| H.O.L.Y. CD Chorale Hal Leonard
Choral (ShowTrax CD) SKU: HL.210349 By Florida Georgia Line. By Nate Cyph...(+)
Choral (ShowTrax CD)
SKU: HL.210349 By
Florida Georgia Line. By
Nate Cyphert, William
Wiik Larsen, and busbee.
Arranged by Mark A.
Brymer. Pop Choral
Series. Country, Pop. CD.
Published by Hal Leonard
(HL.210349). UPC:
888680659356.
5.0x5.0x0.18
inches. The acronym
H.O.L.Y. stands for high
on loving you in this
2016 hit from Florida
Georgia Line that topped
the country charts and
crossed over to strong
positions on the Hot 100
and AC charts as well. A
tender, acoustic ballad,
it will be a fantastic
selection for Valentine,
homecoming, spring
concerts and prom or any
time you want to create a
romantic moment! $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Abecedaire Piano seul Lemoine, Henry
Piano - Level 2 SKU: LM.23846 Composed by Henriette Puig-Roget. Method, s...(+)
Piano - Level 2 SKU:
LM.23846 Composed by
Henriette Puig-Roget.
Method, studies. Score.
Editions Henry Lemoine
#23846. Published by
Editions Henry Lemoine
(LM.23846). ISBN
9790230938464. A...
comme Apprendre -
B...comme Berger -
C...comme Carillon -
D...comme Danser -
E...comme Ecouter -
F...comme Frere et soeur
- G...comme Galoper -
H...comme Horizons -
I...comme Imiter -
J...comme Jardiner -
K...comme Kilometres -
L...comme Loisirs -
M...comme Marionnettes -
N... comme Naviguer -
O...comme Obstine -
P...comme Prier -
Q...comme Quatre par
quatre - R... comme Rever
- S...Saute-mouton -
T...comme Trois et deux
font cinq - U...comme
Uniforme - V...comme
Valser - W...comme
Western - X...comme
Xylophone - Y...comme Y
es-tu, loup ? - Z...comme
Zig-Zag. $28.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Libro de glosas Breitkopf & Härtel
Quintet (ob.clar.B-clar.A-sax.bsn .) SKU: BR.KM-2515 Set of parts....(+)
Quintet
(ob.clar.B-clar.A-sax.bsn
.) SKU: BR.KM-2515
Set of parts.
Composed by Jose Maria
Sanchez-Verdu. Chamber
music; Folder.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere:
's-Hertogenbosch,
December 16, 2007
Music post-1945; New
music (post-2000). Set of
parts. Composed 2007. 40
pages. Duration 10'.
Breitkopf and Haertel #KM
2515. Published by
Breitkopf and Haertel
(BR.KM-2515). ISBN
9790004503355. 11 x 14
inches. Libro de
glosas is based on the
Trattado de glosas by
Diego Ortiz (1510 - ca.
1570). The
intertextuality between
different materials and
musical techniques and
processes of the 16th
century was one of my
main interests when I
wrote this piece for the
wonderful sound and
quality of the Calefax
ensemble.The intertextual
relationships are as
follows:Recercada I is
based on the first chords
of the chanson Doulce
memoire by Pierre
Sandrin. It is also used
in Trattado de
glosas.Recercada II is
based on the incipit of
the madrigal O felici
occhi miei by Jacques
Arcadelt. It is also used
in Trattado de
glosas.Recercada III is
based on the ostinato
Passamezzo antico. It is
also used in Trattado de
glosas.Recercada IV is
freely based on the tenor
La Spagna. It is also
used in Trattado de
glosas.Batalla (V) is a
free composition in form
of a battaglia and is
based on some ostinati of
Spanish origin as well as
on an anonymous theme
from the 16th century.
There are also some bars
of a batalla by Joseph
Ximenez (18th
century).Libro de glosas
esta basada en el
Trattado de glosas de
Diego Ortiz (1510 - ca.
1570). La
intertextualidad entre
diferentes materiales y
tecnicas y procesos de la
musica del siglo XVI era
uno de mis principales
intereses cuando escribi
esta pieza para el
maravilloso sonido y
calidad del Calefax
ensemble.Las relaciones
intertextuales son las
siguientes:Recercada I
esta basada libremente
sobre los primeros
acordes de la chanson
Doulce memoire de Pierre
Sandrin. Esta es
utilizada como ejemplo en
el Trattado de
glosas.Recercada II esta
basada libremente sobre
el incipit del madrigal O
felici occhi miei de
Jacques Arcadelt. Esta
pieza es utilizada
tambien como ejemplo en
el Trattado de
glosas.Recercada III esta
basada libremente sobre
el ostinato Passamezzo
antico. Tambien es
presentada en el Trattado
de glosas.Recercada IV
esta construida
libremente sobre el tenor
La Spagna. Tambien es
utilizado por Ortiz en el
Trattado de
glosas.Batalla (V) es una
libre composicion en
forma de battaglia sobre
ostinati de origen
espanol y sobre un tema
anonimo (siglo XVI).
Tambien aparecen
brevemente varios
compases de una batalla
de Joseph Ximenez (siglo
XVIII).(Jose M.
Sanchez-Verdu). $71.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Blanco y Verde Breitkopf & Härtel
Flute with 1 other inst. SKU: BR.EB-9298 Composed by Nicolaus A. Huber. S...(+)
Flute with 1 other inst.
SKU: BR.EB-9298
Composed by Nicolaus A.
Huber. Solo instruments;
stapled. Edition
Breitkopf. World
premiere: Darmstadt, June
20, 2018 Solo
concerto; Music
post-1945; New music
(post-2000). Performance
score. Composed 2018. 12
pages. Duration 9'30.
Breitkopf and Haertel #EB
9298. Published by
Breitkopf and Haertel
(BR.EB-9298). ISBN
9790004187623. 10.5 x 14
inches. Blanco y
Verde ist fur Grosse
Flote und Klarinette in B
geschrieben, ohne
jeglichen
Instrumentenwechsel. Der
Titel selbst stammt von
Carmen Herrera, die
mehrere grossformatige
Bilder dazu Ende der 50er
Jahre gemalt hat. Es sind
durchweg architektonisch
abstrakte Malweisen mit
zwei Farben - in diesem
Fall Weiss und Grun.
Beide Farben faszinieren
mich schon sehr lange!
Weiss war die Farbe von
Mallarme, in die er
Worter setzte, wie spater
Satie seine Notenpunkte.
Und Grun - ,,le rayon
vert - ist die Farbe
einer ratselhaften
Installation von Marcel
Duchamp zu einer
Surrealismusausstellung
in Paris 1947. Das
Verruckte an der Farbe
Grun ist deren
Beziehungsmoglichkeit zur
Musik, denn wir sehen
Grun nur, wenn 5 Photonen
pro Sekunde in unser Auge
wandern. Das ist eine
einfache Quintole auf 1
Viertel = 60. Deswegen
spielt in meinem Stuck
die ,,5 eine besondere
Rolle - nicht nur pro
Sekunde! Und noch etwas
Seltsames gibt es in
diesem Stuck - die
Proportion 1:2 oder 1:4
bzw. 1:8. Es ist die
Oktave, die Tone so
verdoppelt, dass diese
sowohl verschmelzen
konnen als auch
Selbstandigkeit oder gar
Unabhangigkeit zeigen, ja
dann daraus sogar
mikrotonal die Oktave
dehnen und krummen
konnen. Als
,,Ich-Intervall par
excellence, ,,der inneren
Aufrechtbewegung
verifiziert Hermann
Pfrogner dieses
ratselhafte Verhaltnis,
bevor die Saitenteilungen
zu Quinte und Quarte
fortschreiten. Mein Duo
birgt also eine Zweiheit
von besonderer Art. Jede
Zweiheit kann zu einer 1,
einer neuen Einheit
werden, dem eine neue 2
zufallt. Eigentlich eine
freie, ja unendliche
Wachstumsstruktur. Darin
blicken manche Tone
zuruck, wie
quantenverschrankt, und
unser Wahrnehmungsorgan
verwundert sich uber
Abstande und Strecken,
die gleichzeitig
instantan, ohne Abstande
und Strecken sind und
noch die
Wahrscheinlichkeitswelle
des Ortes verkraften
muss. Quantenfarben -
blanco y verde? (Nicolaus
A. Huber, Februar
2018)
World
premiere: Darmstadt, June
20, 2018. $38.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| La Belle Hélène Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125039-140 Arranged by Wil v...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1125039-140
Arranged by Wil van der
Beek. Great Classics.
Score Only. Composed
2012. 44 pages. De Haske
Publications #DHP
1125039-140. Published by
De Haske Publications
(BT.DHP-1125039-140).
9x12 inches.
English-German-French-Dut
ch. Offenbach (1819
- 1880), who was born in
Germany, moved to Paris
when he was a teenage boy
and remained there for
much of his life. He
became especially famous
as a composer of numerous
operettas. and of one
famous opera: Les
Contes
d’Hoffmann
(The Tales of Hoffmann).
His operettas (or
‘musiquettesâ€â„
¢) were often based on
comical, or satirical
librettos. He makes fun
of Parisian daily life,
dignitaries, the
military, the
pretentiousness of the
Grand Opéra, and so
on. In that respect,
Offenbach’s
operettas are not really
comparable with those of
his German-speaking
contemporaries, for
example, Franz Lehár
and Johann Strauss the
Younger. Musically
speaking, we could
callOffenbach’s
operettas lively, funny,
melodious and catchy.For
La Belle
Hélène,
Offenbach drew from Greek
mythology. The story is
based on that of Helen of
Troy, but is set in
France, halfway through
the 19th century; it has
been turned into a satire
on the élite of that
time.The overture to
La Belle
Hélène was (and
still is) very
successful. Offenbach
combined a number of
arias and choruses from
the operetta to give a
taste of what is to
follow. Many overtures
which follow this form
lack unity and structure.
However, in this case the
composition has been well
thought-out.
Offenbach
(1819-1880), Duitser van
geboorte, verhuisde als
jongeman naar Parijs,
waar hij een groot deel
van zijn leven verbleef.
Hij werd vooral beroemd
als componist van
talrijke operettes en een
beroemde opera: Les
Contes
d’Hoffmann.
Zijn operettes (of
‘musiquettesâ€â„
¢) zijn qua libretto vaak
komisch en hilarisch, ja
zelfs satirisch. Hij
steekt hierin de draak
met het Parijse mondaine
leven, met
hoogwaardigheidsbekleders
, met militairen, met de
bombast van de Grand
Opéra, enzovoort. In
dat opzicht zijn
Offenbachs operettes
nauwelijks te vergelijken
met die in Duitsland van
bijvoorbeeld Franz
Lehár en Johann
Strauss jr. Muzikaal
gezien kunnen we zijn
operettes
levendig,geestig,
melodieus en goed in het
gehoor liggend
noemen.Voor La Belle
Hélène putte
Offenbach uit de Griekse
mythologie. Het verhaal
draait om Helena van
Troje, maar is verplaatst
naar Frankrijk,
halverwege de negentiende
eeuw; het is uitgewerkt
tot een satire op de
heersende elite.De
ouverture van La Belle
Hélène was (en
is nog altijd) zeer
succesvol. Offenbach
heeft hierin een aantal
aria’s en koren
uit de operette
samengevoegd - een
voorproefje dus op wat
komen gaat. Veel
ouvertures die zo zijn
gemaakt, missen eenheid
en structuur. In dit
geval is er echter sprake
van een goed doordachte
opbouw.
Der
gebürtige Deutsche
Jacques Offenbach
(1819-1880) zog im
Jugendalter nach Paris,
wo er den größten
Teil seines Lebens
verbrachte. Bekannt wurde
er vor allem als
Komponist zahlreicher
Operetten und einer
berühmten Oper: Les
Contes
d’Hoffmann
(Hoffmanns
Erzählungen). Seine
Operetten (oder
Musiquettes“)
basierte er häufig auf
komischen oder gar
satirischen Libretti.
Darin wird das mondäne
Pariser Leben karikiert
mit seinen
Würdenträgern,
Militärs, dem Pomp der
Grand Opéra und
dergleichen mehr. In
dieser Hinsicht sind
Offenbachs Operetten
vergleichbar mit den
deutschen Werken eines
Franz Lehár oder
Johann Strauss (Sohn).
Musikalisch betrachtet
können Offenbachs
Operetten alslebendig,
amüsant, melodiös
und eingängig
beschrieben werden.
Für La Belle
Hélène bediente
sich Offenbach der
griechischen Mythologie.
Die Handlung beruht auf
Helena von Troja, wurde
aber ins Frankreich der
Mitte des 19.
Jahrhunderts versetzt und
in eine Satire auf die
damals herrschende Elite
verwandelt.Die
Ouvertüre von La
Belle Hélène
war und ist sehr
erfolgreich. Offenbach
kombinierte darin eine
Reihe von Arien und
Chorstellen aus der
Operette und lieferte so
quasi einen Vorgeschmack
auf das Folgende. Vielen
auf diese Weise
entstandene Ouvertüren
mangelt es an
Einheitlichkeit und
Struktur. Diese
Ouvertüre zeugt jedoch
von einem gut
durchdachten Aufbau.
Jacques Offenbach
est né en Allemagne en
1819. Sa famille
s’installe Paris
alors qu’il est
encore adolescent et
c’est l
qu’il passe la
plus grande partie de sa
vie. Il devient
particulièrement
célèbre pour la
composition de nombreuses
opérettes et
d’un opéra
légendaire, Les
Contes
d’Hoffmann.
Ses opéras-bouffes (ou
« musiquettes »)
s’inspirent
souvent de livrets
comiques ou satiriques.
Il parodie la vie
quotidienne Paris, se
moque des dignitaires, de
l’armée, de la
prétention du grand
opéra, et ainsi de
suite. cet égard, les
œuvres
d’Offenbach ne
sont pas vraiment
comparables aux
opérettes de ses
contemporains
germanophones tels que
Franz Lehár ou
encoreJohann Strauss le
jeune. Musicalement
parlant, on peut dire que
les opéras-bouffes
d’Offenbach sont
entraînants,
spirituels, mélodieux
et mémorables.Jacques
Offenbach s’est
inspiré de la
mythologie pour composer
La Belle
Hélène, dont le
livret brosse
l’histoire
d’Hélène de
Troie. Mais parodiant
l’une des
légendes grecques des
plus illustres, cette
opérette se veut
être une satire sur
l’élite de
l’époque.Lâ€
â„¢ouverture de La
Belle Hélène a
toujours été
très populaire.
Offenbach y glisse
plusieurs arias et
chœurs repris
ensuite dans l’un
ou l’autre acte de
l’opérette,
afin d’en offrir
un avant-go t
l’auditoire. De
nombreux compositeurs
écrivirent par la
suite des ouvertures de
canevas identique. Bien
qu’un grand nombre
d’entre elles
manquent
d’unité et de
structure,
l’ouverture de La
Belle Hélène en est
une exception
notoire. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| H.O.L.Y. (Choral SATB) Chorale SATB Hal Leonard
By Florida Georgia Line. By busbee, Nate Cyphert, and William Wiik Larsen. Ar...(+)
By Florida Georgia Line.
By
busbee, Nate Cyphert, and
William Wiik Larsen.
Arranged by Mark A.
Brymer.
Pop Choral Series.
Octavo. 8
pages. Published by Hal
Leonard
$2.15 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| H.O.L.Y. (Choral TBB) Chorale 3 parties TTB/TBB Hal Leonard
By Florida Georgia Line. By busbee, Nate Cyphert, and William Wiik Larsen. Ar...(+)
By Florida Georgia Line.
By
busbee, Nate Cyphert, and
William Wiik Larsen.
Arranged by Mark A.
Brymer.
Pop Choral Series.
Octavo. 8
pages. Published by Hal
Leonard
$2.15 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| H.O.L.Y. (Choral SAB) Chorale 3 parties SAB Hal Leonard
By Florida Georgia Line. By busbee, Nate Cyphert, and William Wiik Larsen. Ar...(+)
By Florida Georgia Line.
By
busbee, Nate Cyphert, and
William Wiik Larsen.
Arranged by Mark A.
Brymer.
Pop Choral Series.
Octavo. 8
pages. Published by Hal
Leonard
$2.15 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gran Torso Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.KM-2261 Music for String Quartet(+)
String Quartet
(2vl,va,vc) SKU:
BR.KM-2261 Music
for String Quartet.
Composed by Helmut
Lachenmann. This edition:
2 Violins, Viola, Cello.
Chamber music; Folder.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere: Bremen
(pro musica nova), May 6,
1972Have a look into KM
2261. Music post-1945;
New music (post-2000).
Set of parts. Composed
1971/78/88. 112 pages.
Duration 23'. Breitkopf
and Haertel #KM 2261.
Published by Breitkopf
and Haertel (BR.KM-2261).
ISBN 9790004501658.
16.5 x 11.5
inches. Gran Torso,
for string quartet, was
composed in 1971 and
revised in 1978. It
belongs to a series of
works, including Air,
Kontrakadenz, Pression
and Klangschatten, whose
concept of material
attempts to free itself
from convention. That is,
instead of using the
sound itself as a point
of departure, structural
and formal hierarchies
are derived from the
mechanical and physical
conditions present during
the process of sound
production. It is clear
that such a radical break
with tradition is not
easily achieved: the
instrument, the given
means, the resonating
body itself (as the
embodiment of convention)
all work against such
attempts (with the
extended performance
techniques representing
only the tip of the
iceberg of deep-seated
contradictions where the
bourgeois artist is
concerned). Implicit in
such a challenge,
however, is a claim to
aesthetic pregnance: an
offer, if one would have
it, of uncomprosing
beauty.(Helmut
Lachenmann,
1978)CDs/LPs:Berner
StreichquartettCD col
legno 0647 277Berner
StreichquartettLP col
legno 5504Societa
Cameristica ItalianaLP
ABT ERZ 1003Arditti
String QuartetCD KAIROS,
0012662KAIstadler
quartettCD NEOS 10806The
JACK QuartetCD mode
267Stadler Quartett, Rg.
Caroline SiegersDVD NEOS
51001Bibliography:Alberma
n, David: Abnormal
Playing Techniques in the
String Quartets of Helmut
Lachenmann, in: Helmut
Lachenmann Music with
matches, hrsg. von Dan
Albertson, Contemporary
Music Review 24 (2005),
Vol. 1, pp.
39-51.Dulaney, Maxwell:
Continuing the Tradition
Untraditionally: Helmut
Lachenmann's
Restructuring of Musical
Dialectic through an
Analysis of his Three
String Quartets, and an
Original Composition,
Harmonic Concerto, Diss.
Brandeis University, MI
2013.Egger, Elisabeth:
Kontinuitat, Verdichtung,
Synchronizitat. Zu den
grossformalen Funktionen
des gepressten
Bogenstrichs in Helmut
Lachenmanns
Streichquartetten, in:
Musik als
Wahrnehmungskunst.
Untersuchungen zu
Kompositionsmethodik und
Horasthetik bei Helmut
Lachenmann, hrsg. von
Christian Utz und Clemens
Gadenstatter (=
musik.theorien der
gegenwart 2),
Saarbrucken: Pfau 2008,
pp. 155-171.Hermann,
Matthias: Helmut
Lachenmann - Gran Torso,
in: Analyse Musik XX.
Jahrhundert (2).
Postserielle Konzepte
Klangflachen Aleatorik (=
Materialien zur
Musiktheorie 4),
Saarbrucken: Pfau 2002,
pp. 134-152.Hiekel, Jorn
Peter: Die
Streichquartett Gran
Torso und Grido von
Helmut Lachenmann, in:
Lucerne Festival, Sommer
2005 Neuland,
Konzertprogramm 6, pp.
65-69.Houben, Eva-Maria:
Helmut Lachenmann: Gran
Torso ..., in: dies.,
Musikalische Praxis als
Lebensform (= Musik und
Klangkultur 27),
Bielefeld: Transcript
2018, S. 208-212Lehmann,
Harry: Erhabenheit -
Ereignis - Ambivalenz.
Zur Asthetik der Neuen
Musik, in: Neue
Zeitschrift fur Musik 176
(2015), Heft 5, pp.
22-27.Mosch, Ulrich:
Kunst als Medium der
Ungeborgenheit.
Streichquartette und
soziale Funktion des
Komponierens bei Helmut
Lachenmann, in:
Positionen 81 (November
2009), pp. 37-39.ders.:
Was heisst Interpretation
bei Helmut Lachenmanns
Streichquartett ,,Gran
Torso?, in: Wessen
Klange? Uber Autorschaft
in neue Musik, hrsg. Von
Hermann Danuser und
Matthias Kassel (=
Veroffentlichungen der
Paul Sacher Stiftung 12),
Mainz u.a.: Schott 2017,
S. 163-186Nonnenmann,
Rainer: Werke als
Schlussel zu Werken? Zur
umstrittenen Kategorie
,,Schlusselwerke der
neuen Musik, in:
MusikTexte, Heft 147
(November 2015), pp.
35-46.Stork, Astrid:
Materialbegriff und
Strukturdenken.
Untersuchungen zu den
Streichquartetten von
Helmut Lachenmann,
Magisterarbeit
Ruhr-Universitat Bochum
1992Tsao, Ming: Helmut
Lachenmann's Sound Types,
in: Perspectives of New
Music 52 (2014), Heft 1,
pp. 217-238.Velazquez,
Rossana Lara: Composicion
y escucha burguesa:
Principios de continuidad
y ruptura en el cuarteto
Gran Torso de Helmut
Lachenmann, Diss.
Universidad Nacional
Autonoma de Mexico
2011.Zenck, Martin: Die
mehrfache Codierung der
Figur: Ihr defigurativer
und torsohafter Modus bei
Johann Sebastian Bach,
Helmut Lachenmann und
Auguste Rodin, in: de
figura. Rhetorik Bewegung
Gestalt, Text und Bild,
hrsg. von Gabriele
Brandstetter und Sibylle
Peters, Munchen 2003, pp.
265-288.
World
premiere: Bremen (pro
musica nova), May 6,
1972. $132.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| W.Y.H.I.W.Y.G. Schott
| | |
| Der Geigenkasten Breitkopf & Härtel
Violin(s) solo SKU: BR.EB-8772 Materials for Violin Lessons. Compo...(+)
Violin(s) solo SKU:
BR.EB-8772
Materials for Violin
Lessons. Composed by
Michael Dartsch. Solo
instruments; Softbound.
Edition Breitkopf. The
contents of Book 2 of the
Geigenkasten make it
possible to continue
improving one's technical
proficiency and to
prepare for the
intermediate level.
Music pedagogy. Score.
108 pages. Breitkopf and
Haertel #EB 8772.
Published by Breitkopf
and Haertel (BR.EB-8772).
ISBN 9790004182482. 9
x 12 inches.
German. The student
learns and practices
spiccato, vibrato and
position playing step by
step. The pieces, which
are all in two parts
again, aim at a flexible
use of the new techniques
in a varied musical
context. Learning to
shift is one of the focal
points, besides learning
to play in the second,
third, fourth and half
positions. The pieces
cover all possible
combinations of starting
fingers and goal fingers.
Suggestions for free
playing are also supplied
in Book 2, which
stimulates the
imagination, increases
the student's delight in
playing, practicing and
experimenting - and is
ideal for group lessons
as well! Este segundo
volumen ofrece
sugerencias para tocar
libremente, lo que
estimula la imaginacion,
incrementa el placer del
estudiante al tocar,
practicar, y es ideal
para las lecciones en
grupo. (Musica y
Educacion)
The
contents of Book 2 of the
Geigenkasten make it
possible to continue
improving one's technical
proficiency and to
prepare for the
intermediate level. With
a removable practice
program for change of
positions. $38.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Dan Coates - Complete Advanced Piano Solos
Piano seul [Partition] - Avancé Alfred Publishing
The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Com...(+)
The Greatest Love Of All
Composed by Michael
Masser, Linda Creed
Homecoming Composed by
Hagood Hardy
Weve Got Tonight Composed
by Bob Seger
Song From M*a*s*h
(Suicide Is Painless)
Composed by Johnny
Mandel, Mike Altman
Misty Composed by Erroll
Garner, Johnny Burke
Other Side Of Midnight
Composed by Michel
Legrand
The Rose Composed by
Amanda Mc Broom
Tears In Heaven Composed
by Eric Clapton, Will
Jennings
Theme From New York, New
York Composed by Fred
Ebb, John Kander
Heart Composed by Richard
Adler, Jerry Ross
Hey There Composed by
Richard Adler, Jerry Ross
Colors Of My Life
Composed by Cy Coleman,
Michael Stewart
Over The Rainbow Composed
by Harold Arlen, E.y.
Harburg
Separate Lives Love Theme
From "white Nights"
Theme From Ice Castles
Composed by Marvin
Hamlisch, Carole Bayer
Sager
Tonight I Celebrate My
Love Composed by Michael
Masser, Gerry Goffin
In This Life Composed by
Mike Reid, Allen Shamblin
Up Where We Belong
Composed by W Jennings, B
Sainte, Marie, J Nitzsche
From A Distance Composed
by Julie Gold
I Will Always Love You
Composed by Dolly Parton
Oh! What It Seemed To Be
Composed by Bennie
Benjamin, George David
Weiss, Frankie
I Believe I Can Fly
Composed by R. Kelly
Valentine Composed by Jim
Brickman, Jack Kugell
How Do I Live Composed by
Diane Warren
Colors Of The Wind
Composed by Stephen
Schwartz, Alan Menken
A Dream Is A Wish Your
Heart Makes Composed by
Mack David, Al Hoffman,
Jerry Livingston
see less... Tell Him
Composed by Linda
Thompson, David Foster
Con Te Patiro / Time To
Say Goodbye Composed by
Lucio Quarantotto,
Francesco Sartori
Karen's Theme Composed by
Richard Carpenter
The Prayer Composed by
Carole Bayer Sager, David
"babyface" Foster
My One True Friend
Composed by Carole Bayer
Sager, Carole King
Love Solo Composed by Dan
Coates
I Don't Want To Miss A
Thing Composed by Diane
Warren
As Time Goes By Composed
by Herman Hupfeld
La Vie En Rose Composed
by Louiguy, Piaf
(French), David (Eng.)
What's New? Composed by
Bob Haggart, Johnny Burke
Summer Me, Winter Me
Composed by Michel
Legrand, Alan, Marilyn
Bergman
Evergreen Composed by
Barbra Streisand, Paul
Williams
Arthur's Theme (Best That
You Can Do) Composed by
Burt Bacharach, Carole
Bayer Sager
Can You Read My Mind
Composed by John
Williams, Leslie Bricusse
Love And Marriage
Composed by Jimmy Van
Heusen, Sammy Cahn
Desperado Composed by Don
Henley, Glenn Frey
The Wind Beneath My Wings
Composed by Jeff Silbar,
Larry Henley
How Do You Keep The Music
Playing? Composed by
Michel Legrand, Alan
Bergman
Anywhere The Heart Goes
Composed by Henry
Mancini, Will Jennings
Once Before I Go Composed
by Dean Pitchford, Peter
Allen
Star Wars - Main Theme
Composed by John Williams
Open Arms Composed by
Steve Perry, Jonathan
Cain
Canon In D Composed by
Johann Pachelbel
That's What Friends Are
For Composed by Burt
Bacharach, Carole Bayer
Sager
Friends Or Lovers Both To
Each Composed by Paul
Gordon, Jay Gruska
Forever Composed by Kenny
Loggins, Eva Loggins,
David Foster
Saving All My Love For
You Composed by Gerry
Goffin, Michael Masser
Miss Celie's Blues
Composed by Quincy Jones,
Rod Temperton, And
Anne's Theme Composed by
Hagood Hardy
One Moment In Time
Composed by Albert
Hammond, John Bettis
Kei's Song Composed by
David Benoit
I Say A Little Prayer
Composed by Burt
Bacharach, Hal David
Happy Birthday To You
Composed by Mildred J.
Hill, Patty S. Hill
May You Always Composed
by Larry Marks, Dick
Charles
If My Friends Could See
Me Now Composed by Cy
Coleman, Dorothy Fields
You Can Always Count On
Me Composed by Cy
Coleman, David Zippel
Ashokan Farewell Composed
by Jay Ungar
Everything I Do I Do It
For You Composed by Bryan
Adams, Robert Lange,
Michael Kamen
Send In The Clowns
Composed by Stephen
Sondheim
She Loves Me Composed by
Sheldon Harnick, Jerry
Bock
How Could I Ever Know?
Composed by Marsha
Norman, Lucy Simon
My Unknown Someone
Composed by Cy Coleman,
Adolph Green, Betty
Comden
Favorite Son Composed by
Cy Coleman, Adolph Green,
Betty Comden
I Swear Composed by Gary
Baker, Frank Myers
I Can Love You Like That
Composed by S Diamond, M
Derry, J Kimball
Beauty And The Beast
Composed by Howard
Ashman, Alan Menken
Angel Eyes Composed by
Jim Brickman
If You Believe Composed
by Jim Brickman
Because You Loved Me
Composed by Diane Warren
Un-break My Heart
Composed by Diane Warren
Ragtime Composed by
Stephen Flaherty, Lynn
Ahrens
Complete Advanced Piano
Solos (Music for All
Occasions). Arranged by
Dan Coates. For solo
piano. Piano -
Intermediate / Advanced
Collection; Piano
Supplemental. The
Professional Touch
Series. Contemporary
Instrumental and Pop. SMP
Level 9 (Advanced).
Collection. Standard
notation (does not
include words to the
songs). 304 pages.
Published by Alfred Music
Publishing
(80)$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tango, Milonga Y Tango (ss Or Sss, Gtr Or Kybd) 2 Rec Flûte à Bec Boosey and Hawkes
(Recorder) SKU: HL.48009180 Composed by H.R. Perera. Boosey & Hawkes Cham...(+)
(Recorder) SKU:
HL.48009180 Composed
by H.R. Perera. Boosey &
Hawkes Chamber Music.
Boosey & Hawkes
#M060020155. Published by
Boosey & Hawkes
(HL.48009180). UPC:
073999368505. Two
Recorders. $4.95 - Voir plus => Acheter | | |
| On S'Y Fait Varioustes (Cht-Pno Piano, Voix Salabert
Voice and Piano SKU: BT.SLB-00055200 Composed by H. Christine. Classical....(+)
Voice and Piano SKU:
BT.SLB-00055200
Composed by H. Christine.
Classical. Score Only.
Composed 2002. Editions
Salabert #SLB 00055200.
Published by Editions
Salabert
(BT.SLB-00055200).
$4.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Five for Christmas Orgue - Intermédiaire MorningStar Music Publishers
By Raymond H Haan. For organ. Organ Music. Level: Medium. Published by MorningSt...(+)
By Raymond H Haan. For
organ. Organ Music.
Level: Medium. Published
by MorningStar Music
Publishers.
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 13 Sonatas Guitare - Avancé Schott
Guitar - advanced SKU: HL.49010936 Guitar Solo. Composed by Juan A...(+)
Guitar - advanced SKU:
HL.49010936 Guitar
Solo. Composed by
Juan Antonio Vargas y
Guzmá and n. Edited
by Miguel Alcazar.
Arranged by Manuel
Alcá and zar. This
edition: Paperback/Soft
Cover. Sheet music.
Gitarren-Archiv (Guitar
Archive). Classical.
Composed 1776. 43 pages.
Schott Music #GA523.
Published by Schott Music
(HL.49010936). ISBN
9790001097703. UPC:
842819115168.
9.0x12.0x0.143
inches. $31.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| R (A Portrait for Piano and Orchestra) Breitkopf & Härtel
Piano (pno - 2(picc).2.2.2. - 4.2.2.Btbne.1. - hp - cel - perc(4).timp - str) (+)
Piano (pno -
2(picc).2.2.2. -
4.2.2.Btbne.1. - hp - cel
- perc(4).timp - str)
SKU: BR.OB-5693-03
Composed by Nicola
Campogrande. Solo
instruments; stapled.
Orchester-Bibliothek
(Orchestral Library).
He
re you will find Nudo
for piano solo. Solo
concerto; Music
post-1945; New music
(post-2000). Solo part.
Composed 2012. 32 pages.
Duration 17'. Breitkopf
and Haertel #OB 5693-03.
Published by Breitkopf
and Haertel
(BR.OB-5693-03). ISBN
9790004347232. 10 x 12.5
inches. A Musical
Portrait In 2012 Nicola
Campogrande received a
rather singular
commission when a total
stranger asked him to
compose a musical
portrait of his fiancee.
The man knew exactly what
he wanted: a concerto for
piano and orchestra.
After some reflection,
Campogrande realised that
he would be able to paint
with music. It would
never be possible, of
course, to recognise the
shape of the woman's face
or the colour of her
hair, but the score could
evoke the way in which
she occupied space and
time, and the different
movements of the
composition would be like
the faces on a rotating
prism. Campogrande thus
accepted the commission
and the stranger sent him
a few photos of his
fiancee, spoke to him
about her and, finally,
introduced him to her.
This is how R (A portrait
for piano and orchestra)
was born, first performed
in April 2013 by Lilya
Zilberstein with the
Orchestra Verdi in Milan.
Subsequently, following
other performances and a
TV documentary, a number
of different pianists
asked Campogrande to
write a version for solo
piano. Hence Nudo
emerged, a piece that
would be very similar to
R, were it not for the
fact that, as the title
suggests, the pianist is
naked, without orchestral
clothing.Un portrait
musical En 2012, Nicola
Campogrande s'est vu
proposer une commission
fort singuliere ; un
parfait etranger lui
demandait de composer le
portrait musical de sa
compagne. L'homme savait
exactement ce qu'il
voulait : un concert pour
piano et orchestre. Apres
quelques hesitations,
Campogrande s'est rendu
compte qu'il pouvait se
servir de la musique
comme d'un pinceau. Bien
entendu, il ne serait
jamais possible de
reconnaitre la forme du
visage de la femme ou la
couleur de ses cheveux,
mais la partition
pourrait evoquer la facon
dont elle se deplacait
dans l'espace et dans le
temps, et les differents
mouvements de la piece
seraient comme les
figures d'un prisme en
rotation. Campogrande a
donc accepte la
commission ; l'etranger
lui a envoye des photos
de sa compagne, il lui a
parle d'elle, avant de
les faire se rencontrer
personnellement. Ainsi
est ne R (Un portrait
pour piano et orchestre),
interprete pour la
premiere fois en avril
2013 par Lilya
Zilberstein et
l'orchestre Verdi de
Milan. D'autres
executions ont suivi,
ainsi qu'un documentaire
televise, apres quoi
plusieurs pianistes ont
prie Campogrande d'ecrire
une version pour piano
seul. C'est ainsi que
Nudo a vu le jour : un <<
nu >> tres semblable au
premier portrait, si ce
n'est que le piano s'y
trouve, comme le suggere
le titre, depouille de
son vetement orchestral.
Ritrarre con la musica
Nel 2012 Nicola
Campogrande ha ricevuto
la piu singolare delle
commissioni, quando un
perfetto sconosciuto gli
ha chiesto di comporre il
ritratto musicale della
sua fidanzata. L'uomo
sapeva esattemente cio
che voleva: un concerto
per pianoforte e
orchestra. Dopo qualche
esitazione, Campogrande
si e reso conto di poter
dipingere con la musica;
certo, non sarebbe stato
possibile riconoscere la
forma del viso della
donna o il colore dei
suoi capelli, ma la
partitura avrebbe evocato
il modo nel quale lei si
muoveva nello spazio e
nel tempo, e i vari
movimenti del brano
sarebbero stati come le
facce di un prisma in
rotazione. Campogrande ha
dunque accettato la
commissione e lo
sconosciuto gli ha
mandato alcune foto della
sua fidanzata, gli ha
parlato di lei e, alla
fine, gliela ha
presentata personalmente.
E cosi nato cosi R (Un
ritratto per pianoforte e
orchestra), eseguito per
la prima volta
nell'aprile 2013 da Lilya
Zilberstein insieme
all'Orchestra Verdi di
Milano.In seguito, dopo
altre esecuzioni e un
documentario tv, diversi
pianisti hanno chiesto a
Campogrande di preparare
una versione per
pianoforte solo. E stato
cosi che ha preso forma
Nudo, un brano del tutto
simile a R tranne per il
fatto che, come
suggerisce il titolo, il
pianista e nudo, senza un
abito orchestrale.
Information on R on the
composer's
websiteRecording of the
premiere of R in Milano
(YouTube). $45.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Arquitecturas del silencio Accordéon Breitkopf & Härtel
Accordion solo SKU: BR.EB-9172 Composed by Jose Maria Sanchez-Verdu. Solo...(+)
Accordion solo SKU:
BR.EB-9172 Composed
by Jose Maria
Sanchez-Verdu. Solo
instruments; Folder.
Edition Breitkopf.
World premiere:
Cagliari, November 24,
2004 Music post-1945;
New music (post-2000).
Score. Composed 2004. 18
pages. Duration 6'.
Breitkopf and Haertel #EB
9172. Published by
Breitkopf and Haertel
(BR.EB-9172). ISBN
9790004182451. 9 x 12
inches. Dieses
Stuck durchlauft eine
Reise durch die Grenzen
des Instruments, genau
wie Arquitecturas de
espejos nicht nur durch
die extremen Register,
sondern auch durch die
Manipulation und
Verzerrung des Klangs
durch neue
Instrumentaltechniken
(erstickte Tone, Schatten
zwischen Luft, Gerausch
und Tonhohen,
Wiederholungen, komplexe
Horwahrnehmungen usw.).
Mit Arquitecturas de
espejos hat dieses Werk
verschiedene
Verbindungen, und ich
merke, warum das
Akkordeon mir ganz nah in
meiner eigenen Musik
bleibt. 2004 komponiert,
wurde Arquitecturas del
silencio im Jahr darauf
von Esteban Algora in
Cagliari uraufgefuhrt.
Das Werk ist ihm auch
gewidmet. (Jose M.
Sanchez-Verdu) CD:
Esteban Algora
(accordeon) CD Columna
Musica, 1 CMO142
Bibliography: Garcia del
Busto , Jose Luis:
Arquitecturas de la
ausencia de Jose M.
Sanchez-Verdu, in:
Sibila. Revista de arte,
musica y literatura 18
(April 2005), pp.
47-49.
World
premiere: Cagliari,
November 24, 2004. $34.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Easy Duets for Clarinet 2 Clarinettes (duo) [Partition] - Facile Mel Bay
y Costel Puscoiu. For Clarinet. Duets. Bill's Music Shelf. Classic. Beginning. B...(+)
y Costel Puscoiu. For
Clarinet. Duets. Bill's
Music Shelf. Classic.
Beginning. Book. 40
pages. Published by Mel
Bay Publications, Inc
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Nudo Piano seul Breitkopf & Härtel
Piano SKU: BR.EB-8990 After R (A Portrait for Piano and Orchestra)...(+)
Piano SKU:
BR.EB-8990 After R
(A Portrait for Piano and
Orchestra). Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf. He
re you will find the
concerto R (A Portrait
for Piano and
Orchestra). Solo
concerto; Music
post-1945; New music
(post-2000). Score.
Composed 2015. 36 pages.
Duration 15'. Breitkopf
and Haertel #EB 8990.
Published by Breitkopf
and Haertel (BR.EB-8990).
ISBN 9790004187197. 9
x 12 inches. A
Musical Portrait In 2012
Nicola Campogrande
received a rather
singular commission when
a total stranger asked
him to compose a musical
portrait of his fiancee.
The man knew exactly what
he wanted: a concerto for
piano and orchestra.
After some reflection,
Campogrande realised that
he would be able to paint
with music. It would
never be possible, of
course, to recognise the
shape of the woman's face
or the colour of her
hair, but the score could
evoke the way in which
she occupied space and
time, and the different
movements of the
composition would be like
the faces on a rotating
prism. Campogrande thus
accepted the commission
and the stranger sent him
a few photos of his
fiancee, spoke to him
about her and, finally,
introduced him to her.
This is how R (A portrait
for piano and orchestra)
was born, first performed
in April 2013 by Lilya
Zilberstein with the
Orchestra Verdi in Milan.
Subsequently, following
other performances and a
TV documentary, a number
of different pianists
asked Campogrande to
write a version for solo
piano. Hence Nudo
emerged, a piece that
would be very similar to
R , were it not for the
fact that, as the title
suggests, the pianist is
naked, without orchestral
clothing. Information on
Nudo on the composer's
website Audio recording
of Nudo (YouTube) Un
portrait musical En 2012,
Nicola Campogrande s'est
vu proposer une
commission fort
singuliere ; un parfait
etranger lui demandait de
composer le portrait
musical de sa compagne.
L'homme savait exactement
ce qu'il voulait : un
concert pour piano et
orchestre. Apres quelques
hesitations, Campogrande
s'est rendu compte qu'il
pouvait se servir de la
musique comme d'un
pinceau. Bien entendu, il
ne serait jamais possible
de reconnaitre la forme
du visage de la femme ou
la couleur de ses
cheveux, mais la
partition pourrait
evoquer la facon dont
elle se deplacait dans
l'espace et dans le
temps, et les differents
mouvements de la piece
seraient comme les
figures d'un prisme en
rotation. Campogrande a
donc accepte la
commission ; l'etranger
lui a envoye des photos
de sa compagne, il lui a
parle d'elle, avant de
les faire se rencontrer
personnellement. Ainsi
est ne R (Un portrait
pour piano et orchestre)
, interprete pour la
premiere fois en avril
2013 par Lilya
Zilberstein et
l'orchestre Verdi de
Milan. D'autres
executions ont suivi,
ainsi qu'un documentaire
televise, apres quoi
plusieurs pianistes ont
prie Campogrande d'ecrire
une version pour piano
seul. C'est ainsi que
Nudo a vu le jour : un <<
nu >> tres semblable au
premier portrait, si ce
n'est que le piano s'y
trouve, comme le suggere
le titre, depouille de
son vetement orchestral.
Ritrarre con la musica
Nel 2012 Nicola
Campogrande ha ricevuto
la piu singolare delle
commissioni, quando un
perfetto sconosciuto gli
ha chiesto di comporre il
ritratto musicale della
sUrauffuhrung fidanzata.
L'uomo sapeva esattemente
cio che voleva: un
concerto per pianoforte e
orchestra. Dopo qualche
esitazione, Campogrande
si e reso conto di poter
dipingere con la musica;
certo, non sarebbe stato
possibile riconoscere la
forma del viso della
donna o il colore dei
suoi capelli, ma la
partitura avrebbe evocato
il modo nel quale lei si
muoveva nello spazio e
nel tempo, e i vari
movimenti del brano
sarebbero stati come le
facce di un prisma in
rotazione. Campogrande ha
dunque accettato la
commissione e lo
sconosciuto gli ha
mandato alcune foto della
sUrauffuhrung fidanzata,
gli ha parlato di lei e,
alla fine, gliela ha
presentata personalmente.
E cosi nato cosi R (Un
ritratto per pianoforte e
orchestra ), eseguito per
la prima volta
nell'aprile 2013 da Lilya
Zilberstein insieme
all'Orchestra Verdi di
Milano.In seguito, dopo
altre esecuzioni e un
documentario tv, diversi
pianisti hanno chiesto a
Campogrande di preparare
una versione per
pianoforte solo. E stato
cosi che ha preso forma
Nudo , un brano del tutto
simile a R tranne per il
fatto che, come
suggerisce il titolo, il
pianista e nudo, senza un
abito orchestrale. 'Nudo'
is a scintillating work
that paints a vivid and
fascinating sequence of
musical portraits of its
subject. And the
Breitkopf score is simply
superb.
(www.pianodao.com). $31.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Le Livre de l'Aurore Flûte traversière et Piano Breitkopf & Härtel
Flute, piano SKU: BR.EB-8906 Suite for Flute and Piano. Composed b...(+)
Flute, piano SKU:
BR.EB-8906 Suite
for Flute and Piano.
Composed by Raoul
Laparra. Edited by Gundel
Huschka. Solo
instruments; stapled.
Edition Breitkopf. Early
modern. Score. 44 pages.
Breitkopf and Haertel #EB
8906. Published by
Breitkopf and Haertel
(BR.EB-8906). ISBN
9790004185384. 9 x 12
inches. ,,La
comparaison avec le
celebre ,Children's
Corner' de Debussy est
justifiee. On y trouve la
meme verve, l'humour, la
richesse harmonique en
meme temps que les
marques du romantisme
tardif et du nouveau
siecle. Souhaits a cette
edition de trouver le
chemin des concerts et du
disque. (Pascal Gresset,
Tempo flute). $32.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Welsh Hymn-tune Preludes Orgue [Partition] Sacred Music Press
By Raymond H Haan. Organ. Level: 3-staff. Sacred Organ. Published by Sacred Musi...(+)
By Raymond H Haan. Organ.
Level: 3-staff. Sacred
Organ. Published by
Sacred Music Press.
(1)$33.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Darabukka Piano seul Breitkopf & Härtel
Piano SKU: BR.EB-9385 Composed by Nicolaus A. Huber. Solo instruments; st...(+)
Piano SKU:
BR.EB-9385 Composed
by Nicolaus A. Huber.
Solo instruments;
stapled. Edition
Breitkopf. Music
post-1945; New music
(post-2000). Score.
Composed 1976. 12 pages.
Duration 15'. Breitkopf
and Haertel #EB 9385.
Published by Breitkopf
and Haertel (BR.EB-9385).
ISBN 9790004188552. 12
x 9
inches. Darabukka
ist eine arabische
Vasentrommel - heute
vorzugsweise vom
fahrenden Volk gebraucht
- die zwei Klange
erzeugt: einen hohen und
einen tiefen (+ hohen).
Durch Abdecken der
unteren Offnung
verschwindet der tiefere
Klang, und der hohere
bleibt allein ubrig.
Diese Eigenschaften sind
auf das Klavier
ubertragen: 1. Die Taste
wird wie eine Trommel
behandelt, und alle
moglichen Finger- und
Handkombinationen werden
zur
Rhythmus-Instrumentation
herangezogen. 2. Durch
subharmonische
Teilschwingungen wird der
Tastenton zusatzlich
klanglich aufgebrochen.
Ihre Klangfarben
unterliegen den
Rhythmusmodellen. 3. Ich
habe dieses Stuck von
verschiedenen
Volks-Musiken gelernt,
und am Ende erklingt eine
Solidaritats-Klangaktion
fur das Volk von Chile:
,,El pueblo unido jamas
sera vencido! - ,,Das
Volk wird niemals besiegt
werden, wenn es einig
ist. In Darabukka wird
mit drei verschiedenen
Struktur- und
Klang-Charakteren
gearbeitet. Unter den
vielen Techniken der
Rhythmuskomposition ist
vielleicht die der
rhythmischen Modulation
am interessantesten:
Durch Umdeutung einer
Dauer kann von einem
Modell x zu einem Modell
y ubergeleitet werden.
(Nicolaus A. Huber, 1976)
CDs: Kristine Scholz CD
Alice musicproduction
ALCD 011 Catherine
Vickers CD Koch Aulos
3-1817-2 Bibliografie:
Dudda , Friedrich:
Nicolaus A. Hubers
,,Darabukka, in: Feedback
Papers 15, Koln 1978, S.
19-21. Schick , Tobias
Eduard: Weltbezuge in der
Musik Mathias Spahlingers
(Beihefte zum Archiv fur
Musikwissenschaft, Band
80), Stuttgart; Franz
Steiner 2018, dort S.
97-99
World
premiere: Paris, March
14, 1977. $34.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Invencion y Milonga Guitare - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-3775 Composed by Carlos H. Wernicke. Sc...(+)
Guitar solo - Advanced
SKU: DZ.DZ-3775
Composed by Carlos H.
Wernicke. Score. Les
Productions d'OZ #DZ
3775. Published by Les
Productions d'OZ
(DZ.DZ-3775). ISBN
9782897956929. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Seguiriyas d'Estutgar y la Plaza Helderlin Breitkopf & Härtel
Trio (va,vc,db) SKU: BR.KM-2199 Composed by Manuel Hidalgo. Chamber music...(+)
Trio (va,vc,db) SKU:
BR.KM-2199 Composed
by Manuel Hidalgo.
Chamber music; Folder.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere:
Venice, September 27,
1985 Music post-1945;
New music (post-2000).
Score. Composed 1984. 38
pages. Duration 14'.
Breitkopf and Haertel #KM
2199. Published by
Breitkopf and Haertel
(BR.KM-2199). ISBN
9790004501078. 16.5 x
11.5 inches. World
premiere: Venice,
September 27, 1985. $71.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| kankul vellam - Yön tulva Piano seul Sulasol
Piano SKU: S6.S2162 Composed by Eero Hämeenniemi. Score. Sulasol #S216...(+)
Piano SKU:
S6.S2162 Composed by
Eero Hämeenniemi.
Score. Sulasol #S2162.
Published by Sulasol
(S6.S2162). ISBN
9790550131620. $11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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