SATB choir, vocal soloists, ensemble

SKU: FG.042-07701-6

Composed by Erik Valdemar Bergman. Score. Published by Fennica Gehrman (FG.042-07701-6).

ISBN 979-0-042-07701-6.

The Hathor Suite for soprano, baritone, mixed chorus and ensemble (cor anglais, flute, harp and percussion) is Bergman's most colourful works. The first movement is to the goddess' power and glory. In the second movement the glissandos and changing vowel-sounds of the chorus wind around a harp ostinato. The ecstatic third movement is based on an ostinato rhythm. In the fourth movement the vibraphone and female chorus have a chord which gradually expands to include all twelve chromatic notes. The fifth movement celebrates the goddess as 'a lady of the dance, mistress of the music'. Text: Siegfried Schott after ancient Egyptian texts (German), duration 18 minutes.

Composed by Camille Saint-Saens (1835-1921). Arranged by Steven Verhaert. For Brass Quintet, Timpani, Vibraphone, Cymbals and Organ. Difficult. Published by Golden River Music

Chamber Music Double Bass, Vibraphone, Viola, Violin, Violoncello

SKU: CF.MXE55

Composed by Paul Lansky. Set of Score and Parts. 8+8+8+8+8+32 pages. Duration 17:55. Carl Fischer Music #MXE55. Published by Carl Fischer Music (CF.MXE55).

ISBN 9781491153864. UPC: 680160911363.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 187273; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

Paul Lansky

Frame 1 100

Minuetto (Post-Classical, c. 1810) 352

Frame 2 125

Angst (Post-Romantic, c. 1910) 353

Frame 3 122

Dance (Post-Modern, c. 2010) 535

Frame 4 050

Total Duration 1755

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

--Paul Lansky

Frame 1 1'00

Minuetto (Post-Classical, c. 1810) 3'52

Frame 2 1'25

Angst (Post-Romantic, c. 1910) 3'53

Frame 3 1'22

Dance (Post-Modern, c. 2010) 5'35

Frame 4 0'50'

Total Duration 17'55

.
Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround. The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008. --Paul Lansky Frame 1 1'00 Minuetto (Post-Classical, c. 1810) 3'52 Frame 2 1'25 Angst (Post-Romantic, c. 1910) 3'53 Frame 3 1'22 Dance (Post-Modern, c. 2010) 5'35 Frame 4 0'50' Total Duration 17'55.
Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames’ comment on the harmonies of the movements that they surround.The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872–73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.—Paul LanskyFrame 1 1’00Minuetto (Post-Classical, c. 1810) 3’52Frame 2 1’25Angst (Post-Romantic, c. 1910) 3’53Frame 3 1’22Dance (Post-Modern, c. 2010) 5’35Frame 4 0’50’Total Duration 17’55.

Percussion

SKU: HL.14037784

Composed by Per Norgard. Music Sales America. Classical. Part. 146 pages. Edition Wilhelm Hansen #WH30964. Published by Edition Wilhelm Hansen (HL.14037784).

ISBN 9788759818060. 12.0x16.5x0.709 inches.

Per Nørgård 's En Lys Time / A Light Hour (2009) for a variable Percussion Ensemble (min. 10 players).

In A Light Hour everything - rhythms and motifs – is based on Nørgård&acut e;s special infinity series.

Parts available: WH30964A

Programme note

A Light Hour is for ‘any number of percussion musicians’ (but a minimum of ten). The duration is about 60 minutes. The instrumentation is in principle open, as long as percussion is used within the three types specified in the score: skin, metal and wood. Each musician uses two soundsources with two different sounds, one of which is bright (or light) and the other dark. Certain passages also include tuned percussion instruments – vibraphone, xylophone, marimba, gamelan, glockenspiel, steel drums, crotales and the like. 

The work integrates and combines a number of rhythms that Nørgård has used in percussion works since the 1970s, for example in Early Spring Dance (for choir and percussion), and percussion works like I Ching, Easy Beats, Whirls, Zigzag, Nemo Dynamo and Echo Zone I-II-III. 

Special “tone-feasts” (the composer’s term) – followed by a rest – are an recognizable 
me lodic feature of the work.: the first minute end with a short tone-feast (and a rest), the first four minutes end with a tone-feast lasting a minute (and a rest), the first quarter of an hour ends with a tone-feast of four minutes (and a rest) – and the work ends with a tone-feast lasting quarter of an hour (and a rest, when the work is over ...). 

The first 15 minutes have a bright, light character throughout, and alternate between 
rhythms and melodic play. The following 15 minutes are more insistent and decidedly 
percu ssion-based, Afro-Cuban, whereas the third quarter of A Light Hour moves in the.

Percussion ensemble - 6 players - Grade 3

SKU: CL.121-0176-00

Composed by J. Spears. Ensemble. Composed 1978. C.L. Barnhouse #121-0176-00. Published by C.L. Barnhouse (CL.121-0176-00).

6 Players Instrumentation: P1-Bells; P2-Marimba; P3-Marimba (share with P2), Chimes; P4-Vibraphone; P5-Timpani (3-4); P6-Triangle, Tom Toms (4).

(three Bach inventions for mallet duo). By Johann Sebastian Bach (1685-1750). Arranged by Brian Slawson. Mallet Duet. For 1 small marimba (4 octave), one 4.3 octave marimba (low A) NOTE: If necessary, the treble clef part (small marimba) may be played on vibraphone (2 players). Percussion Duets. Medium. Score and parts on CD-ROM. 8 pages. Duration 3'10 . Published by Tapspace Publications

Composed by Morris Goldenberg. Edited by musical interpretations and editing by Anthony J. Cirone. Method/Instruction; Percussion - Mallet Instrument Method. Morris Goldenberg Classics. Book. 132 pages. Alfred Music #00-0505B. Published by Alfred Music

Jazz ensemble - Grade 3

SKU: CL.032-4577-01

Composed by Jr. Vuono. Jazz Ensemble. Extra full score. Composed 2017. Duration 3 minutes, 14 seconds. C.L. Barnhouse #032-4577-01. Published by C.L. Barnhouse (CL.032-4577-01).

Freddy the Frog is the ideal showcase for your ensemble! A creative 12-bar blues features a clever melody and imaginative changes, and every section is featured. No solos to worry about, just tasty and inventive ensembles that keep building up to an inspired and swingin’ shout chorus. Expertly scored with modest ranges, this chart works well for bands from intermediate to expert level. Optional flute and vibraphone parts add a dashing splash of color. Packed with personality to spare, Freddy the Frog is sure to become a perennial favorite, and makes a superlative concert or contest selection. Totally engaging and irresistible!

By Astor Piazzolla. For Flute, Bandoneon, Piano, Guitar, Vibraphone, Percussion, Strings. Tango, Orchestra. Score. Published by Tonos (German import).

Orchestra

SKU: BT.ALHE31787

Composed by Amy. Classical. Study Score. 41 pages. Heugel & Cie #ALHE31787. Published by Heugel & Cie (BT.ALHE31787).

French.

For flute, piano (or celeste), harp and vibraphone (or marimba).

Vibraphone or marimba

SKU: LM.C06468

Composed by Bruno Lescarret. Percussions audio. Classical. Score and CD. Editions Combre #C06468. Published by Editions Combre (LM.C06468).

ISBN 9790230364683.

Fanfare Band - Grade 3.5

SKU: BT.DHP-1145556-020

Composed by Stijn Roels. Concert and Contest Collection Brass Band en Fanfare. Set (Score & Parts). Composed 2014. De Haske Publications #DHP 1145556-020. Published by De Haske Publications (BT.DHP-1145556-020).

English-German-French- Dutch.

The Other Side was written as a farewell to a loved one. Following the melancholy theme of mourning in a minor key we also hear the happy memories in major key and also the knowledge that the person who has gone to ‘a better place’ is now at peace. This is a soulful and calm work that leaves plenty of space for the musicians’ and listeners’ own thoughts. This set includes optional parts for piano and vibraphone.

The Other Side is geschreven als afscheid van een geliefde persoon. Behalve het melancholische mineurthema komen in dit werk ook mooie herinneringen in majeur naar voren. Bovendien klinkt in de muziek de hoop door dat de betreffende persoon nueen goed leven heeft ‘aan gene zijde’. Dit gevoelige, rustige werk laat muzikanten en luisteraars de ruimte voor hun eigen gedachten. De set bevat optionele partijen voor piano en vibrafoon.

THE OTHER SIDE wurde zum Abschied von einem geliebten Menschen geschrieben. Neben dem melancholischen Trauerthema in Moll klingen jedoch auch die schönen Erinnerungen in Dur durch und auch die Zuversicht, dass es die Person nun auf der „anderenSeite“ ; gut hat. Ein gefühlvolles, ruhiges Werk, das den Musikern und Zuhörern angenehm viel Raum lässt, ihre eigenen Gedanken schweifen zu lassen. Das Set enthält optionale Stimmen für Klavier und Vibraphon.

The Other Side (De l’autre coté) se compose de trois mouvements ininterrompus exprimant tout d’abord, le chagrin que l’on éprouve la perte d’un être cher mais aussi les moments heureux passés avec lui. Alors que le deuxième mouvement s’achève brutalement sur un fortissimo, vient ensuite un dernier mouvement instaurant une ambiance impressionniste magique : il évoque l’adieu, le passage vers une nouvelle vie. Une œuvre lente qui privilégiera vos moments de recueillement.

The Other Side è stata composta per dare l’addio a una persona cara. Oltre al tema malinconico del lutto in tonalità minore, arriva il suono dei bei ricordi in tonalità maggiore. Si confi da nel fatto che la persona riposiin pace. Un brano sentimentale e tranquillo, che lascia a musicisti e ascoltatori ampi spazi gradevoli per consentire ai propri pensieri di vagare. Il set comprende parti opzionali per pianoforte e vibrafono.

Composed by Joe Henderson. Arranged by Kris Berg. Jazz Ensemble. Jazz Ensemble; Part(s); Score. Jazz Band Series. Jazz. Grade 3.5. 110 pages. Published by Alfred Music

By Isaac Albéniz. Orchestra. For full (vibraphone opt marimba, bells, timp, snare, bass, tamb, triangle, crashcym, castinets, fingercym, pno). Full Orchestra; Masterworks; Part(s); Score. Belwin Concert Full Orchestra. Form: Transcription. Masterwork Arrangement; Romantic. Grade 4.5. 228 pages. Published by Belwin Publishing

(Timpani Feature). Composed by Stanley Leonard. Solo with Percussion Ensemble. For Solo with Percussion Ensemble (Solo Timpani (5 drums), Percussion 1: large maracas, xylophone, snare drum, 4 temple blocks, crotales (2 octaves), guiro, mark tree, Percussion 2: bells, claves, Percussion 3: xylophone, vibraphone, large cowbell, Percussion 4: chimes, tam-tam, vibraslap,). Medium difficult. Score and parts. Published by C. Alan Publications

By Robert W. Rumbelow. For Solo with Percussion Ensemble (Concert Organ, Percussion 1 (taiko drum, orchestra bells, 2 medium tams, 3 low Noa bells [or temple bowls], bowed crotales), Percussion 2 (taiko drum, vibraphone, 3 high tams, nipple gong, small temple chimes, bow), Percussion 3 (taiko drum, 4.3-octave Ma). Medium. Duration 9:30. Published by C. Alan Publications

By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Level: Grade 6. Conductor Full Score. Duration 21:00. Published by Manhattan Beach Music.

Percussion ensemble - 8 players - Grade 3

SKU: CL.121-0185-00

Composed by J. Spears. Ensemble. Composed 1982. C.L. Barnhouse #121-0185-00. Published by C.L. Barnhouse (CL.121-0185-00).

8 Players Instrumentation: P1-Bells; P2-Xylophone; P3-Marimba; P4-Vibraphone; P5-chimes; P6-Timpani (3); P7-Suspended Cymbal, Tom Toms (4), Sleigh bells; P8-Snare Drum, Triangle, Suspended Cymbal.

(Percussion Music/Mallet/marimba/vibr a). By Gwin, Steven. For Marimba (Marimba). Percussion Music - Mallet/Marimba/Vibraphone . Southern Music. Grade 3. Southern Music Company #ST490. Published by Southern Music Company

Metamorphoses on a Theme by Tchaikovsky for Wind Orchestra. By Johan De Meij. (Score and Parts). Amstel Concert Bands. Published by Amstel Music.

Composed by David Maslanka. Score and parts. With Standard notation. Carl Fischer #J000764. Published by Carl Fischer (CF.J764).

Jazz Ensemble - Grade 4

SKU: AP.41140S

Composed by Victor Lopez. Jazz Ensemble; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Premier Jazz Series. Jazz; Latin. Score. 24 pages. Alfred Music #00-41140S. Published by Alfred Music (AP.41140S).

UPC: 038081470214. English.

This Cuban-flavored salsa is interspersed with some funk grooves. At 190 BPM, this chart includes written solos for trumpet 2 and tenor, and a lead trumpet range is to written A above the staff. Also includes Latin percussion and vibraphone parts. Hot stuff! (3:56) This title is available in MakeMusic Cloud.

Composed by Howard J. Buss (1951-). ...sure to be applauded by soloist, ensemble and audience alike. A melodious trumpet part, an animated accompaniment featuring toe-tapping rhythms, some flashy mallet playing, and the influences of the jazz and Latin idioms will go a long way to ensure th. 21st Century. Score and part. Composed 2004. Duration 10'. Published by Brixton Publications (B7.B392).

(Percussion Music/Mallet/marimba/vibr a). Arranged by Weinberg, Norman. For Percussion Ensemble (Percussion). Percussion Music - Mallet/Marimba/Vibraphone . Southern Music. Grade 2. 18 pages. Southern Music Company #ST702. Published by Southern Music Company

SKU: HL.48185816

Composed by Jacques Delé and cluse. Leduc. Classical. Softcover. Alphonse Leduc #AL29547. Published by Alphonse Leduc (HL.48185816).

For vibraphone (4 octaves) and marimba (4.3 octaves).

Saxophone quartet, percussion

SKU: FG.042-08429-8

Composed by Erik Valdemar Bergman. Score. Published by Fennica Gehrman (FG.042-08429-8).

ISBN 979-0-042-08429-8.

This two-movement work, inspired bythe skills of the Rascher Quartet, is conceived as a constant interplay between four saxophones and a single percussionist. Bright percussion timbres such as vibraphone, campane, crotales and tambourine are used to complement the soloistic, contrapuntal character of the saxwriting. Meditative and virtuosic passages alternate and seemingly contradictory forces are reconciled. The melancholy and grotesque, the lyrical and dramatic all find expression here.

Chamber ensemble Clarinet, Contrabass, Flute, Oboe, Viola, Violin, Violoncello

SKU: PR.11441167S

Composed by Chen Yi. Full score (study). With Standard notation. 56 pages. Duration 14 minutes. Theodore Presser Company #114-41167S. Published by Theodore Presser Company (PR.11441167S).

UPC: 680160016976. 8.5 x 11 inches.

Commissione d by Boston Musica Viva with funds provided by Catherine and Paul Buttenwieser, premiered on March 15, 2002, in Boston, directed by Richard Pittman, Wu Yu is composed for flute, clarinet (doubling bass clarinet), bassoon, violin, cello and percussion (vibraphone, bongo, Japanese high woodblock, cymbal, 2 Chinese gongs, tom-tom and bass drum), in two movements. Wu Yu was a ritual dance in ancient China, which includes song and dance performed with ox tails in hands. It's a ceremony of praying to the deity for rain. In the first movement of my composition Wu Yu, I use the flute, clarinet and bassoon to play in heterophonic style, imitating the tunes played by a group of suona players in a village ceremony (the blowing instrument suona is a shawm, made with wood), while using other instruments to create sheng-like sustained chords (the Chinese traditional instrument sheng is a free-reed mouth-organ, made with a gourd). The music starts slowly, and gets faster and faster towards the coda. In the second movement, I imitate a whole group of Chinese traditional percussion instruments played in the folk ensemble music Shifan Gong-and-drum in Southeast China, which is often used in ceremonies and village gatherings. The music is brought to a climax at the end of the work. The whole piece lasts about 14 minutes. --Chen Yi.