-clar.A-sax.bsn .)

SKU: BR.KM-2515

Set of parts. Composed by Jose Maria Sanchez-Verdu. Chamber music; Folder. Kammermusik-Bibliothek (Chamber Music Library).

World premiere: 's-Hertogenbosch, December 16, 2007

Music post-1945; New music (post-2000). Set of parts. Composed 2007. 40 pages. Duration 10'. Breitkopf and Haertel #KM 2515. Published by Breitkopf and Haertel (BR.KM-2515).

ISBN 9790004503355. 11 x 14 inches.

Libro de glosas is based on the Trattado de glosas by Diego Ortiz (1510 - ca. 1570). The intertextuality between different materials and musical techniques and processes of the 16th century was one of my main interests when I wrote this piece for the wonderful sound and quality of the Calefax ensemble.The intertextual relationships are as follows:Recercada I is based on the first chords of the chanson Doulce memoire by Pierre Sandrin. It is also used in Trattado de glosas.Recercada II is based on the incipit of the madrigal O felici occhi miei by Jacques Arcadelt. It is also used in Trattado de glosas.Recercada III is based on the ostinato Passamezzo antico. It is also used in Trattado de glosas.Recercada IV is freely based on the tenor La Spagna. It is also used in Trattado de glosas.Batalla (V) is a free composition in form of a battaglia and is based on some ostinati of Spanish origin as well as on an anonymous theme from the 16th century. There are also some bars of a batalla by Joseph Ximenez (18th century).Libro de glosas esta basada en el Trattado de glosas de Diego Ortiz (1510 - ca. 1570). La intertextualidad entre diferentes materiales y tecnicas y procesos de la musica del siglo XVI era uno de mis principales intereses cuando escribi esta pieza para el maravilloso sonido y calidad del Calefax ensemble.Las relaciones intertextuales son las siguientes:Recercada I esta basada libremente sobre los primeros acordes de la chanson Doulce memoire de Pierre Sandrin. Esta es utilizada como ejemplo en el Trattado de glosas.Recercada II esta basada libremente sobre el incipit del madrigal O felici occhi miei de Jacques Arcadelt. Esta pieza es utilizada tambien como ejemplo en el Trattado de glosas.Recercada III esta basada libremente sobre el ostinato Passamezzo antico. Tambien es presentada en el Trattado de glosas.Recercada IV esta construida libremente sobre el tenor La Spagna. Tambien es utilizado por Ortiz en el Trattado de glosas.Batalla (V) es una libre composicion en forma de battaglia sobre ostinati de origen espanol y sobre un tema anonimo (siglo XVI). Tambien aparecen brevemente varios compases de una batalla de Joseph Ximenez (siglo XVIII).(Jose M. Sanchez-Verdu).

Flute with 1 other inst.

SKU: BR.EB-9298

Composed by Nicolaus A. Huber. Solo instruments; stapled. Edition Breitkopf.

World premiere: Darmstadt, June 20, 2018

Solo concerto; Music post-1945; New music (post-2000). Performance score. Composed 2018. 12 pages. Duration 9'30. Breitkopf and Haertel #EB 9298. Published by Breitkopf and Haertel (BR.EB-9298).

ISBN 9790004187623. 10.5 x 14 inches.

Blanco y Verde ist fur Grosse Flote und Klarinette in B geschrieben, ohne jeglichen Instrumentenwechsel. Der Titel selbst stammt von Carmen Herrera, die mehrere grossformatige Bilder dazu Ende der 50er Jahre gemalt hat. Es sind durchweg architektonisch abstrakte Malweisen mit zwei Farben - in diesem Fall Weiss und Grun. Beide Farben faszinieren mich schon sehr lange! Weiss war die Farbe von Mallarme, in die er Worter setzte, wie spater Satie seine Notenpunkte. Und Grun - ,,le rayon vert - ist die Farbe einer ratselhaften Installation von Marcel Duchamp zu einer Surrealismusausstellung in Paris 1947. Das Verruckte an der Farbe Grun ist deren Beziehungsmoglichkeit zur Musik, denn wir sehen Grun nur, wenn 5 Photonen pro Sekunde in unser Auge wandern. Das ist eine einfache Quintole auf 1 Viertel = 60. Deswegen spielt in meinem Stuck die ,,5 eine besondere Rolle - nicht nur pro Sekunde! Und noch etwas Seltsames gibt es in diesem Stuck - die Proportion 1:2 oder 1:4 bzw. 1:8. Es ist die Oktave, die Tone so verdoppelt, dass diese sowohl verschmelzen konnen als auch Selbstandigkeit oder gar Unabhangigkeit zeigen, ja dann daraus sogar mikrotonal die Oktave dehnen und krummen konnen. Als ,,Ich-Intervall par excellence, ,,der inneren Aufrechtbewegung verifiziert Hermann Pfrogner dieses ratselhafte Verhaltnis, bevor die Saitenteilungen zu Quinte und Quarte fortschreiten. Mein Duo birgt also eine Zweiheit von besonderer Art. Jede Zweiheit kann zu einer 1, einer neuen Einheit werden, dem eine neue 2 zufallt. Eigentlich eine freie, ja unendliche Wachstumsstruktur. Darin blicken manche Tone zuruck, wie quantenverschrankt, und unser Wahrnehmungsorgan verwundert sich uber Abstande und Strecken, die gleichzeitig instantan, ohne Abstande und Strecken sind und noch die Wahrscheinlichkeitswelle des Ortes verkraften muss. Quantenfarben - blanco y verde? (Nicolaus A. Huber, Februar 2018)

World premiere: Darmstadt, June 20, 2018.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1125039-140

Arranged by Wil van der Beek. Great Classics. Score Only. Composed 2012. 44 pages. De Haske Publications #DHP 1125039-140. Published by De Haske Publications (BT.DHP-1125039-140).

9x12 inches. English-German-French-Dut ch.

Offenbach (1819 - 1880), who was born in Germany, moved to Paris when he was a teenage boy and remained there for much of his life. He became especially famous as a composer of numerous operettas. and of one famous opera: Les Contes d’Hoffmann (The Tales of Hoffmann). His operettas (or ‘musiquettesâ€℠¢) were often based on comical, or satirical librettos. He makes fun of Parisian daily life, dignitaries, the military, the pretentiousness of the Grand Opéra, and so on. In that respect, Offenbach’s operettas are not really comparable with those of his German-speaking contemporaries, for example, Franz Lehár and Johann Strauss the Younger. Musically speaking, we could callOffenbach’s operettas lively, funny, melodious and catchy.For La Belle Hélène, Offenbach drew from Greek mythology. The story is based on that of Helen of Troy, but is set in France, halfway through the 19th century; it has been turned into a satire on the élite of that time.The overture to La Belle Hélène was (and still is) very successful. Offenbach combined a number of arias and choruses from the operetta to give a taste of what is to follow. Many overtures which follow this form lack unity and structure. However, in this case the composition has been well thought-out.

Offenbach (1819-1880), Duitser van geboorte, verhuisde als jongeman naar Parijs, waar hij een groot deel van zijn leven verbleef. Hij werd vooral beroemd als componist van talrijke operettes en een beroemde opera: Les Contes d’Hoffmann. Zijn operettes (of ‘musiquettesâ€℠¢) zijn qua libretto vaak komisch en hilarisch, ja zelfs satirisch. Hij steekt hierin de draak met het Parijse mondaine leven, met hoogwaardigheidsbekleders , met militairen, met de bombast van de Grand Opéra, enzovoort. In dat opzicht zijn Offenbachs operettes nauwelijks te vergelijken met die in Duitsland van bijvoorbeeld Franz Lehár en Johann Strauss jr. Muzikaal gezien kunnen we zijn operettes levendig,geestig, melodieus en goed in het gehoor liggend noemen.Voor La Belle Hélène putte Offenbach uit de Griekse mythologie. Het verhaal draait om Helena van Troje, maar is verplaatst naar Frankrijk, halverwege de negentiende eeuw; het is uitgewerkt tot een satire op de heersende elite.De ouverture van La Belle Hélène was (en is nog altijd) zeer succesvol. Offenbach heeft hierin een aantal aria’s en koren uit de operette samengevoegd - een voorproefje dus op wat komen gaat. Veel ouvertures die zo zijn gemaakt, missen eenheid en structuur. In dit geval is er echter sprake van een goed doordachte opbouw.

Der gebürtige Deutsche Jacques Offenbach (1819-1880) zog im Jugendalter nach Paris, wo er den größten Teil seines Lebens verbrachte. Bekannt wurde er vor allem als Komponist zahlreicher Operetten und einer berühmten Oper: Les Contes d’Hoffmann (Hoffmanns Erzählungen). Seine Operetten (oder Musiquettes“) basierte er häufig auf komischen oder gar satirischen Libretti. Darin wird das mondäne Pariser Leben karikiert mit seinen Würdenträgern, Militärs, dem Pomp der Grand Opéra und dergleichen mehr. In dieser Hinsicht sind Offenbachs Operetten vergleichbar mit den deutschen Werken eines Franz Lehár oder Johann Strauss (Sohn). Musikalisch betrachtet können Offenbachs Operetten alslebendig, amüsant, melodiös und eingängig beschrieben werden. Für La Belle Hélène bediente sich Offenbach der griechischen Mythologie. Die Handlung beruht auf Helena von Troja, wurde aber ins Frankreich der Mitte des 19. Jahrhunderts versetzt und in eine Satire auf die damals herrschende Elite verwandelt.Die Ouvertüre von La Belle Hélène war und ist sehr erfolgreich. Offenbach kombinierte darin eine Reihe von Arien und Chorstellen aus der Operette und lieferte so quasi einen Vorgeschmack auf das Folgende. Vielen auf diese Weise entstandene Ouvertüren mangelt es an Einheitlichkeit und Struktur. Diese Ouvertüre zeugt jedoch von einem gut durchdachten Aufbau.

Jacques Offenbach est né en Allemagne en 1819. Sa famille s’installe Paris alors qu’il est encore adolescent et c’est l qu’il passe la plus grande partie de sa vie. Il devient particulièrement célèbre pour la composition de nombreuses opérettes et d’un opéra légendaire, Les Contes d’Hoffmann. Ses opéras-bouffes (ou « musiquettes ») s’inspirent souvent de livrets comiques ou satiriques. Il parodie la vie quotidienne Paris, se moque des dignitaires, de l’armée, de la prétention du grand opéra, et ainsi de suite. cet égard, les œuvres d’Offenbach ne sont pas vraiment comparables aux opérettes de ses contemporains germanophones tels que Franz Lehár ou encoreJohann Strauss le jeune. Musicalement parlant, on peut dire que les opéras-bouffes d’Offenbach sont entraînants, spirituels, mélodieux et mémorables.Jacques Offenbach s’est inspiré de la mythologie pour composer La Belle Hélène, dont le livret brosse l’histoire d’Hélène de Troie. Mais parodiant l’une des légendes grecques des plus illustres, cette opérette se veut être une satire sur l’élite de l’époque.L†™ouverture de La Belle Hélène a toujours été très populaire. Offenbach y glisse plusieurs arias et chœurs repris ensuite dans l’un ou l’autre acte de l’opérette, afin d’en offrir un avant-go t l’auditoire. De nombreux compositeurs écrivirent par la suite des ouvertures de canevas identique. Bien qu’un grand nombre d’entre elles manquent d’unité et de structure, l’ouverture de La Belle Hélène en est une exception notoire.

By Florida Georgia Line. By busbee, Nate Cyphert, and William Wiik Larsen. Arranged by Mark A. Brymer. Pop Choral Series. Octavo. 8 pages. Published by Hal Leonard

By Florida Georgia Line. By busbee, Nate Cyphert, and William Wiik Larsen. Arranged by Mark A. Brymer. Pop Choral Series. Octavo. 8 pages. Published by Hal Leonard

By Florida Georgia Line. By busbee, Nate Cyphert, and William Wiik Larsen. Arranged by Mark A. Brymer. Pop Choral Series. Octavo. 8 pages. Published by Hal Leonard

Violin(s) solo

SKU: BR.EB-8772

Materials for Violin Lessons. Composed by Michael Dartsch. Solo instruments; Softbound. Edition Breitkopf.

The contents of Book 2 of the Geigenkasten make it possible to continue improving one's technical proficiency and to prepare for the intermediate level.

Music pedagogy. Score. 108 pages. Breitkopf and Haertel #EB 8772. Published by Breitkopf and Haertel (BR.EB-8772).

ISBN 9790004182482. 9 x 12 inches. German.

The student learns and practices spiccato, vibrato and position playing step by step. The pieces, which are all in two parts again, aim at a flexible use of the new techniques in a varied musical context. Learning to shift is one of the focal points, besides learning to play in the second, third, fourth and half positions. The pieces cover all possible combinations of starting fingers and goal fingers. Suggestions for free playing are also supplied in Book 2, which stimulates the imagination, increases the student's delight in playing, practicing and experimenting - and is ideal for group lessons as well! Este segundo volumen ofrece sugerencias para tocar libremente, lo que estimula la imaginacion, incrementa el placer del estudiante al tocar, practicar, y es ideal para las lecciones en grupo. (Musica y Educacion)

The contents of Book 2 of the Geigenkasten make it possible to continue improving one's technical proficiency and to prepare for the intermediate level. With a removable practice program for change of positions.

The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Composed by Hagood Hardy Weve Got Tonight Composed by Bob Seger Song From M*a*s*h (Suicide Is Painless) Composed by Johnny Mandel, Mike Altman Misty Composed by Erroll Garner, Johnny Burke Other Side Of Midnight Composed by Michel Legrand The Rose Composed by Amanda Mc Broom Tears In Heaven Composed by Eric Clapton, Will Jennings Theme From New York, New York Composed by Fred Ebb, John Kander Heart Composed by Richard Adler, Jerry Ross Hey There Composed by Richard Adler, Jerry Ross Colors Of My Life Composed by Cy Coleman, Michael Stewart Over The Rainbow Composed by Harold Arlen, E.y. Harburg Separate Lives Love Theme From "white Nights" Theme From Ice Castles Composed by Marvin Hamlisch, Carole Bayer Sager Tonight I Celebrate My Love Composed by Michael Masser, Gerry Goffin In This Life Composed by Mike Reid, Allen Shamblin Up Where We Belong Composed by W Jennings, B Sainte, Marie, J Nitzsche From A Distance Composed by Julie Gold I Will Always Love You Composed by Dolly Parton Oh! What It Seemed To Be Composed by Bennie Benjamin, George David Weiss, Frankie I Believe I Can Fly Composed by R. Kelly Valentine Composed by Jim Brickman, Jack Kugell How Do I Live Composed by Diane Warren Colors Of The Wind Composed by Stephen Schwartz, Alan Menken A Dream Is A Wish Your Heart Makes Composed by Mack David, Al Hoffman, Jerry Livingston see less... Tell Him Composed by Linda Thompson, David Foster Con Te Patiro / Time To Say Goodbye Composed by Lucio Quarantotto, Francesco Sartori Karen's Theme Composed by Richard Carpenter The Prayer Composed by Carole Bayer Sager, David "babyface" Foster My One True Friend Composed by Carole Bayer Sager, Carole King Love Solo Composed by Dan Coates I Don't Want To Miss A Thing Composed by Diane Warren As Time Goes By Composed by Herman Hupfeld La Vie En Rose Composed by Louiguy, Piaf (French), David (Eng.) What's New? Composed by Bob Haggart, Johnny Burke Summer Me, Winter Me Composed by Michel Legrand, Alan, Marilyn Bergman Evergreen Composed by Barbra Streisand, Paul Williams Arthur's Theme (Best That You Can Do) Composed by Burt Bacharach, Carole Bayer Sager Can You Read My Mind Composed by John Williams, Leslie Bricusse Love And Marriage Composed by Jimmy Van Heusen, Sammy Cahn Desperado Composed by Don Henley, Glenn Frey The Wind Beneath My Wings Composed by Jeff Silbar, Larry Henley How Do You Keep The Music Playing? Composed by Michel Legrand, Alan Bergman Anywhere The Heart Goes Composed by Henry Mancini, Will Jennings Once Before I Go Composed by Dean Pitchford, Peter Allen Star Wars - Main Theme Composed by John Williams Open Arms Composed by Steve Perry, Jonathan Cain Canon In D Composed by Johann Pachelbel That's What Friends Are For Composed by Burt Bacharach, Carole Bayer Sager Friends Or Lovers Both To Each Composed by Paul Gordon, Jay Gruska Forever Composed by Kenny Loggins, Eva Loggins, David Foster Saving All My Love For You Composed by Gerry Goffin, Michael Masser Miss Celie's Blues Composed by Quincy Jones, Rod Temperton, And Anne's Theme Composed by Hagood Hardy One Moment In Time Composed by Albert Hammond, John Bettis Kei's Song Composed by David Benoit I Say A Little Prayer Composed by Burt Bacharach, Hal David Happy Birthday To You Composed by Mildred J. Hill, Patty S. Hill May You Always Composed by Larry Marks, Dick Charles If My Friends Could See Me Now Composed by Cy Coleman, Dorothy Fields You Can Always Count On Me Composed by Cy Coleman, David Zippel Ashokan Farewell Composed by Jay Ungar Everything I Do I Do It For You Composed by Bryan Adams, Robert Lange, Michael Kamen Send In The Clowns Composed by Stephen Sondheim She Loves Me Composed by Sheldon Harnick, Jerry Bock How Could I Ever Know? Composed by Marsha Norman, Lucy Simon My Unknown Someone Composed by Cy Coleman, Adolph Green, Betty Comden Favorite Son Composed by Cy Coleman, Adolph Green, Betty Comden I Swear Composed by Gary Baker, Frank Myers I Can Love You Like That Composed by S Diamond, M Derry, J Kimball Beauty And The Beast Composed by Howard Ashman, Alan Menken Angel Eyes Composed by Jim Brickman If You Believe Composed by Jim Brickman Because You Loved Me Composed by Diane Warren Un-break My Heart Composed by Diane Warren Ragtime Composed by Stephen Flaherty, Lynn Ahrens Complete Advanced Piano Solos (Music for All Occasions). Arranged by Dan Coates. For solo piano. Piano - Intermediate / Advanced Collection; Piano Supplemental. The Professional Touch Series. Contemporary Instrumental and Pop. SMP Level 9 (Advanced). Collection. Standard notation (does not include words to the songs). 304 pages. Published by Alfred Music Publishing

(Recorder)

SKU: HL.48009180

Composed by H.R. Perera. Boosey & Hawkes Chamber Music. Boosey & Hawkes #M060020155. Published by Boosey & Hawkes (HL.48009180).

UPC: 073999368505.

Two Recorders.

Voice and Piano

SKU: BT.SLB-00055200

Composed by H. Christine. Classical. Score Only. Composed 2002. Editions Salabert #SLB 00055200. Published by Editions Salabert (BT.SLB-00055200).

By Raymond H Haan. For organ. Organ Music. Level: Medium. Published by MorningStar Music Publishers.

Guitar - advanced

SKU: HL.49010936

Guitar Solo. Composed by Juan Antonio Vargas y Guzmá and n. Edited by Miguel Alcazar. Arranged by Manuel Alcá and zar. This edition: Paperback/Soft Cover. Sheet music. Gitarren-Archiv (Guitar Archive). Classical. Composed 1776. 43 pages. Schott Music #GA523. Published by Schott Music (HL.49010936).

ISBN 9790001097703. UPC: 842819115168. 9.0x12.0x0.143 inches.

Accordion solo

SKU: BR.EB-9172

Composed by Jose Maria Sanchez-Verdu. Solo instruments; Folder. Edition Breitkopf.

World premiere: Cagliari, November 24, 2004

Music post-1945; New music (post-2000). Score. Composed 2004. 18 pages. Duration 6'. Breitkopf and Haertel #EB 9172. Published by Breitkopf and Haertel (BR.EB-9172).

ISBN 9790004182451. 9 x 12 inches.

Dieses Stuck durchlauft eine Reise durch die Grenzen des Instruments, genau wie Arquitecturas de espejos nicht nur durch die extremen Register, sondern auch durch die Manipulation und Verzerrung des Klangs durch neue Instrumentaltechniken (erstickte Tone, Schatten zwischen Luft, Gerausch und Tonhohen, Wiederholungen, komplexe Horwahrnehmungen usw.). Mit Arquitecturas de espejos hat dieses Werk verschiedene Verbindungen, und ich merke, warum das Akkordeon mir ganz nah in meiner eigenen Musik bleibt. 2004 komponiert, wurde Arquitecturas del silencio im Jahr darauf von Esteban Algora in Cagliari uraufgefuhrt. Das Werk ist ihm auch gewidmet. (Jose M. Sanchez-Verdu) CD: Esteban Algora (accordeon) CD Columna Musica, 1 CMO142 Bibliography: Garcia del Busto , Jose Luis: Arquitecturas de la ausencia de Jose M. Sanchez-Verdu, in: Sibila. Revista de arte, musica y literatura 18 (April 2005), pp. 47-49.

World premiere: Cagliari, November 24, 2004.

y Costel Puscoiu. For Clarinet. Duets. Bill's Music Shelf. Classic. Beginning. Book. 40 pages. Published by Mel Bay Publications, Inc

Piano

SKU: BR.EB-8990

After R (A Portrait for Piano and Orchestra). Composed by Nicola Campogrande. Solo instruments; stapled. Edition Breitkopf.

He re you will find the concerto R (A Portrait for Piano and Orchestra).

Solo concerto; Music post-1945; New music (post-2000). Score. Composed 2015. 36 pages. Duration 15'. Breitkopf and Haertel #EB 8990. Published by Breitkopf and Haertel (BR.EB-8990).

ISBN 9790004187197. 9 x 12 inches.

A Musical Portrait In 2012 Nicola Campogrande received a rather singular commission when a total stranger asked him to compose a musical portrait of his fiancee. The man knew exactly what he wanted: a concerto for piano and orchestra. After some reflection, Campogrande realised that he would be able to paint with music. It would never be possible, of course, to recognise the shape of the woman's face or the colour of her hair, but the score could evoke the way in which she occupied space and time, and the different movements of the composition would be like the faces on a rotating prism. Campogrande thus accepted the commission and the stranger sent him a few photos of his fiancee, spoke to him about her and, finally, introduced him to her. This is how R (A portrait for piano and orchestra) was born, first performed in April 2013 by Lilya Zilberstein with the Orchestra Verdi in Milan. Subsequently, following other performances and a TV documentary, a number of different pianists asked Campogrande to write a version for solo piano. Hence Nudo emerged, a piece that would be very similar to R , were it not for the fact that, as the title suggests, the pianist is naked, without orchestral clothing. Information on Nudo on the composer's website Audio recording of Nudo (YouTube) Un portrait musical En 2012, Nicola Campogrande s'est vu proposer une commission fort singuliere ; un parfait etranger lui demandait de composer le portrait musical de sa compagne. L'homme savait exactement ce qu'il voulait : un concert pour piano et orchestre. Apres quelques hesitations, Campogrande s'est rendu compte qu'il pouvait se servir de la musique comme d'un pinceau. Bien entendu, il ne serait jamais possible de reconnaitre la forme du visage de la femme ou la couleur de ses cheveux, mais la partition pourrait evoquer la facon dont elle se deplacait dans l'espace et dans le temps, et les differents mouvements de la piece seraient comme les figures d'un prisme en rotation. Campogrande a donc accepte la commission ; l'etranger lui a envoye des photos de sa compagne, il lui a parle d'elle, avant de les faire se rencontrer personnellement. Ainsi est ne R (Un portrait pour piano et orchestre) , interprete pour la premiere fois en avril 2013 par Lilya Zilberstein et l'orchestre Verdi de Milan. D'autres executions ont suivi, ainsi qu'un documentaire televise, apres quoi plusieurs pianistes ont prie Campogrande d'ecrire une version pour piano seul. C'est ainsi que Nudo a vu le jour : un << nu >> tres semblable au premier portrait, si ce n'est que le piano s'y trouve, comme le suggere le titre, depouille de son vetement orchestral. Ritrarre con la musica Nel 2012 Nicola Campogrande ha ricevuto la piu singolare delle commissioni, quando un perfetto sconosciuto gli ha chiesto di comporre il ritratto musicale della sUrauffuhrung fidanzata. L'uomo sapeva esattemente cio che voleva: un concerto per pianoforte e orchestra. Dopo qualche esitazione, Campogrande si e reso conto di poter dipingere con la musica; certo, non sarebbe stato possibile riconoscere la forma del viso della donna o il colore dei suoi capelli, ma la partitura avrebbe evocato il modo nel quale lei si muoveva nello spazio e nel tempo, e i vari movimenti del brano sarebbero stati come le facce di un prisma in rotazione. Campogrande ha dunque accettato la commissione e lo sconosciuto gli ha mandato alcune foto della sUrauffuhrung fidanzata, gli ha parlato di lei e, alla fine, gliela ha presentata personalmente. E cosi nato cosi R (Un ritratto per pianoforte e orchestra ), eseguito per la prima volta nell'aprile 2013 da Lilya Zilberstein insieme all'Orchestra Verdi di Milano.In seguito, dopo altre esecuzioni e un documentario tv, diversi pianisti hanno chiesto a Campogrande di preparare una versione per pianoforte solo. E stato cosi che ha preso forma Nudo , un brano del tutto simile a R tranne per il fatto che, come suggerisce il titolo, il pianista e nudo, senza un abito orchestrale. 'Nudo' is a scintillating work that paints a vivid and fascinating sequence of musical portraits of its subject. And the Breitkopf score is simply superb. (www.pianodao.com).

Flute, piano

SKU: BR.EB-8906

Suite for Flute and Piano. Composed by Raoul Laparra. Edited by Gundel Huschka. Solo instruments; stapled. Edition Breitkopf. Early modern. Score. 44 pages. Breitkopf and Haertel #EB 8906. Published by Breitkopf and Haertel (BR.EB-8906).

ISBN 9790004185384. 9 x 12 inches.

,,La comparaison avec le celebre ,Children's Corner' de Debussy est justifiee. On y trouve la meme verve, l'humour, la richesse harmonique en meme temps que les marques du romantisme tardif et du nouveau siecle. Souhaits a cette edition de trouver le chemin des concerts et du disque. (Pascal Gresset, Tempo flute).

By Raymond H Haan. Organ. Level: 3-staff. Sacred Organ. Published by Sacred Music Press.

Piano

SKU: BR.EB-9385

Composed by Nicolaus A. Huber. Solo instruments; stapled. Edition Breitkopf. Music post-1945; New music (post-2000). Score. Composed 1976. 12 pages. Duration 15'. Breitkopf and Haertel #EB 9385. Published by Breitkopf and Haertel (BR.EB-9385).

ISBN 9790004188552. 12 x 9 inches.

Darabukka ist eine arabische Vasentrommel - heute vorzugsweise vom fahrenden Volk gebraucht - die zwei Klange erzeugt: einen hohen und einen tiefen (+ hohen). Durch Abdecken der unteren Offnung verschwindet der tiefere Klang, und der hohere bleibt allein ubrig. Diese Eigenschaften sind auf das Klavier ubertragen: 1. Die Taste wird wie eine Trommel behandelt, und alle moglichen Finger- und Handkombinationen werden zur Rhythmus-Instrumentation herangezogen. 2. Durch subharmonische Teilschwingungen wird der Tastenton zusatzlich klanglich aufgebrochen. Ihre Klangfarben unterliegen den Rhythmusmodellen. 3. Ich habe dieses Stuck von verschiedenen Volks-Musiken gelernt, und am Ende erklingt eine Solidaritats-Klangaktion fur das Volk von Chile: ,,El pueblo unido jamas sera vencido! - ,,Das Volk wird niemals besiegt werden, wenn es einig ist. In Darabukka wird mit drei verschiedenen Struktur- und Klang-Charakteren gearbeitet. Unter den vielen Techniken der Rhythmuskomposition ist vielleicht die der rhythmischen Modulation am interessantesten: Durch Umdeutung einer Dauer kann von einem Modell x zu einem Modell y ubergeleitet werden. (Nicolaus A. Huber, 1976) CDs: Kristine Scholz CD Alice musicproduction ALCD 011 Catherine Vickers CD Koch Aulos 3-1817-2 Bibliografie: Dudda , Friedrich: Nicolaus A. Hubers ,,Darabukka, in: Feedback Papers 15, Koln 1978, S. 19-21. Schick , Tobias Eduard: Weltbezuge in der Musik Mathias Spahlingers (Beihefte zum Archiv fur Musikwissenschaft, Band 80), Stuttgart; Franz Steiner 2018, dort S. 97-99

World premiere: Paris, March 14, 1977.

Guitar solo - Advanced

SKU: DZ.DZ-3775

Composed by Carlos H. Wernicke. Score. Les Productions d'OZ #DZ 3775. Published by Les Productions d'OZ (DZ.DZ-3775).

ISBN 9782897956929.

Trio (va,vc,db)

SKU: BR.KM-2199

Composed by Manuel Hidalgo. Chamber music; Folder. Kammermusik-Bibliothek (Chamber Music Library).

World premiere: Venice, September 27, 1985

Music post-1945; New music (post-2000). Score. Composed 1984. 38 pages. Duration 14'. Breitkopf and Haertel #KM 2199. Published by Breitkopf and Haertel (BR.KM-2199).

ISBN 9790004501078. 16.5 x 11.5 inches.

World premiere: Venice, September 27, 1985.

Piano

SKU: S6.S2162

Composed by Eero Hämeenniemi. Score. Sulasol #S2162. Published by Sulasol (S6.S2162).

ISBN 9790550131620.