Piano

SKU: BT.ESZ-01494800

Composed by Sandor Veress. Score Only. Edizioni Suvini Zerboni #ESZ 01494800. Published by Edizioni Suvini Zerboni (BT.ESZ-01494800).

With his Venti pezzi per pianoforte (1938), the Hungarian composer Sándor Veress (1907-92) wanted to create a collection of piano miniatures on folk melodies destined for use in the concert hall as well as for teaching purposes. Each piece is based on one or more songs and dances from different Hungarian speaking areas, which are re-elaborated and presented in a carefully conceived alternation of character, musical writing and technical difficulty. The result is a multi-colored overview of Hungarian folk music: songs of a pathetic or even dramatic nature are contrasted with lighter and high-spirited pieces, interspersed with dances of varying types, among which a homogeneousblock stands out formed by the group of Csárdás, a typical tavern dance also used by Liszt. The Venti pezzi per pianoforte represent the culmination of the extensive ethnomusicological research made by Veress in the ’30s and ‘40s, while working as assistant to László Lajtha and to Béla Bartók, and at the same time carrying out field work in Hungary and neighboring countries. The composer intended that this collection should play a fundamental role of mediation between folklore and western “art” music, by revitalizing the language from within, without resorting to the abstractions of the experimentation being developed in Europe at the time. During his lifetime Veress never succeeded in publishing the complete version of the Venti pezzi per pianoforte, but issued various selections of the pieces, two of which remained totally unpublished. The present critical edition prepared by Giada Viviani reconstructs the complete text of the Venti pezzi per pianoforte on the basis of manuscript sources kept at the Paul Sacher Foundation in Basel: the musical scores, with fingering by Jakub Tchorzewski, are accompanied by an introductory essay on the context in which the collection was created, including a description of the state of the sources and a detailed apparatus criticus of the textual variants.

Con i suoi Venti pezzi per pianoforte (1938), il compositore ungherese Sándor Veress (1907-92) ha voluto creare una raccolta di miniature pianistiche su melodie popolari destinate sia a un uso concertistico, sia all’attivit didattica. In ogni branovengono rielaborati uno o più canti e danze provenienti da diverse aree geografiche di lingua ungherese, che si susseguono in base a una sapiente alternanza di carattere, scrittura musicale, difficolt esecutiva. Viene così offerta una variegatapanoramica della musica popolare di questa nazionalit : a canti di contenuto patetico o addirittura drammatico se ne affiancano di più leggeri e giocosi, avvicendandosi a danze di natura differente, tra cui spicca come un blocco omogeneo il gruppodelle Csárdás, tipica danza da locanda utilizzata anche da Liszt.I Venti pezzi per pianoforte rappresentano il coronamento della ricca attivit etnomusicologica condotta da Veress tra gli anni ’30 e ‘40, sia lavorando come assistente di László Lajtha e di Béla Bartók, sia svolgendo ricerca sul campo in Ungheria enei paesi limitrofi. Per il compositore, questa raccolta doveva svolgere un fondamentale ruolo di mediazione tra il folklore e la musica “colta” occidentale, in maniera da rivitalizzarne il linguaggio dall’interno, senza gli astrattismi dellesperimentazioni allora condotte in Europa.Nel corso della sua vita Veress non riuscì mai a pubblicare la versione integrale dei Venti pezzi per pianoforte, mentre ne fece uscire sul mercato alcune selezioni, lasciando del tutto inediti due brani. La presente edizione critica a cura di GiadaViviani ricostruisce il testo completo dei Venti pezzi per pianoforte in base alle fonti manoscritte conservate presso la Fondazione Paul Sacher di Basilea: gli spartiti musicali, corredati dalla diteggiatura di Jakub Tchorzewski, sono accompagnatida un saggio introduttivo sul contesto di creazione della raccolta, dalla descrizione dello stato delle fonti e da un dettagliato apparato critico delle varianti testuali.

Composed by Francesco Cilea (1866-1950). Edited by Giuseppe Filianoti. Piano. Softcover. 258 pages. Ricordi #NR142327. Published by Ricordi

By Frederic Chopin. Edited by (Urtext)John Rink. For 2 piano. Op.11. Published by C.F. Peters.

Composed by Rob MacKillop. Saddle-stitched. Book and online audio. 60 pages. Published by Mel Bay Publications, Inc

Alto voice solo, boys chorus, female chorus, orchestra Final Version 1906 - Textcritical Edition. Composed by Gustav Mahler (1860-1911). Edited by Christian Rudolf Riedel. Vocal score. Breitkopf and Haertel #EB 9363. Published by Breitkopf and Haertel

(Godowsky, Hofmann, Lhevinne, Paderewski and 24 Other Legendary Performers). Edited by James Frances Cooke. For Piano. Reference Textbooks; Textbook - Piano. Dover Edition. Book. Published by Dover Publications

Over 50 Classic Favorites for Voice and Piano Including a Performance CD. By Hall Johnson; Toy Harper. Edited by Julius Willams. Arranged by Hall Johnson. Text: Dwight Strickland; Eugene Thamon Simpson Ed. D.; Hall Johnson; John L. Motley; Langston Hughes; Oscar O. Cozad. For Piano, Voice. Piano/Vocal Score. 208 pages. Published by Carl Fischer

By William Walton (1902-1983). Arranged by Hugh MacDonald. For Violin, viola, cello, piano. Chamber/Ensemble. William Walton Edition. Miscellaneous. Set of parts (and score for pianist). 156 pages. Duration 30'

2 pianos and percussion

SKU: HL.48024583

Composed by Bela Bartok. Edited by Felix Meyer. Sheet music with CD. Boosey & Hawkes Scores/Books. Hardcover with CD. Boosey & Hawkes #M060135866. Published by Boosey & Hawkes (HL.48024583).

ISBN 9781784545048. UPC: 888680922290. 12.0x15.5x0.821 inches.

Bela Bartok's Sonata for Two Pianos and Percussion, composed in summer 1937 on a commission from Paul Sacher and premiered in Basel in January 1938, is incontestably one of the supreme creations of modern music. This publication, with introductory essays by Felix Meyer, Robert W. Wason, Laszlo Vikarius, and Wolfgang Rathert, presents two major handwritten sources for this work from the holdings of the Paul Sacher Foundation: the draft score, which offers a fascinating glimpse into the sonata's genesis, and a whiteprint of the fair copy, which contains additions from Bartok and differs substantially from the definitive version at the end of the development section in movement 1. The volume also contains, on an enclosed CD, the radio recording of 1940, with Bartok and his wife Ditta Pasztory on the piano parts, as well as a new recording of the sonata in its original form, played by the Bugallo-Williams Piano Duo with percussionists Matthias Wursch and Christian Dierstein. In writing and sound, the volume leads readers to a closer acquaintance with Bartok's masterpiece and invites them to deepen their understanding of his compositional method, his revisions of the musical text, and his pianistic artistry.

Final Version 1906 - Textcritical Edition. Composed by Gustav Mahler (1860-1911). Edited by Christian Rudolf Riedel. Additional part. Breitkopf and Haertel #OB 5633-23. Published by Breitkopf and Haertel

Final Version 1906 - Textcritical Edition. Composed by Gustav Mahler (1860-1911). Edited by Christian Rudolf Riedel. Additional part. Breitkopf and Haertel #OB 5633-19. Published by Breitkopf and Haertel

Final Version 1906 - Textcritical Edition. Composed by Gustav Mahler (1860-1911). Edited by Christian Rudolf Riedel. Set of parts. Breitkopf and Haertel #OB 5633-60. Published by Breitkopf and Haertel

Composed by Mel Agen. Squareback saddle stitch. Value Line. Flamenco. Book and online audio. Published by Mel Bay Publications, Inc

Chorus (with soloists) and orchestra (solo: A - choir: boys ch - fem ch - 4(2picc).4(cor ang).5(2Eb-clar.B-clar).4 (dbn) - 8.4(posthn).4.1 - 2hp.2timp.perc(6) - str)

SKU: BR.PB-5663

Final Version 1906 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Choir; Linen. Partitur-Bibliothek (Score Library). Symphony; Late-romantic. Full score. 288 pages. Duration 110'. Breitkopf and Haertel #PB 5663. Published by Breitkopf and Haertel (BR.PB-5663).

ISBN 9790004216002. 10.5 x 14 inches.

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, Mahler - The Symphonies. The many sources first consulted here for an edition include, among others, the conducting scores used for early performances by Mahler, Mengelberg and other conductors, as well as the parts of the Vienna Philharmonic used by Mahler, Bruno Walter and many additional great conductors right up to the present. Furthermore, another set of parts from Mahler's personal possession was consulted. These sources, significantly expanding the source base in comparison with that of the 1974 Kritische Gesamtausgabe, guarantee a reliable, scholarly valid music text, shedding at the same time new light on Mahler's complex process of revision. In unprecedented comprehensiveness, the editorial report contains references from Mahler's letters and other authentic documents indispensable for an understanding of the work and its interpretation. The orchestral parts feature as usual optimal readability and practicality. Rounding off the edition is the introductory essay Mahler as Symphonist, together with the knowledgeable preface by Constantin Floros, doyen of Mahler research.

Chorus (with soloists) and orchestra (solo: A - choir: boys ch - fem ch - 4(2picc).4(cor ang).5(2Eb-clar.B-clar).4 (dbn) - 8.4(posthn).4.1 - 2hp.2timp.perc(6) - str)

SKU: BR.PB-5633

Final Version 1906 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Choir; Softbound. Partitur-Bibliothek (Score Library). Symphony; Late-romantic. Full score. 288 pages. Duration 110'. Breitkopf and Haertel #PB 5633. Published by Breitkopf and Haertel (BR.PB-5633).

ISBN 9790004215302. 10.5 x 14 inches.

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, Mahler - The Symphonies. The many sources first consulted here for an edition include, among others, the conducting scores used for early performances by Mahler, Mengelberg and other conductors, as well as the parts of the Vienna Philharmonic used by Mahler, Bruno Walter and many additional great conductors right up to the present. Furthermore, another set of parts from Mahler's personal possession was consulted. These sources, significantly expanding the source base in comparison with that of the 1974 Kritische Gesamtausgabe, guarantee a reliable, scholarly valid music text, shedding at the same time new light on Mahler's complex process of revision. In unprecedented comprehensiveness, the editorial report contains references from Mahler's letters and other authentic documents indispensable for an understanding of the work and its interpretation. The orchestral parts feature as usual optimal readability and practicality. Rounding off the edition is the introductory essay Mahler as Symphonist, together with the knowledgeable preface by Constantin Floros, doyen of Mahler research.

Violin 2 (solo: A - choir: boys ch - fem ch - 4(2picc).4(cor ang).5(2Eb-clar.B-clar).4 (dbn) - 8.4(posthn).4.1 - 2hp.2timp.perc(6) - str)

SKU: BR.OB-5633-16

Final Version 1906 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Part. 32 pages. Duration 110'. Breitkopf and Haertel #OB 5633-16. Published by Breitkopf and Haertel (BR.OB-5633-16).

ISBN 9790004347911. 10.5 x 14 inches.

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, Mahler - The Symphonies. The many sources first consulted here for an edition include, among others, the conducting scores used for early performances by Mahler, Mengelberg and other conductors, as well as the parts of the Vienna Philharmonic used by Mahler, Bruno Walter and many additional great conductors right up to the present. Furthermore, another set of parts from Mahler's personal possession was consulted. These sources, significantly expanding the source base in comparison with that of the 1974 Kritische Gesamtausgabe, guarantee a reliable, scholarly valid music text, shedding at the same time new light on Mahler's complex process of revision. In unprecedented comprehensiveness, the editorial report contains references from Mahler's letters and other authentic documents indispensable for an understanding of the work and its interpretation. The orchestral parts feature as usual optimal readability and practicality. Rounding off the edition is the introductory essay Mahler as Symphonist, together with the knowledgeable preface by Constantin Floros, doyen of Mahler research.

Violin 1 (solo: A - choir: boys ch - fem ch - 4(2picc).4(cor ang).5(2Eb-clar.B-clar).4 (dbn) - 8.4(posthn).4.1 - 2hp.2timp.perc(6) - str)

SKU: BR.OB-5633-15

Final Version 1906 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Part. 40 pages. Duration 110'. Breitkopf and Haertel #OB 5633-15. Published by Breitkopf and Haertel (BR.OB-5633-15).

ISBN 9790004347904. 10.5 x 14 inches.

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, Mahler - The Symphonies. The many sources first consulted here for an edition include, among others, the conducting scores used for early performances by Mahler, Mengelberg and other conductors, as well as the parts of the Vienna Philharmonic used by Mahler, Bruno Walter and many additional great conductors right up to the present. Furthermore, another set of parts from Mahler's personal possession was consulted. These sources, significantly expanding the source base in comparison with that of the 1974 Kritische Gesamtausgabe, guarantee a reliable, scholarly valid music text, shedding at the same time new light on Mahler's complex process of revision. In unprecedented comprehensiveness, the editorial report contains references from Mahler's letters and other authentic documents indispensable for an understanding of the work and its interpretation. The orchestral parts feature as usual optimal readability and practicality. Rounding off the edition is the introductory essay Mahler as Symphonist, together with the knowledgeable preface by Constantin Floros, doyen of Mahler research.

Double bass (solo: A - choir: boys ch - fem ch - 4(2picc).4(cor ang).5(2Eb-clar.B-clar).4 (dbn) - 8.4(posthn).4.1 - 2hp.2timp.perc(6) - str)

SKU: BR.OB-5633-27

Final Version 1906 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Part. 24 pages. Duration 110'. Breitkopf and Haertel #OB 5633-27. Published by Breitkopf and Haertel (BR.OB-5633-27).

ISBN 9790004347942. 10.5 x 14 inches.

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, Mahler - The Symphonies. The many sources first consulted here for an edition include, among others, the conducting scores used for early performances by Mahler, Mengelberg and other conductors, as well as the parts of the Vienna Philharmonic used by Mahler, Bruno Walter and many additional great conductors right up to the present. Furthermore, another set of parts from Mahler's personal possession was consulted. These sources, significantly expanding the source base in comparison with that of the 1974 Kritische Gesamtausgabe, guarantee a reliable, scholarly valid music text, shedding at the same time new light on Mahler's complex process of revision. In unprecedented comprehensiveness, the editorial report contains references from Mahler's letters and other authentic documents indispensable for an understanding of the work and its interpretation. The orchestral parts feature as usual optimal readability and practicality. Rounding off the edition is the introductory essay Mahler as Symphonist, together with the knowledgeable preface by Constantin Floros, doyen of Mahler research.

Voice & piano/guitar (Solo) - Moderately Difficult to Difficult

SKU: OU.9780193360013

William Walton Edition vol. 8. Composed by William Walton. Edited by Steuart Bedford. Voice & Piano. William Walton Edition. Full score. 256 pages. Oxford University Press #9780193360013. Published by Oxford University Press (OU.9780193360013).

ISBN 9780193360013. 13 x 10 inches.

This volume contains newly edited versions of all Walton's songs for voice and piano, together with Anon in Love for voice and guitar and songs from radio plays. It also includes the first publication of the scores of the orchestral versions of Anon in Love and A Song for the Lord Mayor's Table.

About William Walton Edition

In March 2014 Oxford University Press published the last volume in its magnificent William Walton Edition, the only complete critical edition of a 20th-century British composer's oeuvre. All 24 volumes are handsomely printed and bound. Walton's entire output is now available to scholars and performers in a definitive and fully practical edition, based on the form in which the composer ultimately wished his music to be performed. The general editor, David Lloyd-Jones - the eminent conductor, English music specialist, and founder of Opera North - invited a world-class expert to edit each volume. Carefully researched introductory essays place the works in their historical context and in the composer's oeuvre, and there are full critical notes.

Full Score. By Giacomo Puccini. String. Size 9x12 inches. 64 pages. Published by Ricordi.

Composed by William Walton (1902-1983). Edited by Steuart Bedford. For mixed choir, baritone voice solo, and orchestra (piccolo, 2 flutea, 2 oboea, english horn (opt.), 2 clarinets, bass clarinet, alto saxophone, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion, mixed chorus, baritone solo, piano, organ, 2 harps, strings; 2 brass bands). Oratorios. William Walton Edition. Pieces and Studies. Level D (difficult). Study score. 176 pages. Duration 35'. Published by Oxford University Press

Brass

SKU: OU.9780193683198

William Walton Edition vol. 21. Composed by William Walton. Edited by Elgar Howarth. William Walton Edition. Full score. 168 pages. Oxford University Press #9780193683198. Published by Oxford University Press (OU.9780193683198).

ISBN 9780193683198. 13 x 10 inches.

This volume brings together all the music Walton wrote for brass throughout his life, from the various fanfares, often written for ceremonial occasions, to the more extended work, The First Shoot, a piece which the editor of this volume, Elgar Howarth, was instrumental in bringing to life. The volume includes full critical apparatus and selected facsimiles of manuscript pages.

About William Walton Edition

In March 2014 Oxford University Press published the last volume in its magnificent William Walton Edition, the only complete critical edition of a 20th-century British composer's oeuvre. All 24 volumes are handsomely printed and bound. Walton's entire output is now available to scholars and performers in a definitive and fully practical edition, based on the form in which the composer ultimately wished his music to be performed. The general editor, David Lloyd-Jones - the eminent conductor, English music specialist, and founder of Opera North - invited a world-class expert to edit each volume. Carefully researched introductory essays place the works in their historical context and in the composer's oeuvre, and there are full critical notes.

Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For violin and orchestra (solo violin, 2 flutes, 2 oboes, 2 clarinets in A, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, percussion, harp, strings). William Walton Edition. Pieces and Studies. Level D (difficult). Study score. 184 pages. Duration 30'. Published by Oxford University Press